By using this website you agree to our Cookie policy

Search

57 articles
Article
Bronzino’s ‘Petrarch’ retrieved: new light on Bartolomeo Bettini’s ‘camera’
01/2023 | 1438 | 165
Pages: 16-41
related names
Author:
Stumpel, Jeroen (Stumpel, Jeroen; Stumpel, Jeroem)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1 and 2. Portraits of Dante and Petrarch published as works by Pontormo. (From L’arte, November 1941, pp.xvii and xix).
Attributed works:
10. Venus and Cupid, by Jacopo Pontormo, based on a cartoon by Michelangelo. c.1532–33. Oil on panel, 194 by 128 cm. (Galleria dell’Accademia, Florence; Bridgeman Images).
Attributed works:
11. Detail of Fig.6, probably showing Petrarch’s house in the Vaucluse.
Attributed works:
12. Detail of Fig.6, showing a lira da braccio tied to a laurel tree.
Attributed works:
13. Detail of Fig.6, showing Petrarch holding an open book.
Attributed works:
14. Proposed reconstruction of original placement of Figs.3 and 8.
Attributed works:
15. Cosimo I de’ Medici as Orpheus, by Agnolo Bronzino. c.1537–39. Oil on canvas, 93.7 by 76.4 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
16. Six Tuscan poets, by Giorgio Vasari. c.1544. Oil on panel, 132.1 by 131.1 cm. (Minneapolis Institute of Art; Bridgeman Images).
Attributed works:
17. Petrarch, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
18. Dante, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
19. Boccaccio, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 65 by 51 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
20. Proposed reconstruction of Figs.3, 8 and 22 as they might have appeared in the camera of Bartolomeo Bettini.
Attributed works:
21. Allegorical portrait of Dante, by Carlo Dolci after Agnolo Bronzino. Red and black chalk on paper, 23.2 by 20.1 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
22. Boccaccio holding a copy of the ‘Decameron’, attributed to a follower of Cristofano di Papi dell’Altissimo. c.1570. Oil on canvas, 70 by 94.2 cm. (Private collection).
Attributed works:
23. Detail of Ugolino Martelli, by Agnolo Bronzino, showing the sitter’s left hand. 1536–37. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
24. Detail of Laura Battiferro, by Agnolo Bronzino, showing the sitter’s right hand. 1552. (Palazzo Vecchio, Florence; Bridgeman Images).
Attributed works:
25. Detail of Fig.22, showing Boccaccio’s hands.
Attributed works:
26. Detail of Guidobaldo della Rovere, by Agnolo Bronzino, showing the sitter’s right hand. c.1544–45. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
3. Allegorical portrait of Dante, by Agnolo Bronzino. c.1532. Oil on canvas, 130 by 136 cm. (Private collection).
Attributed works:
4. Dante Alighieri, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
5. Petrarch, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
6. Detail of Fig.8, showing Petrarch’s face.
Attributed works:
7. Detail of Fig.5, showing Petrarch’s face.
Attributed works:
8. Allegorical portrait of Petrarch, here attributed to a follower of Bronzino. c.1550? Oil on canvas, 110.6 by 124 cm. (Private collection).
Attributed works:
9. Allegorical portrait of Dante, by the workshop of Bronzino. 1 550–1600? Oil on panel, 126.9 by 120 cm. (National Gallery of Art, Washington).
Exhibition Review
The Medici: Portraits and Politics, 1512–1570
09/2021 | 1422 | 163
Pages: 843-845
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
dates:
Reviewed Items
subjects:
The Medici: Portraits and Politics, 1512–1570 Metropolitan Museum of Art, New York 26th June–11th October | :
Illustrations
Attributed works:
10. Detail of Cosimo I de’ Medici, by Benvenuto Cellini. 1546–47. Bronze, height 110 cm. (Museo Nazionale del Bargello, Florence; exh. Metropolitan Museum of Art, New York).
Attributed works:
8. Installation view of The Medici: Portraits and Politics, 1512–1570 at the Metropolitan Museum of Art, New York, 2021, showing, left, Portrait of a man and, right, Ludovico Capponi, both by Bronzino (photograph Hyla Skopitz).
