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16 articles
Exhibition Review
Modigliani Up Close
01/2023 | 1438 | 165
Pages: 81-83
related names
Reviewer:
Devolder, Bart J.C. (Devolder, Bart J.C.)
Subjects
dates:
media:
Reviewed Items
subjects:
Modigliani Up Close Barnes Foundation, Philadelphia 16th October 2022– 29th January 2023 | :
Illustrations
Attributed works:
19. Installation view of Modigliani Up Close at the Barnes Foundation, Philadelphia, 2022. (Courtesy Barnes Foundation, Philadelphia).
Attributed works:
20. Self-portrait, by Amedeo Modigliani. 1919. Oil on canvas, 100 by 64.5 cm. (Museu de Arte Contemporanea da Universidade de São Paulo; exh. Barnes Foundation, Philadelphia).
Attributed works:
21. Young woman in a yellow dress (Renée Modot), by Amedeo Modigliani. 1918. Oil on canvas, 92 by 60 cm. (Castello di Rivoli Museo d’Arte Contemporanea, Turin; exh. Barnes Foundation, Philadelphia).
Book Review
Frans Hals: The Male Portrait
06/2022 | 1431 | 164
Pages: 627-628
related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Frans Hals: The Male Portrait By Lelia Packer with contributions by Ashok Roy. 130 pp. incl. 60 col. ills. (Philip Wilson Publishers, London, 2021), £20. ISBN 978–1–78130–110–4. | :
Book Review
Sam Francis: The Artist’s Materials
05/2021 | 1418 | 163
Pages: 485-486
related names
Reviewer:
Barker, Rachel (Barker, Rachel)
Reviewer:
Darukhanawala, Persi (Darukhanawala, Persi)
Subjects
artists:
Reviewed Items
subjects:
Sam Francis: The Artist’s Materials By Debra Burchett-Lere and Aneta Zebala. 168 pp. incl. 98 col. and 18 b. & w. ills. (Getty Conservation Institute, Los Angeles, 2019),  30. ISBN 978–1–60606–583–9. | :
Illustrations
Attributed works:
10. Sam Francis mixing resin into dispersion; Ashland studio, Santa Monica, by Meibao D. Nee. 1977. (  2020 Sam Francis Foundation, California / Artists Rights Society (ARS), New York).
Article
A pair of Qianlong imperial enamel painted glass vases in the Corning Museum of Glass
10/2020 | 1411 | 162
Pages: 832-839
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Author:
Xue, Shelly (Xue, Shelly)
Subjects
media:
Illustrations
Attributed works:
5. Details of the left-hand vase in Fig.1, showing the golden pheasants (left) and peonies (right).
Attributed works:
7. A golden pheasant, by Yu Sheng and Zhang Weibang. c.1750−61. Ink on paper, 41.9 by 43.9 cm. (Repr. The Birds of the Qing Court, Beijing 2014).
Non-western art unattributed:
1. Pair of vases decorated with golden pheasants and peonies. China, Qianlong mark and period (1736−96). Enamel-painted glass, height 16.2 cm. (The Corning Museum of Glass, NY).
Non-western art unattributed:
3. Box. China, Kangxi mark and period (1696−1722). Enamel-painted glass, 3.2 by 4.5 cm. (Kunstmuseum Den Haag).
Non-western art unattributed:
4. Detail of a Yu Huchan vase decorated with golden pheasants and peonies, Qianlong period (1736−96). Enamel-painted porcelain, height 16.3 cm. (Tian Jin Museum, Tianjin).
Non-western art unattributed:
6. Details of the right-hand vase in Fig. 1, showing the golden pheasants (left) and peonies (right)
Non-western art unattributed:
8. Detail of the right-hand vase in Fig.1, showing the calligraphy and seals.
Western art unattributed:
2. Bottle. Probably Saxony, c.1710−20. Engraved opaque white glass, height 10.8 cm. (The Corning Museum of Glass, NY).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Book Review
Van Dyck’s Hosts in Genoa: Lucas and Cornelis de Wael’s Lives, Business Activities and Works. By Alison Stoesser
02/2019 | 1391 | 161
Pages: 170-171
related names
Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
5. Lady talking to her gardners, by Cornelis de Wael. Canvas, 26 by 38 cm. (Private collection).
Exhibition Review
Caravaggio. Milan
12/2017 | 1377 | 159
Pages: 1015-1016
related names
Reviewer:
Gash, John (Gash, John)
Subjects
styles:
Reviewed Items
subjects:
Dentro Caravaggio at Palazzo Reale, Milan | :
Illustrations
Attributed works:
77. The Holy Family with the infant St John the Baptist, by Caravaggio. c.1603–04 (Private collection, on loan to the Metropolitan Museum of Art, New York; exh. Palazzo Reale, Milan).
