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7 articles
Article
Philothée-François Duflos (c. 1710-1746): Three Unpublished Drawings
04/1985 | 985 | 127
Pages: 218+220-223+225
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Author:
McCarthy, Michael (McCarthy, Michael)
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Illustrations
Attributed works:
45. View of the Temple of the Sybil at Tivoli, by P.-F. Duflos. 1740. Pen and Water-Colour, 37 by 23.8 cm. (Collection F. H. M. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
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46. Tempio della Sibilla Tiburtina in Tivoli, by P.-F. Duflos. 1748, Etching. (Collection F. H. M. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
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47. Mr Duflos, by Pier Leone Ghezzi. Signed and Dated 14th May 1744. Pen and Ink. (Biblioteca Apostolica Vaticana).
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48. View of the Campo Vaccino, by P.-F. Duflos. Signed and Dated 1740. Pen and Water-Colour, 38.2 by 24.6 cm. (Collection F. H. M. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
49. Veduta del Monte Palatino, e parte della Colonna Trajana, by P.-F. Duflos. Etching Published in 1748.
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50. View of the Palatine and part of Trajan's Column, by P.-F. Duflos. Pen and Water-Colour, 41.8 by 26.9 cm. (National Galleries of Scotland).
Letter
Sir Roger Newdigate, Arbury Hall, Copped Hall and John Conyers
06/1979 | 915 | 121
Pages: 382
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Author:
McCarthy, Michael (McCarthy, Michael)
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Short Notice
Sir Roger Newdigate: Some Piranesian Drawings
10/1978 | 907 | 120
Pages: 671-674
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Author:
McCarthy, Michael (McCarthy, Michael)
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Illustrations
Attributed works:
38. The Amphitheatre of Arles, by Sir Roger Newdigate. Dated Aug. 15th, 1739. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
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39. View of a Slate-pit near Angers, by Sir Roger Newdigate. Dated May 1739. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
40. The Amphitheatre at Nisme[Sic], by Sir Roger Newdigate. Dated Aug. 6th, 1739. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
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41. View of the Colosseum, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
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42. View of Ruins near Tivoli, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
43. Fragment of a Column from Paestum, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
44. View of the Temple of Neptune at Paestum, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Article
The Building of Hagley Hall, Worcestershire
04/1976 | 877 | 118
Pages: 214-225
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Author:
McCarthy, Michael (McCarthy, Michael)
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Illustrations
Attributed works:
32. Hagley Hall, Worcs., South Front, by Thomas Prowse and Sanderson Miller. 1754-60. Photo. Courtesy of Country Life.
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33. Elevation for Hagley Hall, by John Chute. 1752. Pencil, 10.8 by 18.1 cm. (Hants CRO 31M57/639/122).
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34. Elevation for Hagley Hall, by John Chute. 1752. Pencil, 18.4 by 23.5 cm. (Hants CRO 31M57/639/121).
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35. Elevation for Hagley Hall, by John Chute. 1752. Pencil, 18.9 by 23 cm. (Hants CRO 31M57/639/120).
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36. Elevation for Hagley Hall, by John Chute. 1752. Pencil, 18.4 by 22.9 cm. (Lewis Walpole Library, Farmington, Conn.).
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37. Plan for Ground Floor of Hagley Hall, by John Chute. 1752. Pen, Pencil and Wash, 19 by 27.9 cm. (Lewis Walpole Library, Farmington, Conn.).
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38. Plan for First Floor of Hagley Hall, by John Chute. 1752. Pen, Pencil and Wash, 19 by 27.9 cm. (Lewis Walpole Library, Farmington, Conn.).
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39. Second Plan for Ground Floor of Hagley Hall, by John Chute. 1752. Pen and Wash, 9.5 by 12.7 cm. (Lewis Walpole Library, Farmington, Conn.).
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40. Elevation for West Front of Hagley Hall, by John Chute. 1752. Pen and Wash, 14 by 19 cm. (Lewis Walpole Library, Farmington, Conn.).
