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62 articles
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Advertisements June 1993 (front)
06/1993 | 1083 | 135
Pages: i-xl
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio della Porta, Called Fra Bartolomeo (1472-1517), A Farm on a Ridge. Pen and Brown Ink, Watermark Flower (Tulip) with Two Leaves (cf. Briquet 6664, Florence and Catania, 1508) 15 × 25 cm.
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+ Falk, Kirchgasse 28, Zurich ] Bry, Theodor de. America Sammlungen von Reisen noch Ost - und Westindien. Pt. I - VI. 1591-1620. Richly Illustrated with Engraved Maps and Views. Contemp. Vellum. Very Rare!
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Desiderio da Settignano (Settignano ca. 1430-Florence 1464), Virgin and Child. Marble Relief - 32,5 × 22,5 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] Guido Reni (1575-1642): The Penitent Magdalen, 44¼ × 36in. (112.5 × 91.5cm.). Estimate: £800,000-1,200,000. Removed from Wrotham Park
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michelangelo di Ludovico Buonarroti Simoni, Called Michelangelo (1475-1564): The Meeting of the Infant Saint John the Baptist with the Holy Family on the Rest on the Flight into Egypt, Black and Red Chalk, Pen and Brown Ink, over Stylus Indications, 279 × 391 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street, New York ] Giulio Cesare Procaccini, Bologna 1574 - Milan 1625. The Annunciation. Oil on Panel: 123.5 × 95.5 cms
Attributed works:
[ cover ] Salver with Four Reclining Deities, One of a Pair from the Calverley Toilet Service, by William Fowle. 1683-84. Silver. (Victoria and Albert Museum, London).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1620 Antwerp-Brussels 1690) - The Alchimist - Oil on Canvas: 34,9 × 47,6 cm, Signed and Dated 1652
Attributed works:
[ Dover Street Gallery, 13 Dover Street London ] Alexandre-Marie Colin (1798-1873) An Odalisque. Oil on Canvas. Signed and Dated 1843. 30 by 36.75 cms
Attributed works:
[ Durham Art Gallery, Aykley Heads, Durham ] George Fennel Robson (1788-1833) 'Durham Cathedral from Prebends Bridge'. The Bowes Museum, Durham County Council.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Giovanni Battista Gaulli (Called il Baciccio) 1639-1709. A Preparatory Study for the Group of Charity for an Unexecuted Ceiling Fresco for the Sala del Maggior Consiglio in the Ducal Palace, Genoa. Pen and Brown Ink with Grey Wash over Black Chalk, c.1693. 391 × 278 mm.
Attributed works:
[ Galerie Schmit, 396 Rue Saint-Honoré, Paris ] Stanislas Lépine, "Le Port aux Vins au Pont Sully", Panneau, 15,8 × 23,7 cm. Pient vers 1882 - 1885. "Le Bassin de la Villette", Toile, 34 × 68,5 cm. Peint vers 1876 - 1880.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Evaristo Baschenis (Bergamo 1617 - Wien 1677), Musical Instruments. Oil on Canvas; 85 × 105 cms
Attributed works:
[ Hill-Stone, New York ] Carlo Maratti 1625-1713, St. Joseph Holding the Christchild with the Virgin.
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] King Louis XII and Queen Anne of Brittany in Prayer (200 × 215mm) Attributed to the Master of Philippe of Guelders. Initial from a Royal Antiphonal (Frontispiece?). Paris, France after 1499
Attributed works:
[ Noortman, 40-41 Old Bond Street, London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Phillips, 101 New Bond Street, London ] Ludolf Backhuysen, (1631-Amsterdam-1708), "A View of the Texel with a Man-o-War Lying at Anchor", Oil on Canvas, 55cm × 67.5cm. Estimate: £30,000-£50,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Sir Thomas Lawrence, Portrait of Thomas Dawson, 1st Viscount Cremorne, c.1780. Oil on Canvas, 241.3 by 144.8 cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Pier Jacopo Alari-Bonacolsi Called Antico (c. 1460-1528). The Young Hercules Reading, Manua, circa 1495, Bronze and Gilt Bronze. 9ins (22.9cm) High, Later Carved Wood Base.
Attributed works:
[ Spencer A. Samuels & Co, 52 East 78th Street, New York ] Francesco Salviati, Soldier Fleeing (34.6 × 26 cm) Literature: Francesco Salviati by Luisa Mortari, 1992, Illustration no. 400
Attributed works:
[ The Grosvenor House Antiques Fair, London (C. John, 70 South Audley Street, Mayfair, London) ] A French Beauvais Tapestry, Finely Woven in Silk and Wool. From the Series La Noble Pastorale - The Foundation of Love. From the Workshops of Charron, Circa 1760. Dimensions, 276.7 × 292 cm (109 × 115 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ( Agnew's) ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Very Fine Miniature Tea and Coffee Set by Paul de Lamerie. Circa 1725. This 17 Piece Set Is the Most Expensive Miniature Set Ever.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Caspar Netscher, (1639-84). Self Portrait. Oil on Canvas, 18¼ × 14½ in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] David Bomberg (1890-1957), A View of the Mount of Olives. Oil on Board, 20 × 26 Inches, Signed and Dated 25
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fernando Yañez de la Almedina (Active 1501-1531 in Valencia), Christ as Salvator Mundi. Oil on Panel 23.5 × 15.3 cm. Circa 1500-1515
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jenny Lind by Friedrich Heinrich Karl Schmidt-Carlson (1806-87). Signed and Dated 'Schmidt-Carlson Lubeck 1852'. Oil on Metal, 15.5 × 14 cm (6 × 5½ in).
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucas Cranach the Elder, Judith with the Head of Holofernes, c1530. Oil on Limewood Panel. 29½ × 21¼ Inches / 75 × 54 cm
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Earthenware Horse Biting at Its Left Knee, Glazed in Cream and Brown with Pink and Red Pigments and Gilding. Tang Dynasty, 8th Century. Height: 54.7cm
Non-western art unattributed:
[ J. J. Lally & Co., 41 East 57 Street, New York ] Archaic Jade Notched Disk, Xuanji Neolithic/Shang Dynasty, 2nd Millennium B. C. Diameter $4frac{3}{8}$ Inches (11.2 cm)
Non-western art unattributed:
[ Syz, 94 Eaton Place, London ] A Shakudo nanako Tsuba Carved in Low Relief, Details Inlaid in Gold and Silver. Unsigned, Mino-Goto School, Mid-Edo Period. 7.5 × 7.2 × 0.5 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Chinese Stone Head of a Man. Yuan Dynasty, 1279-1368. An Unusual Stone Head of a Man, Wearing a Hat with a Shaped Crest, His Face and Features Well Defined with a Gentle, Sensitive Smile. Height 28.5 cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Fine and Rare Mughal Jade Bowl with Crenellated Rim and S-Curl Handles, the Stone a Green Tone with Russet Markings. Turkestan, 18th Century. Length across the Handles 20 cm (8 in).
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Rare Chinese, Porcelain, Oval, White-Glazed, Rococo-Style Tureen and Cover, Modelled from a European Faience Original, Supported on Four Paw Feet Moulded with Irregular Fluted and Ridges; The Sides Set with Scrolling Handles; The Cover Modelled as a Curled Leaf with Spiralling Stem Finial. Early Quianlong Period, 1736-1795. Width: 31½ cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Huanghuali Wood Bookcase. Chinese, Late 16th to Early 17th Century. Height 199.3 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An Ivory Powder Flask. Indian, 17th Century. Length: 25 cm. Width: 5.5 cm.
Western art unattributed:
[ Aronson of Amsterdam, Nieuwe Spiegelstraat 39, Amsterdam ] A Very Rare Dutch Delftware Polychrome Plaque Showing a Musician Playing a Bright Yellow viola da gamba, within a Yellow Border, ca.1760, 27 × 22cm (Without Frame)
Western art unattributed:
[ Asprey, 165 - 169 New Bond Street, London / 725 Fifth Avenue, New York ] The Tatham of Tatham Mazer. A Highly Important Henry VII Mazer Bowl, Maker's Mark W, London 1501, 7″ diameter. This Is the Earliest Recorded Hallmarked Mazer.
Western art unattributed:
[ M. Bascourt, Mechelsesteenweg 17, Antwerp ] Superb marquetry French Cabinet, 2nd. half of the 17th century. Inlay of flowers from different varieties of wood in the Dutch manner, but the ivory jasmine flowers are typically French. Pewter strips with inlay around the central door with Louis XIVth flowers and vase pattern. The sides are also similarly decorated. (Inside three small drawers) 63 × 95 × 39 cm.
