By using this website you agree to our Cookie policy

Search

9 articles
Short Notice
Reassessing Elizabeth Montagu’s architectural patronage at 23 Hill Street, London
06/2008 | 1263 | 150
Pages: 400-404
related names
Author:
Pullins, David (Pullins, David)
Subjects
dates:
subjects:
Illustrations
Attributed works:
39. The present-day ceiling at 23 (now 31) Hill Street, London.
Attributed works:
40. Ceiling of a room at Mrs Montagu’s House in Hill Street, by Robert Adam. 1766. Ink, pencil, gouache and watercolour, 39 by 39 cm. (Courtesy the Trustees of Sir John Soane’s Museum, London).
Attributed works:
41. The present-day dressing room cornice at 23 (now 31) Hill Street, London.
Attributed works:
42. Detail of Fig.40.
Attributed works:
43. Plate LVIII of B. de Montfaucon: Supplement au livre de l’antiquité expliquée, III, Paris 1724.
Attributed works:
44. Detail of the present-day front room ceiling at 23 (now 31) Hill Street, London, showing one of Stuart’s four monochrome roundels.
Western art unattributed:
45. Present-day floor plan of 23 (now 31) Hill Street, London.
Advertisements
Advertisements April 2007 (front)
04/2007 | 1249 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphics, London. 'Onward and upwards', by Ray Richardson. 2007. Screenprint with woodlock, 92.5 by 92.5 cm. Edition of 75.]
Attributed works:
[Andrew Edmunds. London. Gin Lane, by William Hogarth (1697-1764). 1751. 38 by 32.1 cm. Paulson 186, second state of four. Gin Lane highlights the vices of the lower classes following an alarming increase in street crime in London around the middle of the eighteenth century. Gin was relatively new import and one that achieved a more rapid and intense level of intoxication than any other readily available means, shown here to result in poverty, misery, vice, even madness and death.]
Attributed works:
[Catherine Hodgkinson. London. Views of hotel well III, by David Hockney. Signed, dated and numbered in pencil. Edition of 80. Colour lithograph on TGL handmade paper, 123.2 by 97.8 cm]
Attributed works:
[Caylus. Lagasca, 28. Madrid. Francisco de Goya Y Lucientes (Fuendetodos, 1746 - Bordeaux, 1828). "La letra con sangre entra" A school scene (detail). Oil on canvas, 19.7 by 38.7 cm. Painted circa 1777-85]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Joshua Reynolds, P.R.A. (Devon 1723-1792 London). Portrait of Philip Gell (1723-1795), full-length in a mauve suite, holding a gun, with a dog at his feet, in a wooded landscape. Oil on canvas. 94 x 58 in. (238.7x147.3cm)]
Attributed works:
[Christopher Mendez. London. Self-portrait, smiling, by Wenzel Hollar. 1636. Etching, 74 by 55 cm]
Attributed works:
[Coll & Cortes Fine Art Dealer. C/Justiniano 3. Madrid. Jusepe de Ribera, called Lo Spagnoletto (Jativa, Valencia 1591 - Naples, 1652). Philosopher. Oil on canvas, 129.8 x 101.8 cm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Francisco de Goya de Lucientes (Fuendetodos, 1764 - Bordeaux, 1828). Portrait of the artist's wife, Josefa Bayeu. Inscribed: ANO 1805. Chalk and graphite on paper, 111 x 81 mm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Benedetto da Maiano (1442-1497), Pietro Mellini. Terracotta bust, approx. 1474.]
