By using this website you agree to our Cookie policy

Search

10 articles
Advertisements
Advertisements February 1997 (front)
02/1997 | 1127 | 139
Pages: i-xii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Viencenzo Gemito Naples 1852 - 1929 Naples. Study of a Sleeping Boy. Pencil, Heightened with White, on Panel. Signed, Dated and Inscribed. V. Gemito/1911/15 settembre/della etá/di 15 mesi. in Pencil at the Right 184 × 240 mm. (7¼ × 9½ in.)
Attributed works:
[ Concorde Art Associates ] Pierre Auguste Renoir. Portrait du Colonel Barton Howard Jenks. Signed and Dated Left Centre, A. Renoir 1865. Oil on Canvas, 29 × $23frac{3}{4}$ (73.7 × 60.3 cm).
Attributed works:
[ cover ] Madonna with Child and Saints, by Domenico Puligo, in Its Original Frame by Baccio d'Agnolo. 1526. Panel, 175 by 214 cm. (S. Maria Maddalena dei Pazzi, Florence; Exh. Uffizi, Florence).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Girolamo Da Santa Croce (Active 1503 - 1556). The Agony in the Garden. Oil on Panel. $17frac{3}{4}times 15frac{5}{8}$ in.: 45.2 × 39.7 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] The Holy Family Attacked by Brigands within a Landscape. Canvas 117.5 by 96 cm (46 by 38 in.)
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Robert Colquhoun, Self Portrait, Circa 1940, Oil on Canvas, Scottish National Portrait Gallery
Attributed works:
[ Robert B. Simon, Satis House, Tower Hill Road, Tuxedo Park, New York ] Giovanni Maria Butteri (Florence, ca. 1540 - 1606). Madonna and Child Enthroned with Saints Jude, Simon, and John the Baptist. Oil on Panel, 90 × 62 in. (228 × 157 cm). Signed and Dated 1586
Attributed works:
[ Schlichte Bergen, P. C. Hooftstraat 53, Amsterdam ] Cornelis van Dalem Antwerp before 1534 - Bavel 1573. Landscape with the Dawn of Civilization. Circa 1565. Oil on Panel, 88 × 165 cm.
Attributed works:
[ The Dictionary of Art, MacMillan publishers Ltd] , Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ The Williamson Art Gallery and Museum, Birkenhead with Joanna Barnes Fine arts, 14 Mason's Yard, London ] Patience and Hope Steering the Boat of Education by Ellen Mary Pope (1855 - 1934). Plaster, 44 × 77.5 cm
Advertisements
Advertisements June 1996 (front)
06/1996 | 1119 | 138
Pages: i-xliv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] A Magnificent Pair of Perfume Vases. Chelsea (Gold Anchor Mark) Circa 1760. Height 15 ins (38 cms).
Attributed works:
[ Bassenge Art and book auctions, Erdener Strasse 5A, Berlin - Grunevald ] Adolph von Menzel (1815 Breslau - 1905 Berlin). Portrait of a Young Lady. Pencil Drawing. 31 × 24 cm. Signed and Dated: A. Menzel 31 Juli 1874. Hofgastein.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed terracotta bust of a Man. Provenance: Château d'Assier, near Figeac, France. Height: 47cm
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michele Marieschi (1710-1743), A Panoramic View of the Bacino di S. Marco Oil on Canvas, 37½ × $70frac{3}{8}$ in. (95.2 × 178.7 cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Hubert Robert. 1733 - Paris - 1808. A Romantic Landscape with a Waterfall and Castle. Oil on Canvas: 124.6 × 194.9 cms
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Giovanni Francesco Rustici. (Florence 1474 - 1554 Tours). A Rivergod Terracotta Size: 32cm × 31.5 cm
Attributed works:
[ Derek Roberts Fine Antique Clocks, 25 Shipbourne Road, Tonbridge, Kent ] Thomas Tompion No 205, Circa 1697. An Excellent Example of the Work of England's Finest Clockmaker. We Carry an Extensive Collection of Clocks of Most Types, Including Longcase, Bracket, Wall Carriage, Skeleton and Precision Pendulum Clocks.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Paul Elie Ranson 1864-1909. Vanité. Pen and Ink on Buff Paper, 22 × 24.3 cm. Signed with Initials; with the Nabi Sign Datable Circa 1892
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569. Three Men of War in a Tempest, Sailing to the Right. Engraving, by Frans Huys; c. 1570. Bartsch 105, Hollstein 105, the First State of Two before the Removal of Cock's Address. Watermark: Pot, Similar to Briquet 12637 (Datable c. 1561 - 63). A Very Fine Impression Printed in Dark Brown Ink.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Head of Christ by Pierre Puget (1622-1694). Marble H. 40 cm.
Attributed works:
[ Mallett & Son Antiques Ltd, 141 New Bond Street, London ] A Vary Rare Tapestry Sofa Seat by Morris & Co in the Swirling Acanthus Pattern, with Lilies at the Centre. English, Circa 1910. 34 × 98 in (86 × 249 cm)
Attributed works:
[ Mallory of Bath, E. P. Mallory & Son Ltd, 1-4 Bridge Street, Bath ] Pair of Fine Antique Silver Tea Caddies. Engraved Crest below a Barons Coronet. London George III 1818. By Wm Elliott. 25o/s. Approximately $3frac{3}{4}$ × $2frac{3}{4}$ × 3″ (Excluding Baluster Finials).
Attributed works:
[ Museo Thyssen Bornemisza, Madrid ] Paul Gauguin 'Allees et Venues, Martinique'
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita. Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Henri Martin (1860 - 1943). Two Standing Men, and a Detail of Feet. Charcoal, 592 × 243 mm, Signed with the Artists Initials Inscribed "pour la Sorbonne".