Western art unattributed:
[ Perrin, 98 Faubourg Saint-Honoré and 3 Quai Voltaire, Paris ] Suite of Four Stools c.1800. Height: 85 cm. Width: 89 cm. Depth: 47 cm. A rare group of carved and gilded X-form wooden stools The uprights terminate at the top in carved heads of fantastic beasts, whose plumage continues to the level of the seat. A disk decorated with flower petals makes the junction of the uprights. Each stool rests on four claw feet. This series of exceptionally large stools belongs to the world of decorative objects of high fashion at the end of the eighteenth and the beginning of the nineteenth centuries.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A 19th-Century Onyx and Diamond Set Cameo Brooch. English, Circa 1880.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A George III Carved Giltwood Console Table, the Serpentine Fronted Siena Marble Top Resting above a Giltwood Frieze. The Legs Comprising 'C' Scrolls Are United at the Base by a Cartouche-Shaped Stretcher, Supporting a Springer Spaniel, a Partridge and a Musket. English, Circa 1765. Height: 37 in. (94 cm). Width: 50 in. (127 cm). Depth: 24 in. (61 cm).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Highly Important and Extremely Rare Queen Anne Japanned Bureau Cabinet. Circa 1708. Height: 92 in. Width: 39½ in.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Pair of Empire Giltwood Armchairs of Assyrian Inspiration. French, Circa 1800. The Musee des Arts Decoratifs in Paris Shows an Armchair That Belonged to the President de L'Assemblee Very Similar to These Armchairs, after a Drawing by the Architect Poyet. Height of Back 92 cm (36¼ in). Height of Seat 43 cm (17 in). Width 70 cm (27½ in). Depth 70 cm (27½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An exceptional George III harewood and marquetry tambour writing table. English, circa 1775. Height 91.5 cm (36 in). Width 82 cm (32½ in). Depth 72 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] French Faience Lion. Early 18th Century. One of a Pair. Height 73.1 cm ($28frac{3}{4}$ in) and 72.4 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] The 'Pokrov'. Russian, Third Quarter of the 15th Century.
Advertisements
Advertisements May 1992 (front)
05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
Advertisements
Advertisements December 1991 (front)
12/1991 | 1065 | 133
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Severo Calzetta da Ravenna 'A Boat-Shaped Oil Lamp and Stand' Bronze: Height: 29 cm
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Charles Meryon. La Galerie, Notre-Dame, Paris. Etching and Drypoint. (1853). Delteil-Wright 26 before I (Of V).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Giuseppe Cesari Called Cavaliere D'Arpino. Arpino 1568-1640 Rome. The Virgin and Child with Saints Peter and Paul. Oil on Canvas: 173 × 118 Centimeters
Attributed works:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] St. Joseph of Arimathea, North Italian (Bologna), Circa 1750 by Ubaldo Gandophi. Height: 24½ Inches
Attributed works:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Venus, French (Limoges) Plaque, 16th Century by Leonard Limousin. Diameter: 13½ Inches Ex-Coll: J. P. Morgan
Attributed works:
[Emmanuel Moatti, 77 Rue des Saint - Peres, Paris] Domenico Rietti Called Lo Zaga (Known between 1543 and 1581) 'Perseus Freeing Andromeda'. Pen and Brown Ink, Brown Wȧsh Heightened with White. 23 × 38,5 cm. Preparatory for the Fresco at Castel Sant'Angelo in Rome c. 1543-1548. Provenance: Collection Jabach, Exhibited at "Gli Affreschi di Paolo III a Castel Sant'Angelo 1543-1548" Rome 1981-1982, No 50.
Attributed works:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Ivory Attributed to Balthasar Permoser (Kammer 1651-Dresden 1732). Height 34 cm.
Attributed works:
[Front cover] Samson and the Philistines, by Vincenzo Foggini. 1749. Marble, 233 cm. High. (Victoria and Albert Museum, London).
Attributed works:
[L'arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[M. L. Wurfbain Fine Art, Dorpsstraat 67, Oegstgeest] Adriaen Verboom (1627/28-1673?) with Figures by Jan Lingelbach (1622-1674) An Italianate Landscape with Travellers. Oil on Canvas, 76 by 67 cm. Signed:...Boom (See Our Catalogue p. 137; Available at 25 Guilders)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Oskar Kokoschka (1886-1980) Hockende (Madchenakt) - Crouching Nude, c.1913. Ink and Watercolour on Paper. $17frac{3}{4}times 12frac{1}{8}$ in./45 × 30.8 cm.
Attributed works:
[Olimpia Theodoli, 55 Cambridge Street, London] Hendrik Goltzius (Mühlbrecht 1558-Haarlem 1617). Persephone. Chiaroscuro Woodcut Printed from Three Blocks, in Black, Ochre and Brown. Bartsch 236, Hirschmann 370, Strauss 424, Only State. 348 × 258 mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Nicholas Poussin (1594-1655), "A Mythological Scene; Jupiter and Eurynome (?)", Pen and Ink with Bistre Wash over Traces of Black Chalk, 21.7cm × 38.7cm. Estimate: £25,000-£35,000.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Bartholomeus Breenbergh, View of Bomarzo, Circa 1625. Oil on Canvas, 97 × 135 cm. ($38frac{3}{16}times 53frac{1}{8}$ Inches) On Loan.
Attributed works:
[Richard Reed Armstrong, Chicago] Francoise Gilot, Tulips. 1991. Color Lithograph. 578 × 470 mm. Edition of 50. Signed in Pencil.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Gustave Courbet (1819-1877). La Vague, temps d'orage, Oil on Canvas, 65 × 81 cm. Signed Lower Left 'G. Courbet', and Painted in 1869 at Etretat
Attributed works:
[The London Original Print Fair, London] Henri de Toulouse-Lautrec, La Clownesse Assise, Lithograph, 1896
Attributed works:
[W.M. Brady & Co, 3 East 77th Street, New York] Filippo Baldinucci (Florence ca. 1624-1696) Portrait of a Young Man. Black and Red Chalks, 230 × 165 mm
Western art unattributed:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux-Arts, Monaco] 'Charity' Exceptional Wood Sculpture (Height: 167cm.) Italy, Piedmont(?) First Quarter of XVIth Century Comparison: Victoria & Albert Museum, London - "Hall 20 'Crucifixion' No. 137 - 1891"
Western art unattributed:
[Bresset, 5 quai Voltaire and 179 bd Saint Germain, Paris] Saint-Jean Baptiste bois de chene Allemagne, Region de Kalkar vers 1480. H.69 cm
Western art unattributed:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] GERMAN, 16th Century. SISYPHUS, Brown Ink and Sepia over Pencil. 15.3 by 10.2cm.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Terracotta modello of the Head of Hygieia for the Monument in Honour of Louis XV in the Hôtel de Ville, Rennes. Height, Including Plinth: 51 cm.
Western art unattributed:
[Daedalus Ancient Art, 41 East 57th Street, New York] Roman, 2nd Century A. D. Height 49 cm
Western art unattributed:
[Donati Arte Classica, Via Peri 9, Lugano] Marble Head Representing 'Hermes', h: 30 cm Roman Copy of a Greek Original 4th Century B. C.
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Arrival of the Sabines, French (Lyons) Maiolica Plate, Late 16th Century. Fleischer, Nurnberg Coat-of-Arms. Diameter: $18frac{1}{8}$ Inches
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Lion Aquamanile, North German, Early 13th Century. Height: 8½ Inches
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] St. Joseph and Christ Child, Austrian, Circa 1700-10 by Meinrad Guggenbichler. Height: 23½ Inches
Western art unattributed:
[Gallery Gunter Puhze Ancient Art, Stadstr. 28, Freiburg] Rhodian Amphora, Fikellura, End 7th cent. BC. H: 34 cm
Western art unattributed:
[Jacqueline Boccador, 1 Quai Voltaire, Paris/ 6 Rue du Commandant Guichard, Saint - Tropez] Tapestry. Audenarde. End of the XVIth Century. The Meeting of Solomon and the Queen of Sheba. Height: 340 cm. Width: 385 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi". XIII cent. Tempera on Vellum. 100 × 125 mm.
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Advertisements November 1991 (front)
11/1991 | 1064 | 133
Pages: i-xxxii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Anthony Van Dyck. 'The Holy Family'. Oil on Canvas, 101 by 81 cm.
