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221 articles
Article
The oculi of Notre-Dame, Paris
07/2024 | 1456 | 166
Pages: 689–95
related names
Author:
Nouzeran, Dylan (Nouzeran, Dylan)
Author:
Phalip, Bruno (Phalip, Bruno)
Author:
Ybert, Arnaud (Ybert, Arnaud)
Subjects
Illustrations
Attributed works:
1. South side of the chevet of Notre-Dame, Paris, before April 2019. (© Mathieu Ducros 2024; Bridgeman Images).
Attributed works:
11. Chevet oculus as designed by Viollet-le-Duc, Notre-Dame, Paris, taken by drone. (Photograph Dylan Nouzeran).
Attributed works:
12. Reconstruction of the elevation of the chevet. (Dylan Nouzeran).
Attributed works:
13. Stone-by-stone survey of the chevet of Notre-Dame, Paris, showing in dark red the reconstruction of the rediscovered oculus; in orange oculi of which some traces have remained; and in yellow a proposal for the size and position of the remaining oculi. (Dylan Nouzeran).
Attributed works:
14. Detail of a ground-plan of Notre-Dame, Paris, showing the first turning bay of the apse.
Attributed works:
15. Photogrammetic image showing the outline of an oculus visible on the jambs of the clerestorey in the first turning bay on the north side of the apse. (Dylan Nouzeran).
Attributed works:
2. Clerestorey window of Notre-Dame, Paris, before April 2019. (Courtesy the Mapping Gothic Project, Media Center for Art History; photograph Stephen Murray, 2011).
Attributed works:
6. Fragment of an oculus arm from Notre-Dame, Paris. c.1160. Limestone, height 79.5 cm. (Musée Carnavalet – Histoire de Paris; CC0 Paris Musées).
Attributed works:
7. Interior of Saint-Martin de Champeaux, showing the oculi (now walled up) in the nave elevation. (Photograph Elise Baillieul).
Attributed works:
9b. Below, left: flat blade tool marks on an impost of an arcade capital on the north side of the chevet of Notre-Dame, Paris. (Photograph Arnaud Ybert).
Western art unattributed:
10. Above: flat and toothed blade tool marks on detail of clerestorey window jambs in the chevet of Notre-Dame, Paris. (Photograph Arnaud Ybert).
Western art unattributed:
3. Y-shaped fragment of an oculus from Notre-Dame, Paris. c.1160. Limestone, height 35 cm. (Musée Carnavalet – Histoire de Paris; CC0 Paris Musées).
Western art unattributed:
4. Fragment of an oculus arm from Notre-Dame, Paris. c.1160. Limestone, height 91.5 cm. (Musée Carnavalet – Histoire de Paris; CC0 Paris Musées).
Western art unattributed:
5. Fragment of an oculus arm from Notre-Dame, Paris. c.1160. Limestone, height 63 cm. (Musée Carnavalet – Histoire de Paris; CC0 Paris Musées).
Western art unattributed:
8. Interior of Notre-Dame de la Nativité, Moret-sur-Loing, showing the oculi in the apse elevation. (Photograph Elise Baillieul).
Western art unattributed:
9a. Above, left: toothed blade tool marks on an impost of an arcade capital on the north side of the chevet of Notre-Dame, Paris. (Photograph Arnaud Ybert).
Exhibition Review
Revoir Van Eyck: La Vierge du chancelier Rolin
06/2024 | 1455 | 166
Pages: 626–629
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Revoir Van Eyck: La Vierge du chancelier Rolin Musée du Louvre, Paris 20th March–17th June | :
Illustrations
Attributed works:
7. Virgin of Chancellor Rolin, by Jan Van Eyck, c.1430-35. Oil on panel, 71 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
8. Reverse of the Virgin of Chancellor Rolin, by Jan Van Eyck, c.1430–35. Oil on panel, 71 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Epitaph of Jacques Isaac and Isabeau d’Anvaing. After 1401, c.1420–30?. Tournai stone, 59 by 86 by 12 cm. (Cathedral of Notre-Dame, Tournai; exh. Musée du Louvre, Paris)
Article
The provenance of ‘The death of Sardanapalus’: new insights from unpublished correspondence
05/2024 | 1454 | 166
Pages: 470–478
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
collectors and dealers:
dates:
sources:
Illustrations
Attributed works:
1. Portrait of Daniel David Wilson, by ?Adolphe-David Fink. 1820s. Oil on canvas, 72 by 58 cm. (Private collection).
Attributed works:
2. The death of Sardanapalus, by Eugène Delacroix. 1827. Oil on canvas, 392 by 496 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. Environs of Southampton, by Jules Dupré. 1835. Oil on canvas, 115 by 184 cm. (Musée d’Art et d’Histoire Louis Senlecq, L’Isle-Adam).
