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Article
‘Une pièce fort singulière’: the rediscovery of Gian Lorenzo Bernini’s ‘Andromeda and the sea monster’
11/2024 | 1460 | 166
Pages: 1101–1122
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related names
Author:
Clemente, Maichol (Clemente, Maichol)
Subjects
artists:
Bernini, Gian Lorenzo / Bernini, Pietro / Cornacchini, Agostino / Giambologna
collectors and dealers:
Colbert, Jean Baptiste, 1619-1683 / Louis XIV, King of France, 1638-1715 / Rohan (1st Prince of Soubise), Francois de (1630–1712)
dates:
1600-1649
sources:
Benedetti, Elpidio (c.1609–90) / Chantereau, François Jerome
styles:
Baroque sculpture / Baroque
subjects:
Italian sculpture / Marble / Statues / Provenance / Attributions / Techniques / Technical analysis / Andromeda / Collections / Collectors
Illustrations
Attributed works:
1. Andromeda and the sea monster, here attributed to Gian Lorenzo Bernini. c.1616–17. Marble, 53 by 34 by 24 cm. (Private collection; photograph Tony Fisher).
Attributed works:
10. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
11. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
12. Detail of Fig.8. (Photograph Mauro Magliani).
Attributed works:
13. Detail of the Bust of Antonio Coppola, by Pietro Bernini with Gian Lorenzo Bernini. 1612. Marble. (Museo di Arte Sacra di San Giovanni dei Fiorentini, Rome; photograph Domenico Ventura).
Attributed works:
14. Detail of Fig.1. (Photograph the author).
Attributed works:
15. Detail of Fig.26. (Photograph Mauro Magliani).
Attributed works:
16. Detail of a putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
17. Detail of the Virgin Mary from the relief of the Assumption, by Pietro Bernini. 1607–10. Marble. (Baptistery, S. Maria Maggiore, Rome; photograph Mauro Magliani).
Attributed works:
18. Anima Beata, by Gian Lorenzo Bernini. c.1619. Marble, 41.5 by 29 by 24 cm. (Spanish Embassy to the Holy See, Rome; photograph Domenico Ventura).
Attributed works:
19. Bacchanal: faun teased by children, by Pietro and Gian Lorenzo Bernini. c.1615–16. Marble, 132.4 by 73.7 by 47.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. View of the back of Fig.1. (Photograph Tony Fisher).
Attributed works:
20. Detail of Fig.19.
Attributed works:
21. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
22. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
23. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
24. Detail of Fig.25.
Attributed works:
25. Boy with a dragon, by Gian Lorenzo (and Pietro?) Bernini. c.1616. Marble, 55.9 by 52 by 41.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
26. St Lawrence on the gridiron, by Gian Lorenzo Bernini. c.1616–17. Marble, 66 by 108 cm. (MiC – Galleria degli Uffizi, Florence; photograph Mauro Magliani).
Attributed works:
27. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
28. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
29. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
3. Jean-Baptiste Colbert, Minister of Louis XIV, by Claude Lefebvre. 1666. Oil on canvas, 130 by 96 cm. (Musée et Domaine National de Versailles et de Trianon; Bridgeman Images).
Attributed works:
30. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
31. St Sebastian, by Gian Lorenzo Bernini. 1617. Marble, 98 by 42 by 49 cm. (Private collection, on loan to Museum Thyssen- Bornemisza, Madrid).
Attributed works:
32. Detail of Fig.2. (Photograph Tony Fisher).
Attributed works:
33. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
34. Detail of Fig.31.
Attributed works:
35. Detail of Fig.31.
Attributed works:
36. Detail of Fig.31.
Attributed works:
37. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
38. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
39. Detail of the back of Fig.31, rotated 180 degrees.
Attributed works:
4. Letter from Elpidio Benedetti to Jean-Baptiste Colbert, 19th March 1682. (Archives Nationales, Paris, Contrôle général des finances, G/7/551, fol.9).
Attributed works:
40. Detail of Fig.31.
Attributed works:
41. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
42. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
43. Detail of a Putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
44. Detail of Fig.47.
Attributed works:
45. Detail of Fig.46.
Attributed works:
46. Neptune and Triton, by Gian Lorenzo Bernini. 1622–23. Marble, height 182.2 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
47. Rear view of Rape of Proserpina, by Gian Lorenzo Bernini. 1621–22. Marble, height without base 255 cm. (MiC – Galleria Borghese, Rome).