Attributed works:
[ JPL Fine Arts, 26 Davies Street, London] Le Chat c. 1920. Signed Lower Right. 32.7 × 25.1 cm. Pencil on Paper
Attributed works:
[Agnew's, 43 Old Bond Street, London] Malcolm Drummond (1880-1945). Portrait of the Artist's Father. Oil on Canvas, 24 × 21½ in, Signed and Dated 1922
Attributed works:
[Bellezze di Firenze, Palais Pitti, Florence] B. Franceschini dit Il Volterrano, Etude pour le frontispice de l'ouvrage Le Bellezze della città di Firenze
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Jean-Antoine Watteau. Valenciennes 1684-1721 Nogent-sur-Marne. The Portal of Valenciennes (Detail). Oil on Canvas: 32.5 × 40.5cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Nicolas Eliasz Pickenoy 1591 - Amsterdam - 1654/6. Paris and Oenone. Oil on Canvas: 150 × 110cms. Monogrammed Lower Right: NEP
Attributed works:
[Cover] The Parable of the Mote and the Beam, by Domenico Fetti. Wood, 60 by 43.2 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[Flavia Ormond Fine Arts LTD, 24 Brechin Place, London] Tanzio da Varallo. Detail of Virgin's Hand and Arm for the Visitation, San Brizio, Vagna, c. 1627. Red Chalk on Pink Prepared Paper, Traces of White Heightening.
Attributed works:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Charles XII of Sweden. Jacob Dobbermann (1682-1745). 9.6×7.4 cm.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Jan van de Velde (1620 Haarlem - Amsterdam 1662). A Monumental Still-Life with Roemer and Pewterware. Oil on Panel: 69 × 58.5cm. Traces of Signature: Lower Right.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Giovanni Francesco Maria Mazzola, Called Il Parmigianino, 1503-1540. Male Nude and Female Satyr. Pen and Brown Ink over Black Chalk Heightened with White 29.7 × 20.8 cm. Inscribed Recto: 25 de Ago(sto) 1535 and Verso: Parmigiano Inventor
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Pierre Paul Prud'hon 1758-1823. L'Heureuse mère. Black Chalk, Heightened with White Chalk, on Blue Paper, 50 × 39.5 cm
Attributed works:
[Joanna Barnes Fine Arts LTD/ The Matthiesen Gallery, 7- 8 Mason's Yard, Duke Street St James, London/ Birmingham Museum and Art Gallery, Chamberalain Square, Birmingham] John Hancock (1825-1869). Beatrice, c. 1851. Painted Plaster. H. 183cm. Signed: John Hancock Sc. London
Attributed works:
[L'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Les Enluminures, Le Louvre des Antiquaires] Perrin Remiet, Hannibal Receiving a Messenger, Livy, Les Décades, Paris, circa 1380 (305 × 425 mm).
Attributed works:
[Marcello Aldega Margot Gordon] Andrea Boscoli (Florence 1560-1607) Study for St Sebastian, Red and Black Chalk on White Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Max Beckmann (1884-1950). Still Life with Pinkish-Orange Orchids, 1948. $33frac{3}{4}times 21frac{3}{4}$ in./85.7 × 55.2 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London/ Vrijthof 49 Maastricht] Aert van der Neer. ca. 1603 - Amsterdam - 1677. Skaters on the Ice. Panel: 31 × 43.5 cm. Signed with Monogram
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Jean Léon Gérôme (Vesoul 1824 + Paris 1904). A Horse in Profile Trotting to the Left, Ridden by a Young Man. Black Chalk and Charcoal, 230 by 355 mm. On the Reverse, Stamp of the Collection of Aimé Morot (Not Cited in Lugt)
Attributed works:
[Phillips, 101 New Bond Street, London] William Hogarth, (1697-1764), "The Savoyard Girl", Oil on Canvas, 42cm × 34.5cm. Estimate: £7,000-£10,000. Also Recorded as "The Hurdy-Gurdy Player" and "A Young Girl Singing and Accompanying Herself upon the Hurdy Gurdy."
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Study for the Head of Galatea. Oil on Canvas, $18frac{1}{8} text{by} 15frac{1}{8}$ Inches (46 by 38.5 cm.)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An English Terracotta Bust of Sir Andrew Fountaine by Louis-François Roubiliac, Circa 1747, Documented by 1753, 54.5cm High. Estimate: £200,000-300,000.
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Giovanni Francesco Barbieri Il Guercino (1591 Cento - Bologna 1666). Head of a Young Girl. Black and White Chalk on Blue Paper. 231 × 173 mm.
Attributed works:
[Vendu Notarishuis, Kipstraat 54, Rotterdam] H. F. C. Ten Kate, Interior
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Guillaume Urbain Régamey (Paris 1837-1875 Paris). Head of a Moor. Charcoal Heightened with White Chalk, 300 × 316 mm
Non-western art unattributed:
[Michael B. Weisbrod, INC., at the Carlyle, 987 Madison Avenue, New York] Blue & White Vase (Yuhu Chunping). Yuan Dynasty (14th Century). Height: 11¼″ (28.6 cm.)
Western art unattributed:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Roman School, Early 16th Century. Acanthus Tendril. Brown Pen. Colls. Cardinal Alessandro Albani, King George III, R. Dalton, J. MacGowan A. O.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Late 19th Century Bessarabian Tapestry - Woven Carpet, the Floral Designs in Gold and Red on a Dark Brown Field. Size: 10′3″ × 7′2″ (312 × 218 cm)
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Marble Architectural Element from the Tomb of Philippe II Ie Hardi, Duke of Burgundy. France - 15th Century
Western art unattributed:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Rudolf II. Ivory. Prague Circa 1605. 10×8.1 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich] A Westphalian Walnut Figure of Saint Peter, Circa 1450, with Original Polychromy. 38,7 in (98 cm).
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Advertisements October 1991 (front)
10/1991 | 1063 | 133
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Accademia Italiana Delle Arti e delle Arti Applicate, 24 Rutland Gate, London ] Edoardo Chiossone (1833 - 1898), 'An Italian in Japan'. Print
Attributed works:
[Adriano Ribolzi, 6 Av. des Beaux - Arts, Monaco] Ludovico Carracci 'Allegory of Abundance'. Oil on Copper Panel. 40 by 30 cms. Daniele Benati.
Attributed works:
[Arnoldi - Livie, Galeriestrasse 2B, Munich] Eugene-Emmanuel Viollet-le-Duc, Paris 1814-1879 Lausanne. 'Design of a Sculptural Decoration for the Château de Pierrefonds'. Graphite with White Heightening on Red-Brown Paper. 47.5×30.5 cm. Inscription and Signature Lower Right: 'Pierrefonds Viollet-le-Duc' and Estate Stamp.
Attributed works:
[Arturo Cuellar, Burglistrasse 18, Zurich] Giovanni Battista Crosato (1686-1758). "Aurora". Watercolour over Pen and Ink. 34.3 × 26.2 cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 1. George A. Wallis (1770-1847), London/Florence; Oil on Canvas; 78 × 112 cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 10. Monogr. 'C' Date 1837; Tempera/Water-Colour; 27 × 25cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 11. E. Orlik (1870), Prague; Oil on Canvas; 33 × 71cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 12. A. Rodin (1840-1917), Water-Colour; 35 × 24.5cm; Signed.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 13. J. Miró (1893-1983), Montroig. 'Le Grand Ordonnateur', 1969; Etching, Aquatint, Carborundum; 105 × 68cm; Signed.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 15. Ben Nicholson (1894-1982), Denham/London; Oil and Acrylic; 48 × 63cm; Signed.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 2. Th. van Apshoven (1622-1665), Antwerp; Oil on Canvas; 58 × 86 cm; Expert's Report by Prof. M. Hofstede.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 3. Frans P. Ferg (1689-1740), London; Oil on Copper; 15 × 12 cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 4. Jacob Jordaens (1593-1678), Antwerp; 'Satyr and Peasant'; Oil on Canvas; 180 × 210 cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 5. Frans P. Ferg (1689-1740), London; Oil on Copper; 16 × 13.5 cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 6. J. van Ruisdael (1628-1682), Haarlem; 'L'arbre déraciné'; Oil on Canvas; 87 × 70 cm; Signed.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 7. Isaak van Ostade (1621-1649), Haarlem; Oil on Wood; 25 × 27 cm. (Collection Goodstikker Inv. No.909.) Expert's Report by Hofsteede de Groot.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 8. G. A. Guardi (1698-1710), Venice: 'Capricci' (Near Friuli), (Pendants); Oil on Canvas; 23.5 × 32 cm.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt] 9. Frans Franken III (1607-1667), Antwerp; 'St. Ursula with the 11,000 Virgins'; Oil on Copper; 87 × 70 cm; With Expert's Report.
Attributed works:
[Auctionshaus Zimmermann, Bethmannstrasse 50, Frankfurt]14. Cornelius Springer (1817-1891), Amsterdam; Oil on Canvas; 35 × 46cm; Signed.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard Duke Street St James, London] Andrew Wilson Evening in the Bay of Genoa. 1821. 117 by 171 cm.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany/ 61 East 77th Street, New York] Melchior Lorichs. Portrait of Hubert Goltzius. Engraving. 1574. Passavant IV, 181,20. Hollstein 25 II. From the Collection of F. Quiring (L. 1041c).