Attributed works:
41. Elevation for South Front of Hagley Hall, by John Chute. 1752. Pen, Pencil and Wash, 14 by 19 cm. (Lewis Walpole Library, Farmington, Conn.).
Attributed works:
42. Elevation for South Front of Hagley Hall, by John Chute. 1752. Pencil and wash, 16.5 by 20.9 cm. (Lewis Walpole Library, Farmington, Conn.).
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43. Elevation for North Front of Hagley Hall, by John Chute. 1752. Pencil and Wash, 14 by 19 cm. (Lewis Walpole Library, Farmington, Conn.).
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44. Plan of Ground Floor of Hagley Hall, by Sanderson Miller. 1754, from Vitruvius Britannicus. Photo. Courtesy of Country Life.
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45. Plan for Ground Floor of Hagley Hall, by Horace Walpole. 1752. Pen and Ink, 19 by 23.5 cm. (Lewis Walpole Library, Farmington, Conn.).
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46. Interior Decoration of Hagley Hall, Attributed to John Sanderson. 1754-60. Photo. Courtesy of Country Life.
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47. Drawing for Interior Decoration of Kirtlington Park, Oxon., by John Sanderson. c.1748. Photo. Courtesy of Metropolitan Museum of Art, New York.
Article
James Lovell and His Sculptures at Stowe
04/1973 | 841 | 115
Pages: 220-232
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Author:
McCarthy, Michael (McCarthy, Michael)
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Illustrations
Attributed works:
19. The Grecian Temple at Stowe, Designed by Lord Temple with Decorative Details Designed by J. B. Borra, 1749-63. The Statue of Flora was Possibly Executed by James Lovell. Photo: John Brebner, Kingston, Ontario.
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20. The Pediment of the Grecian Temple at Stowe, Sculpted by Peter Scheemakers c.1735, Adapted to Its Present Use by William Stephenson in 1761. Photo: John Brebner, Kingston, Ontario.
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21. The Corinthian Arch at Stowe, Designed by Thomas Pitt, 1765, with Decorative Details Sculpted by James Lovell. Photo: John Brebner, Kingston, Ontario.
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22. Detail of Capitals and Festoon of the Corinthian Arch at Stowe Sculpted by James Lovell, 1765. Helmdon Stone. Photo: John Brebner, Kingston, Ontario.
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23. Detail of Pilaster Capital from the South Front of Stowe Sculpted by Richard Lancashire, 1774. Taynton Stone. Photo: John Brebner, Kingston, Ontario.
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24. Detail of Column Capital from the Portico of the South Front of Stowe, Sculpted by Richard Lancashire, 1773. Taynton Stone. Photo: John Brebner, Kingston, Ontario.
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25. Roundel Sculpted with Unidentified Scene by James Lovell for the South Front of Stowe, 1773. Portland Stone. 6′ in Diameter. Photo: John Brebner, Kingston, Ontario.
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26. Variant of Fig. 25. Photo: John Brebner, Kingston, Ontario.
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27. Roundel Sculpted with a Sacrificial Scene by James Lovell for the South Front of Stowe, 1773. Portland Stone. 6′ in Diameter. Photo: John Brebner, Kingston, Ontario.
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28. Roundel Sculpted with a Sacrificial Scene by James Lovell for the South Front of Stowe, 1773. Portland Stone. 6′ in Diameter. Photo: John Brebner, Kingston, Ontario.
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29. Ceres Sculpted by James Lovell, 1773, for the Roof of the South Front of Stowe. Portland Stone. Photo: John Brebner, Kingston, Ontario.
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30. Flora Sculpted by James Lovell, 1773, for the Roof of the South Front of Stowe. Portland Stone. Photo: John Brebner, Kingston, Ontario.
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31. Religion Sculpted by James Lovell, 1773, for the Roof of the South Front of Stowe. Portland Stone. Photo: John Brebner, Kingston, Ontario.
