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Advertisements June 2012 (front)
06/2012 | 1311 | 154
Pages: s.p.
Subjects
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Alan Fine Art & Antiques, London. A Florentine Renaissance revival pietre dure and carved giltwood centre table, by Angiolo Barbetti. c.1870. Height: 95 cm. Width: 125 cm. Depth: 68 cm]
Attributed works:
[Adrian Sassoon, London. Bud, by Kate Malone. 2011. Crystalline glazed stoneware. Height: 100 cm]
Attributed works:
[Agnew's, 35 Albemarle Street, W1. In the gardens of the Villa Negroni at Rome, by John Robert Cozens (1752-1790). Watercolour, 26.1 by 37.1 cm]
Attributed works:
[Agnew's, London. Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary, by Sir Anthony van Dyck (1612-51). Oil on oak panel, 20 by 23.5 cm]
Attributed works:
[August Laube Exhibiting at: Daniel Crouch Rare Books LLP, 4 Bury Street, SW1. Boy looking down, by Ernst Ludwig Kirchner (1880-1938). Chalk on wove paper, 50.5 by 35 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. A view in Italy, by Jean-Charles-Joseph Rémond (1795-1875). Oil on canvas, 22.5 by 35 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, Grande Arabesque, premier tamps]
Attributed works:
[C.G. Boerner Exhibiting at: Trinity Fine Art Ltd, 29 Bruton Street, W1. The singer's contest at Warburg Castle, by Anton Romako (1832-1889). Signed lower left: Pencil on wove paper, 39.4 by 52.8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Att. to Jacques du Broeucq (1505 (?) - 1584). Alabaster. XVIth century. H. 31.3 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Hercole Procaccini (1596-1676). 37,5 x 25,8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Three chairs stamped G. Jacob. Circa 1775. From Comte d'Artois in Versaille]
Attributed works:
[Darnley Fine Art, London. Portrait of William Warham, after Hans Holbein the Younger (1497-1543). Oil on canvas, 83.8 by 71.1 cm]
Attributed works:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Sedes Sapientiae - Enthroned Virgin. Polychromed Wood - Spain/Catalunya, about 1220 - h: 58 cm]
Attributed works:
[Dickson, 58 Jermyn Street, SW1. The tomb of Caecilia Metella on the Via Appia, outside Rome, by Carlo Labruzzi (1748-1817). Watercolour over pencil, 37.8 by 51.7 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street, W1. Study for 'The union of design and colour', by Charles-Joseph Natoire (1700-1777). Inscribed upper left: n° 26. Blacjk chalk heightened with white on blue paper, 28.5 by 35.5 cm]
Attributed works:
[Florian Harb, 5 Dalmeny Cout, 8 Duke Street, SW1. The adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano (1536-1571). Pen and brown ink and wash, over black chalk heightened with white on blue paper, 26.5 x 19.5 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Giovan Battista Dell'Era (Treviglio 1765-1799 Florence). Giovanni Antonio Santarelli (1758-1826). Signed in pencil, lower right, Batta Dell Era fecit. Black and red chalk, 330 by 240 mm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardino Campi. Reggio Emilia, 1521-1591. Venus, Eros and Anteros. Oil on wood panel, 25 x 20 cm (9 7/8 x 7 7/8 in)]
Attributed works:
[Harry Moore Gwyn, London. Promenaders in the park at Golden Hill, by Ethelbert White, R.W.S. (1891-1972). Signed: Ethelbert White. Oil on panel, 51 by 40 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Works 1960-1966. Earls Court studio, 1964.]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Two seated figures, by Henry Moore (1898-1986). 1944. Signed and dated. Pencil, wax crayon, chalk, charcoal, watercolour, pen and ink, 49.3 by 49.5 cm]
Attributed works:
[Hill-Stone Exhibiting at: The Fine Art Society, 148 New Bond Street, W1. A study for the figure of Charon, by George Romney (1734-1802). Pen and brown ink over black chalk, 34.6 by 27.2 cm.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Gaetano Gandolfi. San Matteo della Decima 1734 - 1802 Bologna. A Sheet of Head Studies. Drawing in red pen and ink; 1795. Signed with the artist's initials and dated verso in the same red ink in which the drawing was executed. 148 x 209 mm (5 7/8 x 8 1/4 inches)]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Giovanni Paolo Panini. Pair of Landscape with Ruins and Figures (detail).]
Attributed works:
[Jane Kahan Gallery, New York. Femme sur l'echelle, by Pablo Picasso. Aubusson tapestry, 202 by 178 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard, SW1. Self-portrait on a diff top in Howth, by Sir William Orpen. Signed: ORPEN at lower right. CHarcoal with gouache and oil on buff coloured paper, 50 by 36 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Francesco Barbieri, called Il Guercino. Cento 1591 - 1666 Bologna. Study of a dragon pierced by a lance. Pen and brown ink, 194 x 186 cm]
Attributed works:
[Johnny Van Haeften Ltd, 13 Duke Street, SW1. The gates of hell, by Cornelis Saftleven (1607-81). Oil on panel, 46 by 58 cm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. La laitière normande, by Jean-François Millet (1814-1875). Stamped with the estate stamp: J.F.M, lower right. Red chalk, 22.5 by 16.3 cm]
Attributed works:
[Lefevre Fine Art, London. A boxwood figure, by Henry Moore (1898-1986). 1912. Height: 43.2 cm]
Attributed works:
[Mark Mitchell, London. Still life with mustard jar, tomatoes, knife and glass on a striped tablecloth, by George Weissbort. 1928. Signed. Oil on canvas laid onto board 38.4 by 61.3 cm]
Attributed works:
[Rafael Valls Ltd, 11 Duke Street, SW1. A trompe l'oeil of a violin and a violin bow hanging from a red silk ribbon on a deal wood panel, by Claes Bellekin (1620-c.1675). Oil on canvas, 90 by 65 cm]
Attributed works:
[Robilant + Voena, 1st Floor, 38 Dover Street, W1. Virgin and Child with a Saint, by Andrea Solario (c. 1465-c.1524). c. 1517. Tempera and oil on panel, 37.5 by 33.5 cm]
Attributed works:
[Rountree Fine Art, London. Study of Mr. J.J. Moubray's Bay Hunter, by Sir Alfred Munnings P.R.A., R.W.S. (1878-1969). Oil on panel, 30.5 by 40.6 cm]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. Ferdinand-Victor-Eugène Delacroix. Arab Chief.]
Attributed works:
[Sphinx Fine Art Exhibiting at: 50 Maddox Street, W1S. Portrait of the Right Honorable William Pitt the Younger (1759-1806), three-quarter length in a black coat, standing before a column and gold brocade drape, by John Hoppner (1758-1810). Oil on canvas, 144.5 by 114.5 cm]
Attributed works:
[Stephanie Hoppen Gallery, London. Hummingbird and tubors, by Orlanda Broom. 2012. Acrylic and resins, 100 by 150 cm.]
Attributed works:
[Stephen Ongpin, London. Design for the cover of Sir magazine (no.4, 1964), by René Gruau (1909-2004). Signed with the artist's initial '*G' in black ink, gouache, and green film, over a pencil underdrawing, on paper, 41 by 28.7 cm]
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, W1. The estuary at Trieux, Bretagne, by Paul Signac (1863-1935). Signed lower right. Watercolour, pencil and ink, 11.2 by 20 cm]
Attributed works:
[The Silver Fund, London. Tea and coffee set on trey, by Jean Puiforcat. Mexico, c.1934. Signed. Sterling silver with green onyx handles]
Attributed works:
[Tomasso Brothers Fine Art, Leeds. Captive Dacians, by Francesco Righetti (1749-1819), and Luigi Righetti (1780-?1852). Signed and dated: FR. RIGHETTI. ET. FIL. FECIT. ROM / 1811. Bronze, rich brown-green patina. Height: 32.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Claus (active between 1754-1783). Bust of Caracalla. Signed J. CLAUS FECIT, dated 1757 and inscribed with the artists monogram I.C. White marble. 74 cm high]
Attributed works:
[Trinity Fine Art Exhibiting at: 29 Bruton Street, W1. The studio of artist Charles Guigon, by Fanny Guigon. Signed lower right: F. Guigon. Oil on cardboard, 25.5 by 33.2 cm]
Attributed works:
[Waterhouse Dodd, London. Le pesage Ombregé à Deauville, by Raoul Dufy. 1929-30. Signed. Watercolour and Gouache on paper, 50 by 65 cm.]