Attributed works:
[Calton Gallery, 10 Royal Terrace, Edinburgh] George Henry RSA RA RSW (1858-1943). Street of Lanterns. Watercolour and Bodycolour, 14 × 10 Inches (35 × 25 cm). Signed. Painted c.1894
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire] A Terracota Bust, Probably Victor-Amédée III, King of Sardinia, Attributed to François Ladatte (1706-1787). Height without Marble Socle: 29 cm
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Abraham Bloemaert (Gorinchem 1564 - Utrecht 1651). St. John the Baptist Preaching to the Multitude. Canvas, 90 × 127.2 cm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Elizabeth-Louise Vigée-le Brun. Paris 1755-1842 Paris. Portrait of Mademoiselle Roland. Oil on Canvas: 99 × 75cms. Signed, Dated and Inscribed: L. Vigée le Brun/Roma 1791
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Francesco Raibolini Called Francia. Bologna c.1450-1517/18 Bologna. St. Francis Receiving the Stigmata. Oil on Panel: 29.2 × 55.5cms
Attributed works:
[Cover page] Vertumnus and Pomona, by Hendrik Goltzius. 1615. 69.5 by 102 cm. (Fitzwilliam Museum, Cambridge; Henry Scipio Reitlinger Bequest).
Attributed works:
[Edmund Peel & Asociados, Spanish representatives for Sotheby's, Plaza de la Independencia, Madrid/ Pasaje Domingo 2, Barcelona] Luis Meléndez (1716-1780), Still Life with Partridges, Onions, a Jug and a Mortar and Pestle, Signed and Dated L. M. Dz. Ano 1778, Oil on Canvas, One of a Pair, 41.5 × 62 cm. Estimate on Request.
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Tanzio da Varallo. Detail of Virgin's Hand and Arm for the Visitation, San Brizio, Vagna, c. 1627.
Attributed works:
[Galerie de Bayser S. A., 69 Rue Saint - Anne, Paris] Pierre Alexandre Wille (Paris 1748-1821) Rixe de Cabaret. Plume et encre brune, 33,8 × 50,2 cm. Signé et daté: 'P. A. Wille Filius/Del 1784'
Attributed works:
[Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Ivory Attributed to Balthasar Permoser (Kammer 1651 - Dresden 1732) Height 28cm.
Attributed works:
[Galerie Louise Leiris, 47 rue de Monceau, Paris] Paloma et sa poupée Lithographie 76 × 56. 14/12/1952
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin Amsterdam] Gillis Neyts, 1623 - Ghent - 1687. Villagers Travelling Past a Farmhouse. Oil on Panel: 24 × 35cm. Fully Signed.
Attributed works:
[Haboldt & Co., 137 rue du Faubourg Saunt Honore, Paris/ 42 East 76th Street, New York] Giuseppe Maria Crespi (1665-1747) Portrait of the Artist in His Studio (Detail). Oil on Canvas Mounted on Panel, 53.5 × 38.5 cm. Auguste Giraudon Jean Léon Gérôme Photographed in His Studio (Detail) ca. 1884-1888. Original Albumen Print, 21.5 × 26.5 cm
Attributed works:
[Heide Hubner, Handelstr. 21 A, Wurzburg] Matthijs Naiveu (Leiden 1647-1726 Amsterdam). The Adoration. Oil on Wood 21 × 17.5 cm. Signed and Dated: M. Naiveu 1670
Attributed works:
[JPL Fine Arts, 26 Davies Street, London] Pierre Bonnard, Femme enfilant ses bas. Signed and Dated Upper Right. 1893, Oil on Panel 35 × 27 cm. ($13frac{3}{4}times 10frac{5}{8}$ in)
Attributed works:
[L' Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut 167 (mm. 392×167)
Attributed works:
[Le Musee des Beaux - arts de Lille ] J. F. Millet: La Becquée
Attributed works:
[Lempertz fine art auctioneers, Neumarkt 3, Cologne] St. Donatianus and Donor Bruges about 1500
Attributed works:
[M. L. Wurfbain, Dorpsstraat 67, Oegstgeest] School of Antwerp ca. 1550: Lot and His Daughters. Oil on Panel, 74 by 104 cms. Signed: VERW (Possibly Dominicus Verwilt, fl. Antwerp 1545-55, Sweden 1556-66).
Attributed works:
[Marlborough, 6 Albemarle Street, London] Raymond Mason, Man with Anvil, 1990. Painted Polyester Resin. $35frac{3}{8}times 15frac{3}{4}times 15frac{3}{4}$ in./90 × 40 × 40 cm. Edition of 8
Attributed works:
[Paul Proute S. A. , 74 rue de Seine, Paris] Charles-Joseph Natoire (Nîmes 1700 + Castel Gandolfo 1777). The Fountain in the Park at Arcueil. Black Chalk, Pen and Brown Ink, Grey and Brown Wash Heightened with White on Beige Paper. Signed Lower Right and Dated 1747, Annotated 'Arqueil'. 24 by 33 cms.
Attributed works:
[Phillips, 101 New Bond Street, London] Jean Francois Millet, (French 1814-1875), "Seated Shepherdess", Signed with Initials, Oil on Panel, 18.5 cm × 24.3 cm, Painted Circa. 1848. Estimate: £80,000-£120,000.
Attributed works:
[Piero Corsini, 162 East 63rd Street, New York] Polidoro da Lanciano, The Adoration of the Magi
Attributed works:
[Richard L. Feigen, & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Aert de Gelder, Old Woman Praying, c. 1700-1710 Signed, Upper Centre: 'A de Gelder f'. Oil on Canvas, $35frac{5}{8} text{by} 30frac{1}{8}$ Inches (90.5 by 78.5 cm.)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Filippo Lauri (Rome 1623-1694), Christ on the Road to Calvary, Signed with Initials FL, Oil on Canvas, 50.2 by 65.5cm.
Attributed works:
[Sotheby's, vanished drawing] Gaetano Gandolfi, Saint Peter in Prayer. Black and White Chalk on Pale Buff Paper, 428 by 278 mm.
Attributed works:
[Sotheby's, vanished drawing] Louis Carrogis dit Carmontelle, The Countess of Polignac Playing the Harp. Pen, Ink, Black and Red Chalk, 375 by 240 mm.
Attributed works:
[Th. Laurentius, Orangerie Duivenvoorde, Voorschoten] Rembrandt van Rijn (1606-1669) 'Descent from the Cross by Torchlight' Etching, 1654, See White & Boon 83. Watermark, Foolscap, 21 × 16.2 cm. with Margins.
Attributed works:
[Villa Grisebach Auctions, Fasarnenstrasse 25, Berlin ] Emil Nolde. "Blumengarten, kleines Mädchen." 1908. Oil on Canvas. 60.5 × 70 cm. Signed on Lower Left: Emil Nolde.
Attributed works:
[Villa Grisebach Auctions, Fasarnenstrasse 25, Berlin ] Oskar Kokoschka. "Vernet les Bains." 1925. Oil on Canvas. 88 × 116 cm. Monogrammed on Lower Left: OK.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Pierre-Paul Prud'hon (1758-1823) Nemesis and Themis Brown, Grey and White Chalks, 279 × 328 mm
Non-western art unattributed:
[Flying Cranes Antiques at the Manhattan Art and Antiques Center, 1050 Second Ave at 56th Street, New York] Pictured: Detail from One Panel of a 12″ Meiji Period Satsuma Vase.
Advertisements
Advertisements June 1991 (front)
06/1991 | 1059 | 133
Pages: i - xliv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich ] Scott, Sir Walter. The Works. 90 vols. and 10 vols. of Scott's Life by J. G. Lockhart. Edinburgh, A. & Ch. Black, 1861-1880 and 1882. Richly illustrated and bound uniformly in brown calf-leather with 2 spine-labels, gilt titles and spine panels, inside dentelles. Top edges gilt. From the library of Lincoln Ellsworth, Lenzburg-Castle, Switzerland.
Attributed works:
[ C. Orvieto, Via Panizza 11, Milan ] Jean Baptiste Camille Corot (Paris 1796-1875). Roman Girl. Oil on Canvas, 55 × 46 cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Wallerant Vaillant. Lille 1623-1677 Amsterdam. A Self Portrait of the Artist. Oil on Canvas 73.5 × 59.5cms
Attributed works:
[ Crane Kalman Gallery, 178 Brompton Road, London ] Ben Nicholson O. M. (1894-1982) 'Nov 11-51 (Oval)' 1951 Oil and Pencil on Canvas 22 × 24 ins. Signed and Dated on the Overlap: Ben Nicholson Nov 11-51, Dated Again and Titled on the Stretcher Nov 11-51 (Oval) In the Artist's Frame.
Attributed works:
[ Crane Kalman Gallery, 178 Brompton Road, London ] Ben Nicholson O. M. (1894-1982) 'Red, Yellow, Blue' 1952. Oil and Pencil on Board 10 × 12 ins. Signed, Titled and Dated May 24-52 on Backboard.