Attributed works:
[ Phillips, 101 New Bond Street, London ] Charles François Grenier de la Croix, Called Lacroix de Marseilles (Active Circa 1750-1782), A Mediterranean Harbour Scene, Signed and Dated 1759, Oil on Canvas, 97 cm × 137 cm. Estimate: £100,000-£150,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Claude Gellée, Called Claude Lorrain, (1600-1682). "A River Scene with Figures Loading a Barge", Pen and Brown Ink with Brown and Grey - Brown Wash, 126mm × 91 mm (Shown Actual Size). Estimate: £7,000-£10,000
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Jean-Baptiste Camille Corot, Civita Castellana in the Mountains, Circa 1826-1827, Oil on Canvas, 24.8 by 39.2 cm. Lower right: "Vente/Corot"
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Antonio Canova (1757-1822). The Recently Discovered "Amorino" Commissioned by and Executed in Marble for John David La Touche, Son of the Irish Banker, Rome, 1790, 172cm High (Excluding Base). Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes. Fuente de Todos 1746-1828 Bordeaux, Death of a Picador. Oil on Tinplate, 43 × 31,9 cm. From the Collection Formed by the British Rail Pension Fund. Estimate: £1,000,000-1,500,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Hans Memling, Seligenstadt c. 1440-1494 Bruges, Mater Dolorosa, Oil on Panel, 52.2 × 37.7cm. Estimate: £600,000-800,000.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Pieter de Hooch, Rotterdam 1629-After 1683 Amsterdam. A Maid with a Broom and a Pail in a Sunlit Courtyard, Signed with Initials Lower Right: P. D. H. Oil on Canvas, 48.2 × 42.9cm. From the Fattorini Collection. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Taddeo Zuccaro, Study of a Woman and Child, Red Chalk, a Separate Study in Pen and Brown Ink, 294 mm × 230 mm. From the Collection at Corsham Court. Estimate: £60,000-80,000.
Attributed works:
[ Tate Gallery Millbank, London (sponsored by BP) ] René Magritte, Man with a Newspaper, 1928
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Fine Chippendale Period Carved Gilded Looking Glass. English, 1765. Height: 54 in (137 cm) Width: 26½ in (67 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A magnificent English George III commode in the manner of John Cobb. Executed in selected, faded mahogany, inlaid with oval panels of West Indian satinwood, the panels inlaid with floral marquetry, the sides still retaining the original carrying handles, the sabots to the feet also original. Circa 1765-70. Height: 37 in (97 cm) Width: 45½ in (116 cm) Depth: 24 in (61 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Mediterranean Harbour Scene; Morning Claude Joseph Vernet. (1714 Avignon - Paris 1789) Signed and Dated Roma 1745. Oil on Canvas. $34frac{3}{4}$ × 47¼ in (88.2 × 120 cm).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] John Everett Millais (1829-1896). Alexander Munro (Inverness 1825-Cannes 1871). Plaster. Signed with Monogram.
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] The Battle between Carnival and Lent Pieter Breughel the Younger. Oil on Canvas. Circa 1564 - Antwerp - 1637/8. 47 × 66½ in (119.5 × 169 cm).
Attributed works:
[ The Hellenic Centre, 16/18 Paddington Street, London ] Machos, Signs of Aproaching Rain, 1961. Oil on Canvas, 74 × 102 cm.
Attributed works:
[ The Matthiesen Gallery, 7-8 Mason's Yard, Duke Street, St James, London ] Giovanni del Biondo. Florence Active c. 1356-1398. The Funeral of St. Benedict. Tempera and Gold on Panel: 32 × 35 cm
Non-western art unattributed:
[ Cover ] The Crucifixion, Detail of a Tablet-Woven Silk Curtain. Ethiopian, c.1730-38. (Royal Ontario Museum, Toronto)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wood Qiaotouan Table. w 226.1 cm d 43.2 cm h 82.6 cm. Chinese, Ming Dynasty, Late 16th to Early 17th Century
Non-western art unattributed:
[ Linda Wrigglesworth, 34 Brook Street, London ] 'Undercover in Japan'. Japanese Futon Covers, Furoshiki, Yogi & Fukusa. Edo & Meiji Period, 1700-1912
Non-western art unattributed:
[ Michael Sim, Royal Parade, Chisleyhurst, Kent ] A Chinese Kangxi period vase. Height 12½″. A mid-18th century stick barrometer by John Bird, Sea Quadrant, Strand. One of his instruments is described by Roger Pickering in Philosophical Transactions, Vol.43 No.473, p.5 (1744). From a selection of English and French carriage clocks; makers include Viner and Cole. A Chippendale period mahoganny secretaire, similar in proportions to the recently announced Osterley example. Width 2′ 6″; height 3′ 8″; depth 16″. Circa 1770. John Dwerrihouse, Berkeley Square, London. A neoclassical longcase clock of the model most often associated with Benjamin Vulliamy. The case was made by Joseph Rich, Vulliamy's cabinet maker. circa 1800.
Non-western art unattributed:
[ Sam Fogg, 35 St. George Street, London ] The Life of Mäba's S'eyon. Manuscript on Vellum with 82 Full Page Paintings. Gondar, Ethiopia. Early 18th Century. From the Library of Emperor Tewodros II at Magdala. In 1898 a Full Facsimile of the Manuscript was Published by E. A. Wallis Budge.
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Blue and White Porcelain Ewer in the Shape of a Standing Crayfish. Standing on a Base with Flowers. Chinese, Wanli Period (1573-1619) Late 16th Century. Porcelain with Underglaze Decoration in Blue. Height: $6frac{3}{4}$ in
Non-western art unattributed:
[ Wiener Kunst Auktionen, Kärntnerringhof, Kärntner Ring 5-7, Vienna ] Suzani Lakai Embroidery Usbekistan, 2nd Half of 19th Century, Silk on Silk Emproidered, 136 × 176 cm. US$ 9,000 - 12,000
Non-western art unattributed:
[Eskenazi Oriental art, 10 Clifford Street, London ] Bronze Stallion. Late Eastern Zhou - Early Western Han Period, 3rd - 2nd Century BC. Height: 16.3cm
Western art unattributed:
[ Annie Trotter Ancient Art, Stand L22, Grays Mews Antique Market, 1-7 Davies Mews, London ] Cypro-Mycenaean Piriform Storage Jar, 1300-1200 B. C.