Non-western art unattributed:
[Jorge Welsh, London and Lisbon. 'Kinrade plate'. Ming Dynasty, c.1540-1600. Chinese porcelain in underglaze cobalt blue, overglaze iron red and gilt. Diameter: 19 cm]
Non-western art unattributed:
[Laura Bordignon, Finchingfield, Essex. Japanese okimono group of father and son. Wood and ivory. Signed in a tsuidhu red lacquer reserve. Sadamitsu, late Meiji Period.]
Western art unattributed:
[Cahn. Galleries in Basle and St. Moritz. A black-figure White-ground Lekythos. Attributed to the Athena Painter. With Munzen und Medaillen AG, Basle, ca. 1965.]
Western art unattributed:
[Charles Ede Ltd, London. A Roman marble Bust of the Aphrodite of Epidauros, Aphrodite Armata. c.1st century AD to early 2nd century AD.]
Western art unattributed:
[Daguerre. 5 bis, rue du Cirque. Paris. Languedoc. Circa 1120-1140. H. 31.5 cm]
Western art unattributed:
[De Backker Works of Art, Hoogstraten, Belgium. A stone capital with fir-cones. Italian. Height: 35 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. ,,The Falcon's Bathe". Flanders, 1400-1415. Warp and Weft: wool, height: 333 cm, width: 445 cm]
Western art unattributed:
[Jean-David Cahn, Basel. A head of Medusa from the Traianeum of Pergamon. c.114-29 AD. Grey, middle-grained marble. Height: 37.5 cm]
Western art unattributed:
[Joanna Booth. French, Paris, circa 1350. Ivory diptych wing, The Crucifixion. Height: 10 cm (4 in)]
Western art unattributed:
[Joanna Booth. Spain, Catalonia circa 1300. Bishop or Saint, probably St. Martin of Tours (detail). Limestone with some original colour. Height: 110 cm (43 1/2 in)]
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Advertisements September 2011 (front)
09/2011 | 1302 | 153
Pages: s.p.
Subjects
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artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Metamorphic Venus 4, by William Turnbull (b.1922). 1982. Edition of six. Bronze on stone base. Height: 56.6 cm. Width: 23.5 cm]
Attributed works:
[Austin/Desmon, London. Standing figure, by Keith Vaughan (1912-77), 1948. Signed and dated: Vaughan /48. Gouache, wax crayon and black chalk on paper, 72 by 55.5 cm]
Attributed works:
[Beaux Arts, London. Fawley I, by John Piper (1903-92), 1989. Oil on canvas, 91 by 121. 5 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Henry Moore O.M., C.M. (British, 1898-1986). Shelter Drawing. Seated Mother]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Wolfgang-Adam Topffer (Geneva 1766-1847 Geneva). Scène de village avec montreur d'images (Village scene with image show). Circa 1830. Oil on canvas, 55.5 x 76 cm. (22 by 30 in)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jan Brueghel I (1569 - 1625), Rape of Proserpine, oil on copper, 18.7 x 26 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Simone di Filippo. Simone dei Crocefissi (1355.1399). The Coronation of Mary, tempera on panel, 90 x 56 cm]
Attributed works:
[Dr. Fischer, Fine Art Auctions. Trappenseeschlosschen – 74074 Heilbronn – Germany. Augsburg, circa 1680 / Max Pechstein, 1927 / Juan Pantoja de la Cruz, 1605 / Sèvres, A.-V. Poupart, 1836/37 / Facon de Venise, circa 1600 / Wilhelm Lehmbruck, 1912/14 / Emile Gallé, Nancy, 1902.]
Attributed works:
[Enrico Frascione, Florence. The Horse Gallicus, by Jan van Straet (1523-1605). Pencil on paper, 21 by 30 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Montelatici, called Cecco Bravo. Florence, 1601 - Innsbruck, 1661. Ulysses and Nausicaa. Oil on canvas, 97 x 135 cm (38 3/16 x 53 1/8 in)]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern. Pierre Bonnard (1867 - 1947). "Nature morte et paysage". Gouache and watercolour, 49 x 32 cm]
Attributed works:
[Galleria Il Quadrifoglio, Milan. Portrait of a man, by Jacopo Folchi (1502-6). Oil on wood, 114.3 by 85 cm]
Attributed works:
[Jonathan Clark, London. Your physique, by Eduardo Paolozzi (1924-2005). Signed and dated lower right. Collage on paper, 35.5 by 22.8 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Frans Francken II (detail)]
Attributed works:
[MOMA, New York. Willem de Kooning. Excavation, 1950. Oil and enamel on canvas.]
Attributed works:
[Moretti Fine Art, Florence, London and New York. A bishop St and St Bartholomew, by Andrea Bonaiuti (c.1345 - 50 - 79). 157 by 75 cm]
Attributed works:
[Offer Waterman & Co. 11 Langton Street. London. Sir Eduardo Paolozzi, R.A. 1924-2005, A.G.5, 1958, bronze, 40 by 15 ins]
Attributed works:
[Offer Waterman, London. Untitled (lemon), by Diarmuid Kelley (b. 1972). 2011. Oil on linen. 35.6 by 27.9 cm]
Attributed works:
[Osborne Samuel, London. Six forms in a circle, by Barbara Hepworth (1903-73). 1967. Edition of 7. Polished bronze, 33.7 by 60 cm]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Giacomo GUARDI (1764-1835), "Venice, Piazza San Marco", "Venice, Rialto Bridge". Pair of panels, 18 x 30,5 cm.]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Lucas CRANACH the Elder (1472-1553), "The Nymph of the Spring". Oil on panel, signed with the folded wings flying serpent, 48,5 x 74,2 cm]
Attributed works:
[Piano Nobile, London. Linked figures, by Kenneth Armitage (1916-2002). Signed and dated 1949/84. Bronze with brown green patination, 99 by 83 by 28 cm]
Attributed works:
[Redfern Gallery, London. The June of youth, by Leon Underwood (1890-1975). 1933). Signed, dated, titled and numbered II, from an edition of four. Terracotta, 60 by 38 by 26 cm]
Attributed works:
[Robilant + Voena, London and Milan. View of the Arno with the Ponte Santa Trinita, by Tomas Patch (1725-82). Oil on canvas, 85 by 170.5 cm]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Luca Cambiaso (Moneglia 1527 - 1585 El Escorial. Saint Jerome in the Desert. Pen and Brown ink. 242 x 270 mm (9 1/2 x 10 5/8 in)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. Giovanni Battista Foggini (1652-1725). Il Posquino (Menelaus with the body of Patroclus). Bronze, rich warm brown patina with golden red lacquer]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Alessandro Algardi (Bologna 1598 - Rome 1654). Christ Resurrected. Terracotta. Height: 52 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Charles Baudelaire, Les fleures du mal, Paris, 1857. Presentation copy for Edmond Texier.]