Attributed works:
[ de havilland (antiques) ltd, 5 Pont Street, London ] An Early George II Japanned Long Case Clock with Raised Gilt Chinoiseries and Gilt Angle Trusses. The Dial Signed Jno Austin Shoreditch London. 5 Pillar Movement. Height 8′3″
Attributed works:
[ Douwes Fine Art Gallery, 38 Duke Street St James, London ] Giuseppe Maria Crespi, The Resurrection, Red Chalk over Traces of Black Chalk, 421 × 302 mm
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place London ] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c.1785.
Attributed works:
[ Galerie Chereau, 40 rue de l' Univeriste, Paris ] Jacob van Kerckhoven. Still Life with Birds. Oil on Canvas. 79 × 64.5 cm. Kerckhoven Was a Pupil of Jan FYT in 1649. Dated c.1660 - On the Original Canvas.
Attributed works:
[ Gebr. Douwes Fine Art, 38 Duke Street St. James, London / 46 Rokin, Amsterdam ] Sunset near Cleve. Oil on Panel: 16.5 × 19cm. Signed and Dated 1849. Barend Cornelis Koekkoek 1803-1862
Attributed works:
[ Glennie's, Merchants Court, St. Georges Street, Norwich ] Sir Alfred Munnings (1878-1959), Oil on Canvas, Signed
Attributed works:
[ JPL Fine Arts, 26 Davies Street, London ] Edouard Vuillard, Interior with figures around a table (playing a game?). Oil on canvas.
Attributed works:
[ Katrin Bellinger Kunsthandel, Harari & Johns Ltd, 12 Duke Street, London ] Baccio Bandinelli (1493-1560). 'Seated Male Nude'. Red Chalk; 394 × 289 mm
Attributed works:
[ M.L. Wurfbain Fine Art, Dorpsstraat 67, Oegstgeest ] Jacob Toorenvliet (1640-1719). A Man and a Woman at a Table. Oil on Copper, 21.6 × 28.3 cm. Signed & Dated 1675
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Barbara Hepworth (1903-1975). Discs in Echelon, 1935. Polished Bronze $13frac{3}{8}times 19frac{7}{8}times 10frac{15}{16}$ in./34 × 50.5 × 27.8 cm.
Attributed works:
[ Owen Edgar, 9 West Halkin Street, Belgravia, London exh. at The Grosvenor House Antiques Fair, London ] Joseph Mallord William Turner, R. A. (British, 1775-1851) 'Bodiam Castle, Sussex'. Watercolour 15 × 22 Inches (38 × 56 cm)
Attributed works:
[ Phillips, 101 New Bond Street, London ] Johann Rottenhammer, (1564-1625), "Madonna and Child with St. Catherine", Oil on Copper, Signed with Monogram, 19.4cm × 15.5cm.
Attributed works:
[ Richard L. Feigen, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Hendrick Goltzius, Vulcan, 1615, Oil on Canvas, 60.3 by 61.25 cm, Monogrammed: "HG f1615"
Attributed works:
[ Ronald A. Lee, 1-9 Bruton Place, London ] An outstanding Charles II spring table clock by Joseph Knibb of London, circa 1673-75. The degree of finish and originality is quite exceptional in all aspects of the clock, including the dial, its fittings and the Silver chapter ring. The presence of the reference "Invenit et fecit" undoubtedly refers to the Roman notation striking of which this may be the first example. The appearance of the spoked style to the count wheel is the earliest hitherto recorded. The pendulum bob is numbered 1-8. Illustrated and further discussed - Ronald A. Lee, Knibb Family Clockmakers 1964. (plates 72 & 128). At one time the property of Georgina, Duchess of Devonshire. Height 13.5 ins, 8 day duration, Dial size 8.5 ins.
Attributed works:
[ Roy Miles Gallery, 29 Bruton Street, London ] Nymph and Young Faun Dancing. WILLIAM ETTY R. A. Oil on Panel. 27″ × 20″
Attributed works:
[ Sam Fogg, 14 Old Bond Street, London ] Register of Notaries Illuminated by Vanni di Baldolo, Perugia 1333
Attributed works:
[ Sotheby's 34-35 New Bond Street, London ] Thomas Gainsborough R. A., A Rustic Scene with a Pair of Lovers. Black Chalk Heightened with White on Blue Paper, circa 1760. 23.5 by 20.5cm (9¼ bu 8in). Estimate £60,000-80,000.
Attributed works:
[ The Fine Art Society, 148 New Bond Street, London / 137 George Street, Edinburgh] Mortimer Menpes. 1860-1938. Wayside Shrine. Watercolour 10¼" × 6½"
Attributed works:
[ The Fine Art Society, 148 New Bond Street, London ] Royal Worcester. Pierced Vase 1878, ht 5½"
Attributed works:
[ The Grosvenor House Antiques Fair, London (Colnaghi)] Sir Thomas Lawrence, P. R. A. (1769-1830). Portrait of Colonel David Markham 1793. Oil on Canvas. 125 × 94.5 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Adriaen van Stalbempt (1580-1662). Flemish Landscape with Windmill. Oil on Copper. 10 × 13.5 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] An Art Nouveau Looking-Glass by Harald Slott-Mo̵ller. Copenhagen. c. 1900. Silver Mounts, Ivory Handle, Decorated with Cabochon Chrysoprases on Reverse.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Cornelis de Vos (1584-1651). A Mother and Her Two Daughters. Oil on Panel. $38times 34frac{3}{4}$ cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] From the Workshop of Antonio Canova (1756-1822). Detail of Venus Italica. Carrara Marble Statue. Height 68 in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jean Baptiste Camille Corot (1796-1875). Souvenir de l'Ecluze, près Douai. Signed. c. 1868. Oil on Canvas. 40 × 53 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jean-Baptiste Huet (1745-1811). Study of Husks and Ears of Corn. Watercolour over Graphite. 25.4 × 40.1 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Julius Caesar Ibbetson (1759-1817). Portrait of Charles Knowles Robison. Signed with Initials. Dated 1813. Oil on Canvas. 66 × 45 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Louis Jean François Lagrenée the Elder. Tiresias, fameux devin, ayant regardé Pallas... devint aveugle... Oil on Canvas. 45 × 54.5 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Michael Dahl (1656-1743), Swedish. Portrait of a Gentleman. Early 1720s. Black Chalk Heightened in White, on Pale Blue Paper. 37 × 26 cm.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Michele Marieschi (1696-1743). A View of San Giorgio Maggiore across the Bacino de San Marco, the Riva Degli Schiavoni and the Palazzo Ducale. Oil on Canvas. 58.2 × 86 cm.
Attributed works:
[ The Russian Summer Show, Roy Miles Gallery, 29 Bruton Street, London ] The Anichkov Bridge. Sergei Chepik. Oil on Canvas. 45″ × 35″
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucian Freud, Esther 1991 Etching. $8frac{5}{8}times 8 text{ins}/22times 20.2$ cms (17¼ × 15½ ins/44 × 39.3 cms). Edition of 25
Attributed works:
[ Verner Amell, 4 Ryder Street, St. James, London ] Willem-Claesz Heda (1594-1670). Still-Life with a Half-Filled Roemer, a Wine Glass, a Silver Chalice on Its Side, a Knife, Pewter Plates with Nuts, and a Partially Peeled Lemon Set on a Draped Table. Signed and Dated 1633. Panel: 23¼ × 31in. / 59 × 79cm.
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Charles-Théodore Frère Called Frère Bey. (Paris 1814-1888 Paris). Two Hunters Resting in a Wood. Signed, Lower Right, Charles Frère. Black Chalk, Worked Wet and Stumped, on Wove Paper $15frac{5}{8}times 16frac{15}{16}$ Inches (398 × 430 mm)
Attributed works:
[ Walpole Gallery, 38 Dover Street, London ] Jacopo Robusti Called Tintoretto. Venice 1518 - 1594. The Martyrdom of St. Lawrence. Oil on Canvas 93.5 × 118.2 cms
Attributed works:
[ William Weston Gallery, 7 Royal Arcade, Albemarle Street, London ] Henri Matisse: La Nuit. Lithograph. 1922. Signed. 11″×17¼″
Non-western art unattributed:
[ C. John, 70 South Audley Street, Mayfair London ] A Rare Kesa or Buddhist Priest's Robe, Made of Brocaded Silk. Japanese, 18th Century. Dimensions 45 × 102 cm (18 × 40 in). An Almost Identical Brocade is on View at the Victoria and Albert Museum.
Non-western art unattributed:
[ cover]Vajrasattva Buddha and Acolytes. Central Tibet, Twelfth to Thirteeth Century. Colour and Gold on Canvas, 111 by 73 mm. (Museum of Art, Cleveland).
