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12 articles
Article
A re-assembled altarpiece by Bernard van Orley
02/2017 | 1367 | 159
Pages: 88-98
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Author:
Lootsma, Hilbert (Lootsma, Hilbert)
Subjects
art literature:
Burtin, Franz-Xavier de
artists:
Orley, Bernaert van
dates:
1520-1539
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
subjects:
Altarpieces / Collections, Public / Netherlandish painting / Dutch painting / Provenance / Attributions / Attributions, former / Visual sources / Technical analysis / Scientific analysis / Identification / Fragments / Composition (artistic arrangement) / Christian iconography
Illustrations
Attributed works:
1. Apelles painting Campaspe, by Willem van Haecht. c.1630 (Mauritshuis, The Hague)
Attributed works:
11. The Holy Women and St John, by Bernard van Orley. c.1520 (Private collection, Antwerp)
Attributed works:
12. Stoning of St Stephen from the Acts of the Apostles, by Pieter van Aelst after Raphael. 1519 (Musei Vaticani, Vatican City)
Attributed works:
13. Figs.3 and 11 juxtaposed to show the alignment of the landscape
Attributed works:
14. The Circumcision (the front of a double-sided panel), by Bernard van Orley. c.1520(?) (Kunsthistorisches Museum, Vienna)
Attributed works:
15. Fragment of an Ecce Homo, the reverse of Fig.13, by Bernard van Orley. c.1520(?) (Kunsthistorisches Museum, Vienna)
Attributed works:
2. The left outer wing of the Job and Lazarus polyptych, by Bernard van Orley. 1521 (Royal Museums of Fine Arts, Brussels)
Attributed works:
3. Roman warrior and kneeling figure, by Bernard van Orley (and studio). c.1520 (Museum der bildenden Künste, Leipzig)
Attributed works:
4. The Crucifixion from the Alba Passion, by Pieter de Pannemaker after Bernard van Orley. c.1520 (National Gallery of Art, Washington)
Attributed works:
5. Frontispiece of vol. 2 of Franz-Xavier de Burtin's Traité, by Frédéric Théodore Faber. c.1808
Attributed works:
6. Detail of Fig.3
Attributed works:
7. Detail of Fig.4
Western art unattributed:
10. Infra-red photograph of Fig.11
Western art unattributed:
8. Infra-red photograph of Fig.3
Western art unattributed:
9. X-radiograph photograph of Fig.3
Book Review
Niederländische Malerei 1430–1800. Museum der bildenden Künste Leipzig
08/2013 | 1325 | 155
Pages: 557
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Reviewer:
Kemperdick, Stephan (Kemperdick, Stephan; Kemperdinck, Stephan)
Subjects
dates:
1400-1699 / 1700-1799
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
subjects:
Catalogues / Collections, Public / Netherlandish painting / Dutch painting / Flemish painting
Exhibition Review
Max Beckmann. Leipzig
02/2012 | 1307 | 154
Pages: 144-146
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Reviewer:
Rainbird, Sean (Rainbird, Sean)
Subjects
artists:
Beckmann, Max
dates:
2010-2019
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
places:
Leipzig / Germany
print:
Beckmann, Max
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Max Beckmann. Von Angesicht zu Angesicht | institution: Museum der bildenden Künste
Illustrations
Attributed works:
70. Quappi and the Indian, by Max Beckmann. 1941. Canvas, 95 by 55.5 cm. (Museum Folkwang, Essen; exh. Museum der bildenden Künste, Leipzig).
Exhibition Review
Twentieth-century German art. Düsseldorf, Berlin, Leipzig and Cologne
10/2005 | 1231 | 147
Pages: 699-702
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Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
Heisig, Bernhard / Richter, Daniel / Rauch, Neo / Léger, Fernand / Beckmann, Max
dates:
2000-2009
dates:
1900-1999
museums and institutions:
Martin-Gropius-Bau, Berlin, Germany / Museum der bildenden Künste, Leipzig, Germany / Museum Ludwig, Cologne, Germany / Neue Nationalgalerie, Berlin, Germany
museums and institutions:
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
places:
Germany / Berlin / Leipzig / Cologne / Düsseldorf
print:
German art
subjects:
Reviews / Exhibitions / German painting / Brücke
Reviewed Items
subjects:
Bernard Heisig. Die Wut der Bilder | institution: Kunstsammlung Nordrhein-Westfalen , institution: Martin-Gropius-Bau , institution: Museum der bildenden Künste
subjects:
Brücke und Berlin. 100 Jahre Expressionismus | institution: Neue Nationalgalerie
subjects:
Max Beckmann, Ferdnand Léger, Unerwartete Begegnungen | institution: Museum Ludwig
Illustrations
Attributed works:
59. Mechanisms of amnesia, by Bernhard Heisig. 1981. 151.5 by 242 cm. (Landesmuseum für Kunst und Kulturgeschicte Oldenburg; exh. Martin-Groupis Bau, Berlin).