Attributed works:
9. Laura Battiferri, by Bronzino. c.1560. Oil on panel, 87.5 by 70 cm. (Museo di Palazzo Vecchio, Florence; exh. Metropolitan Museum of Art, New York).
Short Notice
A newly discovered painting of Adam and Eve by Pontormo
09/2020 | 1410 | 162
Pages: 779-781
related names
Author:
Franklin, David (Franklin, David)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
5. Adam and Eve after the Fall of Man, by Jacopo Carucci, called Il Pontormo. c.1518. Oil on canvas, 46 by 35.5 cm. (Private collection).
Attributed works:
6. Joseph with Jacob in Egypt, by Jacopo Carucci, called Il Pontormo. c.1518. Oil on panel, 96.5 by 109.5 cm. (National Gallery, London).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Article
The Modigliani Technical Research Study. Modigliani’s late portraits
05/2018 | 1382 | 160
Pages: 400-407
related names
Author:
Bezur, Anikó (Bezur, Anikó)
Author:
Campos, Pedro H.O.V. (Campos, Pedro H.O.V.)
Author:
Centeno, Silvia A. (Centeno, Silvia A.)
Author:
Duvernois, Isabelle (Duvernois, Isabelle)
Author:
Gonçalves Magalhães, Ana (Gonçalves Magalhães, Ana)
Author:
Josenhans, Frauke V. (Josenhans, Frauke V.)
Author:
Londero, Pablo (Londero, Pablo)
Author:
Rizzutto, Márcia (Rizzutto, Márcia)
Author:
Schwarz, Cynthia (Schwarz, Cynthia)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
1. Portrait of a young woman, by Amedeo Modigliani. Here dated 1918–19. Canvas, 45.7 by 28 cm. (Yale University Art Gallery, New Haven).
Attributed works:
10. Infra-red reflectography detail of the background of Fig.9, showing underdrawing and pentimenti (photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
11. Portrait of the artist’s wife, Jeanne Hébuterne, by Amedeo Modigliani. 1918 (1919?). Canvas, 101 by 65.7 cm. (Norton Simon Museum, Pasadena).
Attributed works:
2. Head of Jeanne Hébuterne, by Amedeo Modigliani. 1918. Canvas, 46 by 29 cm. (Private collection).
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Infra-red photograph of Fig.1.
Attributed works:
5. Infra-red reflectogram of Fig.8.
Attributed works:
6. Transmitted light photograph of Fig.8.
Attributed works:
7. Raking light detail photograph of Fig.8.
Attributed works:
8. Jeanne Hébuterne, by Amedeo Modigliani. 1919. Canvas, 91.4 by 73 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Self-portrait, by Amedeo Modigliani. 1919. Canvas, 100 by 64.5 cm. (Museum of Contemporary Art of the University of São Paulo; photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
[Appendix. Summary of the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts.]
Advertisements
Advertisements (front)
01/2018 | 1378 | 160
Pages: n.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Exhibition Review
Maniera. Frankfurt am Main
06/2016 | 1359 | 158
Pages: 481-482
related names
Reviewer:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
dates:
museums and institutions:
patrons:
places:
Illustrations
Attributed works:
68. Three studies of a male nude, by Jacopo Pontormo. c.1517 (Musée des Beaux-Arts, Lille; exh. Städel Museum, Frankfurt am Main)
Attributed works:
69. Portrait of a lady in red (Francesca Salviati?), by Agnolo Bronzino. c.1633 (Städel Museum, Frankfurt am Main)
Attributed works:
70. Scale model of the vestibule and stairs of the Biblioteca Laurenziana, Florence, designed by Michelangelo Buonarroti. Model by Christian Piwellek, scale 1:3 (Exh. Städel Museum, Frankfurt am Main)
Exhibition Review
Pontormo and Rosso Fiorentino
07/2014 | 1336 | 156
Pages: 480-482
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
74. Marriage of the Virgin (the Ginori altarpiece), by Rosso Fiorentino (S. Lorenzo, Florence; exh. Palazzo Strozzi, Florence)
Attributed works:
75. Visitation, by Jacopo Pontormo (S. Michele Arcangelo, Carmignano; exh. Palazzo Strozzi, Florence)
Attributed works:
76. Portait of a gentleman with a book, by Jacopo Pontormo (Private collection; exh. Palazzo Strozzi, Florence)
Article
The ‘St Matthew’ tondo for the Capponi chapel in S. Felicita, Florence
01/2010 | 1282 | 152
Pages: 12-17
related names
Author:
Wasserman, Jack (Wasserman, Jack)
Subjects
artists:
dates:
print:
subjects:
Illustrations
Attributed works:
10. St Matthew, by Jacopo Pontormo, after the restoration of 1973. 1526. Panel, diameter 77 cm. (Opificio delle Pietre Dure, Florence).
