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8 articles
Exhibition Review
Hammer Invitational. Los Angeles
04/2011 | 1297 | 153
Pages: 285-286
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
dates:
2010-2019
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
Los Angeles / United States
print:
Hammer Invitational
subjects:
Reviews / Exhibitions / American painting (United States of America) / American sculpture (United States of America) / American (United States of America) / Conceptual art / Visual sources / Sources
Reviewed Items
subjects:
All of this and nothing | institution: Hammer Museum
Illustrations
Attributed works:
92. Conscious changes (1961), by Charles Gaines. 2008. Graphite on paper, 179.1 by 113 cm. (Courtesy of the artist and Kent Fine Art, New York; exh. Hammer Museum, Los Angeles).
Attributed works:
93. Tiempo real (real time), by Jorge Macchi. 2007. Silent colour video, 24 hrs. (Courtesy of the artist and Ruth Benzacar Galeria De Arte, Buenos Aires; exh. Hammer Museum, Los Angeles).
Western art unattributed:
91. Installation view of All of this and nothing at the Hammer Museum, Los Angeles, showing (from left to right) Emperor ideal (2010), by Evan Holloway; Black panther (1966) (2008), by Charles Gaines; and Untitled (2010), by Dianna Molzan. (Hammer Museum, Los Angeles).
Exhibition Review
Rachel Whiteread Drawings. Los Angeles, Dallas and London
09/2010 | 1290 | 152
Pages: 626-627
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Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
artists:
Whiteread, Rachel
dates:
2010-2019
museums and institutions:
Tate Britain, London, Great Britain / Hammer Museum, Los Angeles, United States / Nasher Sculpture Center, Dallas, United States
places:
London / England / Dallas / Los Angeles / United States
print:
Whiteread, Rachel
subjects:
Reviews / Exhibitions / Drawings
Reviewed Items
subjects:
Rachel Whiteread Drawings | institution: Hammer Museum , institution: Nasher Sculpture Center , institution: Tate Britain
Illustrations
Attributed works:
66. Untitled (Double mattress yellow), by Rachel Whiteread. 1991. Pencil, ink, acrylic and watercolour on graph paper, 29.5 by 42 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
67. Stairs, by Rachel Whiteread. 1995. Correction fluid on black paper, 29.5 by 21 cm. (Private collection; exh. Tate Britain, London).
Exhibition Review
Abstract painting. Los Angeles
03/2009 | 1272 | 151
Pages: 196-197
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Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
dates:
2000-2009
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
United States / Los Angeles
print:
Abstract art
subjects:
Reviews / Exhibitions / Abstract art
Reviewed Items
subjects:
Oranges and Sardines: Conversations on Abstract Painting | institution: Hammer Museum
Illustrations
Attributed works:
77. Installation view of Oranges and Sardines, with works by Robert Morris and Dan Flavin. 2008. (Hammer Museum, Los Angeles).
Attributed works:
78. Installation view of Oranges and Sardines, with works by Willem de Kooning, John Chamberlain and Howard Hodgkin. 2008. (Hammer Museum, Los Angeles).
Attributed works:
79. Untitled, by Wade Guyton. 2008. Ultrachrome inkjet print on linen, 139.7 by 236.2 cm. (Friedrich Petzel Gallery, New York; exh. Hammer Museum, Los Angeles).
Exhibition Review
Francis Alÿs. Los Angeles
12/2007 | 1257 | 149
Pages: 888-889
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Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
artists:
Alÿs, Francis
dates:
2000-2009
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
Los Angeles / United States
print:
Alÿs, Francis
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Francis Alÿs: Politics of Rehearsal | institution: Hammer Museum
Illustrations
Attributed works:
100. Still from When faith moves mountains, by Francis Alÿs, in collaboration with Cuauhtémoc Medina and Raphael Ortega. 2002. Film transferred to video. (David Zwirner, New York; exh. Hammer Museum, Los Angeles).
Attributed works:
101. Still from Rehearsal 1, by Francis Alÿs, in collaboration with Rafael Ortega. 1999–2004. Video. (David Zwirner, New York; exh. Hammer Museum, Los Angeles).