Western art unattributed:
[ Aubrey Brocklehurst, 124 Cromwell Road, London ] Fine Quality Tubular Chime Longcase Clock in a Mahogany Veneered Case. Late 19th Century. Height 7′ 9″ (236 cms)
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Magnificent Brussels Renaissance Tapestry Depicting the Opposing Armies of Scipio and Hannibal. Circa 1600. Silk and Wool. In Excellent Condition. Height 343 cm (135 in). Width 320 cm (126 in).
Western art unattributed:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Florence, Italy Late 17th Century Laocoön Group Bronze Height 57 cm
Western art unattributed:
[ Douglas Bryan, The old bakery, St. David's Bridge Cranbrook Kent ] A Rare Pine and Oak Court Cupboard with Paint Decoration. Circa 1650. Height: 65″ (165 cm) Width 57″ (145 cm) Depth 20″ (51 cm).
Western art unattributed:
[ Jeanette Hayhurst, 32A Kensington Church Street, London ] A Group of Early 18th-Century English Glasses.
Western art unattributed:
[ Laurie Leigh 32 High Street, Oxford ] English 18th & 19th Century Wine Glasses and Tableware.
Western art unattributed:
[ Mark J. West, 39 B High Street, Wimbledon Village, London ] A Large Crystal Champagne Jug and Two Goblets, Engraved All over with Stars and on One Side with the Crest of the Prince of Wales (The Three Ostrich Feathers and above the Motto 'Ich Dien) and on the Reverse with the Arms of the City of London (A Wing and Cross of St George above the Motto 'Domine nos Dirige). Height (jug) 31.7 cm (12½ in).
Western art unattributed:
[ Norman Adams, 8-10 Hans Road, London ] A Fine Large George II Carved Wood Gilt Mirror of Bold Design. Circa 1735. Height 62 ins (158 cms). Width 36 ins (92 cms).
Western art unattributed:
[ Somerbale Antiques, 6 Radstock Road, Midsomer Norton, Bath ] Fine Beilby Wine Glass. The Ogee Bowl Enamelled in White with the Fruiting Vine Motif. Traces of a Gilt Rim on a Stem with a Double Series Opaque Twist. Plain Conical Foot. Height: 15.2cm. c. 1770
Western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] A large and fine gilt copper and cloisonné enamel reliquary chasse commemorating the Martydom, Burial and Ascent of the soul of Saint Thomas à Becket. Limoges, circa 1195, 30.5cm × 29.9cm × 11.4cm. From the Collection formed by the British Rail Pension Fund. Estimate on request.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A George III Satinwood Display Cabinet. English. Circa 1780. Height: 82 in (208 cm) Width: 45 in (114 cm) Depth: 22½ in (57 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of Brighton Pavilion jardinières. A unique pair of hexagonal jardinières, standing on simulated bamboo columns and curved platform bases with painted fretwork in red and green with pink and red hanging bells to the corners. Original paintwork. Wood (beech and pine). English, circa 1802. Height: $33frac{3}{4}$ in (86 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of ovoid-shaped porcelain vases with wide curved necks and mask-headed handles, the spreading foot on square bases and plinths, lavishly decorated with a rare variety of flowers and birds on a white ground. Bearing the blue mark JP en bleu grand feu sous émail. French, circa 1840 Height: 28 in (71 cm) Length: 13 in (33 cm) Depth: 8½ in (21 cm).
Western art unattributed:
[ William H. Stokes, the Cloisters, 6/8 Dollar street, Cirencester, Gloucestershire ] Small English Boarded Chest with Chip-Carved Decoration to the Front. Oak, Early 16th-Century. $28frac{3}{4} text{ins}times 16frac{3}{4}$ ins × 21½ ins High.
Western art unattributed:
[Gerald E. Marsh Antique Clocks Ltd., 32a The Square, Winchester, Hants ] J. S. Chauvet, Paris. A Louis XV longcase clock of superb quality, veneered in tulip wood and king wood with ormolu mounts. The movement with Dead Beat escapement, striking the hours and half hours, the dial indicating the time, seconds, date, month and moon phases. Height: 6 feet 11 inches.
Exhibition Review
Leighton's Sculptural Legacy. London
06/1996 | 1119 | 138
Pages: 417-418
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
79. Needless Alarms, by Frederic Leighton. c.1886. Bronze, 49.5 cm. High. (Fine Art Society; Exh. Joanna Barnes Fine Art, London).
Attributed works:
80. Detail of Dryope Fascinated by Apollo in the Form of a Serpent, by Pen Browning. 1883. Bronze, 203 cm. High (Whole). (Private Collection; Exh. Joanna Barnes Fine Art, London).
Advertisements
Advertisements February 1996 (front)
02/1996 | 1115 | 138
Pages: i-viii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Gaetano Gandolfi. San Giovanni in Persiceto 1734 - Bologna 1802. A Portrait of a Young Girl in a Turban. Oil on Canvas: 57 × 40 cm
Attributed works:
[ Cover ] The Countess of Altamira and Her Daughter, by Francisco Goya. 194.3 by 114.9 cm. (Robert Lehman Collection, Metropolitan Museum, New York).
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Dryope by Robert Wiedeman Barrett Browning, Called Pen Browning (1849-1912). Bronze H. 203cm. Signed: R. Barrett Browning 1883. Foundry Mark: Thiebault Freres Fondeurs. Exh: Grosvenor Gallery 1884, No.407
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Samuel Linley by Thomas Gainsborough (Detail), Circa 1777, by Permission of the Governors of the Dulwich Picture Gallery.
