1. The coronation of the Virgin, by Michelangelo Anselmi. 1541–42
and 1547. Fresco. (S. Maria della Steccata, Parma; Scala Archives).
Attributed works:
2. Madonna and Child with Sts Sebastian, Roch, Hilary and Blaise,
by Michelangelo Anselmi. 1526. Oil on panel, 200 by 170 cm. (Parma
Cathedral; Scala Archives).
Attributed works:
3. The birth of the Virgin, by Francesco Maria Rondani and Michelangelo
Anselmi. 1531–32. Fresco. (Oratory of the Immaculate Conception,
Parma).
I Farnese: Architettura,
Arte, Potere
Palazzo della Pilotta, Parma
18th March–31st July |
:
Illustrations
Attributed works:
4. Mass of St
Gregory, by an
unknown Mexican
artist. 1539.
Mixed media on
panel, 89.7 by 77.4
cm. (Musée des
Amériques, Auch;
exh. Palazzo della
Pilotta, Parma).
Attributed works:
5. Pope Paul III
with a nephew
(Ottavio
Farnese?), by
Sebastiano del
Piombo. 1534–40.
Oil on slate,
89.1 by 103.8
cm. (Galleria
Nazionale, Parma;
exh. Palazzo della
Pilotta, Parma).
Attributed works:
6. Design for
Palazzo Farnese,
Rome, by Jacopo
Meleghino (?).
1547. Pen, ink
and watercolour,
60 by 121 cm.
(Archivio di Stato
di Modena; exh.
Palazzo della
Pilotta, Parma).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
1. Hall of antiquities, Gemäldegalerie Alte Meister und
Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen
Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured
marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800,
Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side
at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett,
Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards
Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche
Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498.
Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche
Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on
canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche
Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie
Alte Meister und Skulpturensammlung bis 1800 (Staatliche
Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
1. St Mary Magdalen, here attributed to Correggio. c.1519. Panel, 22.5 by
28 cm. (Private collection).
Attributed works:
2. St Mary Magdalen, here identified as a painting after Correggio.
Before 1609. Copper, 29 by 39.5 cm. (Formerly Gemäldegalerie, Dresden).
Attributed works:
3. Infra-red reflectogram of Fig.1.
Attributed works:
4. St Mary Magdalen, by Cristofano Allori after Correggio. c.1600.
Copper, 29.6 by 43 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
5. Detail of Fig.1, showing a seascape and a monastic building.
Attributed works:
6. St Mary Magdalen, by Raffaello Morghen (1758–1833), after Correggio.
Engraving, 15.6 by 20.4 cm. (British Museum, London).
Attributed works:
7. St Mary Magdalen, by Correggio. c.1518–19. Canvas, 38.1 by 30.5 cm.
(National Gallery, London).
Book Review
A Connoisseur and His Clients: The Correspondence of Charles Fairfax Murray with Frederic Burton, Wilhelm Bode and Julius Meyer (1867–1914). Edited by Paul Tucker
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
68. Venus with Mercury and Cupid, by Correggio. c.1525. Canvas, 155 by 92 cm. (National Gallery, London; exh. Galleria Borghese, Rome).
Attributed works:
69. A woman giving a bowl to another woman, by Correggio. c.1518–22. Red chalk, 20 by 20.3 cm. (Szépmûvészeti Múzeum, Budapest; exh. Galleria Borghese, Rome).
Attributed works:
70. Portrait of a noblewoman, by Correggio. c.1520. Canvas, 103 by 87.5 cm. (State Hermitage Museum, St Petersburg; exh. Palazzo della Pilotta, Parma).
Attributed works:
71. St Hilary of Poitiers, here attributed to Correggio. c.1528–30. Red chalk, 20 by 20.3 cm. (Musée du Louvre, Paris; exh. Palazzo della Pilotta, Parma).
Short Notice
A drawing from the circle of Correggio in the Uffizi
15. Putti making a sacrifice, from the circle of Correggio (possibly Rondani). 1520s. Red chalk on paper, 10.8 by 25.8 cm. (inv. no.3936Sr, Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
16. Putti making a sacrifice, attributed to the workshop of Correggio. 1520s. Fresco (detached). (S. Giovanni Evangelista, Parma).
Attributed works:
17. Putti making a sacrifice, attributed to the workshop of Correggio. 1520s. Fresco (detached). (S. Giovanni Evangelista, Parma).
Attributed works:
18. Grotesque decoration for the rib of a vault, by Correggio. 1520s. Red chalk, 30.7 by 8.8 cm. (Devonshire Collection, Chatsworth).
Attributed works:
19. Adoration of the Magi, by Correggio. c.1517. Red chalk, 29.1 by 19.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
20. Putti with a goat, by a follower of Correggio. 1520s?. Red chalk, 10.3 by 22.2 cm. (Devonshire Collection, Chatsworth).
Attributed works:
21. Madonna and Child with Sts Augustine and Jerome, by Francesco Maria Rondani. Early 1520s?. Canvas, 230 by 149 cm. (Galleria Nazionale, Parma).
Attributed works:
22. Madonna and Child, by Rondani. 1520s. Red chalk, 15.1 by 12.2 cm. (Private collection, Great Britain).
Attributed works:
23. Adoration of the shepherds, attributed to Rondani. 1520s?. Red chalk, 26.9 by 28.4 cm. (Musée du Louvre, Paris).
Letter
Correggio's drawing 'The sacrifice to the unknown god'