Attributed works:
[Eagle Gallery. London. Harvest 2007, by Tom Hammick. Etching, 50 by 65 cm. Edition of 25]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardo Cavallino. Naples, 1616-ca. 1656. The Death of Saint Joseph. Oil on canvas, 46,5 x 36 cm (18 5/16 x 14 3/16)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portrait of Ida in a feathered hat, circa 1904. Red chalk. 13 1/4 x 9 3/4 inches; 33.5 x 24 cm. Signed.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Rossello di Jacopo Franchi (1376-1457). Enthroned Madonna. Signed. Oil on wood, 131 x 91 cm.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst. Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolper and Other Criteria]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. Parto Iberia or El Coloso. Salvador Dalì, 1904-1989. Signed and dated: "Dalì 1956". Tempera and acrylic on canvas, 242.5 x 328 cm.]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. San Antonio Abad. Francisco de Zurbaran. Oil on canvas, 110x204 cm]
Attributed works:
[Paul Stolper. London. Sceptic, by Damien Hirst. 2006. Silkscreen print, 150 by 99 cm. Edition of 55]
Attributed works:
[Tajan. 37 rue des Mathurins. Paris. Hendrick Ter Brugghen (Deventer, 1588 - Utrecht, 1629). The denial of St. Peter. Canvas. 113.4 in x74.8 in. ]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. A rediscovered Italian Equestrian Group of Carlo Emanuele I, Duke of Savoy (1562-1630) by Antonio Susini (FL 1580-1624)]
Attributed works:
[Uppsala Auktions. Eddagatan 10. Uppsala. Sweden. Pietro Orioli (Siena, 1458-1496). Madonna and CHild with Saints John the Baptist and Paul. Tempera and gold on wood, 73 x 50 cm]
Attributed works:
[Victoria and Albert Museum. Tripod perfume burner, designed by James 'Athenian' Stuart (c.1760)]
Western art unattributed:
[KPM. 1 Stokes Place, St. Stephen's Green. Dublin. Rossborough House, Blessington, Co. Wicklow.]
Short Notice
Athenian Stuart in Florence
09/1998 | 1146 | 140
Pages: 612-614
related names
Author:
Marciari, John (Marciari, John)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
22. Verso of Fig.23. [ St Andrew on His Way to Martyrdom, by James Stuart after Nicolò or Antonio Circignani. Etching, 25 by 20 cm. (Plate), 38 by 23 cm. (Whole), the Margins Containing a Letter from Stuart to James Hinde, Dated from Florence, 20th March 1746. (Beinecke Rare Book and Manuscript Library, New Haven CT).]
Attributed works:
23. St Andrew on His Way to Martyrdom, by James Stuart after Nicolò or Antonio Circignani. Etching, 25 by 20 cm. (Plate), 38 by 23 cm. (Whole), the Margins Containing a Letter from Stuart to James Hinde, Dated from Florence, 20th March 1746. (Beinecke Rare Book and Manuscript Library, New Haven CT).
Short Notice
A Portrait by James 'Athenian' Stuart
11/1990 | 1052 | 132
Pages: 794-795
related names
Author:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
Subjects
dates:
places:
Illustrations
Attributed works:
48. James Lee, by James 'Athenian' Stuart. 64 by 55 cm. (Hunterian Art Gallery, Glasgow).
Short Notice
The First Greek Revival Architecture
04/1985 | 985 | 127
Pages: 226-227+229
related names
Author:
Worsley, Giles (Worsley, Giles)
Subjects
dates:
places:
Illustrations
Attributed works:
54. Venetian Window on the West façade of Nuneham Park, Oxfordshire.
Attributed works:
55. Nuneham Park, Oxfordshire, from the South-West.
Attributed works:
56. The Aqueduct of Hadrian from The Antiquities of Athens.
Book Review
Athenian Stuart, Pioneer of the Greek Revival [and: William Talman Maverick Architect]
10/1983 | 967 | 125
Pages: 627
related names
Reviewer:
Newman, John (Newman, John)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Athenian Stuart, Pioneer of the Greek Revival; William Talman Maverick Architect | author: Harris, John , author: Watkin, David
Article
Documents on the Greek Revival in Architecture
11/1972 | 836 | 114
Pages: 760-767+769
related names
Author:
McCarthy, Michael (McCarthy, Michael)
Subjects
collectors and dealers:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
31. View of the Three Temples at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.3 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
32. Exterior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.9 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
33. Exterior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
34. Interior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 44.4 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
35. Interior of the Temple of Neptune at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 44.4 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
36. Exterior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash. 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
37. Interior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 45.7 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
38. Interior of the Basilica at Paestum, by G. B. Piranesi. 1777. Ink and Wash, 48.3 by 66.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
39. Model of the Temple of Neptune at Paestum, Attributed to Augusto Rosa. 1777. Cork with Some Wood, 67.3 by 29.6 by 18.1 cm. (Sir John Soane's Museum, London.) Photo A. C. Cooper.
