1. Portrait of a young woman, by Amedeo Modigliani. Here dated 1918–19. Canvas, 45.7 by 28 cm. (Yale University Art Gallery, New Haven).
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10. Infra-red reflectography detail of the background of Fig.9, showing underdrawing and pentimenti (photograph Pedro Campos and Márcia Rizzutto).
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11. Portrait of the artist’s wife, Jeanne Hébuterne, by Amedeo Modigliani. 1918 (1919?). Canvas, 101 by 65.7 cm. (Norton Simon Museum, Pasadena).
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2. Head of Jeanne Hébuterne, by Amedeo Modigliani. 1918. Canvas, 46 by 29 cm. (Private collection).
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3. X-radiograph of Fig.1.
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4. Infra-red photograph of Fig.1.
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5. Infra-red reflectogram of Fig.8.
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6. Transmitted light photograph of Fig.8.
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7. Raking light detail photograph of Fig.8.
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8. Jeanne Hébuterne, by Amedeo Modigliani. 1919. Canvas, 91.4 by 73 cm. (Metropolitan Museum of Art, New York).
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9. Self-portrait, by Amedeo Modigliani. 1919. Canvas, 100 by 64.5 cm. (Museum of Contemporary Art of the University of São Paulo; photograph Pedro Campos and Márcia Rizzutto).
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[Appendix. Summary of the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts.]
Article
The Modigliani Technical Research Study. Modigliani in the South of France
1. The little peasant, by Amedeo Modigliani. c.1918. Oil and tempera on canvas, 100 by 64.5 cm. (Tate, London).
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10. The Italian woman, by Amedeo Modigliani. c.1918–19. Canvas, 102.6 by 67 cm. (Metropolitan Museum of Art, New York).
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11. Photomicrograph of Fig.1 showing top of split in sitter’s shirt.
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12. Details of Fig.1 showing (a) sleeve of sitter’s right arm; and (b) sitter’s right knee.
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13. Details of signatures from (a) Fig.1; (b) Fig.2; and (c) Fig.10.
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2. Young woman of the people, by Amedeo Modigliani. 1918. Oil (and possibly water-based media) on canvas, 100.3 by 65.1 cm. (Los Angeles County Museum of Art).
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3. Detail from the infra-red reflectogram of Fig.1, showing underdrawing circling the face.
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4. Detail from the infra-red reflectogram of Fig.2, showing underdrawing of a bracelet.
[Appendix. Table showing the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts, of Figs.1, 2 and 10.]
Article
The Modigliani Technical Research Study. Modigliani’s painted nudes 1916–17