3. Moses and the brazen serpent and the Transfiguration of Jesus, by Cristóbal de Villalpando. 1683. Canvas, 8.65 by 5.50 m. (Cathedral of Our Lady of the Immaculate Conception, Puebla; courtesy Dirección General de Sitios y Monumentos del Patrimonio Cultural).
Book Review
The Art of Painting in Colonial Bolivia / El arte de la pintura en Bolivia colonial. Edited by Suzanne L. Stratton-Pruitt
10. High altar, by Johann Joachim Dietrich (Abbey Church, Diessen)
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11. Detail of Fig. 8
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12. Detail of Fig. 8
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13. Detail of the altarpiece from the Colegio de San Borja, by the Jesuit atelier at the Colegio Máximo, Santiago (Museo de San Francisco, Santiago)
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14. St Ignatius of Loyola, by the Jesuit atelier at the Colegio Máximo, Santiago (Museo del Carmen de Maipú)
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15. Altar of the church of St-Jean-en-Grève, Paris, by Jacques-François Blondel. Designed 1720-21. Engraving from J. Barozzio de Vignole: Livre Nouveau ou Regles des cinq ordres d'Architecture, Paris 1767. (Musée des Arts Décoratifs, Paris)
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16. Model altarpiece from series 80, by Franz Xaver Habermann, published by Georg Hertel (Kunstsammlungen und Museen, Augsburg)
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17. Altar of the Virgin Immaculate, by the Jesuit atelier at the Colegio Máximo, Santiago. (From the oratory of the Larraín Rojas family of Santiago; altarpiece destroyed 2010)
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18. Detail of Fig. 8
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19. Rocaille, from series 111, by Franz Xaver Habermann, published by Georg Hertel. (Staatliche Graphische Sammlung, Munich)
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8. Former altar of St Ignatius, by the Jesuit atelier at the Colegio Máximo, Santiago (Church of San Juan Evangelista, Santago; photograph by Nicolás Aguayo)
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9. Former side altarpiece from the church of San Miguel, Santiago, by the Jesuit atelier at the Colegio Máximo, Santiago (Cathedral Museum, Santiago)
Book Review
Imperial Gothic. Religious Architecture and High Anglican Culture in the British Empire, c.1840–1870, G.A. Bremner