Attributed works:
[Walker Art Gallery. Liverpool. Paul Sérusier, La pluie sur la route (detail), 1893, private collection]
Attributed works:
[Whitford Fine Art, London. Chariot, by Clive Barker (b. 1940). 1974. Edition of 7. Chrome plated brass and bronze, 19 by 23 cm]
Attributed works:
[William Westan Gallery, London. Fruit and bowl, by Patrick Caulfield (1936-2005). 1979/80. Signed in pencil. Screenprint, 83.9 by 59.6 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Early Italian Bowl. Silver, parcel-gilt. Naples ca. 1500. Diameter: 28 cm, weight 270 g. A similar bowl in the painting Sacred and Profane Love by Titian 1515. Galleria Borghese, Rome]
Western art unattributed:
[Guido Bartolozzi Antichità, Florence. Two sculptures of dogs. Tuscany, the first half of the nineteenth century, Marble, Height: 93 cm. Bases: 85 by 40 cm]
Western art unattributed:
[Piva & Cie, Milan. A pair of carved walnut tables, with Verona marble tops. Each, 81 by 99 by 54.5 cm]
Western art unattributed:
[Wannenes. Palazzo Gianfigliazzi. Lungarno Corsini 4. Florence. Palazzo del Melograno. Piazza Campetto 2. Genoa. L'arte del Vasajo. Important Italian maiolica from a private collection]
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Advertisements October 1995 (front)
10/1995 | 1111 | 137
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
[ 14 Old Bond Street, London / 21 East 67th Street, New York ] Simone Barrabino. Valpolcevera 1585 - Milan c. 1660. The Death of St Joseph. Oil on Canvas: 111 × 163 cms
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+Falk, Kirchgasse 28, Zurich ] (Plinius Caecilius Secundus, Caius). (Liber Illustrium virorum). Cornelius Nepos. Vom ursprung des Römischen Reichs/... Strassburg, J. Cammerlander, (ca 1538). With 32 Woodcuts in the Text. Very Rare.
Attributed works:
[ Bukowski's Fine Art Auctioneers, Arsenalsgatan 4, Stockholm ] Giovanni Panini. His School. Oil on Canvas. (128 × 172). For Sale at Bukowskis International Auction 1995.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Max Beckmann. Self Portrait in Bowler Hat. Drypoint. (1921). Hofmaier 180 III A (Of IV B).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Simon Vouet (Paris 1590-1649o) Allégorie de l'Innocence. Oil on Canvas 64 × 47 cm
Attributed works:
[ Cover ] Blanche Marie Blanc, Mme Pierre Henri Renoir, by Auguste Renoir. 1870. 79.7 by 64.5 cm. (Fogg Art Museum, Cambridge, MA).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Josef Hoffmann (Pirnitz 1870-1956 Vienna). eight light silver candelabra, design 1924, ex Wiener Werkstätten, marked with initials JII. WW. Made in Austria, height 20.5 cm
Attributed works:
[ Dorotheum, Palais Dorotheum Vienna ] Edward Theodor Compton (London 1849-1921). Mönch and Jungfran in the Bernese Alps. Signed E. T. Compton. Watercolour on Board. 29 × 39 cm
Attributed works:
[ Dorotheum, Palais Dorotheum, Dorotheergasse 17, Vienna ] Roberto Roberti (Bassano 1786-1837) Arrival of Emporer Francis 1 of Austria in Venice, Dated and Signed with Initials RR 1818, oil on Canvas 65 × 92 cm
Attributed works:
[ Fitzwilliam Museum, Cambridge ] The Judgement of Paris, Urbino, c. 1544-50
Attributed works:
[ Galerie Coatalem, 93 Faubourg St. Honoré, Paris ] Nicolas Hüet. (Paris 1770 - 1830). Ratons mâle et femelle ou Raccoons Anglo-Américains. Watercolour on Vellum, 31 × 44 cm. Signed and Dated: Hüet 1817. Presented at the Salon in 1819, no614
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Théodule Augustin Ribot (1823 - 1891) La Gourde vide · Oil on Canvas, 74 × 93 cm. Signed Lower Left: "t.Ribot."
Attributed works:
[ Hill-Stone, New York ] Hermann Weyer (Coburg 1596 - after 1641) Battle Scene. Black Pen and Wash, Brown Wash, Heightened with White on Yellow Toned Paper. Dated 1614 in Black Pen Upper Centre. Verso: A Landscape in Black Pen and Wash.
Attributed works:
[ Olympia London, The Fine Art and Antiques Fair ] Alfred Lord Tennyson by Samuel Lawrence (Detail), Circa 1840, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pseudo Pier Francesco Fiorentino, Virgin with Two Attendants Adoring the Christ Child, Circa 1475, Tempera and Gold Leaf on Panel, 40 × 32.5 cm
Attributed works:
[ Villa Grisebach, Fasanenstrasse25, Berlin ] Hermann Max Pechstein. Fisherman. 1909 Oil on Canvas. 96.5 × 71.1 cm. (38 × 28 in.) Monogrammed and Dated
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Wienna ] Emile Gallé, Nancy, 1900 "La Giroflée de muraille" Vase for World Fair, H. 20 cm
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Wienna ] Johann Lötz Witwe, Klostermühle Vase, 1900, H. 34.5 cm
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Wienna ] Kolo Moser (Vienna 1868-1918) Vase WIENER WERKSTÄTTE, 1903
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Wienna ] Otto Prutscher (Vienna 1880-1949) Collier WIENER WERKSTÄTTE about 1910
Western art unattributed:
[ Brimo de Laroussilhe, 7 Quai Voltaire, Paris ] Angel Holding the Sixth Commandment. Mosan, c. 1160. Gilt Bronze, Height 7.5 cm. (Ex. coll. Stoclet, Brussels)
Advertisements
Advertisements April 1995 (front)
04/1995 | 1105 | 137
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St James, London ] Rembrandt Harmensz. Van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn. Size: 219 × 167 mm.
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Luca Giordano. Naples 1634-1705. Oil on canvas. 74.5 × 60.5 cms.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682) "View of an Imaginary Port" France, Circa 1640 - 1645 Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Bernhard Heisig (Born 1925 in Breslau). Aufbahrung der Märzgefallenen V. 1953. Chalk Lithograph. 490 × 628 mm Sheet Size.
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Sebastiano Ricci 1659 - 1734. Adoration of the Shepherds. Oil on Canvas, 117 × 90 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco Guardi 1712 - Venice - 1793. A View of the Piazzetta from the South-West Corner of the Doge's Palace. Oil on Panel: 25.8 × 46 cms
Attributed works:
[ Cover ] Woman in Landscape III, by Willem de Kooning. 1968. 141 by 121.9 cm. (Annabel Waller Collection).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Emile Gallé, Marquetry Vase, "Rose de France". Nancy Approx, 1903, Signed, Sale on 3rd May
Attributed works:
[ Gallerie d' Arte Armondi S.R.L., C.so Palestro 37B, Brescia ] The Martyrdom of St. Sebastian by Giovanni Battista Crespi, "Il Cerano". Oil on Canvas. 200 × 150 cm
Attributed works:
[ Gallerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Bartholomaeus Breenbergh 1598/1600 Deventer-1657 Amsterdam Panel, Circular. Diameter 32,5 cms
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase with design "exhibition phenomenon pink with silver, candia with silver, brown", prod. nr. 387 Lötz Witwe. Klostermühle, Bohemia, 1900 Design: Franz Hofstätter White opal glass with colourless overlay. Differently coloured glass threads applied to the bowl and combed in different strength. Mould blown. Treated by reducing and iridescing. Engraved signature "Lötz Witwe" in basal globe. Height 48 cm.