Attributed works:
4. Virgin and Child (Madonna of the Rosary), by Bartolomé Esteban Murillo. c.1675. Oil on canvas, 167 by 111 cm. (Château de Chenonceau).
Attributed works:
5. Portrait of Henriette Casenave Wilson, c.1830s. Pastel on board(?), 25 by 19 cm. (Private collection).
Attributed works:
6. Woodcutters, by Constant Troyon. 1839. Oil on canvas, 213 by 154 cm. (Musée des Beaux-Arts, La Rochelle).
Attributed works:
8. A basket of flowers, by Eugène Delacroix. 1848–49. Oil on canvas, 107.3 by 142.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Façade of L’hôtel Brochart de Saron, 17, rue de l’Université, by Charles Lansiaux. Photograph. (Musée Carnavalet, Paris; PWB Images; Alamy Stock Photo).
Western art unattributed:
7. Château d’Écoublay. Postcard, 9 by 13.6 cm. (Private collection).
Obituary
Jacob Rothschild (1936–2024)
05/2024 | 1454 | 166
Pages: 538–540
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
Illustrations
Attributed works:
1. Jacob Rothschild, 4th Baron Rothschild (‘Man in a Chair’), by Lucian Freud. 1989. Oil on canvas, 114.3 by 79.7 cm. (Private collection, on loan to the National Portrait Gallery, London).
Attributed works:
2. Louis XVI, by Antoine-François Callet, in a frame attributed to François-Charles Buteux. 1781–82. Oil on canvas in gilded oak frame, 280 by 180 cm. (Waddesdon Manor, Buckinghamshire).
Attributed works:
3. Boy building a house of cards, by Jean-Siméon Chardin. 1735. Oil on canvas, 81 by 101 cm. (Private collection, on loan to Waddesdon Manor, Buckinghamshire; Bridgeman Images).
Article
Matteo Giovannetti, the painter and his work: an assessment in the light of recent restorations
01/2024 | 1450 | 166
Pages: 54–61
related names
Author:
Vingtain, Dominique (Vingtain, Dominique)
Subjects
dates:
places:
Illustrations
Attributed works:
2. St Martial, detail of a fresco by Matteo Giovannetti before and after restoration. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; Consortio Arké).
Attributed works:
4. Vault of the chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Venturi).
Attributed works:
5. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Venturi).
Attributed works:
6. Detail of The beheading of John the Baptist, by Matteo Giovannetti. 1355. Fresco. (Chapel of St John, Chartreuse, Villeneuve-lès-Avignon; Bildarchiv Monheim GmbH; Alamy Stock Photo).
Attributed works:
7. Details of the face of St Martial at different stages of his life as depicted in the Papal Palace, Avignon. (© Dominique Vingtain; photographs Domenico Ventura).
Western art unattributed:
1. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Western art unattributed:
3. Ground plan of the Papal Palace, Avignon.
Book Review
Mauro Pellicioli e la cultura del restauro nel XX secolo
09/2023 | 1446 | 165
Pages: 1044-45
related names
Reviewer:
Ventra, Stefania (Ventra, Stefania)
Subjects
Reviewed Items
subjects:
Mauro Pellicioli e la cultura del restauro nel XX secolo Edited by Silvia Cecchini, Maria Beatrice Failla, Federica Giacomini and Chiara Piva. 392 pp. incl. 111 b. & w. ills. (Sagep Editori, Genoa, 2022), €50. ISBN 978–88–6373–868–1. | :
Short Notice
Becuccio Bicchieraio and his wife, Lucrezia, restored
03/2023 | 1440 | 165
Pages: 302-305
related names
Author:
Wigfield, Elizabeth (Wigfield, Elizabeth)
Author:
Zappella, Christine (Zappella, Christine)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. The Gambassi Altarpiece, by Andrea del Sarto. 1527–28. Oil on canvas, 209 by 176 cm. (Galleria Palatina, Florence; photograph Scala, Florence; courtesy of the Ministero Beni e Att. Culturali e del Turismo) .
