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23 articles
Exhibition Review
John Martin. Newcastle and London
03/2012 | 1308 | 154
Pages: 209-210
related names
Reviewer:
Postle, Martin (Postle, Martin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
John Martin: Apocalypse | institution: Laing Art Gallery , institution: Tate Britain
Illustrations
Attributed works:
33. The fall of Babylon, by John Martin. 1819. Canvas, 155 by 244 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
34. The great day of his wrath, by John Martin. 1851–53. Canvas, 196.5 by 303.2 cm. (Tate Britain, London).
Attributed works:
35. Sadak in search of the waters of oblivion, by John Martin. 1812. Canvas, 183.2 by 131.1 cm. (Saint Louis Art Museum; exh. Tate Britain, London).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
Exhibition Review
Northern Treasures. Newcastle, London and Manchester
04/2000 | 1165 | 142
Pages: 249-251
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
dates:
subjects:
Illustrations
Attributed works:
55. Olive Craster, by Nathaniel Dance. 1762. 74 by 61.5 cm. (Private Collection; Exh. Laing Art Gallery, Newcastle).
Attributed works:
56. Kò̇nigstein, from the North, by Bernardo Bellotto. 23.6 by 132.1 cm. (Earl of Derby; Exh. Whitworth Art Gallery, Manchester).
Attributed works:
57. Ethiopians on Floats Coming down the Nile, by Richard Dalton. 1749. Pen and Water-Colour, 45.1 by 69.2 cm. (Her Majesty the Queen; Exh. Laing Art Gallery, Newcastle).
Attributed works:
58. (?)Self-Portrait, by Harriet Carr. c.1791-94 56.5 by 47 cm. (Private Collection; Exh. Laing Art Gallery, Newcastle).
Attributed works:
59. The South Transept of the Abbaye de Saint-Ouen, Rouen, by George Anderson. c.1814-16. Pencil and Grey Wash Drawing, 44.4 by 28.6 cm. (Private Collection; Exh. Laing Art Gallery, Newcastle).
Exhibition Review
The Grosvenor Gallery. Newcastle
10/1996 | 1123 | 138
Pages: 701-702
related names
Reviewer:
Rhodes, Kimberly (Rhodes, Kimberly)
Subjects
dates:
Illustrations
Attributed works:
75. Laus Veneris, by Edward Burne-Jones. 1872 73. 106.7 by 180.3 cm. (Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
76. The Gallery of H. M. S. Calcutta (Portsmouth), by James Tissot. c.1876. 68.6 by 91.8 cm. (Tate Gallery, London; Exh. Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
77. A Hymn to Spring, by Cecil Gordon Lawson. 1871 72. 152.4 by 101.6 cm. (Santa Barbara Museum of Art; Exh. Laing Art Gallery, Newcastle upon Tyne).
Exhibition Review
Visual Arts UK. Newcastle
05/1996 | 1118 | 138
Pages: 346-348
related names
Reviewer:
Livingstone, Marco (Livingstone, Marco)
Subjects
dates:
Illustrations
Attributed works:
49. Untitled: Six Spaces, by Rachel Whiteread. 1994. Resin, Six Parts, 51 by 38 by 38 cm. (Each) (Arts Council Collection; Exh. Hatton Gallery, Newcastle).
Attributed works:
50. Defying Death I Ran Away to the Fucking Circus, by Cathy de Monchaux. 1991. Mixed Media, 216 by 148 by 45 cm. (Contemporary Art Society; Exh. City Arts Centre, Sunderland).
Attributed works:
51. He Tried to Internalise Everything, by Damien Hirst. 1992-94. Glass, Steel, Foam, Rubber, Vinyl and Plastic, 213 by 213 by 305 cm. (Arts Council Collection; Exh. Hatton Gallery, Newcastle).
Exhibition Review
Bonnard. London and Newcastle
09/1994 | 1098 | 136
Pages: 633-634
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
46. The French Window, by Pierre Bonnard. 1929. 88.6 by 113 cm. (Private Collection; Exh. Hayward Gallery, London).
Attributed works:
47. Nude in a Bathtub, by Pierre Bonnard. 1941-46. 122 by 151 cm. (Carnegie Museum of Art, Pittsburgh; Exh. Hayward Gallery, London).
Article
A Group of Enamelled Opaque-White Glasses
05/1990 | 1046 | 132
Pages: 328-335
related names
Author:
Charleston, R. J. (Charleston, R. J.; C., R. J.; Charleston, Robert; Charleston, Robert Jesse)
Subjects
artists:
artists:
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
25. Flask, 'M.R. 1777' (App.no.3). Opaque-white glass, 7.6 cm. high. (Collection of the author). [attributed to Beilby workshop]
Attributed works:
26. Reverse of Fig.25. [Flask, 'M.R. 1777' (App.no.3). Opaque-white glass, 7.6 cm. high. (Collection of the author). Attributed to Beilby workshop]
Attributed works:
28. Decanter (broken), enamelled in colours with the arms of Newcastle-upon-Tyne and Sir Edward Blackett. Painted by William Beilby. 1762. Glass, 23.5 cm. high. (Victoria and Albert Museum, London).