Advertisements
Advertisements December 1995 (front)
12/1995 | 1113 | 137
Pages: i-xx
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] A Neapolitan Ebony and Painted Glass Cabinet-On-Stand, late 17th century, 81 in. (206 cm.) High, 68½in. (174 cm.)Wide, 181 in. (46 cm.) Deep. Estimate: $50,000-70,000. A Bronze Oil Lamp in the form of a Sphinx, Workshop of Andrea Riccio, Paduan, early 16th century, $4frac{7}{8}$in. (12.5 cm.) High. Estimate: $30,000-40,000
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Marcantonio Franceschini (1648-1729). The Last Communion of Saint Mary of Egypt. Oil on Copper $16frac{3}{4}times 21frac{3}{8}$ in. (42.6 × 54.3 cm.) Estimate: $100,000-150,000. Domenico Beccafumi, Il Mecarino (1486-1551). View of Pisa: Design for the Stage. 7¼ × 15¼ in. (183 × 385 mm.). Estimate: $100,000-150,000
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] François Quesnel (1543-1619). Portrait of a Lady. Oil on Canvas, $33frac{5}{8}$ × $23frac{5}{8}$ Inches (88.5 × 60.5 cm). Born in Edinburgh, Quesnel Moved to France Where He Prospered as a Portrait Painter at the Valois Court. This Rare Full-Scale Portrait May be Compared to a Signed Portrait of Mary Ann Waltham in the Spencer Collection, Althrop, Dated 1572.
Attributed works:
[ Cover ] Alexander Pope, by L. F. Roubiliac. Marble, 63 cm. High (Yale Center for British Art, New Haven; Gift of Paul Mellon in Memory of Basil Taylor)
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] A Marble Bust of Medusa. By Harriet Hosmer (Watertown Massachusetts 1830-1908 Rome). Signed Harriet Hosmer me fecit Romae. American c.1853. Height: 72cm
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Gillis Claesz. de Hondecoeter. Antwerp c. 1578-1638 Amsterdam. A Wooded Landscape with Christ on the Road to Emmaus. Oil on Panel, 13 × 24 Inches (33 × 61 cm)
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Hendrick Goltzlus. Mühlbracht 1558-1617 Haarlem. Adoration of the Shepherds. Black, Red and Yellow Chalk, Heightened with White. 8 × 8½ Inches (202 × 215 mm) Signed with Monogram: HGf
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Francesco Monti. Bologna 1685 $sim $ 1768 Bergamo. Study of a Man Holding a Pole. Black Chalk and Grey Wash. 417 × 292 mm
Attributed works:
[ Galerie Coatalem, 93 Faubourg Saint Honoré, Paris ] Carl VAN Loo (Nice 1705 - Paris 1765). The Blindness of the Sodomites. Oil on Canvas, 96 × 129 cm
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] School of Donatello di Betto Bardi (1386 - 1466). The Castelvecchio Madonna. Terracotta, 57 × 38 cm, ca. 1450
Attributed works:
[ Hill-Stone, New York ] Gabriel Salmon Active c. 1525-1550. Hercules Opening the Channel between Mt. Abyla and Mt. Calpe and Hercules and Cerberus. Pair of Woodcuts Printed on a Single Sheet; c. 1528. From the Labours of Hercules. Inventaire du fonds français 16e siècle, tome 2, p. 94, no. 9.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Jean-Jacques Rousseau (1712-1778) by Jean-Antoine Houdon. (Versailles 1741 - Paris 1828). Plaster H. 68cm. Signed and Dated: Houdon 1778
Attributed works:
[ Maria-Luise Hopp-Gantner, Würmstrasse 7, Starnberg, Germany ] Hubert Gerhard (s'Hertogenbosch 1540/50 - 1621 Munich). Two Angels 1580/90, in Former Times Perhaps Sitting on Top of an Organ and Playing Stringed Instruments. H. 115 cm and 118 cm.
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Samuel Linley by Thomas Gainsborough (Detail). Circa 1777, by Permission of the Governors of the Dulwich Picture Gallery.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] One of Two Florentine Painted Terracotta Bozzetti of the Angel of the Annunciation and God the Father by Benedetto da Maiano. Circa 1489. Height 32 in. (81.3 cm). Estimate: $120,000-180,000 (£75,000-120,000).
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Johann Heinrich Fuseli; R. A. 1741 Zurich - London 1825. Portrait of the Artist's Wife, Sophia Rawlins. Oil on Paper. 220 × 185 mm.
Attributed works:
[ Waddington Galleries, 11 Cork Street, London ] Edgar Degas, Dancer at Rest, Hands behind Her Back, Right Leg Forward, 1882-95. 18 × 9¼ × 5¼ ins/46.8 × 23.5 × 13.3 cms, Bronze, Edition of 22
Advertisements
Advertisements December 1994 (front)
12/1994 | 1101 | 136
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Jacopo del Casentino: (active 1339-died between 1349/58). A Portable Tabernacle: The Madonna and Child enthroned with a Royal female Saint, a Bishop Saint, Saints John the Baptist, Peter and adoring Angels; The wings: the Nativity; and the Crucifixion, with the Annunciation above. Tempera on gold ground panel. Centre: 16 × 8 in. (40.6 × 21.6cm.) wings: 16 × 5 in. (40.6 × 14cm.) Estimate: $250,000-350,000. Property from the Collection of Carel Goldschmidt.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Pierre Henri de Valenciennes. Toulouse 1750 - Paris 1819. An Ideal Classic Landscape with Washerwomen around a Fountain. Oil on Canvas: 205.7 × 162.8 cms. Signed and Dated at lower Right: Valenciennes 1809
Attributed works:
[ cover ] Detail of a Crucifix, Attributed to Andrea del Verrocchio. Limewood and Cork with Stucco and Polychromy, 87 cm High (Whole). (Confraternity of S. Francesco Poverino, Florence).
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Ubaldo Gandolfi, 1728 - 1781. Christ and the Woman of Canaan. c. 1763 - 5. Pen and Brown Ink and Brown Wash over Black Chalk. 212 × 295 mm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter van LAER. Born between 1582 and 1613 in Haarlem, Died There Approx. 1642 Copper, 9,6 × 11,8 cms.