Non-western art unattributed:
[ E & J Frankel, 1040 Madison Avenue at 79th Street, New York ] Scholar's Tray and Two Wine Cups. Qianlong Period (1736-1796). Cup Height: 1½ Inches. Length of Tray: 11½ Inches. Width: $7frac{3}{4}$ Inches
Non-western art unattributed:
[ Eskenazi Oriental Art, Foxglove House 166 Piccadilly, London ] Bronze Mounts for the Top of a Vessel and Cover Inlaid in Gold and Silver. Eastern Zhou Period, 4th 3rd Century BC Diameter of Vessel Mount 18.8cm. Height of Vessel Mount: 10.6cm. Diameter of Cover Mount 13.2cm.
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Copper Tsuba Inlaid with Gold, Silver, Shakudo. Signed Fukugawa Kazunori. Ht. 4″. Meiji Period.
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Gold Lacquer and Shibayama Tsuba Inlaid with Semi-Precious Materials Ht. 4-1/4″. 19th c.
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Lacquered Tsuba, Inlaid with Aogai Mosle Collection. Ht. 3-1/8″. 19th c. Inlaid Shakudo Tsuba Gold, Silver, Copper on Nanako Ground. Hammano School. Ht. 3″. 18th c.
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Silver Tsuba with Cloisonne Enamels Ht. 4-1/4″. Meiji Period.
Non-western art unattributed:
[ J. J. Lally & Co. Oriental Art, 42 East 57 Street, New York ] Archaic Bronze Ritual Wine Vessel (Gu) Shang Dynasty (11th Century B. C.) Height $11frac{3}{4}$ Inches (30 cm). Ex Mottahedeh Collection
Non-western art unattributed:
[ La Chine des Ts'ing, 14 Rue de l' Universite, Paris ] Textiles Lacquer Boxes Jewellery Collection with Antique Oriental Stones Re-Set in a Modern Style
Non-western art unattributed:
[ Michael B. Weisbrod, Inc., at the Carlyle, 987 Madison Avenue, New York ] Extremely Rare Blue and White Moonflask (Bianhu). Qing Dynasty. Qianlong Period (1736-1795). Height: 15½ Inches (39.3 cm)
Non-western art unattributed:
[ Robert Kleiner & Co. Ltd, 11 Primrose Mansions, Prince of Wales Drive, London ] Clockwise starting at the top left: Multi-coloured glass overlay Snuff Bottle, 6.7 cm, 18th Century; Glass overlay Jar and Cover, 8 cm, Qianlong (1736-1795); Gilt-bronze figure of Buddha, 13.2 cm, Ming Dynasty; Blue and white dish, 11.2 cm, seal mark and period of Qianlong; Red overlay glass Snuff Bottle, 6.7 cm, Qianlong; Jade carving of a mythical beast, 8 cm, Ming Dynasty
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Rare Polychrome Limestone Figure of a Bodhisattva, Northern Qi Dynasty (549-577), 35 Inches High (87.5 cm.)
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Koei (Unkei IX) (Active 15th Century). Amida Nyorai. Muromachi Period, 1472. Wood with Traces of Polychromy. 53.5 × 45 × 41 cm.
Western art unattributed:
[ E & H Manners, 66A Kensington Church Street, London ] A Derby Writing Set on a Rococo Stand. c.1758.
Western art unattributed:
[ Frides Laméris, Nieuwe Spiegel Straat 55, Amsterdam ] A Pair of Beakers with Polychrome Enamelling, Southern Germany, Mid-18th Century. Height: 8 and 7.8 m.
Western art unattributed:
[ Sheppard and Cooper Ltd, 11 St. George Street, exh at The Grosvenor House Antiques Fair, London ] 16th- and 17th-century Low Countries and Façon de Venise glass in a contemporary setting: drinking tazza, two green roemers, wheel-engraved flute with putti. Augsburg silver-gilt goblet (courtesy S. J. Phillips Ltd), ice-glass beaker, serpent-stemmed goblet, latticinio tazza, moulded beaker and turquoise bottle with copper-gilt stopper, on an 18th-century Turkish rug (courtesy of Bernheimer)
Western art unattributed:
[ Sotheby's 34 - 35 New Bond Street, London ] A Fine and Rare North French Gilt Bronze Miniature Figure of a Sleeping Apostle, circa 1240, $1frac{3}{8}$ in (3.6 cm) High. From the 4th July Sale of European Sculpture & Works of Art.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Group of Various Continental Porcelains Decorated with Kakiemon Patterns.
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Advertisements June 1990 (Front)
06/1990 | 1047 | 132
Pages: i-lxxii
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
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Advertisements May 1989 (front)
05/1989 | 1034 | 131
Pages: i-lvi
Subjects
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
v Baudouin (Eugène) Montpellier 1842 - Paris 1893. Lavandières sur les rives du LEZ S. B. G. et Daté 1874 - Toile 103 × 170.
Attributed works:
[Ad for Spencer Scott Travel, London, UK] From the Wernher Collection of Fabergé at Luton Hoo
Attributed works:
[Bernheimer Fine Arts Ltd., 32 St. George Street, London, UK] A Biedermeier Campaign Chair. Stamped: Ernst Seifert. Vienna. ca. 1820. Width: 58cms. Depth 45cms. Height 92cms.
Attributed works:
[Bruton Gallery, Somerset, UK] 'Centaure Mourant' Height: 113 in (288 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Rembrandt Harmensz. van Rijn, Christ Preaching (La Petite Tombe). Etching. (ca.1652). Bartsch 67. 157 × 210mm Sheet Size. Provenance: J. Camesina de Pomal, 1812; J. L. H. Le Secq Des Tournelles.
Attributed works:
[Christie's, Park Place, 98000 Monte Carlo, Monaco] Rembrandt Bugatti, Petit Elephant au Repos, a cire perdue Bronze Figure, Signed R. Bugatti, 20 cm. long × 20 cm. High
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Gian Antonio Guardi 1698-Venice-1760. A Turkish Harem Scene. Oil on Canvas: 46 × 63 cms.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Léon Benouville, Portrait à la mine de plomb, Signé, Daté 1852 et dédicacé à mon ami Jules Girard. 310 × 230 mm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Paul Gavarni (1804-1866). Standing Pierrot 12 3/8 x 8 3/8 Inches (31.1 × 20.8 cm.) Grey Ink with Reed Pen, Grey Wash, and Watercolour over Black Chalk with White Heightening on Wove Paper.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Paintings by both Tiepolo and Bison.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin, Germany] Lucas Cranach the Elder (1472 Kronach-1553 Weimar). Portrait of the Electress Sibyl of Saxony. Oil on Panel. 64 × 49 cm. Ca. 1535.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern, Switzerland] Paul Gauguin. Scène Martiniquaise- Eventail. Watercolour and Gouache. 1887. Wildenstein 223.
Attributed works:
[Galerie Pierre-Yves Gabus SA, CH-2022 Bevaix, Switzerland] Fragonard. Red Chalk. TTC Frs: 142.000. Vigée LeBrun. Self Portrait. TTC Frs: 224.500. Gallé Lamp. TTC Frs: 61.500
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 270 × 166 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 330 × 290 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 330 × 290 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting170 × 170 cm
Attributed works:
[Gallery Lingard, 50 Pall Mall, London, UK] Tom Ellis Architect 1911-1988. A Design for a Traffic Control Tower 19308 3/4 x 10 1/2 Inches.
Attributed works:
[Guy Monegier du Sorbier, 18 rue de Beaune, Paris, France] Paul Guigou - 1866. Les Grands Saules - H. S. B. S. B. G. Daté 1866 - 0,43 × 0,18
Attributed works:
[Haslam & Whiteway Ltd., 105 Kensignton Church Street, London, UK] Woven Silk Design 'Sicily' by Owen Jones for Warners of Spitalfields.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Marco Ricci. (Belluno 1675-Venice 1730). Imaginary Landscape. Oil on Canvas 99 × 143cms
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Jean-Pierre Andreoli-Patochi and His Wife Marie-Elizabeth née Saint Didier. A Pair of Portraits by Jean Jacques Karpff dit Casimir 1770 - 1829. Black Chalk with White Heightening on Beige Paper. 26 1/4 x 17 3/4 ins. 67×45 cms. Each Signed, Dated An XII (1804) and Inscribed on the Reverse. With the Original Backboards and Empire Frames.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Jean-Pierre Andreoli-Patochi and His Wife Marie-Elizabeth née Saint Didier. A Pair of Portraits by Jean Jacques Karpff dit Casimir 1770 - 1829. Black Chalk with White Heightening on Beige Paper: 26 1/4 x 17 3/4 ins. 67×45 cms. Each Signed, Dated An XII (1804) and Inscribed on the Reverse. With the Original Backboards and Empire Frames.
