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49 articles
Supplement
Recent acquisitions (2016–22) of European works of art at the Detroit Institute of Arts
06/2023 | 1443 | 165
Pages: 677-692
Subjects
subjects:
Illustrations
Attributed works:
10. Large circular dish with Diana and Callisto, Nevers Manufactories. c.1660. Faience (tin-glazed earthenware), diameter: 50.8 cm. Bequest of Sidney R. Knafel, T2022.237.2.
Attributed works:
11. Infant St John the Baptist in the wilderness, by Bartolomé Esteban Murillo. Between 1665 and 1670. Oil on canvas, 85 by 72 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2021.270.
Attributed works:
12. Madonna and Child with Sts Ignatius of Loyola, Francis Xavier, Cosmas and Damian, by Andrea Sacchi. 1629. Oil on canvas, 60.5 by 40.3 cm. Gift of the European Paintings Council, 2017.10.
Attributed works:
13. St Peter weeping with keys, by Guercino (Giovanni Francesco Barbieri). c.1630–40. Pen and brown (iron gall) ink on laid paper, 24.6 by 19.3 cm. Gift of an anonymous donor, in memory of Edward B. Caulkins Jr, 2016.126.
Attributed works:
14. Study for the Chair of St Peter (Cathedra Petri), workshop of Gian Lorenzo Bernini. c.1657–58. Pen and brown ink and wash with white highlights on laid paper, 50.8 by 33.7 cm. Museum purchase, Ralph H. Booth Bequest Fund, 2018.21.
Attributed works:
15. Garniture of three vases, manufactured by the De Paauw (‘The Peacock’) Manufactory, Delft, under the direction of Petronella van Dijssel. c.1690. Tin-glazed (enamelled) earthenware, 40 by 37.5 cm. Gift of Richard and Joanne Brodie, 2019.160.1–.3.
Attributed works:
16. The archangel Michael defeating Satan, by Acisclo Antonio Palomino de Castro y Velasco. Between 1692 and 1705. Oil on canvas, 208.8 by 146.5 cm. Gift of Colnaghi in honour of Salvador Salort-Pons, 2016.58.
Attributed works:
17. Reading the fate of the Christ Child, by Josefa De Ayala. 1667. Oil on copper, 23 by 29 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2020.15.
Attributed works:
18. Large platter with Bacchanal scene in the centre with putti and a satyr pushing a wheelbarrow on an ocre niellé ground, manufactured by the Rouen Factories. c.1725. Faience (tin-glazed earthenware), diameter 40 cm. Bequest of Sidney R. Knafel, T2022.237.13.
Attributed works:
19. Madonna and Child, by Giuseppe Maria Mazza. 1685. Hand-modelled terracotta relief in a gilt wood frame, 41.9 by 37.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan Darr, 2021.28.
Attributed works:
2. St Michael vanquishing the Devil, attributed to the workshop of the Harburg Master. c.1480. Limewood with original gilding and polychromy, 165 by 66 by 40 cm. Museum purchase, Robert H. Tannahill Foundation Fund, with funds from the Visiting Committee for European Sculpture and Decorative Arts, 2020.1.
Attributed works:
20. The sanctuary-basilica of Nuestra Señora del Lledó in Castellón de la Plana, by Juan Conchillos Falco. 1699. Pen and ink and brush and sepia wash, 21.6 by 29.2 cm. Museum purchase, Hill Memorial Fund, 2020.17.
Attributed works:
21. Virgin of solitude, by Luisa Roldán (called La Roldana). 1705. Terracotta, paint, glass and wood, 38.1 by 26 cm. Museum purchase, Funds from the Joseph M. DeGrimme Memorial Fund and Robert H. Tannahill Foundation Fund, 2018.33.
Attributed works:
22. Venus ordering armour for Aeneas at Vulcan’s forge, by Gaetano Gandolfi. c.1775. Oil on canvas, 64.5 by 47.5 by 4.4 cm. Gift of the Elizabeth, Allan & Warren Shelden Fund, 2017.46.
Attributed works:
23. Penitent Magdalene, by Caterina de Julianis. 1717. Polychrome wax, painted paper, glass, tempera on paper and other materials, 26.9 by 27 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2019.44.