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569 The Battle of the Money-Bags and the Strong-Boxes.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Cardinal Cheverus by Pierre-Jean David d'Angers (Angers 1788 - Paris 1856) Terracotta. H. 49cm Signed: David
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Pietro Testa (1611-1650) The Lyceum of Painting. Etching, c. 1638 (Cropper 41, II/II)
Attributed works:
[ Otto Naumann, Ltd., 22 East 80th Street, New York ] Antiveduto Gramatica (1571 between Siena and Rome - 1626 Rome) Samson and Delilah (One of a Pair) in Its Original 17th Century frame
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Anthonie Palamedesz. (1601-1674). Cavaliers and Ladies Making Music. Signed and Dated 1634. Panel: 23½× 26¼in/52 × 66.5 cm
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Abraham Bloemaert, Miracle of the Loaves, 1593. Oil on Canvas Laid down on Panel 15 by 19¼ Inches (38 by 49 cm.) Indistinctly Signed and Dated, lower Right: "A Bloemaert/fecirir 1593"
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] A Seraph, from the Ceiling of the Painted Chamber at Westminster. Painted in about 1265, Probably by Walter of Durham, 'The King's Painter'. Oil on Panel; 45 × 42 cm.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Giuseppe Bernardino Bison (1762-1844). A Lady and Gentleman Looking out of an Ornate Window. Pen and Brown Ink and Wash and Watercolour. 305×197mm. Estimate:$12,000-$16,000
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Pierre-Paul Prud'hon (1758-1823). Study for the "Glorification of the House of Burgundy" (Glorification of the Prince de Condè) Oil on Canvas, 136.5cm × 84.5cm). Estimate:$100,00-$150,000.
Western art unattributed:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Mater Sapientiae. Franconian (? Ca. 1450). Watercolour, Coloured in Redbrown, Greybrown, Pale Yellow and Light Green. Schreiber II, 1046. Unique.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Marriage Goblet for Georg Wolf von Tettau and his wife Dorothea von Wallenfels, Hall in Tirol?, dated 1586. Colourless glass, blown and free-formed, diamond-engraved. Bowl diamond-engraved with the alliance coat-of-arms of Georg Wolf von Tettau and his wife Dorothea von Wallenfels. Above the arms the initials of the married couple GWVT (Georg Wolf von Tettau) and DVWF (Dorothea von Wallenfels) as well as the wedding date 1.5.8.6.; framing scriptband with continous inscription: ICH. STELL. MEIN. SACH. ALLEIN. ZV. GOTT. DER. WIRT. MIR. HELFEN. IN. ALLER. NOT. (I trust in God who will help me in distress.) Height 39.8 cm - 41.2 cm. Upper diam. 26.4 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] ATTAVANTE Miracle of San Michele on Monte Gargano. Florence, 1480 Circa. Tempera on Vellum, Cut to Shape, 265 × 280 mm. Musical Annotations on Four-Line Stave and Fragments of Text in round Gothic Script on Reverse (Super eum Spiritum Meum) Annotation in Ink, Bottom-Left: 1834 W. E. 324 Master Unknown.
Advertisements
Advertisements December 1993 (front)
12/1993 | 1089 | 135
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London ] A Bronze Statuette of the Cesarini Venus from the Workshop of Massimiliano Soldani Benzi after a Model Made by Giambologna Circa 1583 Height: 26 cm.
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St James, London ] J.-A.-D. Ingres Portrait of Joseph Clérian Pencil, Signed and Dated Ingres-Rome/1814, 202 × 152 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Palézieux (Born 1919 in Vevey, Switzerland). Peonies. 1992. Black Chalk. 327 × 218 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street New York ] Martin Bernat Active in Zaragonza between 1469 and 1497. St Blaise Enthroned, Oil, Gold and Stucco on Panel: 136.5 × 97 cms $53frac{3}{4}times 38frac{1}{8}$ ins)
Attributed works:
[ Daniel Katz Ltd, 27 Lansdowne Walk Holland Park, London ] Antoine-Louis Barye (1796-Paris-1875). Theseus and the Minotaur, Bronze, $17frac{3}{4}$ in (45.2 cm) High
Attributed works:
[ David & Constance Yates, New York ] Henri baron de Triqueti (1807-1874). Portrait of a Woman, Marble. Height: $22frac{3}{4}$ Inches. (580 mm.) Width: $16frac{7}{8}$ Inches. (430 mm.) Depth: 7½ Inches. (190 mm.) Signed H. de Triqueti and Dated 1840 under the Shoulder.
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1610 Brussels-Antwerp 1690), The Guard-Room, Oil on Canvas, , 61,6 × 76,8 cm, Signed, Circa 1640
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Walter Richard Sickert Piazzetta S. Marco, Evening Painted in 1902. Oil on Canvas, 24 by 18 Inches; 61 by 46 cms.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Francesco Fontebasso Venice 1709-1796 Venice. The Magdalene Washing Christ's Feet, Black and Red Chalk, Pen and Brown Ink, Brown, Grey and Reddish Wash Heightened with White. 489 × 350 mm.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Luca Carlevarijs Venice, Il Molo and Riva Degli Schiavoni (Udine 1663 - Venice 1730). Oil on Canvas, cm 94 × 195
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Atalanta by Jean-Jacques, Called James Pradier (Geneva 1790 - Bougival 1852). Bronze: H. 78 cm. Signed: Pradier, Foundry Mark: Augmentation. Sauvage.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich / Harari & Johns 12 Duke Street, London ] Jan Wierix, Title-Page with Time and Death on Both Sides of an Altar. Pen and Brown Ink, on Parchment 94 × 123 mm
Attributed works:
[ Matthew Marks Gallery, 1018 Madison Avenue, New York ] Lucian Freud, Large Head 1993, Etching, 27¼ × 21¼ Inches, Edition of 40. Published by Matthew Marks Gallery.
Attributed works:
[ Minet Insurance, 66 Prescot Street, London ] "La Madonna che adora Gesù Bambino in un Paesaggio" by Francesco Botticini (1446-1498). Reproduced by Courtesy of Cassa di Risparmio di Firenze
Attributed works:
[ National Gallery Technical Bulletin ] Hans Holbein: A Lady with a Squirrel and a Starling
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Giovanni Battista Tiepolo, Venice 1696 - 1770 Madrid The Virgin and Child Adored by Angels. Pen and Black Ink, Gray Wash, over Black Chalk, 324 × 235 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Giovanni Battista Crespi, Called II Cerano, The Lamentation, Circa 1610-14. $38frac{3}{4}$ by 30½ Inches (98.5 by 77.5 cm.)
