45. View of the Temple of the Sybil at Tivoli, by P.-F. Duflos. 1740. Pen and Water-Colour, 37 by 23.8 cm. (Collection F. H. M. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
46. Tempio della Sibilla Tiburtina in Tivoli, by P.-F. Duflos. 1748, Etching. (Collection F. H. M. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
47. Mr Duflos, by Pier Leone Ghezzi. Signed and Dated 14th May 1744. Pen and Ink. (Biblioteca Apostolica Vaticana).
Attributed works:
48. View of the Campo Vaccino, by P.-F. Duflos. Signed and Dated 1740. Pen and Water-Colour, 38.2 by 24.6 cm. (Collection F. H. M. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
49. Veduta del Monte Palatino, e parte della Colonna Trajana, by P.-F. Duflos. Etching Published in 1748.
Attributed works:
50. View of the Palatine and part of Trajan's Column, by P.-F. Duflos. Pen and Water-Colour, 41.8 by 26.9 cm. (National Galleries of Scotland).
Letter
Sir Roger Newdigate, Arbury Hall, Copped Hall and John Conyers
38. The Amphitheatre of Arles, by Sir Roger Newdigate. Dated Aug. 15th, 1739. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
39. View of a Slate-pit near Angers, by Sir Roger Newdigate. Dated May 1739. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
40. The Amphitheatre at Nisme[Sic], by Sir Roger Newdigate. Dated Aug. 6th, 1739. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
41. View of the Colosseum, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
42. View of Ruins near Tivoli, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
43. Fragment of a Column from Paestum, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
Attributed works:
44. View of the Temple of Neptune at Paestum, by Sir Roger Newdigate. 1775. Ink and Wash. (Collection F. H. Fitzroy-Newdegate, Arbury Hall, Warwickshire).
31. View of the Three Temples at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.3 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
32. Exterior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.9 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
33. Exterior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
34. Interior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 44.4 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
35. Interior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 44.4 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
36. Exterior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash. 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
37. Interior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
38. Interior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.3 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
39. Model of the Temple of Neptune at Paestum, Attributed to Augusto Rosa. 1777. Cork with Some Wood, 67.3 by 29.6 by 18.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
40. Another View of the Model Illustrated in Fig. 39.
96. 'Pour une Composition de L'age d'or', by J.-A.-D. Ingres. Signed. (Private Collection.). 97. Portrait of a Lady, by Luigi Mussini. Signed with Initials and Dated 1851. (Private Collection.). 98. Letter from J.-A.-D. Ingres to Luigi Mussini, of 12th April 1858. (Private Collection.). 99. The Newdigate Candelabrum. Detail from Plate from G. B. Piranesi, Vasi, Candelabri, Cippi. 100. Guéridon Table. Pinewood Painted Black and Gilded. (Palazzina Cinese, Villa La Favorita, Palermo.). 101. Candelabrum. From the Farnese Collection. White Marble. (Museo Nazionale, Naples.). 102. 'Pour une Composition de L'age d'or', by J.-A.-D. Ingres. Signed. (Private Collection.)
33. Candelabrum Composed of Antique Fragments from the Villa Adriana, by G. B. Piranesi. 1769-75. c.183 cm. High. (Ashmolean Museum, Oxford.) Courtesy of the Ashmolean Museum.
Attributed works:
34. Triumphal Arch at Aosta, by Sir Roger Newdigate. 1774. Engraved by G. B. Piranesi, 1775. Ink and Water-Colour, 22.9 by 18.4 cm. (Warwick CR 136/B 3025(1).) Photo. Patrick Baron, Warwick.
Attributed works:
35. Triumphal Arch at Aosta, by Sir Roger Newdigate. 1774. Ink and Water-Colour, 22.9 by 18.4 cm. (Warwick CR 136/B 3025(2).) Photo. Patrick Baron, Warwick.
Attributed works:
36. Candelabrum Composed of Antique Fragments from the Villa Adriana, by G. B. Piranesi. 1769-75. c.183 cm. High. (Ashmolean Museum, Oxford.) Courtesy of the Ashmolean Museum.