Attributed works:
Anthony Van Dyck. 'The Holy Family'. Oil on Canvas, 101 by 81 cm.
Attributed works:
[ JPL Fine Arts, 26 Davies Street, London] Le Chat c. 1920. Signed Lower Right. 32.7 × 25.1 cm. Pencil on Paper
Attributed works:
[Agnew's, 43 Old Bond Street, London] Malcolm Drummond (1880-1945). Portrait of the Artist's Father. Oil on Canvas, 24 × 21½ in, Signed and Dated 1922
Attributed works:
[Bellezze di Firenze, Palais Pitti, Florence] B. Franceschini dit Il Volterrano, Etude pour le frontispice de l'ouvrage Le Bellezze della città di Firenze
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Jean-Antoine Watteau. Valenciennes 1684-1721 Nogent-sur-Marne. The Portal of Valenciennes (Detail). Oil on Canvas: 32.5 × 40.5cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Nicolas Eliasz Pickenoy 1591 - Amsterdam - 1654/6. Paris and Oenone. Oil on Canvas: 150 × 110cms. Monogrammed Lower Right: NEP
Attributed works:
[Cover] The Parable of the Mote and the Beam, by Domenico Fetti. Wood, 60 by 43.2 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[Flavia Ormond Fine Arts LTD, 24 Brechin Place, London] Tanzio da Varallo. Detail of Virgin's Hand and Arm for the Visitation, San Brizio, Vagna, c. 1627. Red Chalk on Pink Prepared Paper, Traces of White Heightening.
Attributed works:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Charles XII of Sweden. Jacob Dobbermann (1682-1745). 9.6×7.4 cm.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Jan van de Velde (1620 Haarlem - Amsterdam 1662). A Monumental Still-Life with Roemer and Pewterware. Oil on Panel: 69 × 58.5cm. Traces of Signature: Lower Right.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Giovanni Francesco Maria Mazzola, Called Il Parmigianino, 1503-1540. Male Nude and Female Satyr. Pen and Brown Ink over Black Chalk Heightened with White 29.7 × 20.8 cm. Inscribed Recto: 25 de Ago(sto) 1535 and Verso: Parmigiano Inventor
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Pierre Paul Prud'hon 1758-1823. L'Heureuse mère. Black Chalk, Heightened with White Chalk, on Blue Paper, 50 × 39.5 cm
Attributed works:
[Joanna Barnes Fine Arts LTD/ The Matthiesen Gallery, 7- 8 Mason's Yard, Duke Street St James, London/ Birmingham Museum and Art Gallery, Chamberalain Square, Birmingham] John Hancock (1825-1869). Beatrice, c. 1851. Painted Plaster. H. 183cm. Signed: John Hancock Sc. London
Attributed works:
[L'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Les Enluminures, Le Louvre des Antiquaires] Perrin Remiet, Hannibal Receiving a Messenger, Livy, Les Décades, Paris, circa 1380 (305 × 425 mm).
Attributed works:
[Marcello Aldega Margot Gordon] Andrea Boscoli (Florence 1560-1607) Study for St Sebastian, Red and Black Chalk on White Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Max Beckmann (1884-1950). Still Life with Pinkish-Orange Orchids, 1948. $33frac{3}{4}times 21frac{3}{4}$ in./85.7 × 55.2 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London/ Vrijthof 49 Maastricht] Aert van der Neer. ca. 1603 - Amsterdam - 1677. Skaters on the Ice. Panel: 31 × 43.5 cm. Signed with Monogram
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Jean Léon Gérôme (Vesoul 1824 + Paris 1904). A Horse in Profile Trotting to the Left, Ridden by a Young Man. Black Chalk and Charcoal, 230 by 355 mm. On the Reverse, Stamp of the Collection of Aimé Morot (Not Cited in Lugt)
Attributed works:
[Phillips, 101 New Bond Street, London] William Hogarth, (1697-1764), "The Savoyard Girl", Oil on Canvas, 42cm × 34.5cm. Estimate: £7,000-£10,000. Also Recorded as "The Hurdy-Gurdy Player" and "A Young Girl Singing and Accompanying Herself upon the Hurdy Gurdy."
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Study for the Head of Galatea. Oil on Canvas, $18frac{1}{8} text{by} 15frac{1}{8}$ Inches (46 by 38.5 cm.)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An English Terracotta Bust of Sir Andrew Fountaine by Louis-François Roubiliac, Circa 1747, Documented by 1753, 54.5cm High. Estimate: £200,000-300,000.
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Giovanni Francesco Barbieri Il Guercino (1591 Cento - Bologna 1666). Head of a Young Girl. Black and White Chalk on Blue Paper. 231 × 173 mm.
Attributed works:
[Vendu Notarishuis, Kipstraat 54, Rotterdam] H. F. C. Ten Kate, Interior
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Guillaume Urbain Régamey (Paris 1837-1875 Paris). Head of a Moor. Charcoal Heightened with White Chalk, 300 × 316 mm
Non-western art unattributed:
[Michael B. Weisbrod, INC., at the Carlyle, 987 Madison Avenue, New York] Blue & White Vase (Yuhu Chunping). Yuan Dynasty (14th Century). Height: 11¼″ (28.6 cm.)
Western art unattributed:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Roman School, Early 16th Century. Acanthus Tendril. Brown Pen. Colls. Cardinal Alessandro Albani, King George III, R. Dalton, J. MacGowan A. O.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Late 19th Century Bessarabian Tapestry - Woven Carpet, the Floral Designs in Gold and Red on a Dark Brown Field. Size: 10′3″ × 7′2″ (312 × 218 cm)
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Marble Architectural Element from the Tomb of Philippe II Ie Hardi, Duke of Burgundy. France - 15th Century
Western art unattributed:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Rudolf II. Ivory. Prague Circa 1605. 10×8.1 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich] A Westphalian Walnut Figure of Saint Peter, Circa 1450, with Original Polychromy. 38,7 in (98 cm).