Attributed works:
78. The fortune teller, by Caravaggio. c.1596–97. (Pinacoteca Capitolina, Rome; exh. Palazzo Reale, Milan).
Attributed works:
79. Enhanced detail of the x-radiograph of Fig.78, showing a praying Virgin Mary.
Publication Received
Making and Moving Sculpture in Early Modern Italy. Edited by Kelley Helmstutler Di Dio
03/2017 | 1368 | 159
Pages: 229-230
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Book Review
The Renaissance Workshop, D. Saunders, M. Spring and A. Meek, eds.
03/2015 | 1344 | 157
Pages: 195-196
related names
Reviewer:
Hubbard, Charlotte (Hubbard, Charlotte)
Subjects
dates:
dates:
Article
Weave matching and dating of Van Gogh’s paintings: an interdisciplinary approach
02/2012 | 1307 | 154
Pages: 112-122
related names
Author:
Erdmann, Robert G. (Erdmann, Robert G.)
Author:
Hendricks, Ella (Hendricks, Ella)
Author:
Johnson, Don H. (Johnson, Don H.)
Author:
Johnson, C. Richard, Jr. (Johnson, C. Richard, Jr.)
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
dates:
Illustrations
Attributed works:
26. La berceuse, by Vincent van Gogh. End of January 1889. Canvas, 92.7 by 73.8 cm. (Art Institute of Chicago); Vase with twelve sunflowers, by Vincent van Gogh. End of January 1889. Canvas, 92 by 72.5 cm. (Philadelphia Museum of Art); La berceuse, by Vincent van Gogh. End of March 1889. Canvas, 91 by 72 cm. (Kröller-Müller Museum, Otterlo); La berceuse, by Vincent van Gogh. Late December 1888–late January 1889. Canvas, 92.7 by 72.7 cm. (Boston Museum of Fine Arts); Still life with potatoes, by Vincent van Gogh. Mid-January 1889. Canvas, 39.5 by 47.5 cm. (Kröller-Müller Museum, Otterlo); and Sunflowers, by Vincent van Gogh. End of January 1889. Canvas, 95 by 73 cm. (Van Gogh Museum, Amsterdam). These paintings are shown in a weave match alignment.
Attributed works:
27. Warp weave maps for the paintings shown in Fig.26 in weave match alignment.
Attributed works:
28. Weft weave maps for the paintings shown in Fig.26 in weave match alignment.
Attributed works:
29. (Right) River scene with the Pont de Clichy, by Vincent van Gogh. 1887. Canvas, 48.3 by 57.2 cm. (Dallas Museum of Art); and (left) Fishing in spring, the Pont de Clichy (Asnières), by Vincent van Gogh. 1887. Canvas, 50.5 by 60 cm. (Art Institute of Chicago). Weft weave maps for the paintings shown in weave match alignment.
Attributed works:
30. Orchard in blossom, view of Arles, by Vincent van Gogh. 1889. Canvas, 50 by 65 cm. (Van Gogh Museum, Amsterdam); and Peach trees in blossom, by Vincent van Gogh. 1889. Canvas, 65 by 81 cm. (Courtauld Gallery, London). Weft weave maps for the paintings shown in weave match alignment.
Attributed works:
31. Entrance to a quarry, by Vincent van Gogh. 1889. Canvas, 60 by 74.5 cm. (Van Gogh Museum, Amsterdam); Self-portrait, by Vincent van Gogh. 1889. Canvas, 65 by 54 cm. (Musée d’Orsay, Paris); and The bedroom, by Vincent van Gogh. 1889. Canvas, 73.6 by 92.3 cm. (Art Institute of Chicago).
Attributed works:
32. Weft angle maps for the paintings in Fig.26 shown in weave match alignment. The prominent, broad blue and red strips mark the beginning of a bolt.
Attributed works:
33. Warp angle maps for the paintings in Fig.26 shown in weave match alignment.
Attributed works:
34. Still life with vegetables and fruit, by Vincent van Gogh. 1884. Canvas, 32.3 by 43.2 cm. (Van Gogh Museum, Amsterdam); and Vase with honesty, by Vincent van Gogh. 1884. Canvas, 42.7 by 31.7 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
35. Two butterflies in the grass, by Vincent van Gogh. 1889. Canvas, 55 by 46 cm. (Van Gogh Museum, Amsterdam); and Tree trunks in the grass, by Vincent van Gogh. 1889. Canvas, 72.5 by 91.5 cm. (Kröller-Müller Museum, Otterlo).
Attributed works:
36. Wheat stacks under a cloudy sky, by Vincent van Gogh. 1889. Canvas, 63.3 by 53 cm. (Kröller-Müller Museum, Otterlo); and Poplars at Saint-Rémy, by Vincent van Gogh. 1889. Canvas, 61.6 by 45.7 cm. (Cleveland Museum of Art).
Attributed works:
37. X-radiograph of Still life with poppies, cornflowers, camomile and carnations, by Vincent van Gogh. 1886. Canvas, 80 by 67 cm. (Triton Foundation).
Attributed works:
38. Enclosed field with peasant, by Vincent van Gogh. 1889. Canvas, 73.5 by 92 cm. (Indianapolis Museum of Art).
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