Attributed works:
24. The Doria commode, designed and painted by Lorenzo de Ferrari. c.1737. Carved and gilded walnut with tempera and oil painted decoration and original carved Spanish red broccatello marble top, 91 by 136 by 53 cm. Museum purchase, Jill Ford Murray Fund, Robert H. Tannahill Foundation Fund, and funds from The Visiting Committee for European Sculpture and Decorative Arts in honour of Joanne Brodie, VCESDA Chair 2012–18, 2018.32.
Attributed works:
25. St Benedict of Palermo, attributed to Juan Pascual de Mena. Between 1770 and 1780. Coniferous wood, oil, gold, glass and fibre cord, 175 by 100 by 50 cm. Museum purchase, Jill Ford Murray Fund, 2017.21.
Attributed works:
26. Virgin and Child, by Luis Salvador Carmona. c.1750. Polychrome coniferous wood and glass, 130.8 by 63.5 by 48.3 cm. Museum purchase, Robert H. Tannahill Foundation Fund and Ernest and Rosemarie Kanzler Foundation Fund, 2016.31.
Attributed works:
27. Small sword with koft-gari hilt. Possibly France, c.1770. Hilt: steel with gold inlay; blade: etched and blued steel, 100.3 by 10.8 by 8.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.274.
Attributed works:
28. Soup plate from the Catherine the Great Service (assiette à potage), manufactured by the Sèvres Porcelain Manufactory and gilded by Henry-François Vincent. 1778. Soft-paste porcelain, bleu celeste ground with enamel decoration and gilding, 3.8 by 26.7 cm. Museum purchase, with funds from the Bernard J. Reilly Fund and the Joseph M. de Grimme Memorial Fund, 2017.58.
Attributed works:
29. Carved relief of Marchesa Vittoria Santini Torrigiani, attributed to Giuseppe Maria Bonzanigo. c.1796. Boxwood, fruitwood and ebony, 18.6 by 13.7 by .5 cm. Gift of Richard A. and Joanne Brodie, 2021.251.
Attributed works:
3. Dish with the allegory of Love depicting Giulia and Ottinello, by Francesco Xanto Avelli da Rovigo, possibly in the workshop of Nicola da Urbino. c.1525–27. Tin glazed (enamelled) earthenware, diameter 26.5 cm. Gift of Richard A. and Joanne Brodie, 2021.415.
Attributed works:
30. and 31. Mrs Mary May and her daughters Maria Emilia, Louisa and Sophia Margaret and Mr Joseph May and his sons Thomas Charles, Joseph and John, by Angelica Kauffmann. 1780. Oil on canvas, each 144.4 by 176.5 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2022.266.1-2.
Attributed works:
32. Los Caprichos, by Francisco Goya. 1796–98, first edition published 1799. Bound set of eighty etchings with aquatint and engraving on laid paper, in original Spanish mottled calfskin-covered pasteboard binding, 31.2 by 21.0 by 2.8 cm. Museum purchase, Ernest and Rosemarie Kanzler Foundation Fund, 2021.268.
Attributed works:
33. Satan, the fallen angel, by Jean-Jacques Feuchère. Modelled 1833, cast 1835. Bronze with a dark brown patina, height 34.9 cm. Museum purchase, Joseph M. de Grimme Memorial Fund and the Visiting Committee for European Sculpture and Decorative Arts, 2018.17.
Attributed works:
34. Bust of Giuseppe Bossi, by Antonio Canova. 1816. Plaster, 94 by 45.7 by 38.1 cm. Museum purchase, Robert H. Tannahill Foundation Fund, 2017.19.
Attributed works:
35. Portrait bust of the duchesse de Berry, by Félicie de Fauveau. 1840. Marble with partial gilding and polychromy, height 60 cm. Museum purchase, Joseph M. de Grimme Memorial Fund, 2022.273.
Attributed works:
36. Coffret à bijoux with the triumph of Amphitrite, by Frédéric-Jules Rudolphi. c.1850. Oxidised and parcel-gilt silver, enamel, coloured glass and pearls, 21.3 by 19.7 by 15.2 cm. Gift of Richard and Joanne Brodie, 2021.296.
Attributed works:
4. Descent from the Cross, by the Master of the Embroidered Foliage. c.1500. Oil on oak panel (cradled), 97.6 by 80.3 cm. Gift of Mr and Mrs Raymond Cracchiolo, 2019.18.
