Plate I. A-The Nativity. Here Attributed to Domenico Gagini. Marble Relief). Samuel h. Kress Collection, New York). The Early Development of Domenico Gagini
Attributed works:
Plate I. B-St. John the Baptist in the Desert. Here Attributed to Domenico Gagini. Lintel Relief of Black Slate. (Art Trade, Rome). The Early Development of Domenico Gagini
Attributed works:
Plate I. C-The Monogram of Christ Surrounded by Angels and Adored by the Donor and His Wife. Here Attributed to Domenico Gagini. Marble Relief. (Castello Sforzesco, Milan). The Early Development of Domenico Gagini
Attributed works:
Plate II. A-Temperantia. Figure from the Triumphal Arch at Naples. by Domenico Gagini. The Early Development of Domenico Gagini
Attributed works:
Plate II. B-Madonna and Child. Attributed to Domenico Gagini. Marble. (Chapel. of the Castel Nuova, Naples). The Early Development of Domenico Gagini
Attributed works:
Plate II. C-Madonna and Child with St. John. Attributed to Domenico Gagini (S. Francesco, Palermo). The Early Development of Domenico Gagini
Attributed works:
Plate III. A-Madonna and Child. Here Attributed to Domenico Gagini. Marble Relief (Private Collection, France). The Early Development of Domenico Gagini
Attributed works:
Plate III. B-The Madonna of Humility. Here Attributed to Jacopo della Quercia. (Mrs. Henry Goldman, New York). The Early Development of Domenico Gagini
Attributed works:
Plate III. C-A Neapolitan Nobleman. Here Attributed to Domenico Gagini (Chateau D'usse, Touraine); D-Holy-Water Basin. Attributed to Domenico Gagini (Sta. Maria di Castello, Genoa); E-Reliefs from the S. Giovanni Chapel in the Cathedral at Genoa. Here Attributed to Domenico Gagini. 1448-1455. The Early Development of Domenico Gagini
Plate I. The Two Philosophers, by Rembrandt. Signed and Dated 1628. Panel, 71.5 by 58.5 cm. (National Gallery of Melbourne, Australia). Some Early Compositions by Rembrandt
Attributed works:
Plate II. A-The Baptism of the Eunuch, by Rembrandt. Perhaps 1629. Panel, 115 by 90 cm. (Private Collection, Fribourg, Switzerland). B, C, D-Details of A., Some Early Compositions by Rembrandt
Attributed works:
Plate III. A-Christ Washing the Disciples' Feet, by Rembrandt. About 1634. Paper, 47.6 by 60.9 cm. (The Art Institute of Chicago); C, D-Details of A; B-Study For One of the Figures in Plate I. Drawing (The Print Room, Berlin). Some Early Compositions by Rembrandt
A-Madonna and Child, by Giovanni Bellini. Pen Drawing, 9.4 by 7.7 cm. (F. Koenigs, Harrlem). Shorter Notices: A Madonna Drawing by Giovanni Bellini
Attributed works:
B-Madonna and Child (Detail), by Giovanni Bellini. Canvas, 78.7 by 57 cm. (The Huntington Collection, Pasadena, U. S. A.). Shorter Notices: A Madonna Drawing by Giovanni Bellini
A-Bronze Candlestick, Here Identified as by Verrocchio and Made for the Audience Chamber, Palazzo Vecchio, Florence. 1468. Height 1.57 m. Width of Foot, 0.46 m. (Schloss Museum, Berlin). Verrocchio's Lost Candlestick
Attributed works:
B-Mantelpiece (Detail) by Francesco di Simone (Kaiser Friedrich Museum, Berlin). Verrocchio's Lost Candlestick
Attributed works:
C-Tomb of Piero and Giovanni de Medici (Detail), by Verrocchio (S. Lorenzo, Florence). Verrocchio's Lost Candlestick
A Lion Killing a Horse. Modelled by Giovanni da Bologna and Cast in Bronze by Antonio Susini. (Detroit Institute of Arts, U. S. A.). See Shorter Notices: Another Signed Bronze by Antonio Susini.