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4 articles
Article
The Modigliani Technical Research Study. Modigliani’s late portraits
05/2018 | 1382 | 160
Pages: 400-407
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related names
Author:
Bezur, Anikó (Bezur, Anikó)
Author:
Campos, Pedro H.O.V. (Campos, Pedro H.O.V.)
Author:
Centeno, Silvia A. (Centeno, Silvia A.)
Author:
Duvernois, Isabelle (Duvernois, Isabelle)
Author:
Gonçalves Magalhães, Ana (Gonçalves Magalhães, Ana)
Author:
Josenhans, Frauke V. (Josenhans, Frauke V.)
Author:
Londero, Pablo (Londero, Pablo)
Author:
Rizzutto, Márcia (Rizzutto, Márcia)
Author:
Schwarz, Cynthia (Schwarz, Cynthia)
Subjects
art literature:
Venturi, Lionello
artists:
Modigliani, Amedeo / Botticelli, Sandro / Ghirlandaio, Domenico / Pollaiolo, Antonio del / Pontormo
dates:
1910-1919
museums and institutions:
Yale University Art Gallery, New Haven, United States / Metropolitan Museum of Art, New York, United States
places:
France / Nice / Italy / Florence
subjects:
Italian painting / Portraits / Neo-classicism / Renaissance / Mannerism / Style / Influence / Visual sources / Supports / Pigments / Colour / Alterations / Techniques / Underdrawings / Charcoal / Sitters / Dating / Technical analysis / Scientific analysis / Radiographs / Infrared reflectography
Illustrations
Attributed works:
1. Portrait of a young woman, by Amedeo Modigliani. Here dated 1918–19. Canvas, 45.7 by 28 cm. (Yale University Art Gallery, New Haven).
Attributed works:
10. Infra-red reflectography detail of the background of Fig.9, showing underdrawing and pentimenti (photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
11. Portrait of the artist’s wife, Jeanne Hébuterne, by Amedeo Modigliani. 1918 (1919?). Canvas, 101 by 65.7 cm. (Norton Simon Museum, Pasadena).
Attributed works:
2. Head of Jeanne Hébuterne, by Amedeo Modigliani. 1918. Canvas, 46 by 29 cm. (Private collection).
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Infra-red photograph of Fig.1.
Attributed works:
5. Infra-red reflectogram of Fig.8.
Attributed works:
6. Transmitted light photograph of Fig.8.
Attributed works:
7. Raking light detail photograph of Fig.8.
Attributed works:
8. Jeanne Hébuterne, by Amedeo Modigliani. 1919. Canvas, 91.4 by 73 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Self-portrait, by Amedeo Modigliani. 1919. Canvas, 100 by 64.5 cm. (Museum of Contemporary Art of the University of São Paulo; photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
[Appendix. Summary of the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts.]
Article
The Modigliani Technical Research Study. Modigliani in the South of France
05/2018 | 1382 | 160
Pages: 394-399
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related names
Author:
Centeno, Silvia A. (Centeno, Silvia A.)
Author:
Duvernois, Isabelle (Duvernois, Isabelle)
Author:
Fronek, Joe (Fronek, Joe)
Author:
King, Annette (King, Annette)
Author:
Townsend, Joyce H. (Townsend, Joyce H.)
Subjects
artists:
Modigliani, Amedeo / Soutine, Chaim / Foujita, Tsugouharu / Archipenko, Alexander / Survage, Léopold / Kisling, Moise / Matisse, Henri / Renoir, Pierre-Auguste / Cézanne, Paul
dates:
1910-1919
media:
Paintings / Drawings
museums and institutions:
Tate Modern, London, Great Britain / Los Angeles County Museum of Art, Los Angeles, United States / Metropolitan Museum of Art, New York, United States
places:
France / Nice
subjects:
Italian painting / Portraits / Style / Influence / Visual sources / Supports / Pigments / Colour / Alterations / Techniques / Underdrawings / Charcoal / Tempera / Sitters / Dating / Technical analysis / Scientific analysis / Radiographs / Infrared reflectography
Illustrations
Attributed works:
1. The little peasant, by Amedeo Modigliani. c.1918. Oil and tempera on canvas, 100 by 64.5 cm. (Tate, London).
Attributed works:
10. The Italian woman, by Amedeo Modigliani. c.1918–19. Canvas, 102.6 by 67 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Photomicrograph of Fig.1 showing top of split in sitter’s shirt.
Attributed works:
12. Details of Fig.1 showing (a) sleeve of sitter’s right arm; and (b) sitter’s right knee.
Attributed works:
13. Details of signatures from (a) Fig.1; (b) Fig.2; and (c) Fig.10.
Attributed works:
2. Young woman of the people, by Amedeo Modigliani. 1918. Oil (and possibly water-based media) on canvas, 100.3 by 65.1 cm. (Los Angeles County Museum of Art).