Attributed works:
[ Hill-Stone, New York ] Giovanni Battista Piranesi 1720 - 1778 The Skeletons Etching, Plate 1 of 4 from the Grotteschi. Hind 24. Robison 21, the Second State of Five (Second Edition, First Through Fifth Issues; 1750 to Early 1770s). Watermark: Fleur-de-lys in a Single Circle, Robison Watermark 5 (Circa 1748-1760) thus First Issue, 1750-1759. A Brilliant Impression with Full Margins.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667) Landscape with Trees Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Bartholomeus Breenbergh, Coastal Landscape with St. Paul after the Conversion, 1633, Oil on Canvas, $24frac{3}{8}$ by $54frac{3}{8}$ Inches (62 by 138 cm.) Signed, Bottom left: BBreenborch. Fecit./A°.1633.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Jean-Baptiste Greuze (1725-1805) Pen and Brown Ink, Brush and Brown Wash over Black Chalk. The Inheritance - Signed Lower Right 22,8 cm × 37,7 cm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867) Three Studies of Nymphs from the Fountain of the Innocents, after Jean Goujon, Black Chalk, One Signed with Initial, One 443 × 108 mm, Two 445 × 109 mm
Attributed works:
[ Villa Grisebach , Fasanenstrasse 25 D, Berlin ] Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated. Estimate: DM 700,000 - 900,000
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - T'ang Dynasty (618 - 906 A. D.) Fat Lady Terracotta with Tempera Overpainting Height 60cm
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Advertisements February 1995 (back)
02/1995 | 1103 | 137
Pages: 145 - 146
Subjects
subjects:
Illustrations
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase for the World Exhibition "La Giroflée de muraille" Emile Gallé, Nancy, 1900, Signed and Dated. Colourless Glass, Overlaid in Yellow, Orange and Dark-Red. In the Upper Rim of the Thick Overlay One Green and Two Colourless Cut Glass Stones Set into Prepared Recesses. The Bowl Decorated with Applied Gillyflower Spray with Orange and Amethystine Blossoms Partly on Silver Foil. The Leaves, Stalks and Roots are of Multi-Coloured "marqueterie de verre", Relief Engraved. The Overlay of the Pedestal Engraved with the Inscription "La giroflée de muraille: L'amour est plus fort que la mort. lmit." Vertically Engraved Signature "Gallé" on the Bowl below the Right Blossom. "Exposit 1900" Engraved in the Basal Globe. Height 20 cm. The Vase was Made in Emile Gallé's Most Important Working Period. It Belongs to the Group of "Verres Parlantes", the "Speaking" Glasses, Reflecting the Ideas of the Contemporary Writers of Symbolism.
Attributed works:
[ The Olympia Antiques Fairs, Exhibition Centre, Warwick Road, London ] Gwen John Self Portrait (Detail), Circa 1900, by Courtesy of the National Portrait Gallery, London.
Advertisements
Advertisements September 1994 (front)
09/1994 | 1098 | 136
Pages: i-xxiv
Subjects
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Jan Wyck, Battle between Turks and Poles. Painting, about 1685. Monogrammed. 63 × 76 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] "Portrait of a Man in Armour". Oil on Canvas, cm 199 × 133. Giuseppe Vermiglio (Active c.1604-1635)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Israhel van Meckenem. St.Thomas and St.James The Lesser.Engraving. 205 (211) × 143 mm Sheetsize. Bartsch 81. Lehrs and Hollstein 296 I (of II).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed Terracotta Bust of a Man
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Gustave Courbet (French, 1819-1877), Flowers, Signed Gustave Courbet, Lower Left, Oil on Canvas, $9frac{3}{4}times 7frac{3}{4}$ (24.7 × 19.6 cm.).
Attributed works:
[ Concha Barrios, Claudio Coello 14 and 17, Madrid ] Massino Stanzione (Orta di Atela 1585 - Naples 1656), St. Agatha (detail), oil on canvas, 144 x 187 cms.
Attributed works:
[ cover ] Angel Appearing to St Jerome, by Guido Reni. 198 by 174 cm. (The Detroit Institute of Arts).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Cristoforo Munari. (Reggio Emilia 1667-1720 Pisa). Still Life with Lute and Violin. Oil on Canvas (One of a Pair). 52.5 by 40.25 Inches; 133.5 by 102 cms.
Attributed works:
[ Galerie Eric Coatalem, 93 Rue du Faubourg St. Honoré, Paris ] The Saint Family, St. John the Baptist, St. Elizabeth and Two Angels. Oil on Canvas, 75 × 101.5 cm
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] François Boucher (1703 Paris 1770). Une dame à sa toilette, ca. 1738. Oil on Canvas. 34×30 in. (86.3×76 cm). Domenico di Michelino (Florenz 1417-1491). The Madonna and Child with Saints. Tempera on Panel, Gold Ground. 38.5×25.5 in. (98×65 cm). Lit.: van Marle, 1927; B. Berenson, 1932 and 1963.
Attributed works:
[ Galerie Michel Descours, 44 rue Auguste - Comte, Lyon ] Giovanni Francesco Barbieri Called il Guercino (Cento 1591-1666 Bologna). The Martyrdom of Saint Sebastian. Red Chalk on Paper. 370 × 270 mm
Attributed works:
[ Gallery Kekko, 14 Prince Arthur, Suite 105, Toronto / Kasteelstraat 9, Riemst, Belgium ] Giovanni Battista Tiepolo (1696-1770). The Head of Hermes. Red and White Chalk on Blue Paper, 28.4 × 19.6 cm Watermark: Three Crescent Moons
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Table Lamp with Orchids and Bats. Emile Gallé, Nancy, 1901-1903. Colourless Glass, the Interior Overlaid with Opal Glass, the Exterior with Violet and Yellow Glass. In Several Working Processes Continuously Etched to Depict Orchids - On the Foot - And Five Bats with Diabolic Grimaces - On the Shade. The Ground Partially Cut. Relief Signature on Foot and Shade. Original Metal Mount with Light-Fixture in Foot and Shade. Height 63 cm. Diam of Shade 35 cm.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Daniele Crespi. (Busto Arsizio ca. 1598/1600 + Milano 1630). A Kneeling Saint (Saint Charles Borromeo?) Adoring the Virgin Surrounded by Angels. Pen and Brown Ink, Heightened with White on Paper Prepared with Brown Pencil, 220 × 175.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street St James, London / 49 East 68th Street, New York ] Théodore Géricault, Brutus Condemning His Sons to Death, Circa 1815. Pencil on Pale Green Paper $3frac{7}{8} text{by} 5 frac{3}{8}$ Inches (10 by 13.5 cm.). Also: A Pendant Drawing, a Study for The Oath of Brutus, Which Is in the Nelson-Atkins Museum of Art
Attributed works:
[ The Fine Arts Gallery of New Orleans, 614 Canal Street, New Orleans ] 53.5 × 101.5 Inches (136 × 258 cm). A Wooded Landscape with Figures Near a Stream. Oil on Canvas
Attributed works:
[ The University of Chicago Press ] Richard Serra, Photo by Nancy Lee Katz
Attributed works:
[ Venator & Hanstein KG, Cäcilienstrasse 48, Cologne ] Albrecht Dürer: St. Hubertus. Engraving, ca 1501
Western art unattributed:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Portal of the Church of Madonna dell'Orto after Restoration
Supplement
Recent Acquisitions at the Department of Sculpture and Decorative Arts, Rijksmuseum, Amsterdam: Supplement
06/1990 | 1047 | 132
Pages: 443-448
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
II. The Virgin Mary, by Arnt van Tricht (fl.c.1530-70). Oak, having lost its original polychromy, 100 cm. high. Calcar, c.1540. Purchased 1987. Inv. RBK 1987-21. The figure originally formed part of a Crucifixion group; the St John the Evangelist from the same group was acquired by the Rijksmuseum in 1898. Inv. NM 11155. The figure of the crucified Christ is presumed to be lost.
Attributed works:
IX. Vase (Vase Etrusque de Naples). Biscuit porcelain, painted in colours and gold, with gilt bronze handles, 59.5 cm. high; 29 cm. diam. Sèvres, 1858, the frieze painted by Paul-Maric Roussel. Purchased 1987 with the aid of a grant from the Belport Familienstiftung. Inv. RBK 1987-14. The shape of this vase was designed in 1849 by Jules-Pierre-Michel Diéterle (1811-89), chef des travaux d'art at Sèvres. A smaller pair was shown at the 1851 Great Exhibition in London, and another example was exhibited at the 1855 Paris Exposition Universelle.
Attributed works:
X. Comb, by René Lalique (1860-1945). Horn, gold and diamonds, 15.5 by 7.6 cm. Paris, c.1902. Purchased 1987. Inv. RBK 1987-2. The asymmetrical, Japanese-inspired design of this comb is extremely close to that of an example sold by Lalique in 1904 to his foremost patron, Calouste Sarkis Gulbenkian, now in the Gulbenkian Museum in Lisbon. On that piece, however, the flowers of the Guelder rose are executed in plique-à-jour enamel centred by tiny diamonds.