Attributed works:
6. Dish featuring Cupid holding a globe, made by Lyon Manufactories and decorated by Gironimo Tomasi. c.1582–1600. Faience (tin-glazed earthenware), diameter 32.7 cm. Bequest of Sidney R. Knafel, T2022.237.9.
Attributed works:
7. Parade shield for the guard of Archbishop Wolf-Dietrich von Raitenau. Venice, c.1595. Wood, tooled leather, metal leaf, polychromy and varnish, diameter 62.2 cm. Museum purchase, Jill Ford Murray Fund, 2022.5.
Attributed works:
8. Ecce Homo, by Luis de Morales. c.1560–70. Oil on wood panel, 54.6 by 46.4 cm. Museum purchase, Jill Ford Murray Fund and the Robert H. Tannahill Foundation Fund, 2019.41.
Western art unattributed:
1. Crucifixion with the three Marys and others. England, 1440–80. Alabaster with original polychromy and gilding, 53.3 by 25.4 by 5.1 cm. Gift of Richard A. and Joanne Brodie in honour of Alan P. Darr, 2021.112.
Western art unattributed:
5. Reliquary bust of a virgin-martyr, likely a companion of St Ursula. Possibly Castile, c.1530. Softwood with gilding and polychromy, 47 by 43.5 by 19 cm. Gift of Richard A. and Joanne Brodie, 2022.115.
Western art unattributed:
9. David and Goliath. German, c.1600. Polychrome wax, 30 by 21.5 cm. Museum purchase, European Sculpture and Decorative Arts Deaccession Fund, 2020.5.
Supplement
Recent acquisitions (2007-15) of European sculpture and decorative arts at the Detroit Institute of Arts
06/2016 | 1359 | 158
Pages: 501-512
Subjects
dates:
Illustrations
Attributed works:
II. Figure of a bearded man, by the Master of the Arenberg Lamentation. 1470-80. Baltic oak (Detroit Institute of Arts)
Attributed works:
IV. Plate showing Hercules and Omphale, by Nicola di Gabriele Sbraghe, called Nicola da Urbino, and an associate, possibly Guido Durantino. c.1528-35. Maiolica (Detroit Institute of Arts)
Attributed works:
IX. Tota Pulchra Es, by Fray Eugenio Gutiérrez de Torices. Signed and dated, lower left: 'Fr. Eugio. ft 1690'. Wax relief (Detroit Institute of Arts)
Attributed works:
V. Plate with broad border (tondino) depicting the Dream of Astyages, by Francesco Xanto Avelli da Rovigo, lustred by Vincenzo Andreoli (Maestro Cencio). Marks on reverse: the centre is inscribed in blackL 1535/Dil vecchio Astiage Re l'alta/visione (The exalted vision of old king Astyages)/FXR (F[ra] X[anto] [Avelli da] R[ovigo]; in ruby lustre: N (the monogram of Vincenzo Andreoli, also called Maestro Cencio). Maiolica (Detroit Institute of Arts)
Attributed works:
VI. Nautilus cup with wild men, by Hans Clauss I. Nuremberg, c.1645-51 (Detroit Institute of Arts)
Attributed works:
VII. St Francis of Assisi, by José de Mora. 1680-1700 (Detroit Institute of Arts)
Attributed works:
VIII. Arion rescued by a dolphin, by Artus Quellinus. c.1655. Terracotta (Detroit Institute of Arts)
Attributed works:
X. Amber casket with ivory reliefs, attributed to Gottfried Wolffram. c.1695 (Detroit Institute of Arts)
Attributed works:
XI. Small box from the Cadaval toilet service, by Etienne Pollet. 1738-39. Silver (Detroit Institute of Arts)
Attributed works:
XII. Bleu persan vase jassemin. Nevers manufactory, c.1665-85. Tin-glazed earthenware (Detroit Institute of Arts)
Attributed works:
XIII. Tea and coffee service ('Déjeuner Chinois Réticule'). Sèvres manufactory, designed by Hyacinthe Régnier, painted by Pierre Huard. 1842-43 (Detroit Institute of Arts)
Attributed works:
XIV. Mahogany pier table with sphinx monopod, designed by Antoine-Léonard Dupasquier and Martin-Eloy Lignereux, executed by Adam Weisweiler, Antoine-Léonard Dupasquier and Pierre-Philippe Thomire. c.1796-1800 (Detroit Institute of Arts)
Attributed works:
XIX. Le Silence, by Antoine Augustin Préault. 1842-43. Patinated original plaster relief, cast from the tomb of Jacob Roblès (Detroit Institute of Arts)
Attributed works:
XV. Hall chair, designed by Augustus Welby Northcroft Pugin, manufacture attributed to the Crace firm under John Gregory Crace. c.1845 (Detroit Institute of Arts)
Attributed works:
XVI. Textile ('Sutherland' design), designed by Owen Jones, manufactured by Warner, Sillett & Ramm. c.1872 (Detroit Institute of Arts)
Attributed works:
XVII. Mauresque noire, by Charles Cordier. Signed and dated: 'ALGER/1856/CH. CORDIER'. Bronze (Detroit Institute of Arts)
Attributed works:
XVIII. The Statue of Liberty, by Frédéric Auguste Bartholdi. Signed 'Bartholdi', dated '1876', and inscribed 'Registered FB Washington 31 August 1876 No 9939 G'. Foundry mark of C. Avoiron, Paris, 1876 (Detroit Institute of Arts)
Attributed works:
XX. Cabinet, designed by Christopher Dresser, manufactured by W. Booty, Notting Hill, London. c.1880 (Detroit Institute of Arts)
Attributed works:
XXI. Chair for the Argyle Tea Rooms, designed by Charles Rennie Mackintosh. c.1897 (Detroit Institute of Arts)
Attributed works:
XXII. Bottle with stopper, by Taxile Doat. Marks: 'T/D/oat Sevres'. c.1899-1902. Hard-paste porcelain (Detroit Institute of Arts)
Attributed works:
XXIII. Charger with putti on a ship with dolphins and fish, designed by William de Morgan, made by the Cantagalli manufactory, Florence, the painting attributed to Ulderigo Grillanti. Marks: on the reverse, in brown: a device resembling an upturned anchor surmounted by what has been described as a crown but is more probably the Florentine fleur-de-lis; the shaft is flanked by the letters D and M and crossed below by a C., called the Acrosticon mark. c.1901 (Detroit Institute of Arts)
Attributed works:
XXIV. Ewer, designed by Emile Belet, modelled by Paul Milet. 1902/03. Stoneware (Detroit Institute of Arts)
Attributed works:
XXV. Teapot, by Christopher Dresser, manufactured by James Dixon & Sons. c.1880. Marks: design registration 'kite' for 25th November 1880; 'Chr Dresser' (facsimile signature); 'EP J D & S [trumpet]; '2278' and [one letter, illegible] - all stamped under base. Silver plate and ebony (Detroit Institute of Arts)
Attributed works:
XXVI. Vase, designed by Georges de Feure, for L'Art Nouveau Bing, made by the Gerard, Dufraisseix & Abbot manufactory, Limoges. c.1903. Porcelain (Detroit Institute of Arts)
Western art unattributed:
I. Lion aquamanile. Nuremberg, second quarter of the fifteenth century. Copper alloy (Detroit Institute of Arts)
Western art unattributed:
III. St Adrian of Nicomedia. German (Lower Rhenish), 1510-25. Pot metal glass, transparent glass, vitreous paint, silver stain and lead (Detroit Institute of Arts)
Book Review
Italian Renaissance and Later Ceramics, A.P. Darr, P. Simons and T. Wilson
06/2014 | 1335 | 156
Pages: 397-398
related names
Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
Illustrations
Western art unattributed:
64. Vase with the arms of Medici impaling those of Orsini. Tuscany (perhaps Montelupo). (Detroit Institute of Arts)
Editorial
Drama in Detroit
10/2013 | 1327 | 155
Pages: 659
Exhibition Review
Rembrandt and the face of Jesus. Paris, Philadelphia and Detroit
05/2012 | 1310 | 154
Pages: 375-376
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Rembrandt and the face of Jesus | institution: Detroit Institute of Arts , institution: Musée du Louvre , institution: Philadelphia Museum of Art
Illustrations
Attributed works:
97. Supper at Emmaus, by Rembrandt van Rijn. 1648. Panel, 68 by 65 cm. (Musée du Louvre, Paris; exh. Detroit Institute of Arts).
