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3 articles
Article
Two German sculptors who transformed the arts of colonial Chile: Johannes Bitterich and Jacob Kelner
11/2014 | 1340 | 156
Pages: 741-745
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
places:
subjects:
Illustrations
Attributed works:
21. St Anne, here attributed to Johannes Bitterich (Museo del Carmen de Maipú)
Attributed works:
22. St Joaquim, here attributed to Johannes Bitterich (Sacristy, Santiago Cathedral)
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23. Detail of Fig.21
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24. Detail of Fig.22
Attributed works:
25. Detail of Fig.26
Attributed works:
26. Dying St Francis Xavier, here attributed to Jacob Kelner (Cathedral, Santiago)
Attributed works:
27. St Francis Xavier, by Johannes Bitterich (Martinskirche, Bamberg)
Attributed works:
28. St Ignatius of Loyola (detail), by Johannes Bitterich (Martinskirche, Bamberg)
Attributed works:
29. St Cunigunde, by Johannes Bitterich (Chapel, Schloss Weissenstein, Pommersfelden)
Attributed works:
30. St John Nepomuk, circle of Matthias Bernhard Braun (National Gallery, Prague)
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31. St Martin of Tours, by Johannes Bitterich (Chapel, Schloss Weissenstein, Pommersfelden)
Attributed works:
32. Virgin of Sorrows, by Johann Georg Pinsel (Former church of the Poor Clares, Lvov)
Attributed works:
33. St John Nepomuk, by Antoni Osinski (Bernardine Church, Lvov)
Article
The Rococo altarpiece of St Ignatius: Chile’s grandest colonial retable rediscovered
12/2013 | 1329 | 155
Pages: 815-820
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. High altar, by Johann Joachim Dietrich (Abbey Church, Diessen)
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11. Detail of Fig. 8
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12. Detail of Fig. 8
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13. Detail of the altarpiece from the Colegio de San Borja, by the Jesuit atelier at the Colegio Máximo, Santiago (Museo de San Francisco, Santiago)
Attributed works:
14. St Ignatius of Loyola, by the Jesuit atelier at the Colegio Máximo, Santiago (Museo del Carmen de Maipú)
Attributed works:
15. Altar of the church of St-Jean-en-Grève, Paris, by Jacques-François Blondel. Designed 1720-21. Engraving from J. Barozzio de Vignole: Livre Nouveau ou Regles des cinq ordres d'Architecture, Paris 1767. (Musée des Arts Décoratifs, Paris)
Attributed works:
16. Model altarpiece from series 80, by Franz Xaver Habermann, published by Georg Hertel (Kunstsammlungen und Museen, Augsburg)
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17. Altar of the Virgin Immaculate, by the Jesuit atelier at the Colegio Máximo, Santiago. (From the oratory of the Larraín Rojas family of Santiago; altarpiece destroyed 2010)
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18. Detail of Fig. 8
Attributed works:
19. Rocaille, from series 111, by Franz Xaver Habermann, published by Georg Hertel. (Staatliche Graphische Sammlung, Munich)
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8. Former altar of St Ignatius, by the Jesuit atelier at the Colegio Máximo, Santiago (Church of San Juan Evangelista, Santago; photograph by Nicolás Aguayo)
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9. Former side altarpiece from the church of San Miguel, Santiago, by the Jesuit atelier at the Colegio Máximo, Santiago (Cathedral Museum, Santiago)
Article
The ‘St Sebastian’ of Los Andes: a Chilean cultural treasure re-examined
11/2011 | 1304 | 153
Pages: 721-726
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
14. St Sebastian, here attributed to Adam Engelhard. c.1730–35. Polychrome American cedar with glass eyes, 195 by 95 by 73 cm. (Church of S. Rosa de Los Andes, Chile; photograph by Fernando Guzmán).
Attributed works:
15. Detail of Fig.14.
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16. Detail of Fig.14.
Attributed works:
17. St Ignatius of Loyola, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Fernando Guzmán).
Attributed works:
18. St Francis Xavier, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Fernando Guzmán).
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19. St Francis Borgia, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
21. St Aloysius Gonzaga, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
22. James Chisai, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
23. St Sebastian, by Konrad Hegenauer. c.1760. Polychrome wood. (Marienkapelle, Sankt Georg und Jacobus, Isny im Allgäu; photograph by Peta Gillyatt Bailey).
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26. Death of St Francis Xavier, attributed to Jacob Kellner. After 1748. Polychrome wood, 50 by 170 by 80 cm. (Cathedral Museum, Santiago; photograph by Fernando Guzmán).
Attributed works:
27. Pulpit (detail), attributed to Georg Lanz. After 1751. (Church of La Merced, Santiago).
Attributed works:
St Stanislas Kostka, by Johannes Bitterich. 1711. Polychrome wood (Martinskirche, Bamberg)
Western art unattributed:
24. St Sebastian, anonymous. First half of the eighteenth century. Polychrome wood. (Church of Maria Schnee, Lehenbühl; photograph by Peta Gillyatt Bailey).
Western art unattributed:
25. St Sebastian, anonymous. First half of the eighteenth century. Polychrome wood. (Church of St Wolfgang, Kleukheim; photograph by Peta Gillyatt Bailey).