Attributed works:
3. Detail from the infra-red reflectogram of Fig.1, showing underdrawing circling the face.
Attributed works:
4. Detail from the infra-red reflectogram of Fig.2, showing underdrawing of a bracelet.
Attributed works:
5. X-radiograph of Fig.1.
Attributed works:
6. Fig.1 in transmitted light.
Attributed works:
7. Macro-XRF map details of Fig.10: (a) iron; (b) mercury; (c) calcium.
Attributed works:
8. Detail of Fig.10.
Attributed works:
9. Detail of Fig.2.
Attributed works:
[Appendix. Table showing the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts, of Figs.1, 2 and 10.]
Article
Barocci’s cartoon for the ‘Madonna del popolo'
03/2015 | 1344 | 157
Pages: 161-168
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Author:
Bambach, Carmen C. (Bambach, Carmen C.)
Subjects
artists:
Barocci, Federico
dates:
1550-1599
museums and institutions:
Galleria degli Uffizi, Florence, Italy
subjects:
Cartoons (working drawings) / Drawings / Italian painting / Collections, Private / Altarpieces / Mary, Virgin / Commissions / Composition (artistic arrangement) / Charcoal / Techniques / Pastels
Illustrations
Attributed works:
10. Cartoon for the upper-left quadrant of the Madonna del popolo, by Federico Barocci (Private collection, United States; photograph: Tim Nighswander/IMAGING4ART))
Attributed works:
11. Madonna del popolo, by Federico Barocci (Galleria degli Uffizi, Florence)
Attributed works:
12. Detail in ultraviolet light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
13. Detail of Fig.10
Attributed works:
14. Structural assembly of the sheets of paper in Barocci's cartoon (Fig.10), by Ronald E. Street
Attributed works:
15. Detail of Fig.10
Attributed works:
16. Detail of Fig.10
Attributed works:
17. Detail in raking light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
18. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
19. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
20. Studies of arms of an infant for the flying putto at the upper left in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
21. Modello for the Madonna del popolo, by Federico Barocci (Collection of Ann Searle Bent, Chicago)
Attributed works:
22. Studies of infants for the flying putti at the upper left and upper right in the Madonna del Popolo, by Federico Barocci (Private collection, United States; photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
23. Studies of infants for the flying putti at the upper left in the Madonna del Popolo, by Federico Barocci. Verso of Fig.22
Article
Daumier Studies - I: Preparatory Drawings
01/1954 | 610 | 96
Pages: 12-17
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Author:
Maison, K. E. (Maison, K. E.)
Subjects
artists:
Daumier, Honoré
dates:
1800-1899
places:
France / Paris
subjects:
French painting / Drawings
subjects:
Studies (visual works) / Preliminary drawings
subjects:
Lithographs
subjects:
Formal analysis / Techniques
subjects:
Charcoal
subjects:
Composition (artistic arrangement)
Illustrations
Attributed works:
10. Reverse of the Drawing Illustrated in Fig.9. Chalk, Squared for Transfer.
Attributed works:
11. Don Quixote, by Honoré Daumier. Canvas, 25 by 44 cm. (Metropolitan Museum, New York.)
Attributed works:
12. Déposition de Mineure, by Honoré Daumier. Pen and Ink, 22 by 33.6 cm. (Private Collection, Paris.)
Attributed works:
13. Déposition de Mineure, by Honoré Daumier. Pen and Ink, 22 by 33.6 cm. (Museum Boymans, Rotterdam.)
Attributed works:
14. Déposition de Mineure, by Honoré Daumier. Signed. Pen, Chinese Ink, and Gouache, 22 by 33.6 cm. (Statens Museum for Kunst, Copenhagen.)
Attributed works:
15. Corot dessinant à Ville d'Avray, by Honoré Daumier. Signed with Initials. Pen and Chinese Ink, over Slight Preparation in Pencil, Washed with Grey and Yellow Water-Colours, 17.2 by 19 cm. (Private Collection, Paris.)
Attributed works:
16. Corot dessinant à Ville d'Avray, by Honoré Daumier. Signed. Pen and Wash, 31.6 by 24.1 cm. (Metropolitan Museum, New York.)
Attributed works:
17. Déplacement des Saltimbanques, by Honoré Daumier. Red Chalk and Pen, 43 by 33 cm. (Private Collection, Paris.)
Attributed works:
18. Déplacement des Saltimbanques, by Honoré Daumier. Pen and Wash, 43 by 33 cm. (Wadsworth Atheneum, Hartford, Conn.)
Attributed works:
9. Don Quixote, by Honoré Daumier. Charcoal Drawing, 25 by 44 cm. (Private Collection, Paris.)