Attributed works:
60. The impure, by Neo Rauch. 2004. 270 by 210 cm. (Sammlung Queenie, Munich; exh. Museum der Bildenden Künste, Leipzig).
Attributed works:
61. Acrobat, by Matthias Weischer. 2005. 40 vby 30 cm. (Galerie Eigen+Art, Leipzig/Berlin; exh. Museum der Bildenden Künste, Leipzig.
Attributed works:
62. Lido, by Max Beckmann. 1924. 72.5 by 90.5 cm. (Saint Louis Art Museum; exh. Ludwig Museum, Cologne).
Attributed works:
63. Decorations by Ludwig Kirchner in his studio at Körnerstraße 45, Berlin-Friedenau. Photograph 1914. (Kirchner Museum Davos; exh. Neue Nationalgalerie, berlin).
Exhibition Review
Max Liebermann. Berlin, Leipzig and Hanover
05/1998 | 1142 | 140
Pages: 348-350
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Reviewer:
Osmond, Jonathan (Osmond, Jonathan)
Subjects
artists:
Liebermann, Max
dates:
1990-1999
museums and institutions:
Alte Nationalgalerie, Berlin, Germany
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
museums and institutions:
Niedersächsisches Landesmuseum, Hannover, Germany
places:
Germany / Berlin / Leipzig / Hannover
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
50. Recreation in the Amsterdam Orphanage, by Max Liebermann. 1881-82. 78.5 by 107.5 cm. (Städelsches Kunstinstitut, Frankfurt; Exh. Museum der bildenden Künste, Leipzig).
Attributed works:
51. Workers in the Turnip Field, by Max Liebermann. 1874-76. 98 by 209 cm. (Niedersächsisches Landesmuseum, Hanover; Exh. Museum der bildenden Künste, Leipzig).
Attributed works:
52. Self-Portrait with Kitchen Still Life, by Max Liebermann. 1873. 85.3 by 139 cm. (Städtisches Museum, Gelsenkirchen; Exh. Museum der bildenden Künste, Leipzig).
Attributed works:
53. Self-Portrait, by Max Liebermann. 1916. 73.7 by 94 cm. (Niedersächsisches Landesmuseum, Hanover; Exh. Museum der bildenden Künste, Leipzig).
Exhibition Review
Lucas Cranach. Kronach and Leipzig
10/1994 | 1099 | 136
Pages: 719-720
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Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
artists:
Cranach, Lucas, the Elder, 1472-1553
dates:
1990-1999
museums and institutions:
Festung Rosenberg, Kronach, Germany
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
places:
Germany / Leipzig / Kronach
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
75. St Antony as Hermit, by Lucas Cranach. c. 1520-25. Panel, 147 by 94.5 cm. (Diocese of Litomer̆ice; Exh. Festung Rosenberg, Kronach).
Attributed works:
76. St Catherine, by Lucas Cranach and Workshop. c. 1530. Silverpoint and Brown and Grey Wash on Prepared Parchment, 16.5 by 12.8 cm. (Private Collection; Exh. Festung Rosenberg, Kronach).
Exhibition Review
Max Beckmann. Leipzig and Frankfurt
12/1990 | 1053 | 132
Pages: 895-897
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Reviewer:
Twohig, Sarah O'Brien (Twohig, Sarah O'Brien; O'Brien-Twohig, Sarah)
Subjects
artists:
Beckmann, Max
dates:
1990-1999
museums and institutions:
Städel Museum, Frankfurt am Main, Germany
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
places:
Leipzig / Frankfurt / Germany
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
98. Young Men by the Sea, by Max Beckmann. 1905. 148 by 235 cm. (Schlossmuseum, Weimar; Exh. Städelsches Kunstinstitut, Frankfurt).
Attributed works:
99. Argonauts Triptych, by Max Beckmann. 1950. Centre Panel, 203 by 122 cm.; Wings, 189 by 84 cm. (National Gallery of Art, Washington; Exh. Städelsches Kunstinstitut, Frankfurt).