Attributed works:
29. Flask, painted by a member of the Beilby family. 1769. Glass with white enamel decoration, 22.9 cm high. (Ashmolean Museum, Oxford).
Attributed works:
30. Tumbler, painted by a member of the Beilby family. c. 1765. Glass with white enamel decoration, 10.1 cm. high. (Formerly Lazarus Collection, Bristol).
Attributed works:
31. Jug. Opaque-white glass painted in black and colours. 8.9 cm. high. (Victoria and Albert Museum, London).
Attributed works:
32. Flask, 'ODM 1776' (?1774; app.no.1). (Dimensions and present whereabouts unknown). [Attributed to Beilby workshop]
Attributed works:
33. Flask, 'E.F. 1783' (App.no.13). Opaque-white glass, 7.6 cm. high. (Victoria and Albert Museum, London). [attributed to Beilby workshop]
Attributed works:
34. Reverse of Fig.33. [Flask, 'E.F. 1783' (App.no.13). Opaque-white glass, 7.6 cm. high. (Victoria and Albert Museum, London). Attributed to Beilby workshop]
Attributed works:
35. Flask, 'E. Seymour, 1780' (App.no.7). Opaque-white glass. (Cecil Higgins Museum, Bedford). [Attributed to Beilby workshop]
Attributed works:
36. Reverse of Fig.35. [Flask, 'E. Seymour, 1780' (App.no.7). Opaque-white glass. (Cecil Higgins Museum, Bedford). Attributed to Beilby workshop]
Attributed works:
38. Flask, 'F.L. 1784' (App.no.14). Opaque-white glass, 7.3 cm. high. (Ashmolean Museum, Oxford). [Attributed to Beilby workshop]
Attributed works:
39. Reverse of Fig.38. [Flask, 'F.L. 1784' (App.no.14). Opaque-white glass, 7.3 cm. high. (Ashmolean Museum, Oxford). Attributed to Beilby workshop]
Western art unattributed:
27. Set of cruet bottles. Probably Newcastle-upon-Tyne, c. 1775. Enamelled opaque-white glass, mounted in brass, 27.3 cm. high. (Kunstindustrimuseum, Oslo).
Western art unattributed:
37. Flask, 'M. Davidson' (App.no.23). Opaque-white glass. (Dimensions and present whereabouts unknown).
Exhibition Review
Pre-Raphaelites and Their Patrons. Newcastle upon Tyne
01/1990 | 1042 | 132
Pages: 55-56
related names
Reviewer:
Bronkhurst, Judith (Bronkhurst, Judith)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
50. Entombment of Christ, by Ford Madox Brown. 1866-69. Water-Colour, 54.6 by 60.9 cm. (Private Collection; Exh. Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
51. The Building of the New Castle, 1080, by William Bell Scott. 1864. 145.2 by 215.5 cm. (The Literary and Philosophical Society of Newcastle upon Tyne; Exh. Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
52. The Widow's Mite, by John Everett Millais. 1846-47. 274 by 188 cm. (The Priory Church, Christchurch; Exh. Laing Art Gallery, Newcastle upon Tyne).
Exhibition Review
Surrealist Exhibitions. England
12/1986 | 1005 | 128
Pages: 921-922
related names
Reviewer:
Gale, Matthew (Gale, Matthew; G., M.)
Subjects
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
84. Passage de l'Opéra, by Conroy Maddox. 1940. 137.2 by 94 cm. (Tate Gallery; Exh. Leeds City Art Gallery).
Attributed works:
85. Caliban, by Eileen Agar. 1945. 51 by 61 cm. (Private Collection; Exh. Laing Art Gallery, Newcastle).
Exhibition Review
British Landscape Painting. Newcastle and New Haven
09/1986 | 1002 | 128
Pages: 697-699
related names
Reviewer:
Fuller, Peter (Fuller, Peter)
Subjects
dates:
subjects:
Illustrations
Attributed works:
41. Sheffield Park, Autumn 1985-86, by Adrian Berg. 305 by 305 cm. (Exh. Newcastle Polytechnic Gallery).
Attributed works:
42. Tresco No.6, by John Hubbard. 193 by 188 cm. (Exh. Yale Center for British Art, New Haven).
Attributed works:
43. Gloucester Gate, Regent's Park, Autumn, Winter, Spring 1977-79, by Adrian Berg. 178 by 178 cm. (Private Collection; Exh. Newcastle Polytechnic Gallery).
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