Attributed works:
[ Senger Bamberg Kunsthandel, Karolinenstrasse 8, Bamberg ] Adoration of the Christ Child. Erasmus II Quellinus (1607-1678), Signed and Dated '1669' Oil on Panel, 176 × 218 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Jan Harmensz Muller (1571 Amsterdam 1628) Arion Playing the Harp. Pen and Black Ink over Traces of Red Chalk. Black Ink Framing Lines. 227 × 240 mm.
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Silver Ewer Hallmarked Paris (?) Circa 1645, Height: 22cm
Western art unattributed:
[ cover ] Detail of Madonna and Child. Limestone, Late-Fifteenth Century, 48 cm High. (Winchester Cathedral).
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front cover, 1st Vol.
Advertisements
Advertisements November 1992 (front)
11/1992 | 1076 | 134
Pages: xxiv
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Agnew's, 43 Old Bond Street, London ] Henri-Joseph Harpignies. 'Le Pont-Canal à Briare'
Attributed works:
[ Arturo Cuellar, Burglistrasse 18, Zurich ] Agostino Carracci. A Wooded River Landscape. Pen and Brown Ink, Verso: Ornamental Designs, 21.5 × 28.6 cm.
Attributed works:
[ Bukowskis auctioneers, Arsenalsgatan 4, Stockholm ] Lambert Jacobsz (1598-1636). 'Biblical Scene'. Oil on Canvas, 107 × 136 cm. For Sale at Bukowskis International Auction. Estimate: 200.000-300.000 SEK.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Dusseldorf / 61 East 77th Street, New York ] WolfHuber. The Small Crucifixion. Woodcut. (Ca 1511/13). Dodgson II, 258,7. Winzinger 60. Hollstein 6. One of Two Impressions Known.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Gaetano Gandolfi. San Giovanni in Persiceto 1734 - Bologna 1802. A Portrait of Mauro Gandolfi in a Turban. Oil on Canvas: 48 × 39cms
Attributed works:
[ cover ] Portrait of Machtelt Suijs, by Maerten van Heemskerck. Panel, 85 by 74 cm. (Cleveland Museum of Art).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Stanley Spencer, Self Portrait, 7 December 1931. Pencil on Paper
Attributed works:
[ Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin ] Jacques Bellange. Le Martyre de Sainte Lucie. Etching. Robert-Dumesnil XI, 15; Walch 16.
Attributed works:
[ Hill-Stone, Park Avenue, New York ] Hendrik Goltzius 1558-1617. Mars and Venus Surprised by Vulcan. Engraving; 1585. Bartsch 139, Hollstein 137, Strauss 216, the First of Three States. Watermark: Eagle with a Crozier, Similar to Briquet 1364 (datable c. 1578-86). A Superb Impression.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Munster ] Wyatt Eaton (Phillipsburg, Quebec 1849-1896 Brooklyn). The Woman Harvester. Pastel, 409 × 305 mm; Signed at Lower Left with Black Chalk 'Wyatt Eaton Barbizon 1884'
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Mythological Female Figure by Giuseppe Maria Mazza (Bologna 1653-1741). Terracotta: H. 45 cm. Signed and Dated: G. M. F. 1736
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Adolph von Menzel (Breslau 1815-1905 Berlin). Bridge in a Park. Pencil; Monogrammed and Dated Lower Left: AM 86; Monogrammed Lower Right: AM. 114 × 177 mm
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Auguste Rodin (Paris 1840 - Meudon 1917). Female Centaur Embracing a Child. Pen and Indian Ink with Ink Wash Heightened with White Gouache over Slight Traces of Graphite. 17.3 × 13.2 cm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Pierre Roy. Prognostication 1937. Oil on Canvas. $13frac{3}{4} text{by} 10frac{5}{8}$ Inches (34.9 by27 cm.). Signed, Lower Right: "P. Roy"
Attributed works:
[ Sabrina Forster, Poststrasse 3, Dusseldorf ] Johann Anton Ramboux (Trier 1790-1866 Köln). Burg Eltz. Pencil, Pen and Grey Ink, Watercolour, 316 × 453 mm. Old Inscription Burg Eltz.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] J. M. W. Turner, R. A., Venice: The Grand Canal with Santa Maria della Salute, 21.8 by 31.8cm. Estimate on Request.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Charles le Brun (1619 Paris 1690). "Esther Before Ahasverus [Recto] - Figure Sketches [Verso]", Red Chalk with Black Ink Framing Lines. 252 × 176 mm. Prima Idea for Le Brun's Painting "Esther before Ahasverus", of Which a More Finished Chalk Study Is Known [Musée du Louvre, Inv.No.RF 27959].
Attributed works:
[ Wilbert Smit/ Rudolph Coster, Nieuwe Spiegelstraat 67, Amsterdam ] Hendrik Voogd (Amsterdam 1767-Roma 1839). A Pair of Sepia Watercolours, Depicting the Interior of the Villa Mecenate, at Tivoli. 48 × 64 cm. Each. Both Signed and Dated 1791 (Verso). Compare: A Pair of Sepia Watercolours in the Collection of the Albertina, Vienna, Inv. No. 14976-14977
Non-western art unattributed:
[ Eskenazi, Foxglove House, 166 Piccadilly, London ] Chinese Red Lacquer Dish in the Form of a Seven-Petalled Mallow Flower. Song Period, 11th-12th Century. Diameter: 18.8cm
Western art unattributed:
[ Neumeister, Barer Str. 37, Munich ] A Pair of Berlin Vases. Porcelain, with Topographical Views. "Die Sternwarte in Berlin" (Right) and "Die Werdersche Kirche in Berlin"; "Das Königl. Palais in Berlin" (Left) and "Das Königl. Schloß in Berlin". 2nd Quarter of 19th Century. H. 48,5 cm.
Advertisements
Advertisements November 1991 (front)
11/1991 | 1064 | 133
Pages: i-xxxii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Anthony Van Dyck. 'The Holy Family'. Oil on Canvas, 101 by 81 cm.