Attributed works:
11. X-ray of Fig.10. 2007. (Archivio Fotografico dell’Opificio delle Pietre Dure, Florence).
Attributed works:
12. Fig.10 as it was repainted in 1840 and before its restoration in 1935–36. (Soprintendenza Speciale per il Polo Museale Fiorentino, Gabinetto Fotografico, Florence).
Attributed works:
13. Fig.10 in its stripped state before repainting in 1935–36. (Soprintendenza Speciale per il Polo Museale Fiorentino, Gabinetto Fotografico, Florence).
Attributed works:
15. Highlighted image in radiograph and graphic replica of X-ray image of Fig.10. (Archivio fotografico dell’Opificio delle Pietre Dure, Florence)
Attributed works:
16. Detail of Fig.10 showing the angel’s wing.
Attributed works:
17. Detail of the saint’s right eye in Fig.11.
Attributed works:
18. St Mark, by Agnolo Bronzino. 1526. Panel, diameter 77 cm. (Capponi chapel, S. Felicita, Florence).
Attributed works:
19. St Luke, here attributed to Jacopo Pontormo. 1526. Panel, diameter 77 cm. (Capponi chapel, S. Felicita, Florence).
Attributed works:
20. St John, by Jacopo Pontormo. 1526. Panel, diameter 77 cm. (Capponi chapel, S. Felicita, Florence).
Attributed works:
21. Fig.10 with panel joints indicated at the vertical.
Attributed works:
22. Fig.10 with panel joints indicated at the diagonal
Western art unattributed:
14. Study for St Matthew, anonymous artist after Jacopo Pontormo. Later sixteenth century. Red chalk on paper, 20.7 by 16.5 cm. (British Museum, London).
Western art unattributed:
23. Vault of the Capponi chapel, S. Felicita, Florence, showing the copy of St Matthew in place (lower left).
Advertisements
Advertisements March 2009 (front)
03/2009 | 1272 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernheimer-Colnaghi. Munich and London. David and Bathsheba, by Lucas Cranach the elder (1472-1553). Signed lower right with the device of a winged serpent and dated: 1534. Oil on panel, 115 by 79.3cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Fancisco José de Goya y Lucientes (Fuendetodos 1746-1828 Bordeaux). Bajan rinendo. Brush and grey wash, scraping. 9 1/4 x 5 1/8 in. (234 x 143mm)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Franz Xaver Winterhalter (1805-1873). Portrait of Duchess Rosalie Paulee Duchatel (detail). Oil on canvas, 1841, 256 x 158 cm]
Attributed works:
[Douwes Fine Art. Amsterdam. A young man, half-length, wearing a burgundy jacket and a feathered cap, by Jan van Bijlert (1597/8-1671). Signed: Jv. bylert. fe:. Oil on panel, 55.5 by 45 cm]
Attributed works:
[Douwes Fine Art. Stadhouderskade 40. Amsterdam. 37 Duke St. St James’s. London. Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam). "Beggar in a brimmed Hat", circa 1645-1650. Black chalk: 145 x 100 mm: on laid paper.]