Attributed works:
5. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
6. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
7. Side view of Fig.8. (Photograph Mauro Magliani).
Attributed works:
8. Andromeda, by Pietro Bernini. c.1615. Marble, 105 by 52.5 by 40 cm. (Accademia Carrara, Bergamo; photograph Mauro Magliani).
Attributed works:
9. Detail of Fig.8. (Photograph Mauro Magliani).
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01/2024 | 1450 | 166
Pages: i-xx
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Subjects
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Mearini Fine Art, Perugia, Italy
artists:
Borman, Jan, I, d. bef. 1498 / Gentileschi, Artemisia / Delvaux, Paul / Heyden, Pieter van der / Chirico, Giorgio de / Alsloot, Denys van / Rietveld, Gerrit Thomas / Utrecht, Adriaen van / Langetti, Giovanni Battista / Ernst, Max / Giambologna / Tiepolo, Lorenzo / Klimt, Gustav / Turner, Joseph Mallord William / Picasso, Pablo / Ferri, Ciro / Burne-Jones, Edward / Veronese, Paolo / circle of / Prouvost, Laure, b. 1978
artists:
Vanni, Lippo / Blomstedt, Väinö
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
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11/2023 | 1448 | 165
Pages: i-xxvii
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Subjects
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Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / Hermann Historica (auctioneers), Munich, Germany / Thames and Hudson (publishers), London, Great Britain / British Museum, London, Great Britain / Stuart Lochhead Sculpture, London, Great Britain / Ben Elwes Fine Art, London, Great Britain / California Palace of the Legion of Honor, San Francisco, United States / Ad Ilisum (Paul Holberton Publishing) / Print Quarterly, London / The Art Newspaper, London, Great Britain / Patricia Wengraf Ltd, London, Great Britain / Galerie J. Kugel, Paris, France / Carlo Orsi (dealer), Milan, Italy / Nicholas Hall (dealer), New York, United States / Irish Arts Review / Sam Fogg (dealer), London, Great Britain / PAN Amsterdam / Erik Bijzet (dealer), Amsterdam, Netherlands / La Biennale Paris / Charles Ratton & Guy Ladrière, Paris, France / Eric Coatalem (dealer), Paris, France / Christie's, Paris, France / Im Kinsky (auction house), Vienna, Austria / Granta Magazine, London, Great Britain / Getty Trust Publications , Great Britain / Galerie Leegenhoek, Paris, France / Yale University Press, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / French and Company Art, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Rafael Valls, London, Great Britain / Master Drawings London / Sloane Street Auctions, London, Great Britain / Galleria Moretti, Florence, Italy
artists:
Hoyau, Charles / Giambologna / Carriera, Rosalba / Botticelli, Sandro / Foggini, Giovanni Battista / Corvi, Domenico / Brueghel, Pieter, the Younger / Dalí, Salvador / Vallayer-Coster, Anne / Rembrandt van Rijn / Magritte, René / Reschi, Pandolfo / Lassnig, Maria / Chiparus, Dimitri / Desiderio da Settignano / Mor, Antonis / Giovanni di Pietro, ca. 1403-ca. 1479 / Giolfino, Niccolò, the younger , 1476-1555 / Giolfino, Niccolò, the younger , 1476-1555 / Master of Monte Oliveto / Monaco, Lorenzo / Reni, Guido
artists:
Pfründt, Georg / Dantan, Antoine-Laurent / Delabarre, Gervais II / Craco, Arthur / Berg, Werner / Prachensky, Markus / Blau, Tina / Stockt, Vrancke van der / Bartolo, Andrea di / Falconetto, Gian Maria
Illustrations
Attributed works:
A dalmatian hound (possibly owned by the Medici family), by Pandolfo Reschi (1640–96). Oil on canvas, 74.5 by 97 cm. [GALERIE ENRICO FRASCIONE, FLORENCE Fine Arts La Biennale]
Attributed works:
Andrea di Bartolo, Saint Benedict, Sienna, 14th Century £20,000-£40,000 [Sloane Street Auctions]
Attributed works:
ANTOINE-LAURENT DANTAN (Saint-Cloud, 1798 – Paris, 1878) Presumed self-portrait White marble H : 64.5 cm; L : 49 cm; D : 30 cm Signed and dated on the right side : DANTAN aîné 1850 [Charles Ratton & Guy Ladrière]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Charles Hoyau (d. 1644) Active in Le Mans, France Angel Terracotta with original paint and gilding Circa 1630 73 cm high [Daniel Katz Gallery]
Attributed works:
Circle of Lorenzo Monaco, The Prophet Jeremiah £70,000-£100,000 [Sloane Street Auctions]
Attributed works:
Desiderio da Settignano Umkreis, € 150,000 - 300,000 [Kinsky]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Carlo Orsi/Nicholas Hall]
Attributed works:
GEORG PFRÜNDT (1603–1663) GERMAN, SCHWÄBISCH HALL OR NUREMBERG, CIRCA 1625–1635 CAIN AND ABEL Solnhofen stone, 20.5 by 17 cm. [Erik Bizet]
Attributed works:
Giambologna Birdcatcher Cast by Antonio Susini (1558–1624) Florence, c. 1580 Bronze, Height: 31 cm [Stuart Lockhead]
Attributed works:
Gian Maria Falconetto (Veronese, 1468 - 1540), A mythological or historical scene £200,000-£400,000 [Sloane Street Auctions]
Attributed works:
Giovan Battista Foggini (1652 – Florence – 1725) After a model by Giambologna of 1589 Hercules and the Erymanthian Boar Bronze: h. 45.4 cm [Patricia Wengraf]
Attributed works:
Giovanni di Pietro, 1432-pre 1479 A Court Scene £100,000-£200,000 [Sloane Street Auctions]
Attributed works:
Guido Reni Bologna, 1575 - 1642 Christ Bearing the Cross Oil on copper, 49.5 x 36.5 cm [Moretti]
Attributed works:
Jewellery presentation project, by Salvador Dalí (1904–89). 1949– 51. Watercolour, gouache, pencil and collage on cardboard, 30.2 by 18.4 cm. [GALERIA MAYORAL, BARCELONA AND PARIS/Fine Arts La Biennale]
Attributed works:
Jupiter and Antiope, by Rembrandt (1606–69). 1659. Etching and drypoint on paper, 13.7 by 20.4 cm. [GALERIE H.H. RUMBLER, FRANKFURT Fine Arts La Biennale]
Attributed works:
Le Palais de rideaux (The Palace of curtains), by René Magritte (1898–1967). 1928. Oil on canvas, 81 by 116 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/Fine Arts La Biennale]
Attributed works:
Niccolo Giolfino (1476 – 1555), Mucius Scaevola thrusting his hand into the Flame £100,000-£200,000 [Sloane Street Auctions]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes Fine Art]
Attributed works:
Vase, by Arthur Craco (1869–1955). c.1900. Enamelled terracotta, height 18.5 cm. [LANCZ GALERIE, BRUSSELS Fine Arts La Biennale]
Attributed works:
Virgin of the Immaculate Conception, attributed to Gervais Il Delabarre (1603–1650/53). France, c.1630–40. Gilt and polychrome terracotta, 70 by 55 by 35 cm. GALERIE SISMANN, PARIS/Fine Arts La Biennale]
Attributed works:
Vrancke van der Stockt, Two altar-piece fragments, 15th Century £20,000-£30,000 [Sloane Street Auctions]
Attributed works:
Winter landscape with ice skater and a bird trap, by Pieter Brueghel the Younger (1564–1638). Oil on panel, 38 by 55.2 cm. [DE JONCKHEERE GALLERY, GENEVA/Fine Arts La Biennale]
Non-western art unattributed:
Folio from the Dastan-i Amir Hamza. Bikaner, Rajastan, c.1680. Ink, watercolour and gold on paper, 24.9 by 16 cm. [ART PASSAGES, SAN FRANCISCO Fine Arts La Biennale]
Non-western art unattributed:
Makonde anthropomorphic pipe. Tanzania or Mozambique, early 20th century. Wood, height 32.5 cm. [BERNARD DE GRUNNE, BRUSSELS. Fine Arts La Biennale]
Western art unattributed:
Head of a king. France, 15th century. Stone, height 26 cm. [GALERIE RATTON  LADRIÈRE, PARIS/Fine Arts La Biennale]
Western art unattributed:
The Master of Monte Oliveto, Christ on the Cross, Early 14th Century £100,000-£200,000 [Sloane Street Auctions]
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Pages: i-xxxvi
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artists:
Cézanne, Paul / Dyck, Anthony van / Wiley, Kehinde / Giambologna / Lawrence, Thomas / Ayres, Gillian / Wicar, Jean Baptiste Joseph / Doré, Gustave / Longhi, Pietro / Monet, Claude / Moss, Marlow / Girtin, Thomas / Peake, Robert, the elder, 1551-1619 / Degas, Edgar / Angelico, Fra / Bonington, Richard Parkes / Pugin, Augustus Welby Northmore / Newton, Algernon Cecil / Dughet, Gaspard / Gros, Antoine-Jean / Puget, Pierre / Bouguereau, William-Adolphe / Lamerie, Paul de / Holsoe, Carl Vilhelm / Chadwick, Lynn / Chippendale, Thomas I, 1718-1779 / Bomberg, David / Sickert, Walter / Pichler, Luigi / Hockney, David / Gentileschi, Artemisia
artists:
Wiley, Kehinde / Böhm, Adolf Michael / Glaize, Barthelemey / Müller, Leopold Carl / Heath, Adrian / Meyer, Wilhelm Christian / Landseer, Thomas / Smith, Thomas, of Derby
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Article
Giambologna’s ‘Andromeda’: a new model?