Attributed works:
98. Head of Christ, by Rembrandt van Rijn. c.1648–50. Panel, 25 by 21.5 cm. (Gemäldegalerie, Berlin; exh. Detroit Institute of Arts).
Exhibition Review
Imperial Mughal Albums. Dublin
11/2010 | 1292 | 152
Pages: 762-763
related names
Reviewer:
Topsfield, Andrew (Topsfield, Andrew)
Subjects
dates:
Reviewed Items
subjects:
Muraqqa’: Imperial Mughal Albums from the Chester Beatty Library | institution: Arthur M. Sackler Gallery , institution: Chester Beatty Library , institution: Detroit Institute of Arts , institution: Honolulu Academy of Arts , institution: Nelson-Atkins Museum of Art
Illustrations
Attributed works:
74. Portrait of Rustam Khan, with contemporary border figures of soldiers and men inspecting weapons and jewels, by Hunhar. c.1650–57. From the Late Shah Jahan Album. Folio, 38 by 26.6 cm. (Chester Beatty Library, Dublin).
Attributed works:
75. Jahangir shoots the head of Malik Ambar, by Abu’l Hasan. c.1616. From the Minto Album. Folio, 38.9 by 27.2 cm. (Chester Beatty Library, Dublin).
Attributed works:
76. Music party in an encampment, by Govardhan. c.1620–30. From the Minto Album. Folio, 38.9 by 27.2 cm. (Chester Beatty Library, Dublin).
Book Review
Masters of Italian Baroque Painting: The Detroit Institute of Arts
11/2007 | 1256 | 149
Pages: 790-791
related names
Reviewer:
Brown, Beverly Louise (Brown, Beverly Louise)
Subjects
print:
Reviewed Items
subjects:
Masters of Italian Baroque Painting: The Detroit Institute of Arts | author: Bissell, R. Ward , author: Derstine, Andria , author: Miller, Dwight
Supplement
Recent acquisitions (2000-2006) of European sculpture and decorative arts at The Detroit Institute of Arts
06/2007 | 1251 | 149
Pages: 449-456
Subjects
dates:
Illustrations
Attributed works:
I. Ewer (brocca) with the Medici-Habsburg coat of arms, design and modelling attributed to Bernardo Buontalenti, Medici Grand Ducal workshops, Florence. c 1575-78. Soft past porcelain with underglaze blue decoration, 36.8 by 22.9 cm.
Attributed works:
II. God the Father with two angels, by Benedetto de Maiano. c.1489. Polychromed terracotta model, 36.2 by 25.4 by 8.3 cm.
Attributed works:
III. Crucifix, Miseroni workshop, Milan. Late sixteenth century. Rock crystal, gold and enamel, 29.5 by 19.3 by 9.2 cm.
Attributed works:
IV. Flower vase, attributed to Adriaen Kocx, De Grieksche A Factory, Delft, Netherlands c.1690-1700. Tin-glazed earthenware with enamel decoration, 28 by 30.5 by 8.9 cm.
Attributed works:
IX. Chestnut bowl and stand (marronnière à quatre pans), Sèvres Manufactory, France.c.1757-58. Soft-paste porcelain with enamel decoration and gilding, 21.1 by 16.2 by 12.7 cm.
Attributed works:
V. Double cup (Doppelpokal) by Hans Petzolt. Nuremburg, 1596. Silver gilt with silver medals of the patrons, Jacob and Elisabeth Starck, 54 by 18.1 by 18.1 cm.
Attributed works:
VI. Jewel casket, attributed to Johann Andreas Thelot and Johann Valentin Gevers, Ausburg. c. 1705. Silver, silver gilt, tortoiseshell and ivory, 31 by 47 by 38 cm.
Attributed works:
VII. Sultan riding an elephant, modelled by Johann Joachim Kändler, court sculptor to Frederick-Augustus I of Saxony and his assistant Peter Reincke, Meissen Manufactory, Germany. 1749. Hard-paste porcelain with enamel decoration gilt-bronze mount (Paris), 39 by 37 by 22.5 cm.
Attributed works:
VIII. Goat-and-bee jug. Chelsea Manufactory, England. c. 1745-49. Soft-paste porcelain, 11.1 by 8.3 by 5.1 cm.
Attributed works:
X. Bust of a gentleman, possibly Joseph Addison, by David Le Marchand, French, active in England and Scotland. c. 1704-10. Ivory, 26.7 by 15.2 by 7.6 cm.
