• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
2 articles
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
Buy / subscribe
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
artists:
Burne-Jones, Edward / Morris, William / Robertson, Watford Graham / Rooke, Thomas Matthews / Alma-Tadema, Lawrence / Poynter, Edward John / Khnopff, Fernand
dates:
1850-1899 / 1880-1889 / 1890-1899
media:
Paintings / Drawings / Sketches / Watercolours / Tapestries
museums and institutions:
Royal Society of Painters in Water-Colours / Morris & Company, London, Great Britain / Birmingham Museum and Art Gallery, Birmingham, Great Britain / Walker Art Gallery, Liverpool, Great Britain
patrons:
Leyland, Frederick Richard / Graham, William / Balfour, Arthur James, Earl of, 1848-1930
places:
Great Britain
subjects:
British painting / Studios (work spaces) / Paper / Pigments / Colour / Panel paintings / Modelli / Cartoons (working drawings) / Aesthetic Movement / Decorative arts / Artists' groups and associations / Patronage / Commissions / Techniques / Materials
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Article
Burne-Jones's Roman Mosaics
02/1978 | 899 | 120
Pages: 72-82
Subscribe to read
related names
Author:
Dorment, Richard (Dorment, Richard)
Subjects
artists:
Burne-Jones, Edward
artists:
Rooke, Thomas Matthews
buildings:
San Paolo dentro le Mura, Rome, Italy
dates:
1850-1899
dates:
1900-1909
places:
Rome / Italy
subjects:
British painting / Mosaics
subjects:
Patronage / Documents
Illustrations
Attributed works:
1. Nave and Choir of St Paul's Within-the-Walls, Architecture by G. E. Street; Mosaics by Edward Burne-Jones and Thomas Rooke. 1872-1907. (Via Nazionale, Rome).
Attributed works:
17. The Annunciation, by Edward Burne-Jones. Designed 1886; Cartoons Executed 1888-90; Installed 1894. Mosaic. (St Paul's Within-the-Walls, Rome).
Attributed works:
18. The Tree of Life, by Edward Burne-Jones. Designed 1886; Cartoons Executed 1891-93; Installed, 1894. Mosaic. (St Paul's Within-the-Walls, Rome).
Attributed works:
19. The Heavenly Jerusalem, by Edward Burne-Jones. Designed c.1881-82; Cartoons Executed 1882-84; Installed, 1885. Mosaic. (St Paul's Within-the-Walls, Rome).
Attributed works:
20. The Earthly Paradise, by Edward Burne-Jones and Thomas Rooke. Designed 1886; Cartoons Executed 1906-07; Installed 1907. Mosaic. (St Paul's Within-the-Walls, Rome).
Attributed works:
21. The Fall of Lucifer, by Edward Burne-Jones. 1886-94. Canvas, 248 by 118 cm. (Collection Mr and Mrs Robert Walker, Paris).
Attributed works:
22. St Paul's Within-the-Walls, by G. E. Street. 1872-76. From a Photograph Taken c.1876. (Gabinetto Fotografico Nazionale, Rome).
Attributed works:
23. Interior of St Paul's Within-the-Walls. From a Photograph Taken c.1885. (Gabinetto Fotografico Nazionale, Rome).
Attributed works:
24. Model of the Semi-Dome of the Apse of St Paul's Within-the-Walls, Rome: The Heavenly Jerusalem, by Edward Burne-Jones. c.1881-82. Plaster and Wood Painted in Tempera, 61 by 100.4 cm. (Victoria and Albert Museum 365-1895).
Attributed works:
25. The Mosaics in St Paul's before 1906. From a Photograph Taken c.1905. (Collection Thomas Hancock, London).
Attributed works:
26. Compositional Sketch for the Annunciation (With Colour Notations and Instructions to Mosaic Workers), by Edward Burne-Jones. 1890. Gouache and Water-Colour on Brown Paper, 52.1 by 74.9 cm. (St Paul's Within-the-Walls, Rome).
Attributed works:
27. Compositional Study for the Heavenly Jerusalem, by Edward Burne-Jones. c.1881-83. Gouache, Water-Colour on Brown Paper, 52 by 137.2 cm. (St Paul's Within-the-Walls, Rome).
Attributed works:
28. Interior of Burne-Jones's London Studio. From a Photograph Taken c.1890. (National Monuments Record, London).
Attributed works:
29. Interior of Burne-Jones's London House, the Grange. From a Photograph Taken c.1890. (National Monuments Record, London).
Attributed works:
30. Study for the Choir Mosaic: The Earthly Paradise, by Edward Burne-Jones. c.1886-88. Gouache and Chalk on Brown Paper, 54 by 139.8 cm. (St Paul's Within-the-Walls, Rome).
Attributed works:
31. Study for the Choir Mosaic: A Frieze of Angels, by Edward Burne-Jones. c.1886. Pencil, 30.5 by 22.9 cm. (Burne-Jones Sketchbook, British Museum 1899-7-13-412).
Attributed works:
32. The Mosaics in St Paul's with a Photographic Reduction of Burne-Jones's Design for the Earthly Paradise Pasted over the Choir Area (Combine of Figs. 30 and 25). From a Photograph Taken before 1906. (Collection Thomas Hancock, London).
Attributed works:
A. Tracing from a Pen and Ink Sketch in a Letter from Burne-Jones to Sig. Castellini, 20th October 1890, Showing the Lines along which the Annunciation Cartoon was Divided. (Collection Robert Stahr Hosmon, Coral Gables, Florida).