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54 articles
Editorial
A ‘grand life’: Belle da Costa Greene
12/2024 | 1461 | 166
Pages: 1203–1204
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
1. Nude, by Henry Matisse. 1912. Pen and ink on paper, 31.4 by 22.2 cm. (© Succession H. Matisse; and DACS, London; Morgan Library & Museum, New York).
Attributed works:
2. Belle da Costa Greene, by Clarence H. White. Digital positive from a gelatin dry plate negative, 25.4 by 20.3 cm. (Princeton University Art Museum).
Attributed works:
3. Calligraphy commissioned for Muhammad Shāh Qājār, written by Asad-Allāh Shīrāzī. 1841. Ink and gold leaf on paper on card, 28.5 by 42.5 cm. (Morgan Library & Museum, New York).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Fra Angelico
05/2018 | 1382 | 160
Pages: 408-410
related names
Reviewer:
Kanter, Laurence B. (Kanter, Laurence B.)
Subjects
dates:
Illustrations
Attributed works:
1. Annunciation and Adoration of the Magi, with predella depicting the Virgin and Child flanked by female saints, by Fra Angelico. c.1430. Panel, 87 by 50.7 cm, including frame. (Museo di San Marco, Florence; exh. Isabella Stewart Gardner Museum, Boston).
Attributed works:
2. Panel from the Armadio degli Argenti, by Fra Angelico. Dated here to 1448–49. Panel, 123 by 160 cm. (Museo di San Marco, Florence; exh. Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Ascension, Last Judgment and Pentecost (‘The Corsini triptych’), by Fra Angelico. c.1445–48. Panels, 55 by 18.5 cm., 55 by 38.5 cm. and 55 by 18 cm. (Palazzo Corsini, Rome; exh. Isabella Stewart Gardner Museum, Boston).
Article
In his father’s workshop: Giovanni Bellini’s paintings for the Scuola di S. Giovanni Evangelista, Venice
04/2018 | 1381 | 160
Pages: 283-290
related names
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
collectors and dealers:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Birth of the Virgin, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
10. Portrait of Jacopo Antonio Marcello, by Giovanni Bellini. 1453, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius, 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of St James before Herod Agrippa, by Andrea Mantegna, c.1451–52. Fresco. Formerly in the Eremitani Church, Padua, destroyed 1944.
Attributed works:
13. Detail of The wedding at Cana, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
14. Equestrian statue of Gattamelata (detail) by Donatello. c.1446–52. Bronze, 340 by 390 cm. (S. Antonio, Padua).
Attributed works:
15. The Adoration of the Magi (detail) here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 111 by 151 cm. (Stanley Moss, New York).
Attributed works:
16. Detail of Fig.1.
Attributed works:
17. Woman at the Mirror (detail), by Giovanni Bellini. 1515. Oil on panel, 62.9 by 78.3 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
18. Annunciation (detail), by Giovanni Bellini. c.1465. Panel, 67 by 72 cm. (SS. Giovanni e Paolo, Venice).
Attributed works:
19. Detail of Fig.2.
Attributed works:
2. Annunciation, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 113 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
20. Detail of Fig.1.
Attributed works:
21. The Potenziani Madonna (detail), by Giovanni Bellini. c.1458–60. Tempera and oil on panel, 54 by 40 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Imago pietatis (detail), by Giovanni Bellini. c.1455. Tempera on panel, 50.5 by 40.4 cm. (Museo Poldi Pezzoli, Milan).
Attributed works:
23. The Presentation of Christ in the Temple (detail), here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
3. Birth of the Virgin, by Jacopo Bellini and workshop. c.1444. Tempera on panel, 35 by 40 cm (S. Alessandro, Brescia).
Attributed works:
4. Madonna of the cherubim, by Jacopo Bellini. c.1455. Oil on panel, 77 by 60 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Birth of the Virgin (detail), after a design by Giambono, c.1440. Mosaic. (Cappella dei Mascoli, S. Marco, Venice).
Attributed works:
6. The Presentation in the Temple (detail), by Andrea Mantegna. Early 1450s. Tempera on canvas, 69 by 86.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. St Maurice (detail), by Giovanni Bellini, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius. 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940),
Attributed works:
9. Detail of Fig.1.
Book Review
My Dear BB . . . : The Letters of Bernard Berenson and Kenneth Clarke, 1925–1959. Edited and annotated by Robert Cumming
08/2017 | 1373 | 159
Pages: 647-648
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
art literature:
Book Review
The Bernard and Mary Berenson Collection of European Paintings at I Tatti. Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls
05/2017 | 1370 | 159
Pages: 404-405
related names
Reviewer:
Dabell, Frank (Dabell, Frank)
Subjects
collectors and dealers:
Illustrations
Western art unattributed:
46. Lumière Auto-chrome of St Sebastian, by Cima de Conegliano. c.1911 (Bernard and Mary Berenson Papers, Villa I Tatti, Harvard Centre for Italian Renaissance Studies)
Book Review
Bernard Berenson: Formation and Heritage, edited by Joseph Connors and Louis A. Waldman
01/2017 | 1366 | 159
Pages: 47-48
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
art literature:
dates:
subjects:
Illustrations
Western art unattributed:
43. Berenson and Katherine Dunham in the garden at I Tatti. c.1950 (Bernard and Mary Berenson Papers, Villa I Tatti, Harvard Center for Italian Renaissance Studies)
Book Review
Bernard Berenson: A Life in the Picture Trade, R. Cohen
07/2014 | 1336 | 156
Pages: 472-473
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
art literature:
Article
Giorgione and the National Gallery
06/2010 | 1287 | 152
Pages: 364-375
related names
Author:
Greer, Elena (Greer, Elena)
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
artists:
dates:
museums and institutions:
print:
Illustrations
Attributed works:
10. Nymphs and children in a landscape with shepherds, by an imitator of Giorgione. Panel, 46.6 by 87.6 cm. (National Gallery, London).
Attributed works:
11. A mythological scene, formerly called Venus and Adonis, by a follower of Titian. Panel, 76.2 by 132.1 cm. (National Gallery, London).
Attributed works:
12. Concert champêtre, by Titian. Canvas, 105 by 137 cm. (Musée du Louvre, Paris).
Attributed works:
13. Giorgione at Asolo, by Charles Holroyd. Etching, 21.4 by 17.5 cm. Repr. in the Art Journal (September 1902), p.272, pl.7.
Attributed works:
15. Portrait of a lady (‘La Schiavona’), by Titian. c.1510–12. Canvas, 119.4 by 96.5 cm. (National Gallery, London).
Attributed works:
2. Il Tramonto, by Giorgione. Canvas, 73.3 by 91.4 cm. (National Gallery, London).
Attributed works:
3. Adoration of the Kings, by Giorgione. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Attributed works:
4. Detail of ‘La Tempesta’, by Giorgione. Tempera and oil on canvas, 82 by 73 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Detail of the Three philosophers, by Giorgione. Canvas, 123 by 144 cm. (Kunsthistorisches Mus­eum, Vienna).
Attributed works:
6. Homage to a poet, by Giovanni Agostino da Lodi? Panel, 59.7 by 48.9 cm. (National Gallery, London).
Attributed works:
7. Ordeal of Moses, by Giovanni Agostino da Lodi? Panel, 89 by 72 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Detail of Fig.7.
Western art unattributed:
1. Illustrated London News (4th November 1933), p.741, showing photographs of Fig.2.
Western art unattributed:
14. Concert at Asolo, by unknown artist. Nineteenth century over an original of c.1500. Canvas, 124.5 by 194 cm. (Attingham Park, Shropshire).
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