10. Cartoon for the upper-left quadrant of the Madonna del popolo, by Federico Barocci (Private collection, United States; photograph: Tim Nighswander/IMAGING4ART))
Attributed works:
11. Madonna del popolo, by Federico Barocci (Galleria degli Uffizi, Florence)
Attributed works:
12. Detail in ultraviolet light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
13. Detail of Fig.10
Attributed works:
14. Structural assembly of the sheets of paper in Barocci's cartoon (Fig.10), by Ronald E. Street
Attributed works:
15. Detail of Fig.10
Attributed works:
16. Detail of Fig.10
Attributed works:
17. Detail in raking light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
18. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
19. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
20. Studies of arms of an infant for the flying putto at the upper left in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
21. Modello for the Madonna del popolo, by Federico Barocci (Collection of Ann Searle Bent, Chicago)
Attributed works:
22. Studies of infants for the flying putti at the upper left and upper right in the Madonna del Popolo, by Federico Barocci (Private collection, United States; photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
23. Studies of infants for the flying putti at the upper left in the Madonna del Popolo, by Federico Barocci. Verso of Fig.22
Art History Reviewed V: Bernard Berenson’s ‘The Drawings of the Florentine Painters Classified, Criticised and Studied as Documents in the History and Appreciation of Tuscan Art, with a Copious Catalogue Raisonné’, 1903
30. Putti with offerings and an amphora, here attributed to Raphael. c.1504–08. Silverpoint and leadpoint on pale ochre prepared paper with later additions, 14.9 by 25.2 cm. (Kupferstich-Kabinett, Dresden).
Attributed works:
31. Detail of the ‘Madonna del Granduca’, by Raphael. 1504. Panel, 84.4 by 55.9 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
32. Charity, by Raphael. 1507. Pen and brown ink, 38 by 27.2 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
33. Virgin and Child with the Infant St John the Baptist and a lamb, by Raphael. 1504–05. Pen and brown ink, 16.1 by 13.2 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
34. Detail of Fig.30.
Attributed works:
35. Detail of Fig.30.
Attributed works:
36. Detail of Fig.30.
Attributed works:
37. Photograph in ultraviolet light of Fig.30, the later additions by restorer(s) show as a dark blueish grey tone.
Attributed works:
38. Putti on a raft, detail of the frieze above the Crucifixion on pulpit A, by Donatello and his workshop. c.1485. Bronze. (S. Lorenzo, Florence).
Attributed works:
39. Putti on a raft, detail of the frieze above Christ in Limbo on pulpit B, by Donatello and his workshop. c.1485. Bronze. (S. Lorenzo, Florence).
Attributed works:
40. Watermark of two aligned circles with a cross in the paper of Fig.30.
Attributed works:
41. Sketch for a scene with putti, by Raphael. 1504–08. Pen and brown ink, 14.5 by 21.4 cm. (Christ Church, Oxford).
Attributed works:
42. Putti at play, a mother and child and floral ornament, by Raphael. 1504–08. Pen and brown ink, 27.3 by 19.4 cm. (Ashmolean Museum, Oxford).
Letter
Correggio's drawing 'The sacrifice to the unknown god'
54. Modello for The sacrifice to the unknown god, here attributed to Correggio. 1522-23. Red chalk, reworked with pen and brown ink, brush and brown wash, traces of white gouache, on paper prepared with pale reddish-ochre wash, squared in red chalk, 9.5 by 21 cm. (Museo Nacional de Bellas Artes, Santiago de Chile; photograph: Marcela Contreras).
Attributed works:
55. Two figures before an altar, and a sibyl holding a tablet, by Correggio. 1522-23. Red chalk, partly reworked with pen and brown ink, brush and brown wash, traces of white gouache, on paper prepared with a pale reddish-ochre wash, 10.8 by 11.2 cm. (British Museum, London).
Attributed works:
56. The sacrifice to the unknown god (detail of frieze; second scene from the altar on the south wall), by Correggio. 1523. Fresco. (S. Giovanni Evangelista, Parma).
Attributed works:
57. Old Testament sacrifice (detail of frieze; first scene from the altar on the south wall), by Correggio. 1523. Fresco. (S. Giovanni Evangelista, Parma).
Attributed works:
58. Figures around an altar, by Correggio. 1522-23. Red chalk, partly reworked with pen and brown ink, on paper prepared with a pale reddish ochre wash, 9.7 by 15.1 cm. (British Museum, London).