Attributed works:
XI. Sideboard, by E. J. Wisselingh & Co., designed by Carel Adolph Lion Cachet (1864-1945). Coromandel wood inlaid with walnut, ivory and copper, 142 by 182.5 cm. Amsterdam, c.1900. Purchased 1988. Inv. RBK 1988-41. Lion Cachet was much influenced by P. J. H. Cuypers (1827-1921), the architect of the Rijksmuseum's building who favoured the neo-gothic style. Neogothic linenfold panelling features prominently on this early example of Dutch eclectic art nouveau.
Attributed works:
XII. Vase, by Wolfers Frères after a design by Philippe Wolfers (1858-1929). Silver, 24.2 cm. high; 12 cm. diam. Brussels, c.1895. Purchased 1988 with the aid of a grant from the Foundation Dr Hendrik Muller's Vaderlandsch Fonds. Inv. RBK 1988-5. An example of the emerging art nouveau style in the work of Wolfers, this vase was retailed by the firm of Bonebakker in Amsterdam. Wolfers Frères also produced vases of the same form with a more traditional, naturalistic decoration.
Attributed works:
XIII. Vase, by Ernest Chaplet (1835-1909), the decoration probably by A. Kalt. Earthenware (grès brun), partly glazed, decorated in colours and black and white enamel, heightened in gold, 37.2 high; 27.3 cm. diam. Paris, c.1885-86. Purchased 1989. Inv. RBK 1989-5. Chaplet produced his revolutionary grès brun wares, on which the clay body was partly left unadorned, between 1882 and 1887. The vase is marked in gold 'HB&Co, for Hippolyte Boulenger & Cie, which started selling Chaplet's wares in 1886. The decoration bears the incised monogram 'AK', probably for A. Kalt.
Attributed works:
XIV. Vase. Porcelain, decorated in pâte-sur-pâte and painted in colours, 18.2 cm. high; 9.4 cm. diam. Meissen, c.1902, the decoration attributed to Rudolf Hentschel. Purchased 1986. Inv. RBK 1986-1. Like his father Julius (1843-1928), Rudolf Hentschel (1869-1951) was well-known at Meissen for his pâtesur-pâte decorations. He also designed some of the most distinctive shapes and painted decorations of Jugendstil Meissen porcelain. The pale blue, green and pink colours of the vase are characteristic of his work.
Attributed works:
XIX. Footed bowl, by François-Désiré Froment-Meurice (1802-55) executed by Jules Wièse (1818-90). Silver, partly gilt, with pearls, 35.3 by 26.2 cm. Paris, c.1851. Purchased 1989 with the aid of a grant from Christie's Amsterdam on the occasion of the retirement of S. H. Levie as Director-General of the Rijksmuseum. Inv. RBK 1989-13. An inscription records that this was a gift from Baron James de Rothschild (1792-1868) to a Mr. Mel Poisat on the occasion of the latter's twenty-fifth wedding anniversary in 1851. A similar piece was included in Froment-Meurice's triumphantly successful display at the 1851 Great Exhibition in London.
Attributed works:
XVI. Tazza, by Adam van Vianen (c.1568/9-1627). Silver, 3.3 cm. high; 18.2 cm. diam. Utrecht, 1610. Purchased 1985, with the aid of grants from the Rijksmuseum Foundation and private donors. Inv. RBK 1985-24. The scene represents Odysseus and his men visiting Circe. The dish is the earliest known piece of silver by Adam van Vianen, showing the so-called auricular style for which he and his brother Paulus are famous. Elements of this style occur in the border and, more strikingly, on the boldly shaped winecooler represented in the scene itself.
Attributed works:
XVIII. Plate. Tin-glazed earthenware, painted in blue and manganese, 48.5 cm. diam. Delft, c.1675-85, 'De Grieksche A' factory under Samuel van Eenhoorn. Purchased 1986. Inv. RBK 1986-16. The 'Grieksche A' factory, under the direction first of Samuel van Eenhoorn (died 1686) and then of Adriaen Kocks (died 1701), was the favourite supplier of blue and white Delft to Queen Mary and to courts all over Europe. It is very rare to find a 'Grieksche A' piece decorated in manganese as well as blue.
Attributed works:
XX. Panel. Glass, wheel-engraved, 23 by 18.3 cm. Prague, dated 1620, the engraving attributed to Caspar Lehmann (c.1563/5-1622). Purchased 1986. Inv. RBK 1986-29. The recumbent lion personifies the Count Palatine Frederick V (1596-1632), who was King of Bohemia during the Winter of 1620. The panel forms part of a series, the precise function of which remains unknown.
Attributed works:
XXI. One of a pair of chestnut-vases, by Diederik Lodewijk Bennewitz (1764-1824). Silver, 29.8 cm. high; 13.7 cm. diam. Amsterdam, 1822. Purchased 1985. Inv. RBK 1985-28. Silver chestnut-vases were made in Holland in considerable quantities from the late eighteenth century. They were probably used for marrons glacés. Their bold, geometric form is typical of Amsterdam silver in the Empire style, and the cast ornament clearly copies French models.
Attributed works:
XXII. Plate, by the 'Zuid-Holland', factory designed by C. J. van der Hoef (1875-1933). Earthenware painted in underglaze blue and brown, 8.8 cm. high; 41.5 cm. diam. Gouda, c.1905. Purchased 1986. Inv. RBK 1986-13. Between 1900 and 1910 C. J. van der Hoef was one of the foremost Dutch designers of ceramics, working for many of the small factories active at the time. The dish shows his restrained geometric style, typical of a mainstream development in Dutch art nouveau.
Attributed works:
XXIV. Vase, by Emile Gallé (1846-1904). Glass, acid-etched, and enamelled in colours and gold, 42.6 by 21.3 cm. Nancy, c.1884. Purchased 1989. Inv. RBK 1989-2. The decoration, composed of a mixture of Arabic, Japanese, classical and gothic motifs, is typical of Gallé's work of the mid-1880s. The shape may have been inspired by Japanese ceramics.
Western art unattributed:
I. Madonna and child. Oak, having lost its original polychromy, 67 cm. high. Utrecht, or the province of Holland?, c.1470. Purchased 1987. Inv. RBK 1987-22. Utrecht was the main centre for sculpture in the Northern Netherlands, but this Madonna, which comes from a church near Hoorn, may well have been made in another northern town such as Haarlem.
Western art unattributed:
III. Funerary monument. Limestone, painted in colours and gilded, 51.7 by 37 cm. Southern Netherlandish, c.1520. Purchased in 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-41. The Virgin and child are shown with Sts Benedict and Bernard, with Sts Peter, John the Baptist and Paul in the predella. The monument is unusual in that it follows the composition of many full-sized wooden altar-pieces, though in stone and on a small scale.
Western art unattributed:
IV. Tureen. Porcelain, painted in colours, 20.5 by 20.9 cm. Weesp c.1770; decorated in Loosdrecht, 1774. Purchased 1988 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1988-3. This tureen represents an experimental phase in the founding of the Loosdrecht factory (fl.1774-84). The porcelain was made at the Weesp factory (fl.1759-70/1) and bears its mark, the crossed swords with three dots in underglaze blue. The decoration was added in Loosdrecht, witness the overglaze brown mark Mol. and the date $17 frac{2}{19} 74$, i.e. one day before the official founding date of the Loosdrecht factory. The tureen was discovered during the preparation of an exhibition of Loosdrecht porcelain held at the Rijksmuseum in 1988.
Western art unattributed:
V. Wall-hangings, made into a screen. Gilt leather, each leaf measuring 238 by 61 cm. Dutch (probably Amsterdam), third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-54. From the early seventeenth century both Amsterdam and The Hague were important centres for the production of gilt leather. This example, with scenes of Meleager and Atalanta, is typical of the third quarter of the century in its high relief and strong polychromy.