Exhibition Review
Kara Walker. Minneapolis, New York and Los Angeles
06/2007 | 1251 | 149
Pages: 437-438
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Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
Walker, Kara
dates:
2000-2009
museums and institutions:
Walker Art Center, Minneapolis, United States / Whitney Museum of American Art, New York, United States / Hammer Museum, Los Angeles, United States
places:
United States / New York / Minneapolis / Los Angeles
print:
Walker, Kara
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Kara Walker: My Complement, My Enemy, My Oppressor, My Love | institution: Hammer Museum , institution: Walker Art Center , institution: Whitney Museum of American Art
Illustrations
Attributed works:
73. Cut, by Kara Walker. 1998. Cut paper and adhesive on wall, 223.5 by 137.2 cm. (Collection Donna and Cargill MacMillan, Wayzata, MN; exh. Walker Art Center, Minneapolis).
Attributed works:
74. Darkytown rebellion, by Kara Walker. 2001. Projection, cut paper and adhesive on wall, 4.3 by 11.3 m. (Musée d’Art Moderne Grand-Duc Jean, Luxembourg; exh. Walker Art Center, Minneapolis).
Exhibition Review
Vija Celmins. Paris
01/2007 | 1246 | 149
Pages: 63-64
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related names
Reviewer:
Grant, Simon (Grant, Simon)
Subjects
artists:
Celmins, Vija
dates:
2000-2009
museums and institutions:
Centre Georges Pompidou, Paris, France / Hammer Museum, Los Angeles, United States
places:
United States / Paris / Los Angeles / France
print:
Celmins, Vija
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Vija Celmins, Dessins/Drawings | institution: Centre Georges Pompidou , institution: Hammer Museum
Illustrations
Attributed works:
76. Hiroshima, by Vija Celmins. 1968. Graphite on acrylic ground on paper, 34.5 by 45.5 cm. (Collection Leta and Mel Ramos; exh. Centre Pompidou, Paris).
Attributed works:
77. Untitled (Big Sea #1), by Vija Celmins. 1969. Graphite on acrylic ground on paper, 86.5 by 115 cm. (Private collection, New York; exh. Centre Pompidou, Paris).
Exhibition Review
The Société Anonyme. Los Angeles and Washington
10/2006 | 1243 | 148
Pages: 715-716
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related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
dates:
2000-2009
museums and institutions:
Hammer Museum, Los Angeles, United States / Phillips Collection, Washington, United States / Dallas Museum of Art, Dallas, United States / Yale University Art Gallery, New Haven, United States
museums and institutions:
Frist Center for the Visual Arts, Nashville, United States
places:
United States / Washington DC / New Haven / Los Angeles / Dallas
places:
Nashville
print:
Société Anonyme
subjects:
Reviews / Exhibitions / Modern Art / Société Anonyme
Reviewed Items
subjects:
The Société Anonyme: Modernism for America | institution: Dallas Museum of Art , institution: Frist Center for the Visual Arts , institution: Hammer Museum , institution: Phillips Collection , institution: Yale University Art Gallery
Illustrations
Attributed works:
55. Fox trot A, by Piet Mondrian. 1930. Canvas. 78.2 by 78.3 cm. (Yale University Art Gallery, New Haven; exh. Phillips Collection, Washington).
Western art unattributed:
54. Installation of the exhibition Societé Anonyme: Modernism for America, Hammer Museum, Los Angeles, 2006.
Exhibition Review
Lee Bontecou. Chicago and New York
02/2004 | 1211 | 146
Pages: 137-138
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related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
Bontecou, Lee
dates:
2000-2009
museums and institutions:
Museum of Contemporary Art, Chicago, United States
places:
Chicago / United States
print:
Bontecou, Lee
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
Lee Bontecou: A Retrospective | institution: Hammer Museum , institution: Hammer Museum , institution: Museum of Contemporary Art , institution: Museum of Modern Art
Illustrations
Attributed works:
69. Untitled, by Lee Bontecou. 1970. Vacuum-formed plastic, 76.2 by 144.8 by 53.3 cm. (Private collection, New York; exh. Museum of Contemporary Art, Chicago)
Attributed works:
70. Untitled, by Lee Bontecou. 1966. Welded steel, canvas epoxy, fabric, leather and wire, 183.5 by 277.5 by 55.9 cm. (Fonds National d'Art Contemporain, Paris; exh. Museum of Contemporary Art, Chicago)
Attributed works:
71. Untitled, by Lee Bontecou. c.1980-98. Welded steel, porcelain, wire mesh, canvas and wire, 210 by 240 by 180 cm. (Knoedler &Co., New York; exh. Museum of Contemporary Art, Chicago)