Attributed works:
[Leighton House Art Gallery, 12 Holland Park Road, London, UK] Axel Torneman. "The Night Cafe", Paris 1906
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Lyonel Feininger (1871-1956) Abend am Meere, 1927. Oil on Canvas 17 3/4 x 30 1/4 in./45 × 77 cm.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Guido Reni. (1575 Calvenzano - 1642 Bologna). The Martyrdom of St. Appolonia. Copper: 44 × 33 cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine Regency Rosewood, Gilt Brass & Ormolu Mounted Cylinder Desk by John McLean, 93cms., 3ft. 1in. Wide. Estimate: £15,000-£20,000.
Attributed works:
[Richard Green, 39 Dover Street, London, UK] Stanislas Lepine (1835-1892). Le Quai Henri IV, Paris. Signed. Canvas: 37 1/8 x 48 in/94 × 122 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Karel van Mander, Joshua and the Children of Israel Passing Over the Jordan, 1605. Oil on Panel, 42 3/4 x 72 3/4 Inches (106 by 184.5 cm). Signed and Dated, Lower Centre: "KVM [In Compendium] ANDER. 1605"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francisco Herrera the Younger, The Dream of Saint Joseph, Oil on Canvas, 195.5cm by 208.3 (77 by 82in). Estimate: $150,000-200,000 (£85,000-110,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A French Royal Inventory Bronze Group of Hercules Wrestling with Achelous in the form of a Bull, Florentine 17th Century, Attributed to Ferdinando Tacca, 58.5cm High, 57cm Wide (23 by 22½ in). Estimate: FF2,750,000-3,850,000 (£250,000-350,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Gustave Doré, Knights Courting a Young Lady, Pen, 30.5 by 28.7cm (12 by 11¼ in). One of 36 Pen Drawings, All Studies for Doré's Illustrations of Ariosto's Orlando Furioso, Printed in 1879. Total Estimate: FF600,000-800,000 (£55,000-75,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Marie Louise Elizabeth Vigée-Lebrun, Comtesse Potocka, Signed and Dated 1791, Oil on Canvas, 142.2 by 126.4cm 56 x 49 3/4 in. Property of the Kimbell Art Foundation, Fort Worth, Texas. Estimate: $400,000-600,000 (£250,000-350,000)
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Egon Schiele, Portrait of Arthur Roessler, 1910. Watercolour and Chalk on Paper. 44.5 × 29.7 cm. Monogr. and Dated: S 10. Prov.: Austrian Private Collection. Estimate: DM 400,000-500,000
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Franz Marc: Fabeltier II (Pferd), 1913, Tempera on Light Cardboard, 26.5 × 30.5 cm. Monogr. Lower Right. Lankheit 482. Prov.: Swiss Private Collection. Estimate: DM 400,000-600,000
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Georges Braque, Fox, 1911. Dry Point Etching, 54.4 × 38.0 cm. Signed. Vallier 6. Prov.: H. Swarzenski Collection. Estimate: DM 130,000-160,000
Attributed works:
[William Beadleston Inc., 60 East 91st Street, New York, New York] Henri Matisse. Portrait de fillette. Charcoal 515 by 394 mm.
Attributed works:
[William Beadleston Inc., 60 East 91st Street, New York, New York] Jean-Baptiste Greuze (1725-1805). 'La Boudeuse'. Red and Black Chalk with Estompe 363 by 294 mm.
Non-western art unattributed:
[La Chine des Ts'ing, 14 rue de l'Universite, Paris, France] A Very Fine Camphor Wood Old Model of a Chinese Imperial Palace H: 110 cm - W: 162 cm - D: 62 cm
Non-western art unattributed:
[S. Marchant & Son, 120 Kensignton Church Street, London, UK] A Chinese Porcelain Wucai Baluster Jar and Cover. 49.5 cm high. 1640-1670.
Western art unattributed:
The Balfour Ciborium. English, c. 1160-70. Engraved Copper Alloy, Enamel and Gilding. Height 18 cm. (Victoria and Albert Museum, London).
Western art unattributed:
v A Rare George III Gold Goblet, Circa 1775, Maker's Mark RB Struck Twice Only, Probably for Robert Burton. 5½ in. (13.7 cm.) High. Engraved with the Arms of Rogers of Wisdome, Co. Devon. Estimate: £15,000-£25,000
Western art unattributed:
[C.John, 70 South Audley Street, London, UK] A Rare Late 17th-Century. Turkish Ghiordes Carpet 13′6″ × 8′6″
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Italian Marble Relief, XVIth Century. 43 × 48 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK] One of a Set of 6 Painted George III Armchairs Circa 1790
Western art unattributed:
[Didier Aaron, 21 Ryder Street, London, UK] An Early Nineteenth Century Irish Mahogany Wine Cooler. Height: 63.5 cm. Length: 70 cm. Depth: 53.5 cm.
Western art unattributed:
[G. Sarti Antiques Ltd, 186 Westbourne Grove, London, UK] A Pair of 18th Century French Marble Vases. Height 77 cm (30¼″).
Western art unattributed:
[Huntington Antiques Ltd., The Old Forge, Church Street, Stow-on-the-Wold, UK] Rare and Important Mid 16th Century Solid Walnut Standing Cupboard 70″w. × 58″h. × 21½″d. (French Renaissance Circa 1550)
Western art unattributed:
[J & M Duputel, 20 rue de Beaune, Paris, France] J. B. Carpeaux - 1827-1875. Esquisse en terre cuite pour le projet définitif du monument "La Fontaine de Watteau" Réalisé par Hiolle, pour la ville de Valenciennes
Western art unattributed:
[Joanna Booth, 247 King's Road, London, UK] Embroidered Hanging with a Crowned Armorial shield before the cross of Santiago, bordered by entwining flowers and vines worked in green, white, pink and blue silk with silver thread on a ground of blue velvet. Spanish circa 1700. Height 6ft 8ins (203 cms) Width 5ft 4ins (163 cms)
Western art unattributed:
[Ronald A. Lee plc, 1-9 Bruton Place, London, UK] This quite exceptional small cabinet on stand must surely rank as one of the most exciting and important pieces of English furniture to have appeared on the market in recent times. The cabinet stands at 47½″ high. Although the shelved interior is fitted with mahogany slides to accommodate coins and medals, there is evidence that this was not the original use. The galleried superstructure is made of holly and ebony and as with the exceedingly fine carving on the main body of the piece, would appear to be intended to simulate ivory. For comparison, the use of ivory inlay in Queen Charlotte's jewel cabinet made by William Vile in 1761 is the best example. Several other features such as quartered veneers on the front; the canted door to the side and the style of hinge fixing, can be associated with William Vile. The cabinet itself bears wonderful applied carving in intricate detail, possibly the work of Sefferin Alken and as is the case with the rest of the cabinet, the state of preservation is perfect. The mouldings are of ebony. The original concept was clearly most sumptious - age has softened the overall effect. The cabinet was formerly in the possession of the Trollope-Bellew family of Casewick House, Lincolnshire. However, it is likely that a previous provenance is more probable either through marriage or acquisition. Research will hopefully reveal this.
Western art unattributed:
[S. J. Phillips, 139 New Bond Street, London, UK] A James I Silver Gilt Wine Cup, the Maker's Mark a Double-Headed Eagle, London 1607. Height: 8 3/4 Inches Weight: 6.09 Ounces
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] The Murder of Mark Anthony Folio 347 from a Manuscript of Boccaccio's 'Fall of Princes' Illuminated in Paris c. 1475.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Selection of Furniture from a Parisian Private Collection Previously the Property of Mr & Mrs Henri Rabeau
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Advertisements March 1989 (front)
03/1989 | 1032 | 131
Pages: i-xl
Subjects
advertisements:
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advertisements:
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
Mao, by Andy Warhol. 1972. Synthetic Polymer Paint Silkscreened on Canvas, 208.3 by 155 cm. (Courtesy: Thomas Ammann, Zürich: Exh. Museum of Modern Art, New York).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Hans Sebald Beham (1500-1550) An Old Man and a Maid Chiaroscuro Woodcut. Pauli, Hollstein 1236; Strauss 'Chiaroscuro' no.48; Geisberg 901. Watermark: Gothic P Surmounted by Orb and Initials (cf Meder (Dürer) 325 and 327); Therefore Probably Printed at the End of the 16th or Beginning of the 17th Century. A Very Good Impression of the Third State of Four, before the Addition of Dürer's Monogram. 248 × 244 mm
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Graham Bell. Trinity College, Dublin
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Alberto Giacometti. Etching. 1950. Lust 85. From the Collection of Douglas Cooper.