11/2021 | 1424 | 163
Pages: 1010-1019
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related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
artists:
Giambologna / Susini, Giovanni Francesco / Susini, Antonio / Pieratti, Giovan Battista
buildings:
Anglesey Abbey, Lode, Cambridgeshire, Great Britain
dates:
1550-1599
museums and institutions:
National Trust
subjects:
Italian sculpture / Statuettes / Nudes / Andromeda / Bronzes / Attributions / Antiquity
Illustrations
Attributed works:
1. Detail of the sculpture illustrated in Fig.2.
Attributed works:
10. Standing figure of Morgante, model by Giambologna, cast attributed to Antonio Susini, c.1580–90. Bronze, height 13 cm. (Victoria and Albert Museum, London).
Attributed works:
11. The sculpture illustrated in Fig.2.
Attributed works:
12. Woman with her arms raised, perhaps Andromeda, attributed to Giambologna. c.1570–80. Bronze, height 14 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
13. Abduction of a Sabine woman, by Giambologna. 1579. Bronze, height 99 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
14. Andromeda, attributed to Giovan Battista Pieratti. c.1637. Marble. (Vasca dell’Isola, Boboli Gardens, Florence).
Attributed works:
2. Woman with her arms raised, perhaps Andromeda, the model here attributed to Giambologna, the cast here attributed to Antonio Susini, c.1580–90. Bronze, height 14.3 cm. (Anglesey Abbey, Cambridgeshire; National Trust; photograph Clarissa Bruce).
Attributed works:
3. The sculpture illustrated in Fig.2, shown from behind.
Attributed works:
4. Crouching woman, looking upwards, by Giambologna. c.1560–80. Bronze, height 9.7 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
5. Standing woman, drying herself after the bath, by Giambologna. c.1560– 80. Bronze, height 13.5 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
6. Seated bagpiper, model by Giambologna, cast by Antonio Susini. c.1580–1600. Bronze, gilded, height 10.5 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
7. Standing peasant, resting on his staff, by Giambologna, c.1580–1600. Bronze, height 13 cm. (Museo Nazionale del Palazzo di Venezia, Rome).
Attributed works:
8. The sculpture illustrated in Fig.4, photographed from the front.
Attributed works:
9. Crouching Venus, after an original by Doidalsas. c.100–200 AD. Marble, height 125 cm. (Museo Archeologico Nazionale, Naples).
Letter
Desperately seeking Susini
11/2021 | 1424 | 163
Pages: 966
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related names
Author:
Avery, Charles (Avery, Charles)
Subjects
artists:
Susini, Antonio / Giambologna
subjects:
Lost works / Portraits / Florentine art / Italian sculpture
Illustrations
Attributed works:
1. Cosimo Bartoli, by Titian and studio. 1568–72. Oil on canvas, 112 by 97.8 cm. (Galleria Palatina, Florence).
Attributed works:
2. Bernardo Vecchietti, after Santi di Tito. 1578–90. Oil on canvas, approx. 147 by 96 cm. (Private collection).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
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related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
art literature:
Winckelmann, Johann Joachim / Goethe, Johann Wolfgang von
artists:
Semper, Gottfried / Permoser, Balthasar / Mengs, Anton Raphael / Bellotto, Bernardo / Filarete / Giambologna / Reni, Guido / Rembrandt van Rijn / Parmigianino / Giulio Romano / Correggio / Francia, Francesco / Tintoretto, Jacopo / Giorgione / Titian / Veronese, Paolo / Rubens, Peter Paul / Dyck, Anthony van / Cranach, Lucas, the Elder, 1472-1553 / Orley, Bernaert van / Eyck, Jan van / Andrea del Sarto / Watteau, Antoine / Lancret, Nicolas
museums and institutions:
Gemäldegalerie Alte Meister, Dresden
subjects:
Hanging (installation technique) / Displays / Interiors / Architecture / Art museums / Collections / Electors of Saxony, Germany / German art / Italian art / Netherlandish School / Spanish art / French art / Greek (ancient) School / Roman art / Egyptian art
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Book Review
Giambologna: Court Sculptor to Ferdinando I. By Alexander Rudigier and Blanca Truyols
03/2020 | 1404 | 162
Pages: 263-264
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related names
Reviewer:
Diemer, Dorothea (Diemer, Dorothea)
Subjects
artists:
Giambologna
subjects:
Italian sculpture / Statues / Statuettes / Attributions / Bronzes / Versions / Casts (sculpture) / Venus / Technical analysis
Reviewed Items
subjects:
Giambologna: Court Sculptor to Ferdinando I By Alexander Rudigier and Blanca Truyols. 376 pp. incl. 600 col. ills. (Paul Holberton, London, 2019),  50. ISBN 978–1–912168–14–9. | :
Exhibition Review
Forged in Fire: Bronze Sculpture in Florence under the Last Medici Palazzo Pitti, Florence
12/2019 | 1401 | 161
Pages: 1044-1047
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related names
Author:
Avery, Charles (Avery, Charles)
Subjects
artists:
Giambologna / Susini, Antonio / Susini, Giovanni Francesco / Tacca, Pietro / Tacca, Ferdinando / Foggini, Giovanni Battista / Cipriani, Pietro / Soldani, Massimiliano
dates:
2010-2019
media:
Bronzes
museums and institutions:
Palazzo Pitti, Florence, Italy
places:
Florence
subjects:
Sculpture / Medici family / Crucifixes / Medici Archive Project, Florence, Italy
subjects:
Italian sculpture
Illustrations
Attributed works:
14. Louis XIII of France on horseback, by Pietro Tacca. c.1615–18. Bronze, height 68 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Pitti, Florence).
Attributed works:
16. Study for a decorative component for the poop of a galley, by Massimiliano Soldani-Benzi. c.1695. Black chalk, pen and brown ink on paper, 25.8 by 43.2 cm. (Gabinetto dei Disegni e delle Stampe, Uffizi, Florence, inv. no.124361, verso; exh. Palazzo Pitti, Florence).
Attributed works:
Opposite 15. Sacrifice of Isaac, by Giuseppe Piamontini. 1722. Bronze, height 65 cm. (Etro Collection, Milan; exh. Palazzo Pitti, Florence).
Article
‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori
11/2018 | 1388 | 160
Pages: 912-919
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related names
Author:
Avery, Charles (Avery, Charles)
Subjects
art literature:
Baldinucci, Filippo
artists:
Giambologna / Zuccaro, Federico / Santi di Tito / Michelangelo / Pollaiolo, Antonio del
dates:
1550-1599
media:
Sculpture / Marbles / Bronzes / Wax sculpture / Models (representations) / Paintings
museums and institutions:
Loggia dei Lanzi, Florence, Italy
patrons:
Cosimo I, Grand Duke of Tuscany, 1519-1574 / Philip II, King of Spain, 1527-1598 / Francesco I, Grand Duke of Tuscany, 1541-1587 / Christian I, Elector of Saxony, 1560–1591
places:
Italy / Florence
subjects:
Italian sculpture / Models (people) / Sitters / Ginori, Bartolommeo di Lionardo / Ginori family / Biographies / Soldiers / Crucifixes / Portraits / Statuettes / Gifts / Commissions / Rape of the Sabines / Mars / Hercules / Prometheus / Titles of works of art / Identification
Illustrations
Attributed works:
1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
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