Attributed works:
XI. John Milton. Richard Chaffers and Company, Liverpool, England. c. 1760. After a model by John Cheere. Soft-paste porcelain, 45.7 by 24.8 by 13.8 cm.
Attributed works:
XIII. Departure of the volunteers of 1792 ('The Marseillaise'), by François Rude. c. 1835. Original plaster model, 130.8 by 92.7 by 17.8 cm.
Attributed works:
XIV. The Chinese man (Le Chinois), by Jean-Baptiste Carpeaux. c. 1872. Bronze, 69.9 by 51.1 by 34.6 cm.
Attributed works:
XIX. Water carriers on the banks of the Nile, by Emile Bernard. 1894. African mahogany with partial polychromy, 50.8 by 47 by 2.5 cm.
Attributed works:
XV. Bouquet with lilacs, poppies, hollyhocks and other flowers, by Aubert Parent. c. 1790. Carved limewood relief with original gilded and ebonised frame, 47.5 by 39.5 by 8 cm.
Attributed works:
XVI. Charger, by Jospeh-Théodore Deck. c. 1875. Glazed earthenware, 50.8 by 7 cm.
Attributed works:
XVII. Charger, designed by William Frend De Morgan, attributed to Sands End Manufactory, England. c. 1888. Tin-glazed earthenware with lustre, 36.2 by 5.1 cm.
Attributed works:
XVIII. Vase of the Titans, by Auguste Rodin after the design by Albert Ernest Carrier-Belleuse, manufactured by Hautin Boulanger and Company, Choisy-le-Roi, France. c. 1877-79. Glazed polychromed terracotta, 72.1 by 50.2 by 50.2 cm.
Attributed works:
XX. Vase, designed by Otto Eckmann, Royal Porcelain Manufactory, Germany. 1900. Glazed soft-paste porcelain with bronze mounts, 51.4 by 27.9 cm.
Attributed works:
XXI. Hallstand from Maison Coilliot, Lille, by Hector Guimard. 1898. Mahogany, enamelled lava, gilt bronze, iron, glass and painted tin, 212.7 by 137.2 by 35.6 cm.
Attributed works:
XXII. Display cabinet, designed and executed by Stephen Webb, Collinson and Lock Manufactory, London. c. 1890. Rosewood inlaid with ivory, original velvet lining, 114 by 124 by 36 cm.
Attributed works:
XXIII. Salt cellar and spoon, designed by C.F.A. Voysey, manufactured by Edward Barnard and Sons Ltd, London. 1907. Silver, partially gilded, 7 bt 11 by 11 cm.
Attributed works:
XXIV. Centrepiece, designed by Albin Müller, manufactured by Alexandra Porcelain Works Ernst Wahliss, Vienna. c. 1911. Porcellaneous earthenware with gilding and enamel, 16.5 by 27.4 cm.
Attributed works:
XXV. Le Cheval majeur, by Raymond Duchamp-Villon. Conceived 1914, cast 1966. Bronze (numbered E.A. 2/3), 149.9 by 148.6 by 80 cm.
Western art unattributed:
XII. Marriage jug with the planetary gods. Cruessen, Germany. 1668. Salt-glazed stoneware with enamel decoration, pewter, 21 by 15.9 by 12.7 cm.
Short Notice
A rediscovered Whistler: ‘Violet and Blue: Among the Rollers’
04/2007 | 1249 | 149
Pages: 261-262
related names
Author:
MacDonald, Margaret F. (MacDonald, Margaret F.; MacDonald, Margaret)
Subjects
dates:
Illustrations
Attributed works:
42. Violet and Blue: Among the Rollers, by James McNeill Whistler. 1893. ?Oil and casein or tempera on panel, 18 by 25.4 cm. (Robert H. Tannahill Foundation Fund, Detroit Institute of Arts, Detroit).
Book Review
Forging a Modern Identity: Masters of American Painting born after 1847
07/2006 | 1240 | 148
Pages: 494-495
related names
Reviewer:
Athens, Elizabeth (Athens, Elizabeth)
Subjects
print:
Reviewed Items
subjects:
Forging a Modern Identity: Masters of American Painting born after 1847 | editor: Tottis, James W.
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