Attributed works:
[Christie's, 8 King Street, London, UK] Hendrik Goltzius: Hercules and Cacus (Bartsch 231), Chiaroscuro Woodcut Printed in Colours, 1588, Third State (Of Four), a Brilliant Impression.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich] Philips Wouwermans, 1619-Haarlem-1668. 'Country Folk on the Outskirts of a Wood'. Panel: 41 by 35.5 cm. Monogrammed in Full at Lower Right. Panel Bears Label on Reverse: Wouwermans.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh, Deventer c. 1590 -Amsterdam c.1657. A Hermit Saint at Prayer in an Extensive Landscape with Ruins. Oil on Panel: 41 × 65 cm. Signed on Rock at Lower Right: B. Breenbergh F.1635
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Salomon van Ruysdael (1600-Haarlem-1670). The River Maas near Castle Loevestein Panel, 50 × 68 cm Signed and Dated 1643.
Attributed works:
[Douwes Fine Art Ltd., London. Exh. TEFAF Maastrich] Abraham van Beyeren, 1620-1690. 'Fruit Still-Life' On Panel: 72 by 58 cm. Signed with a Monogram.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London, UK] J. J. Tissot. Le Veuf, Drypoint.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Barye (Louis Antoine) "Portrait de la fille de l'artiste". Oil on Canvas 55 × 46 cm
Attributed works:
[Francis Briest, 24, avenue Matignon, Paris, France] Paul Cezanne - Portrait of Paul Cezanne's Son, Circa 1879 - 1882. Oil on Canvas 10,8 × 13 Inches - 28,5 × 33 cm
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] William Morris (1827-1905). An Angel Holding the Sun. Pencil, Pen, and Ink and Watercolour on Paper. 13 3/4 × 8 Inches (35 × 20.3 cm.)
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, 75008, Paris, France] Yerres - Camille Daurelle au Pied d'un Chene Oil on Cardboard. 17" × 12" 5/8
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Painting by Voiriot and Dalou
Attributed works:
[Galerie Louise Leiris, 47 rue de Monceau, 75008, Paris, France] Joueur de flûte et femme nue. 1970. 114 × 146 cm
Attributed works:
[H.C.A.C.S.A.R.L., 7 rue Louvois, Paris, France] J. L. David. "Le Serment du Jeu de Paume". Drawing (Detail). Versailles, Musée National du château.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Gouache on Paper, Signed and Dated 1788. 1745 - Jean Baptiste Huet - 1811. 7 × 10 3/4 ins. 17.8 × 27.3 cms. With Fine Carved and Gilded Frames
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK. Exh. TEFAF Maastrich] Thomas Wijck, Beverwijk 1616-1677 Haarlem. 'The Alchemist' Signed. On Panel 16½ by 14 3/4 (41.5 by 37 cm).
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands. Exh. TEFAF Maastrich] Frederik Marinus Kruseman, 1816-1882. 'Winter Landscape with Skaters' Canvas: 50 by 70 cm. Signed and Dated 1868.
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands] Canvas: 60×96 cm. Charles Leickert (1816-1907). Signed and Dated 1870
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] The Artist's Studio, 1988. John Davies. Photo by: James Austin
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York. Exh. TEFAF Maastrich] Bartolommeo Passarotti, 1529-1592. 'Portrait of a Gentleman Wearing a Dark Costume with a Sword, Gloves and a Plumed Hat' Oil on Canvas, 41 by 35 5/8 (104.2 by 90.5 cm).
Attributed works:
[Noortman, London. Exh. TEFAF Maastrich] Henri Lebasque, Champigne 1865-1937 Cannet. 'Still-Life with Apples', Circa 1926. Canvas: 54 by 65 cm. Signed.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Emile Bernard (Lille 1868 - Paris 1941) Crucifixion, Woodcut 41 × 29 cm., Rare Trial Proof on Japan Paper, before the Distortion and Cracking of the Wood. To the Left, a Trial Inscription in Gothic Lettering in Black Pencil. (See Catalogue: Paul Prouté Pout-Aven, les Nabis et les Symbolistes, March 1989)
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Claude-Louis Chatelet (1753-1794). French School Partial View of the Falls of the 'Fiume Grande' of Lava from Etna, near Aderno Vue Partielle des Cascades de Fiume Grande au milieu des Laves de L'Etna, Prés d'Aderno Gouache on Beige Tinted Paper. H. 22,8 cm; L. 32,7 cm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Auguste Rodin, "L'Eternal Printemps," Signed, Inscribed with Foundry Mark "Thiebaut Freres, Fondeurs," Bronze, Brown Patina with Green Highlights, 64cm High.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Anthony van Dyck. 'Rest on the Flight into Egypt', c. 1630 Oil on Panel, 15 1/8 by 12 5/8 (38.5 by 32 cm) 18094-D.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Nikolai Astrup (Norwegian 1880-1928), Apple Trees in Bloom, Signed, Oil on Canvas, 56 by 90cm. Estimate: £250,000-400,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Jules Dalou (1838-1902). Supplication 1884. Bronze. Signed 'Dalou', Inscribed Cire Perdue A. A. Hébrard and Numbered 1 Height: 32 cm
Attributed works:
[Thomas Ammann Fine Art Zurich, Restelbergstrasse 97, Zurich, Switzerland] Fernand Léger, ca. 1918. «Still Life». Ink on Paper, 47 × 31,7 cm
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Bernardino Mei, 1612 Siena - 1676 Rome. Faith. Oil on Canvas: 120 × 155 cm. Signed and Dated: B. Mei 1652
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] J. J. Tissot: How Happy I Could Be with Either. Etching. 1877. 9 7/8 × 14″.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Head of Holofernes, Marble Italian (?) XVI Century. Height 22 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK. Exh. TEFAF Maastrich] A Rare Mid-18th-Century Ebony and Silver Mounted Miniature Bracket Clock Signed Charles Clay, London. 7½″ High. Circa: 1740.
Western art unattributed:
[Jan Roelofs, Spiegelgracht 5, 1017 JP Amsterdam, Netherlands] Oil Lamp in Bronze. Italy, 16th Century, Andrea Riccio Workshop. 5 × 4.5 Inches
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainbleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] Exceptionnelle suite de 4 grands fauteuils à dossier plat, début d'époque Louis XV, en bois naturel, à décor de rinceaux, grenades et feuilles d'acanthe, tapisserie d'Aubusson à décor floral
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainebleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] A Fine Set of Six George II Mahogany Carved Single Chairs on Cabriole Legs with Claw and Ball Feet, and Shaped Seat Rails. Circa 1740
Western art unattributed:
[M. Ekstein & I. J. Mazure, 90 Jermyn Street, Piccadilly, London, UK] Porcelain Painted Plate Bearing the Soviet Propaganda Slogan: "If Your Heart Yearns for Work Everything Will Be Reborn". Centre Painted with a Constructivist Design. 9.8 ins Diameter. Underglaze Green Cipher of Nicholas II 1898. Overglaze Soviet State Factory Mark 1921. After a Design by Rudolf Vil'de.
Western art unattributed:
[Maria Andipa Icon Gallery, 162 Walton Street, London, UK] The Absolute Mother of God with Beautiful Silver-Gilt Repoussé and Chased Riza and Kakoshnik Studded with Three Stars, Raised Halo with Leaf-Motif; Embellished with Semi-Precious Stones. Panel: c.1700 Caucasus Riza Essay K D P and Initials AS 1886 35 × 23.5 cm
Western art unattributed:
[Mark Gallery, 9 Porchester Place, London, UK] St. Theodore Stratilates, the Warrior Saint, Russian Icon, Late 17th Century (29½ × 23cm)
Western art unattributed:
[Nella Longari, Via Bigli, Milan, Italy] "Italian Master" (Valle Padana XIII Cent) Initial "S" San Silvestro Tempera Illuminated on Vellum 90 × 75 mm.
Western art unattributed:
[Pieter Hoogendijk, Holland. Exh. TEFAF Maastrich] Cabinet, French (Paris?); ca. 1660; Ebony, Resting on a Stand. The Stand Consists of Three Couples of Astragalon Columns and Two Figures in Armour, Athena on the Left, Mars on the Right. Height: 2.17 Metres Width: 1.96 Metres Depth: 0.625 Metres.
Western art unattributed:
[The Chelsea Antiques Fair, Chelsea Old Town Hall, King's Road, London, UK] This Fine Satinwood Commode, Sheraton, Circa 1790. Although unmarked, this decanter is typically Irish in its light moulded base, fluting and three feather-edged neck rings. The engraved ship is contemporary, as is the mushroom moulded stopper - c.1815. This very fine walnut 'lowboy' is from the Queen Anne period, about 1710. It is a good example of the most sought-after type of low-boy, having good golden colour, well proportioned cabriole legs, and a pretty 'apron'. A silver seal box engraved with the Royal Coat of Arms of George III Made in London, in 1790 by William Pitts.
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Advertisements June 1988 (Front)
06/1988 | 1023 | 130
Pages: ii-lii
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.
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