Western art unattributed:
VI. Cabinet on stand. Softwood, japanned and inlaid with mother-of-pearl, 186 by 159 cm. (?)Dutch, c.1700. Purchased 1985 (on loan from the Rijksmuseum Foundation). Inv. RBK 1985-25. The chinoiserie scenes are after illustrations in Joan Nieuhof's account of the first Dutch embassy to the Emperor of China, published in Amsterdam in 1665. The mother-of-pearl inlays simulate the gilt metal mounts usually found on Japanese lacquer cabinets.
Western art unattributed:
VII. Cupboard. Oak and (burr-) walnut, 245 by 197 cm. Dutch, mid-eighteenth century. Purchased in 1989 with the aid of a grant from the Rijksmuseum Foundation. Inv. RBK 1989-16. This is one of the most markedly rococo pieces of Dutch furniture known. Richly decorated with virtuoso carving, it unusually lacks any metal mounts. A closely related corner display cupboard was in the Rosebery collection at Mentmore Towers.
Western art unattributed:
VIII. Salt. Silver, partly gilt, 30.2 by 15.5 cm. Amsterdam, 1618. Purchased 1988, with the aid of grants from the Rembrandt Society, the Rijksmuseum Foundation and the Ministry of Culture. Inv. RBK 1988-15. This is the only Dutch seventeenth-century silver salt to survive together with its detachable cover. It forms part of a small group of similar triangular salts (shown together at an exhibition at the Rijksmuseum in 1989). A design by the Utrecht artist Joachim Wtewael (1566-1638) for a similar piece, dated 1603 or 1608, is in the British Museum.
Western art unattributed:
XV. Layette cupboard on stand. Oak and walnut, 178 by 119 cm. (?)Amsterdam, third quarter of the seventeenth century. Purchased 1985. Inv. RBK 1985-10. Though the stand is one of the most vigorous examples of the auricular style, the cupboard itself, decorated with niches, shells and festoons, is in a more classical manner. Small cupboards such as this were used to store linen and other belongings of new-born babies.
Western art unattributed:
XVII. Tobacco-box. Silver, partly coloured, 2.5 by 12.4 cm. Dutch, second quarter of the eighteenth century. Presented by Mrs E. G. M. van den Honert-Wijers, Rijswijk, 1986. Inv. RBK 1986-27. The silver plaque set into the lid of this unmarked box is engraved with a bathing nymph. Parts of the scene have been coloured to resemble red and yellow copper and pewter. This unusual method of decoration creates the illusion of a mosaic composed of various metals. The inside of the lid shows the same scene in reverse.
Western art unattributed:
XXIII. Tea-caddy. Silver-gilt, 8.8 by 7.5 cm. Amsterdam, 1677. Presented by Mrs J. E. van Schendel-Reesink, Amsterdam, 1989. Inv. RBK 1989-28. This is the first known Amsterdam silver tea-caddy, and is a remarkably early example of Dutch cut cardwork. Similar naturalistic flowers in this technique occur on some pieces of Amsterdam silver dating from the 1690s. The high-relief floral decoration within shaped panels reflects Chinese influence.
Advertisements
Advertisements November 1984 (front)
11/1984 | 980 | 126
Pages: i-xlii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advertisement] Adriaen van Ostade (1610-1685). Oil Painting on Canvas. 74 × 98 cm.
Attributed works:
[Advertisement] Gerard Ter Borch (1617-1681). Oil Painting on Panel, 43 × 32 cm.
Attributed works:
[Advertisement] Peter Paul Rubens (1577-1640). Oil Painting on Panel, 50½ × 39 cm.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London, UK] Jan Baptist van Fornenburgh The Hague c.1585-1649. Watercolour on Vellum 17.5 × 26 cm. Monogrammed and Dated 1632
Attributed works:
[Anthony Dallas & Sons Ltd., 9 Old Bond Street, London, UK] William Etty R. A. (1787-1849). The Death of Hippolytus (After Rubens) Oil on Canvas. 17½ × 16½ ins. (44.5 × 42 cm.)
Attributed works:
[Antiquaria Limited, 40 Bury Street, London, UK] Fine Pair of Venetian Tazza. Circa 1500. Enamel on Copper, 31 cm
Attributed works:
[Antiquarian D & S, Spielgelstrasse 4, Vienna, Austria] Three Ceramic Animals Designed by Michael Powolny, Executed by Schleiss, Gmunden (Oberösterreich) after 1925
Attributed works:
[Athenenaeum Old Master Paintings Works of Art, Avenue Princesse Alice 5, Monte Varlo, Monaco] Salvator Rosa (1615-1673). 182 cm × 102 cm.
Attributed works:
[belle etage, Mahlerstrasse 14, Vienna, Austria] Armchair, Part of a Set of Two, with Two Small Sofas. Design by Otto Wagner, Wien Circa 1900.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Lucas van Leyden. The Return of the Prodigal Son. Engraving. (c.1510). Bartsch 78. Volbehr 72 I (of III). Filedt Kok 78 a (Of e). Watermark: Shield (Fragment). Coll. S. Scheikevitch.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Dominic Colnaghi and Two Friends Drawing in Pen and Watercolour by Henri Monnier (Inscribed: A Son Ami Dominick Colnaghi, 1831)
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Exh. The Art and Antiques Dealers Fair, Vienna, Austria] Belle Etage. Putto, Designed by Michael Powolny. Vienna 1908, Executed by Wiener Weskstätte. White, 48 cm High.
Attributed works:
[Exh. The Art and Antiques Dealers Fair, Vienna, Austria] D. & S. Emil Meier/Michael Powolny Spring and Autumn, from the Series "Seasons of the Year". Wiener Keramik, Circa 1915.
Attributed works:
[Exh. The Art and Antiques Dealers Fair, Vienna, Austria] Galerie bei der Albertina. Part of a Suite of 2 Wardrobes, a Mirror, Armchair and Couch. Hans Offner, Circa 1910. Documented in Deutsche Kunst und Decoration, 1911.
Attributed works:
[Exh. The Art and Antiques Dealers Fair, Vienna, Austria] Mag. Peter Kovacek. Eduard Veith (1856 Neutitschein - 1925 Vienna.) Der Jungbrunnen. Oil on Canvas, 102 by 152 cm; Signed and Dated 1897.
Attributed works:
[Exh. The Art and Antiques Dealers Fair, Vienna, Austria] Reinhold Hofstätter. Table, Henri II, France, Circa 1580. Walnut, 75 cm High.
Attributed works:
[Fischer Fine Art, 30 King Street, London, UK] Die Unbekannte c. 1929. Oil on Canvas 29 1/8 x 16 1/8 ins
Attributed works:
[Galerie Bieder Albertina, A-1010 Wien 1, Ausria] Joseph Hoffmann Chandelier, Circa 1928, Signed. Wiener Werkstäte
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin, Germany] Leonaert Bramer (1596-1674, Delft). Sibyl. Pen and Brown Ink, Brown Wash. 300 × 210 mm. From an album with 80 Drawings by the Artist. Coll. C. Hofstede de Groot (Lugt 561).
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Portrait of the duchesse de Saint-Aignan by Nicolas de Largillierre (Paris 1656-1746) Oil on Canvas: 139 × 105.5 cm.
Attributed works:
[Helmut Peter Buchen, Keithstrasse 16, 1000 Berlin, Germany] Pieter Claesz (Steinfurth 1597-1661 Francksteeg). Signed and Dated 1641. Oil on Panel; 66 × 4.85 cm.
Attributed works:
[Hoogsteder-Naumann, Ltd., 4 East 74th Street, New York, New York] C. de Man. New Church in Delft
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Charles-Francois Lacroix de Marseille c.1700-1782. Each Signed and Dated 1764 Oil on Copper - 9 × 12 ins. (23 × 30.5 cms.) with the Original Frames
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Daniel Jansz. Thievaert (Before 1613-Amsterdam-1657) A Scene from the Old Testament Signed. On Canvas. 64 × 74 Inches
Attributed works:
[Knoedler & Co., 19 East 70th Street, New York, New York] The Pier: A Grey Note. c. 1884. Oil on Panel, 3½ × 5 3/4″
Attributed works:
[Kunstsalon Mag. Peter Kovacek, Stallburggasse 2, Vienna, Austria] Bronica Koller-Pinell, (1863-1934). Egon Schielle u. Seine. Frau Edith Oil on Canvas, 71:71 cm.