Attributed works:
2. and 3. Domenico da Gambassi and Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto, photographed before treatment. 1525/28. Oil on panel, each panel 22.5 by 15.9 cm. (Art Institute of Chicago).
Attributed works:
4. Figs.2 and 3, photographed in January 1964.
Attributed works:
5 and 6. Figs.2 and 3, annotated to show the location of incisions.
Attributed works:
7 and 8. Figs.2 and 3, photographed in July 2019, during treatment.
Attributed works:
9 and 10. Figs.2 and 3, after treatment and in new frames.
Exhibition Review
Royal Museum of Fine Arts, Antwerp (KMSKA)
03/2023 | 1440 | 165
Pages: 332-335
related names
Reviewer:
Lammertse, Friso (Lammertse, Friso)
Subjects
dates:
places:
Reviewed Items
subjects:
Royal Museum of Fine Arts, Antwerp (KMSKA) from 24th September 2022 | :
Illustrations
Attributed works:
32. Restored façade of the Royal Museum of Fine Arts, Antwerp (KMSKA), 2023. (Photograph Karin Borghouts).
Attributed works:
33. Simulation of how the new construction fits in the patios of the historic building of the Royal Museum of Fine Arts, Antwerp (KMSKA). (Kaan Architecten).
Attributed works:
34. Installation view of the ‘Light’ gallery at the Royal Museum of Fine Arts, Antwerp (KMSKA), 2023. (Photograph Karin Borghouts).
Attributed works:
35. Installation view of the ‘Horizon’ gallery at the Royal Museum of Fine Arts, Antwerp (KMSKA), 2023. (Photograph Karin Borghouts).
Article
The man who never was – almost
01/2023 | 1438 | 165
Pages: 57-65
related names
Author:
Nesselrath, Arnold (Nesselrath, Arnold)
Subjects
artists:
Illustrations
Attributed works:
1. The Trinity with Sts Sebastian and Roch and The creation of Eve, by Raphael, photographed after its recent restoration. c.1499. Oil on canvas, each 266 by 94 cm. (Pinacoteca Comunale, Città di Castello).
Attributed works:
10. Portrait of a woman (‘La donna velata’), by Raphael. c.1513–14. Oil on canvas, 82 by 60.5 cm. (Palazzo Pitti, Florence).
Attributed works:
11. St Cecilia, attributed to Giovanfrancesco Penni. c.1514. Graphite, pen and ink and wash with white lead on paper, 26.8 by 16.3 cm. (Petit Palais, Musée des Beaux-Arts de la Ville de Paris).
Attributed works:
2. View of the Logge in the Vatican, by Ludwig Gruner. 1844. Chromolithograph, 54.8 by 37.3 cm. (page). (From Fresco Decorations and Stuccoes of Churches and Palaces in Italy during the Fifteenth and Sixteenth Centuries, with Descriptions by Lewis Gruner, London 1844; Royal Collection Trust; © HM King Charles III 2023).
Attributed works:
3. St Paul preaching in Athens, by the Mortlake Tapestry Manufactory after a cartoon by Raphael. After 1625. Wool, silk and linen tapestry, 433 by 538 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
4. Virgin and Child (‘The Tempi Madonna’), by Raphael. 1507–08. Oil on panel, 75 by 51 cm. (Alte Pinakothek, Munich).
Attributed works:
5. Dead boy on a dolphin, attributed to Lorenzetto, after a design by Raphael. Marble, 39 by 106 cm (State Hermitage Museum, St Petersburg).
Attributed works:
6. Detail of Procession to Calvary, by an unknown collaborator of Rapahel. c.1504–05. Oil on panel, 24.4 by 85.5 cm. (National Gallery, London).
Attributed works:
7. St George, by Raphael. c.1505. Oil on panel, 30.7 by 26.8 cm. (Musée du Louvre, Paris).
Attributed works:
8. Holy Family with a pomegranate, by Raphael. c.1507–08. Pen and ink and black and red chalk on paper, 35.3 by 23.4 cm. (Palais de Beaux-Arts, Lille).
Attributed works:
9. Vault of the Chapel of St Helena, S. Croce in Gerusalemme, Rome, designed by Baldassare Peruzzi. 1496–1509. Mosaic. (Alamy).
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