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32. Liberty Sculpted by James Lovell, 1773, for the Roof of the South Front of Stowe. Portland Stone. Photo: John Brebner, Kingston, Ontario.
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33. Figures of the Seasons Sculpted by James Lovell, 1775, for the South Front of Stowe. Portland Stone. 6′ in Diameter. Photo: John Brebner, Kingston, Ontario.
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34. Figures of the Seasons Sculpted by James Lovell, 1775, for the South Front of Stowe. Portland Stone. 6′ in Diameter. Photo: John Brebner, Kingston, Ontario.
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35. Detail of the Sacrifice to Bacchus, Sculpted by James Lovell, 1776, for the Portico of the South Front of Stowe. Glympton Stone. Photo: John Brebner, Kingston, Ontario.
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36. Detail of Fig. 35. Photo: John Brebner, Kingston, Ontario.
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37. Detail of the Sacrifice to Bacchus. Photo: John Brebner, Kingston, Ontario.
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38. Detail of the Sacrifice to Bacchus. Photo: John Brebner, Kingston, Ontario.
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39. Detail of Decoration of the Roof of the Portico of the South Front of Stowe, Cast in Plaster by James Lovell, 1776. Photo: John Brebner, Kingston, Ontario.
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40. Door-Case of the South Portico of Stowe, Carved by James Lovell, 1776. Photo: John Brebner, Kingston, Ontario.
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41. Stowe House, Centre Block of the South Front, 1772-1777, Designed by Thomas Pitt, with Sculpture by James Lovell and Richard Lancashire. Photo: National Monuments Record.
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42. Composite Capital Carved by James Lovell, 1775, for the Portico of the Ladies' Temple, Stowe. Portland Stone. Photo: John Brebner, Kingston, Ontario.
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43. North Front of the Ladies' Temple, Stowe, 1772-1777, Possibly Designed by Thomas Pitt. Ornament by Edward Batchelor. Photo: John Brebner, Kingston, Ontario.
Article
Documents on the Greek Revival in Architecture
11/1972 | 836 | 114
Pages: 760-767+769
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Author:
McCarthy, Michael (McCarthy, Michael)
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Illustrations
Attributed works:
31. View of the Three Temples at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.3 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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32. Exterior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.9 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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33. Exterior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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34. Interior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 44.4 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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35. Interior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 44.4 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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36. Exterior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash. 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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37. Interior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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38. Interior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.3 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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39. Model of the Temple of Neptune at Paestum, Attributed to Augusto Rosa. 1777. Cork with Some Wood, 67.3 by 29.6 by 18.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
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40. Another View of the Model Illustrated in Fig. 39.
Article
Sir Roger Newdigate and Piranesi
07/1972 | 832 | 114
Pages: 466+468-472
related names
Author:
McCarthy, Michael (McCarthy, Michael)
Subjects
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Illustrations
Attributed works:
33. Candelabrum Composed of Antique Fragments from the Villa Adriana, by G. B. Piranesi. 1769-75. c.183 cm. High. (Ashmolean Museum, Oxford.) Courtesy of the Ashmolean Museum.
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34. Triumphal Arch at Aosta, by Sir Roger Newdigate. 1774. Engraved by G. B. Piranesi, 1775. Ink and Water-Colour, 22.9 by 18.4 cm. (Warwick CR 136/B 3025(1).) Photo. Patrick Baron, Warwick.
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35. Triumphal Arch at Aosta, by Sir Roger Newdigate. 1774. Ink and Water-Colour, 22.9 by 18.4 cm. (Warwick CR 136/B 3025(2).) Photo. Patrick Baron, Warwick.
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36. Candelabrum Composed of Antique Fragments from the Villa Adriana, by G. B. Piranesi. 1769-75. c.183 cm. High. (Ashmolean Museum, Oxford.) Courtesy of the Ashmolean Museum.