Article
A Preparatory Study for Salvator Rosa's L'Umana Fragilità
04/1977 | 889 | 119
Pages: 272-273
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Author:
Miller, Dwight C. (Miller, Dwight C.; Miller, Dwight)
Subjects
artists:
Rosa, Salvator
dates:
1600-1649
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain
museums and institutions:
Crocker Art Museum, Sacramento, United States
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
places:
Italy / England / United States
subjects:
Italian painting / Preliminary drawings
subjects:
Allegorical figures / Allegories
Illustrations
Attributed works:
63. L'Umana Fragilità, by Salvator Rosa. (Fitzwilliam Museum, Cambridge). Reproduced by Courtesy of the Syndics of the Fitz-William Museum.
Attributed works:
64. Preparatory Study for L'Umana Fragilità, by Salvator Rosa. Pen, Ink and Wash, 20 by 17.2 cm. (Museum der Bildenden Kunst, Leipzig).
Attributed works:
65. L'Umana Fragilità, by Salvator Rosa. (Collection F. H. M. Newgate, Arburn Hall, Warwickshire; On Loan to Fitzwilliam Museum).
Attributed works:
66. Preparatory Study for L'Umana Fragilità, by Salvator Rosa. Pen, Ink and Wash, 21.6 by 15.2 cm. (Collection Nathalie and Hugo Weisgall; on Loan to E. B. Crocker Art Gallery, Sacramento, California). Reproduced by Permission of the Crocker Art Gallery.
Article
Two Rubens Paintings Rehabilitated
07/1969 | 796 | 111
Pages: 421-427
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Author:
Heiland, Susanne (Heiland, Susanne)
Subjects
artists:
Rubens, Peter Paul
dates:
1600-1649
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
places:
Netherlands / Flanders
subjects:
Flemish painting / Attributions
subjects:
Walpurga, Saint
subjects:
Catherine of Alexandria, Saint
subjects:
Stephen, Saint
subjects:
Saints / Iconography
Illustrations
Attributed works:
11. St Walburga, by? Leonhard Beck. Woodcut.
Attributed works:
12. The Stoning of St Stephen, by J. F. L. Oeser. Etching (After the Painting in the Former 'Richter'sche Kabinett', Leipzig).
Attributed works:
13. The Stoning of St Stephen, by Sir Peter Paul Rubens. ?Panel Transferred to Canvas, 74 by 56 cm. (Royal Collection, Brussels.)
Attributed works:
7. The Miracle of St Walburga, by Sir Peter Paul Rubens. Panel, 75.5 by 98.5 cm. (Overall Size); 70.5 by 92.5 cm. (Painted Surface). (Museum der bildenden Künste, Leipzig.)
Attributed works:
8. The Miracle of St Walburga. School of Rubens. Red and Black Chalk, Grey Wash, 30.5 by 38.2 cm. (Albertina, Vienna.)
Attributed works:
9. Detail from View of the Interior of St Walburgis, Antwerp, by A. G. Ghering. Canvas. (Formerly St Paul, Antwerp.)
Western art unattributed:
10. Detail of the Walpurga Tapestry, Early Sixteenth Century. (Collection Prince Oettingen-Wallerstein, Schloss Harburg, near Donauwörth.)
Article
Report on the Return of Works of Art from the Soviet Union to Germany
02/1959 | 671 | 101
Pages: 56+58-62
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Author:
Grohn, Hans Werner (Grohn, Hans Werner)
Author:
Maison, K. E. (Maison, K. E.)
Subjects
dates:
1950-1959
dates:
1940-1949
museums and institutions:
Gemäldegalerie, Dresden, Germany
museums and institutions:
Nationalgalerie, Berlin, Germany
museums and institutions:
Museum der bildenden Künste, Leipzig, Germany
places:
Soviet Union / Russia / Germany
places:
Berlin / Dessau / Dresden / Leipzig
subjects:
Repatriation / Works of art
subjects:
Politics
subjects:
Art museums / Collections
subjects:
World War (1939-1945)
Illustrations
Attributed works:
18. Fragments of the Madonna Attributed to Donatello Reproduced in Fig. 19. [Madonna with the Cloak, attributed to Donatello. After Restoration. 90 by 75 cm. (Staatliche Museen, Berlin.)]
Attributed works:
19. Madonna with the Cloak, attributed to Donatello. After Restoration. 90 by 75 cm. (Staatliche Museen, Berlin.)
Attributed works:
20. The Barber, by Augustin de Saint-Aubin. Black Chalk and Pencil, 22.8 by 14.8 cm. (Staatliche Museen, Berlin.)
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