Attributed works:
[G. Sarti. Paris. Adam and Eve mouring over dead Abel, by Giovanni Battista Caracciolo, called Battistello (1578-1635). c. 1625. Oil on canvas, 144 by 178 cm]
Attributed works:
[Galerie Berès. Paris. Composition 1952, by Oscar Gauthier (b.1921). 1952. Signed and dated lower right: OSCAR GAUTHIER 52. Gouache on paper, 50 by 32 cm]
Attributed works:
[Galerie Canesso, Paris. The singer, by Pietro Bellotti (1625-1700). Oil on canvas, 72.5 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Michael Sweerts. Bruxelles, 1618 - Goa, India, 1664. The Great Laundry Day. Oil on canvas, 49 x 78,5 cm (19 5/16 x 30 7/8 in)]
Attributed works:
[Galerie David Levy. Paris. Personage 1945, by Victor Brauner (1903-1966). 1945. Monogram at lower left, dated at lower right: 22 x 11 x 45 x. Wax on paper, watercolour and indian ink, 14.1 by 9 cm]
Attributed works:
[Galerie de La Scala. Paris. Project for a plate, by André Derain (1880-1954). Signed: a derain. Watercolour on paper, 15.8 by 16.4 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris, London & New York. L'Amour, by Charles-Joseph Natoire (1700-77). Dated at bottom: 1745. Red chalk, pastel and white chalk on beige paper, 27 by 35.1 cm]
Attributed works:
[Galerie Laurentin. Paris. Don Quichotte, by Gérard Garouste (b.1946). c. 1997. Gouache, 97 by 55.5 cm]
Attributed works:
[Galerie Laurentin. Paris. Portrait of Madeleine au Chapeau, by Tsugouharu Foujita (1886-1968). 1932. Ink on paper, 48.5 by 38.2 cm]
Attributed works:
[Galerie Talarbardon & Gautier. Paris. Cornelia, mother of the Grachhi, by Jean-Guillaume Moitte (1746-1810). Pen, ink and grey wash, 29 by 54.8 cm]
Attributed works:
[Galerie Zlotowski. Paris. Study for the portrait of Jacques Nayral, by Albert Gleizes (1881-1953). Wash and Indian ink, with blue pencil squaring, 62 by 47.8 cm]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Sebastiano del Piombo. Portrait of Michelangelo. Oil on panel, 88.5 x 74cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. David Bomberg 1890-1957. Zahara, Andalucia, circa 1935. Oil on canvas. 24 1/2 x 29 1/2 inches; 62.5 x 75 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Louis-Jean Desprez (Auxerre 1743-1804 Stockholm) and Francesco Piranesi (Rome 1756 - 1810 Paris). The Temple of Serapis in Pozzuoli. Etching by Piranesi, with extensive watercolour and gouache by Dsprez; 1781. Wollin 5 i/II, before the engraved names of the artists and before the title. Desprez's signeture and title faintly visible. Piranesi's inscription at lower right: se vend chez Mr. François Piranesi - Rome. An extremely fine impression with Desprez's watercolour addition still very fresh and intense.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Giovanni Battista Piranesi. Venise 1720-Rome 1778. Study of a man. Brush and brown ink, 137 x 85 mm. Dated around 1770-1775]
Attributed works:
[Paul Prouté. Paris. Study for the 'Bois sacré' or Paysage Idyllique', by François-Louis Français (1814-1897). Watercolour, gouache, pen and brown ink, 32.3 by 39.7 cm]
Attributed works:
[Sebastian + Barquet. New York & London. Bench by George Nakashima. American black walnut, and hickory with one East Indian rosewood bey, 78.7 by 289.5 by 104.7 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giovanni Battista Foggini (1652-1725). Il Porcellino. Height: 16.5 cms.]
Attributed works:
[Trinity Fine Art. London. Charity, by Richard Cosway R.A. (c.1742-1821). Pencil, 23 by 14 cm]
Attributed works:
[W.M. Brady. New York. La tasse, by Pablo Picasso (1881-1973). Signed and dated, lower right: Picasso/22-5-21. Charcoal and stump on paper, 23.3 by 34.3 cm]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of alabaster vases with chased gilt-bronze serpent décor. Russia (?), late 18th century, circa 1790-1800. H. 4 cm (16 1/2in). Base 17x17 cm (6 1/2 x 6 1/2 in)]
Western art unattributed:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. French School. Late XVIth Century. Allegory of Charity. Oil on canvas, 119 x 99.5 cm]
load more