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2 articles
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Article
A ‘born rebel’: Edward Burne-Jones and watercolour painting 1857–80
10/2014 | 1339 | 156
Pages: 657-664
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
dates:
Illustrations
Attributed works:
20. Self-portrait caricature in Red Lion Square, by Edward Burne-Jones (Mark Samuels Lasner collection; on loan to the University of Delaware Library)
Attributed works:
21. Clerk Saunders, by Edward Burne-Jones (Collection and copyright of Tate, London)
Attributed works:
22. The Annunciation, by Edward Burne-Jones (Birmingham Museums & Art Gallery; photograph copyright of Birmingham Museums Trust)
Attributed works:
23. The merciful knight, by Edward Burne-Jones (Birmingham Museums & Art Gallery; photograph copyright of Birmingham Museums Trust)
Attributed works:
24. The days of Creation: the first day, by Edward Burne-Jones (Harvard Art Museums/Fogg Museum, Cambridge MA; bequest of Grenville L. Winthrop; photograph copyright of the President and Fellows of Harvard College)
Attributed works:
25. Cupid delivering Psyche, by Edward Burne-Jines (Cecil French Bequest, Hammersmith and Fulham Council, London; photograph Bridgeman Art Library)
Attributed works:
26. Detail of Fig.25
Attributed works:
28. St Dorothy, by Edward Burne-Jones after treatment for efflorescence (Private collection; Christie's Images, 2005)
Attributed works:
29. Love among the ruins, by Edward Burne-Jones (Private collection; Christie's Images, 2013)
Attributed works:
30. The death of Medusa II, by Edward Burne-Jones (Southampton City Art Gallery; photograph Bridgeman Images)
Western art unattributed:
19. New sketching tent, from Winsor & Newton catalogue of watercolour materials (1858), attached to T. Rowbotham and T.L. Rowbotham Jr: The Art of Landscape Painting in Water Colours, London 1858
Western art unattributed:
27. 'Boxes fitted with colours and materials for illuminating and missal painting' illustrated in George Rowney & Co catalogue, attached to R.P. Noble: A Guide to Water Colour Painting, London 1867