Attributed works:
[ JPL Fine Arts, 26 Davies Street, London] Le Chat c. 1920. Signed Lower Right. 32.7 × 25.1 cm. Pencil on Paper
Attributed works:
[Agnew's, 43 Old Bond Street, London] Malcolm Drummond (1880-1945). Portrait of the Artist's Father. Oil on Canvas, 24 × 21½ in, Signed and Dated 1922
Attributed works:
[Bellezze di Firenze, Palais Pitti, Florence] B. Franceschini dit Il Volterrano, Etude pour le frontispice de l'ouvrage Le Bellezze della città di Firenze
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Jean-Antoine Watteau. Valenciennes 1684-1721 Nogent-sur-Marne. The Portal of Valenciennes (Detail). Oil on Canvas: 32.5 × 40.5cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Nicolas Eliasz Pickenoy 1591 - Amsterdam - 1654/6. Paris and Oenone. Oil on Canvas: 150 × 110cms. Monogrammed Lower Right: NEP
Attributed works:
[Cover] The Parable of the Mote and the Beam, by Domenico Fetti. Wood, 60 by 43.2 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[Flavia Ormond Fine Arts LTD, 24 Brechin Place, London] Tanzio da Varallo. Detail of Virgin's Hand and Arm for the Visitation, San Brizio, Vagna, c. 1627. Red Chalk on Pink Prepared Paper, Traces of White Heightening.
Attributed works:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Charles XII of Sweden. Jacob Dobbermann (1682-1745). 9.6×7.4 cm.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Jan van de Velde (1620 Haarlem - Amsterdam 1662). A Monumental Still-Life with Roemer and Pewterware. Oil on Panel: 69 × 58.5cm. Traces of Signature: Lower Right.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Giovanni Francesco Maria Mazzola, Called Il Parmigianino, 1503-1540. Male Nude and Female Satyr. Pen and Brown Ink over Black Chalk Heightened with White 29.7 × 20.8 cm. Inscribed Recto: 25 de Ago(sto) 1535 and Verso: Parmigiano Inventor
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Pierre Paul Prud'hon 1758-1823. L'Heureuse mère. Black Chalk, Heightened with White Chalk, on Blue Paper, 50 × 39.5 cm
Attributed works:
[Joanna Barnes Fine Arts LTD/ The Matthiesen Gallery, 7- 8 Mason's Yard, Duke Street St James, London/ Birmingham Museum and Art Gallery, Chamberalain Square, Birmingham] John Hancock (1825-1869). Beatrice, c. 1851. Painted Plaster. H. 183cm. Signed: John Hancock Sc. London
Attributed works:
[L'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Les Enluminures, Le Louvre des Antiquaires] Perrin Remiet, Hannibal Receiving a Messenger, Livy, Les Décades, Paris, circa 1380 (305 × 425 mm).
Attributed works:
[Marcello Aldega Margot Gordon] Andrea Boscoli (Florence 1560-1607) Study for St Sebastian, Red and Black Chalk on White Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Max Beckmann (1884-1950). Still Life with Pinkish-Orange Orchids, 1948. $33frac{3}{4}times 21frac{3}{4}$ in./85.7 × 55.2 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London/ Vrijthof 49 Maastricht] Aert van der Neer. ca. 1603 - Amsterdam - 1677. Skaters on the Ice. Panel: 31 × 43.5 cm. Signed with Monogram
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Jean Léon Gérôme (Vesoul 1824 + Paris 1904). A Horse in Profile Trotting to the Left, Ridden by a Young Man. Black Chalk and Charcoal, 230 by 355 mm. On the Reverse, Stamp of the Collection of Aimé Morot (Not Cited in Lugt)
Attributed works:
[Phillips, 101 New Bond Street, London] William Hogarth, (1697-1764), "The Savoyard Girl", Oil on Canvas, 42cm × 34.5cm. Estimate: £7,000-£10,000. Also Recorded as "The Hurdy-Gurdy Player" and "A Young Girl Singing and Accompanying Herself upon the Hurdy Gurdy."
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Study for the Head of Galatea. Oil on Canvas, $18frac{1}{8} text{by} 15frac{1}{8}$ Inches (46 by 38.5 cm.)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An English Terracotta Bust of Sir Andrew Fountaine by Louis-François Roubiliac, Circa 1747, Documented by 1753, 54.5cm High. Estimate: £200,000-300,000.
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Giovanni Francesco Barbieri Il Guercino (1591 Cento - Bologna 1666). Head of a Young Girl. Black and White Chalk on Blue Paper. 231 × 173 mm.
Attributed works:
[Vendu Notarishuis, Kipstraat 54, Rotterdam] H. F. C. Ten Kate, Interior
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Guillaume Urbain Régamey (Paris 1837-1875 Paris). Head of a Moor. Charcoal Heightened with White Chalk, 300 × 316 mm
Non-western art unattributed:
[Michael B. Weisbrod, INC., at the Carlyle, 987 Madison Avenue, New York] Blue & White Vase (Yuhu Chunping). Yuan Dynasty (14th Century). Height: 11¼″ (28.6 cm.)
Western art unattributed:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Roman School, Early 16th Century. Acanthus Tendril. Brown Pen. Colls. Cardinal Alessandro Albani, King George III, R. Dalton, J. MacGowan A. O.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Late 19th Century Bessarabian Tapestry - Woven Carpet, the Floral Designs in Gold and Red on a Dark Brown Field. Size: 10′3″ × 7′2″ (312 × 218 cm)
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Marble Architectural Element from the Tomb of Philippe II Ie Hardi, Duke of Burgundy. France - 15th Century
Western art unattributed:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Rudolf II. Ivory. Prague Circa 1605. 10×8.1 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich] A Westphalian Walnut Figure of Saint Peter, Circa 1450, with Original Polychromy. 38,7 in (98 cm).