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] Francis Wheatley An Irish Fair. Signed and Dated 1783. Size: 17½ × 25 Inches
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] J. M. W. Turner Sion, Switzerland. Circa 1806-8. Size: 7 × 10 Inches
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] Sir Joshua Reynolds Rome 1751. Size: 9¼ × 8 3/4 Inches
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] Thomas Gainsborough A Romantic Landscape. Size: 11 × 15 Inches
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] Thomas Rowlandson 'The Prospect Before Us'. Dated 1791. Size: 12 × 18½ Inches
Attributed works:
[Leger Galleries Ltd, 13 Old Bond Street, London, UK] William Hogarth Hudibras Vanquished. Circa 1725. Size: 9½ × 13 Inches
Attributed works:
[Maitre Guy Loudmer, 18 rue Provence, Paris, France] Léon Pourtau "Portrait de Madame Vallad belle-mère de l'artiste" 1893. Oil on Canvas 116 × 81 cm
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Sitting Figures, 1979/80, Bronze, Overall Height 76in/193cm, Edition of 6.
Attributed works:
[Mes Audep Godeau Solanet, 32 rue Drouot, Paris, France] Vigée le Brun (Louise) Portrait de la Duchesse de Gramont-Caderousse, Panel, Signed and Dated 1784 and Shown in the Salon of 1785. (1,05 m × 0,76 m)
Attributed works:
[Mes Chambelland et Giafferi, 117 rue Saint-Lazare, Paris, France] Outstanding Group of Emile Gallé Vases Shown at the Paris Exposition Universelle of 1900
Attributed works:
[National Gallery, London, UK] Jacobus Blauw, by Jacques-Louis David. 1795. (National Gallery).
Attributed works:
[Noortman & Brod, 24 St James Street, London, UK] Jan van Kessel 1636-1679. The Fox and the Heron. Copper, 18.5 × 24.6 cm. Signed
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] Alfred Sisley "Le verger à Moret, printemps". Oil on Canvas, Signed Sisley, Lower Right. Painted in 1891. 45 × 55 cm (F. Daulte's Catalogue Raisonné of the Artist's Work, no. 757). Paul Signac: "Port de Roscoff 1927" Watercolour, Signed and Dated. 29 × 45 cm.
Attributed works:
[Phillips International, 7 Blenheim Street, London, UK] Jacob-Ferdinand Voet c 1639 - c 1700. "Portrait of a Young Lady". Canvas, 69.2 × 56.4 cm.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Bernardo Bellotto (Venice, 1720-Warsaw, 1780). The Grand Canal, Venice: Looking Southeast from St. Stae to the Fabbriche Nuove di Rialto. Ca. 1740-42. Oil on Canvas. 27 3/4 x 49 3/4 Inches (70.5 × 126.5 cm.)
Attributed works:
[Richard Green, 4 New Bond Street, London, UK] Francesco Guardi (1712-1793). Capriccio View of a Shipyard with Fortifications. Capriccio View of a Quayside with a Ruined Arch. A Pair. Signed Painted Circa 1750. Canvas: 13 × 21¼ in/33 × 54 cm
Attributed works:
[Richard Green, 4 New Bond Street, London, UK] Jean-Baptiste-Armand Guillaumin (1844-1908). Crozant: La Sedelle à la Folie. Signed, Inscribed and Dated (Fin Mars 1917) on Reverse. Canvas: 31½ × 45½ in/81 × 116 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Pierre Matisse, "Femme assise devant son piano", Circa 1924. Oil on Canvas, 46.4 by 38.4 cm. Signed, Lower Left: "H. Matisse"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Antonio Canale Called Il Canaletto, The Piazza del Campidoglio and the Cordonata, 86.5 by 136 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Christen Ko̵bke, A Portrait of Pastor Carl Adolf Ko̵bke, The Artist's Brother, Oil on Canvas, 23 by 19 cm. £25,000-35,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Important Louis XV/XVI Ormolu-Mounted Tulipwood and Purplewood Parquetry Bureau à Cylindre, Third Quarter 18th Century, Signed J. F. Oeben (Jean-Francois Oeben, maître c. 1761, ébéniste du Roi 1754) Height 111 cm., Width 145 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Roman Black and White Marble Portrait Bust, of a Statesman, First Quarter 16th Century, from the Circle of Giovanni Antonio Dosio (Florence 1533-Rome 1609) Height 49 cm.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Joseph Heintz the Younger. Signed, Inscribed and Dated 1642 (Isepo Heintz Di Augusta Fec MDCXXXXII) Oil on Canvas, 104 by 79 Inches (265 × 200 cm.)
Attributed works:
[Wildenstein & Co., 147 New Bond Street, London, UK] Self Portrait by Fantin-Latour. Courtesy of the Tate Gallery
Western art unattributed:
[Advertisement] William Drummond's Annual Exhibition. Over 250 Decorative and Inexpensive Watercolours and Small Oil Paintings for Christmas or the Collector with Modest Means
Western art unattributed:
[C.John, 70 South Audley Street, London, UK] 19th Century English Needlework Carpet. Size 18′6″ × 11′6″
Western art unattributed:
[Nigel Carsen, 38 rue de Penthievre, Paris, France] Portrait d'époque XVIè représentant Elisabeth de France princesse de Valois (1545-1568), fille du roi de France Henri II et de Catherine de Médicis, petite fille de François ler par son père et de Laurent de Médicis par sa mère. Elle épouse Philippe II roi d'Espagne en 1559. Peinture sur panneau de bois size 22 cm × 35 cm. Encadrement de soie brodée de fil d'argent et d'or.
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05/1983 | 962 | 125
Pages: i-xl
Subjects
Illustrations
Attributed works:
[Alexander & Berendt, 1a Davies Street, London, UK] Savonnerie. Four Panels for a Folding Screen (Paravent) with Each Panel Representing "Rose a la Mosaique", Baskets of Fruit and Flowers, 2 Squirrels and 3 Parrots.
Attributed works:
[Arthena Publishers, 8 rue Francois-Miron, Paris, France] Pierre Peyron (1744-1814) par Pierre Rosenberg Conservateur en Chef au Département des Peintures du Musée du Louvre et Udolpho van de Sandt
Attributed works:
[Bernard Dragesco, 13 rue de Beaune, Paris, France] Important Pair of Large Wine-Coolers. Chantilly, Circa 1730-40. Height: 18 cm Width: 23 cm
Attributed works:
[Bernheimer, Brienner Strasse 7, Munich, Germany] The Triumph of Bacchus. A Very Fine Tapestry from the Series the Grotesque des Dieux, Made in Beauvais around 1700-1725 under Phillippe Behagle after Jean Bérain and the Cartons by Jean-Paptiste Monnoyer, Wool and Silk, 289 × 201 cm. Provenance: Rothschild, Vienna.
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Pierre-Athanase Chauvin (Paris 1774-Rome 1832). Gardens of an Italian Villa. Oil on Canvas 66 × 90 cm. Signed l.r.: "Chauvin. 1820"
Attributed works:
[Brian Haughton, 3 Burlington Gardens, London, UK] A Rare Höchst Pot Pourri Vase and Cover, Circa 1770.
Attributed works:
[C.John, 70 South Audley Street, London, UK] Fête Chaupètre-Carlson by Teniers. A Superb Late 17th Century English Soho Tapestry 13′ 6″ Wide by 10′ 0″ High
Attributed works:
[Christie, Mason & Woods International Inc., 502 Park Avenue, New York] Moses Van Uyttenbroeck. Wooded Landscape with Pan and Syrinx, Oil on Panel, Signed with Initials. 20¼ by 26½ Inches. (51.5 × 67 cm).