Attributed works:
40. Another View of the Model Illustrated in Fig. 39.
Article
Mr Stuart's Tripod
10/1972 | 835 | 114
Pages: 695-705
related names
Author:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
artists:
subjects:
Illustrations
Attributed works:
56. Tripod Perfume Burner. Made c. 1760 for Sir Nathaniel Curzon. Ormolu on Marble Base, with Candle Branches; Height without Branches, 53.3 cm. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
57. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 89.)
Attributed works:
58. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 91.)
Attributed works:
59. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 90.)
Attributed works:
60. 'Design of the West End of the Dining Room with the Nich and Sideboard', by Robert Adam. For Kedleston, 1762. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
61. 'Drawing at Large of the Side Board in the Nich of the Dining Room at Kedleston', by Robert Adam, 1762. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
62. Design for the Window Wall of a Great Hall at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
63. Design for the Entrance Hall of the Painted Room at Spencer House, London, by James Stuart, 1759. (British Museum, Inv. No. 1955-4-16-13.)
Attributed works:
64. Tripod Perfume Burner. One of a Pair Made c. 1760 for the Painted Room at Spencer House, London. Ormolu on Marble Base, with Candle Branches, Mounted on Gilt and Painted Wooden Stand; Height of Tripod without Branches, 53.3 cm. (Collection the Earl Spencer, Althorp, Northampton.)
Attributed works:
65. Tripod Perfume Burner, c. 1760, Originally at Wentworth Woodhouse, Yorkshire. Ormolu on Marble base; Height, 53.3 cm. (Victoria and Albert Museum, Accession No. M. 46-1948.)
Attributed works:
66. Detail of One of the Supports of the Tripod Illustrated in Fig. 65.
Attributed works:
67. Detail of the Bowl of the Tripod Illustrated in Fig. 65.
Attributed works:
68. Detail of the Lid of the Tripod Illustrated in Fig. 65.
Attributed works:
69. Design for the West End of the Dining Room at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
70. Design for the West End of the Dining Room at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
71. Design for a Wall at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
72. The Choragic Monument of Lysicrates, Known Vulgarly as the 'Lanthorn of Demosthenes'. From James Stuart and Nicholas Revett, The Antiquities of Athens, Vol. 1 (1762), Chapter IV, Plate III.
Attributed works:
73. Stuart's and Revett's Suggested Reconstruction of the Bronze Tripod Which Once Surmounted the Choragic Monument of Lysicrates (See Fig. 72). From James Stuart and Nicholas Revett, The Antiquities of Athens, Vol. 1 (1762), p. 36.
Attributed works:
74. Pencil Sketch of a Tripod Perfume Burner. From William Chambers's 'Franco-Italian' Sketch-Book, Facing p. 2. (Department of Prints and Engravings, Victoria and Albert Museum, Accession No. 5172.)
Attributed works:
75. Tripod Perfume Burner, by Boulton and Fothergill. One of a Set of Four Supplied in 1777 to the Second Earl Gower. Ormolu on Marble Base; Height, 64 cm. (Collection the Late Fifth Duke of Sutherland.) Photo. by Permission of Messrs Christie's.
Article
Matthew Boulton's Mechanical Paintings
08/1970 | 809 | 112
Pages: 497-507
related names
Author:
Robinson, Eric (Robinson, Eric)
Author:
Thompson, Keith R. (Thompson, Keith R.)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
13. Nymphs Adorning a Herm. Engraving after Angelica Kauffmann, from Which Mechanical Paintings Were Made. (Science Museum, London.)
Attributed works:
15. Graces Awakening Cupid. Engraving after Angelica Kauffmann (Left) and the Mechanical Painting Copy of It (Right). (Science Museum, London.)
Attributed works:
16. Summer, after Philippe Jacques de Loutherbourg. Mechanical Painting. (National Portrait Gallery.)
Attributed works:
17. Detail from the Interior of Elizabeth Montagu's House, 22 Portman Square, Showing Mechanical Paintings after Angelica Kauffmann over the Door and in the Centre of the Ceiling. From a Photograph Taken in 1894. (Destroyed.) Courtesy National Buildings Record.
Western art unattributed:
14. Detail from Green Drawing Room, Culzean Castle, Scotland, Showing What is Probably a Mechanical Painting in the Style of Angelica Kauffmann.