Advertisements
Advertisements April 1990 (front)
04/1990 | 1045 | 132
Pages: i-xxxii
Subjects
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Achim Moeller Fine Art Limited, 52 East 76th Street, New York] Lyonel Feininger, Masks, Gelmeroda, 1908 (Detail). Colored Crayon on Paper, 196 × 145 mm
Attributed works:
[Anthony d' Offay Gallery, Dering Street, London] Georg Baselitz, Ciao America III 1988 Oil on Canvas $98frac{3}{8}times 78frac{3}{4}$ Inches
Attributed works:
[Austin/Desmond Contemporary Books, 15A Bloomsbury Square Pied Bull Yard, London] John Hoyland Prints 1968-89, Grey Block on Green, 1971
Attributed works:
[Bukowski's in Stockholm, Wahrendorffsgatan 8, Stockholm] Self-Portrait by Nicholas de Largilliere, Oil on Canvas, 79×63 cm, is One of the Important Works Which Will Be Sold at Bukowski's International Auction.
Attributed works:
[C.G. Boerner Dusseldorf, Kasernenstrasse 13, Dusseldorf] Walter Gramatte, Woodcut. 1920. Proof Impression. 300 × 230 mm Sheet Size.
Attributed works:
[Christie's, 8 King Street, St James , London] An Italian Marble Bust, Possibly of Hercules, Attributed to Baccio Bandinelli or Vincenzo de'Rossi, Mid-16th Century, 23½ in. (59.7 cm.) High. Estimate: £30,000-40,000
Attributed works:
[Front cover illustration]Detail from Dancing Lesson, by Edgar Degas. c.1880. 39 by 88.4 cm. (Sterling and Francine Clark Art Institute, Williamstown, Mass.).
Attributed works:
[Galerie Chereau, 40 rue del'Universite, Paris] Important Landscape by Jean-Charles Redmond (1795-1875). Vue d'une ruine romaine près de Voltri, devant le Golfe de Gênes. (1.14 × 1.64). Salon of 1835.
Attributed works:
[Galerie Chevalier Antique Tapestries, Rugs, 17 Quai Voltaire, Paris/ 11 East 57th Street, New York]The Sacrifice to Pan (Detail). Gobelins Royal Manufactory, Circa 1740, after Etienne Jeaurat (1699-1789) h: 3,13 m × w: 4,80 m / 10ft 3in × 15ft 7in
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Gaetano Chiaveri (1689 Rome -1770 Foligno). Design for the Katholische Hofkirche in Dresden. Pen and Grey Wash. 51.5 × 72.6 cm.
Attributed works:
[Galerie Gilbert et Paul Petrides, 63 Faubourg Saint - Honore, Paris] Valadon. Portrait
Attributed works:
[Galerie H. Odermatt - Ph. Cazeau, 85 bis rue du Faubourg - Saint Honore, Paris] Henri de Toulouse-Lautrec (1864-1901). "Le Buveur", huile sur toile, 1882, 45,8 × 55,3 cm ($18times 21frac{3}{4}$ in.).
Attributed works:
[Galleri K, Bjorn Farmannsgate 6, Oslo] Edvard Munch. Moonlight 1894 Drypoint and Aquatint Signed and Inscribed 1 (of 10)
Attributed works:
[Gebr.Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Johannes Natus (Active Middelburg ca.1658). A Man Toasting His Companion at an Inn, a Peasant Couple beyond with a Cradle at a Fireplace. On Panel: 52 × 48cm, Signed and Dated 1661.
Attributed works:
[Joanna Barnes Fine Arts, 40 Ashworth Mansions, Elgin Avenue, Maida Vale, London] Atalanta by Jean-Jacques, Called James Pradier. (Geneva 1790 - Bougival 1852). Bronze: H. 78 cm. Signed: Pradier. Foundry Mark: Augmentation. Sauvage.
Attributed works:
[John Mitchell & Son Fine Paintings, 8 Bond Street, London] Antoine Berjon 1754 - 1843. Basket with flowers.Oil on Panel 36.5 × 48cm. Signed
Attributed works:
[Judith L. Pillsbury, 104 rue du Bac, Paris/ 1100 Park Avenue, New York] Edouard Vuillard L'Atelier Lithograph 1895 RM 11
Attributed works:
[Kennedy Galleries Inc, 40 West 57th Street, New York] Winslow Homer Enchanted, 1874. Oil on Canvas 12 × 20 Inches. Signed and Dated Lower Right
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street] Larry Rivers, Seated: Naples, 1989. Oil on Canvas Mounted on Sculpted Foamcore 37¼ × 27½ × 2½in./94.6 × 69.9 × 6.4cm.
Attributed works:
[Paul Proute S.A, 74 Rue de Seine, Paris].François Boucher (Paris 1703-1770). Seated Woman in Profile to the Left. Red-Brown Chalk on Blue-Grey Paper 41.3 by 29.8 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, St James London/ 113 East 79th Street, New York] Bartholomeus Breenbergh, Landscape with Diana and Her Nymphs, 1647. Oil on Panel, $14frac{3}{4}$ by 19½ Inches (37.5 by 50 cm). Signed and Dated, Lower Left: "BBreenbergh f/1647"
Attributed works:
[Spink and son Ltd, 5,6&7 King Street, St James, London]Thomas Girtin 1775-1802. Melrose Abbey, a Study of the East Window Pencil and Watercolour on Whatman Paper 15 × 11¼ Inches
Attributed works:
[The Building Centre with gallery Lingard, 26 Store Street, London] William Walcot 1874-1943. The Stadium, 1936 Pen & Ink 25 × 32 Inches.
Attributed works:
[The Limited Editions Club, 118 East 65th Street, New York] One of a Portfolio of Seventeen Lithographs by Willem de Kooning for the Selected Poems of Frank O'Hara, printed on hand-made Japanese Yame, double chine applique with Japanese Kitakata to a paper hand-made by Twinrocker. Edition size sixty sets. Paper size 27 × 24 inches. Facsimile of signature from Bon a Tirer proof printed in lower right of each.
Attributed works:
[William Weston Gallery, 7 Royal Albemarle Street, London] Paul Signac: Le Soir, Jetée de Flessingue. Colour Lithograph. 1898.
Western art unattributed:
[Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York] Venetian School, second half of the 15th Century. A Drapery Study for a Madonna. Pen and black ink and grey wash, with brush and black ink and touches of brown ink, heightened with white on blue paper. Inscribed in brown ink at the top: Ave Vergine. 208 × 134 mm.