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] A Highly Important Louis XV Ormolu-Mounted Parquetry Commode. by Charles Cressent 2 ft. 10½ in. High, 4 ft. 10 in. Wide, Circa 1740
Attributed works:
[Gallery KB, Kaare Berntsen, Universitelsgt, 12 Oslo 1, Norway] "Liebespaar" Sch. 71, 1896-Sarvig Page 37. Lithograph Printed by Clot (310 × 419 cm).
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] A. Koester, Ducks in a Pond.
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] E. Gallé, Vase with Enamel-Application, Signed: Gallé par bonheur.
Attributed works:
[Germann Auktionshaus, CH-8032, Zurich, Switzerland] F. Hundertwasser, La Picaudière 1959.
Attributed works:
[Hoff Antiques Ltd., 66a Kensington Church Street, London, UK] Derby. A Fine Seated Figure. c. 1753-4. Ht., 18 cm.
Attributed works:
[I. & G. Fine Arts International, 37 Curzon Street, London, UK] Gregorio de Ferrari 1647-1726. Oil on Canvas: 128 × 149 cm. The Pool of Bethesda
Attributed works:
[J. Paul Getty Museum, Malibu, California] Mantel Clock. Paris. c. 1785. Bronzes Attributed to Pierre-Philippe Thomire. (J. Paul Getty Museum, Malibu, California).
Attributed works:
[Jaqueline Boccara, 184 Faubourg Saint-Honore, Paris, France] Suite des Portières des Dieux: "Vénus" ou le Printemps. Four Door-Hangings in the Same Series: Ceres, Venus, Saturn, Bacchus. Manufactures des Gobelins, Louis XV Period. Woven from Cartoons by Claude III Audran, Known as Le Jeune (1658-1734). H. 285 cm × W. 265 cm (Feet: 9,4'×8,8')
Attributed works:
[Kenneth Barlow Decorative Arts, Maximillionstr. 21, 8 Munchen 22, Germany] Joseph Maria Olbrich, 1867-1908. Cupboard for the World Exhibition Paris 1900 Representing the Darmstadt Artists Colony Published in: Deutsche Kunst und Dekoration, Band VI, 1900, p.467 183 cm × 71 cm × 40 cm
Attributed works:
[Klaber and Klaber, 2a Bedford Gardens, London, UK] A Worcester Two Handled Caudle Cup and Deep Saucer. Scale Blue Ground, the Reserves Painted with Watteauesque Figures Engaged in Musical Pursuits, Birds and Flowers. Lavishly Gilded. Both Marked with a Square Seal Mark in Underglaze Blue. Circa 1768.
Attributed works:
[Klaber and Klaber, 2a Bedford Gardens, London, UK] An Extremely Rare Meissen Figure of Augustus the Strong. The Body Armour Gilded, the Head and Cloak White. 4⅜ Inches High. Circa 1715.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Barbara Hepworth. Large and Small Form, 1945, Cornish Elm, Length 24 in/61 cm, Unique.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] Portrait of Mrs Thomas Jelf Powis with Her Daughter, Catherine. Sir Joshua Reynolds, PRA 1723-1792. Canvas: 91 × 57 Inches 231 × 144.7 cm
Attributed works:
[Phillips, 7 Blenheim Street, London, UK] Peter Rysbrack (c 1684-1748). The Gardens of Chiswick House. 60 x 106 cms.
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Max Beckmann 'Warrior and Bird-Woman', 1939 Oil on Canvas, 81 × 60 cm. (Goepel no. 522)
Attributed works:
[S Franses, 82 Jermyn Street, London, UK] The Triumph of Venus. A Highly Important Louis XIV Gobelins Tapestry from the Celebrated Series - The Triumph of the Gods 20′ × 13′8″
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Corot. "Granville, Bateaux de pêche". Canvas. H. 23,5 cm - W. 32 cm. Corot Sale Stamp at the Bottom Left. Circa 1860.
Attributed works:
[Somerville & Simpson Ltd., 11 Saville Row, London, UK] Samuel John Lamorna Birch, RA, 1869-1955. 'The Long Last Streaks of Snow' Signed and Dated 1902. Signed and Inscribed on an Old Label on the Reverse. Oil on Canvas 76 × 132 cm. (30 × 52 Inches). Exhibited: Manchester, 1902
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Abel Grimmer, St. Peter Drawing a Coin from the Mouth of a Fish, and The Parable of the Sower, Both Signed, Each Diameter 26 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Roman Marble Figure of a Satyr by Camillo Rusconi, Signed, Early 18th Century, Height 76.2 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] William Adolphe Bougvereau, Le Guêpier, Signed and Dated 1892, Oil on Canvas, 213 by 152.5 cm. Estimate $130,000-160,000.
Attributed works:
[The Winter Palace Imperial Russian Works of Art, 69 Kinsington Church Street, London, UK] A Russian Imperial Porcelain Verrière from the Cabinet Service, Imperial Porcelain Factory, St. Petersburg, Period of Paul I (1796-1801)
Attributed works:
[William Doyle Galleries, 175 East 87th Street, New York] Jean Baptiste Camille Corot (French 1796-1875), Coubron, Prairies Avec des Saules et des Peupliers. Signed Corot. Oil on Canvas. 15½ × 21 3/4 Inches (39.5 × 55 cm)
Attributed works:
[Winifred Williams, 3 Bury Street, London, UK] Vincennes "Pot a eau a la Romaine" Mark Interlaced LL's in Underglaze Blue and Two Blue Dots. Height 23 cm. "Bleu Lapis" Ground with Fine Gilding, Front Panel with Polychrome Birds. Circa 1752.
Non-western art unattributed:
[John Sparks Limited, 128 Mount Street, London, UK] A Chinese Ivory Staff-Head Carved as a Family of Europeans. 18th Century. Height: 4 ins.
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] Hattian Copper Figure of a King or God, Troy II, c.2200 B. C. Height 21 cm.
Non-western art unattributed:
[Spink and Son, 5-7 King Street, London, UK] Detail from a Large Chintz Panel, Originally a Tent Canopy. Indian, 18th Century. 1m 83cm × 5m 90cm.
Western art unattributed:
[Armin B Allen, Inc., 33 East 68th Street, New York, New York] A Rare Cassel Sugar Bowl and Cover Circa 1775. Diameter 10 cm.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, London, UK] Reproduction Dutch Ripple Moulding Frame, from an Original c.1660 105×120×19 cm.
Western art unattributed:
[Colnaghi, 15 Old Bond Street, London, UK] Carved and Gilded Wood Chair (One of a Pari). Venice, c. 1775. Dimensions: 130 × 60 × 38 cm.
Western art unattributed:
[Earle D. Vandekar, 15 East 57th Street, New York, New York] A Delft Tulip Vase Decorated in Blue and White in the Chinoiserie Style, ht. 6¼ in. English (Lambeth) or German, Circa 1685. cf. 'English Delftware in the Rijksmuseum' p 74, Catalogued by Michael Archer
Western art unattributed:
[Galerie Chevalier, 17 quai Voltaire, Paris, France] An Exceptional Large-Leaved Verdure Tapestry XVIth Century - Flemish Manufacture 310 cm (h) × 325 cm (w)
Western art unattributed:
[Mallett, 2 Davies Street, Berkeley Square, London, UK] A magnificent mid-18th century Italian centre table profusely inlaid with various woods, mother-of-pearl and ivory, the oval centre panel inlaid with cups, a jug and bowl, flanked by salamanders, parrots, parakeets and other birds, the frieze centred by oval panels of fruit, flowers and birds, standing on inlaid tapering legs. Italy. Circa 1750. Height: 35½ ins (90 cms) Length: 59½ ins (151 cms) Depth: 37 ins (94 cms)
Western art unattributed:
[Vojtech Blau, Inc, 800B Fifth Avenue, New York] Antique Fleur de Choux. Tapestry Panel. Flemish 8′5″ × 8′3″
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