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10 articles
Exhibition Review
Munch. Edinburgh
09/2012 | 1314 | 154
Pages: 652-654
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Edvard Munch: Graphic Works from the Gundersen Collection | institution: Scottish National Gallery of Modern Art
Exhibition Review
The Sculpture Show. Edinburgh
06/2012 | 1311 | 154
Pages: 438-439
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
The Sculpture Show | institution: Scottish National Gallery of Modern Art
Illustrations
Attributed works:
74. Wall drawing # 1136, by Sol LeWitt. 2004. Acrylic on wall, as installed. (Tate, London, and National Galleries of Scotland, Edinburgh; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
75. Consummatum est (It is finished), by Jacob Epstein. 1936–37. Alabaster, 61 by 223.5 by 81 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
76. Disagreeable object to be disposed of, by Alberto Giacometti. 1931. Wood, 19.6 by 31 by 29 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Picasso and Modern British Art. London and Edinburgh
05/2012 | 1310 | 154
Pages: 358-359
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
Picasso and Modern British Art | institution: Scottish National Gallery of Modern Art , institution: Tate Britain
Illustrations
Attributed works:
63. Seated figure, by Henry Moore. 1930. Alabaster, 46.1 by 27.7 by 19.6 cm. (Art Gallery of Ontario, Toronto; exh. Tate Britain, London).
Attributed works:
64. Head of a man, by Pablo Picasso. 1913. Oil, gouache, varnish, ink, charcoal and pencil on paper, 61.6 by 46.4 cm. (Museum of Modern Art, New York; exh. Tate Britain, London).
Attributed works:
65. Group of four women, by Pablo Picasso. Plate from Waldemar George’s monograph Pablo Picasso, Paris 1924. (Private collection).
Attributed works:
66. Bathers at the beach hut, by Pablo Picasso. 19th May 1929. Canvas, 33 by 41.5 cm. (Musée national Picasso, Paris; exh. Tate Britain, London).
Attributed works:
67. Composition (Figure), by Francis Bacon. 1933. Gouache, pastel, pencil and pen on paper, 53.5 by 40 cm. (Abello collection; exh. Tate Britain, London).
Exhibition Review
Tracey Emin
11/2008 | 1268 | 150
Pages: 782-783
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Tracey Emin 20 Years | institution: Centro de Arte Contemporáneo , institution: Kunstmuseum , institution: Scottish National Gallery of Modern Art
Illustrations
Attributed works:
75. Self-portrait (bath), by Tracey Emin. 2005. Tin bath, bamboo, neon and barbed wire, dimensions variable. (Private collection; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
76. Super drunk bitch, by Tracey Emin. 2005. Appliqué and embroidered blanket, 320 by 249 cm. (Collection Frank Gallipoli; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Twentieth-century British art
09/2008 | 1266 | 150
Pages: 630-632
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
collectors and dealers:
dates:
dates:
print:
print:
subjects:
Reviewed Items
subjects:
From Sickert to Gertler. Modern British Art from Boxted House | institution: Gainsborough's House , institution: Scottish National Gallery of Modern Art
subjects:
Henri Gaudier-Brzeska | institution: Browse & Darby , institution: Mercury Gallery , institution: Mercury Gallery
subjects:
Laura Knight at the Theatre. Paintings and Drawings of the Ballet and the Stage | institution: Castle Museum and Art Gallery , institution: The Lowry
subjects:
Whitechapel at War. Isaac Rosenberg and his Circle | institution: Ben Uri Art Gallery , institution: Stanley and Audrey Burton Gallery, University of Leeds
Illustrations
Attributed works:
64. Supper (Natalie Denny), by Mark Gertler. 1928. Canvas, 106.8 by 71.2 cm. (Private collection; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
65. Torpedo fish, by Henri Gaudier-Brzeska. 1914 (cast 1968). Bronze, 15.2 cm. high. (Exh. Browse & Darby, London).
Attributed works:
66. Carnaval, by Laura Knight. c.1919–20. Canvas, 101 by 132.6 cm. (Manchester City Galleries; exh. Castle Museum and Art Gallery, Nottingham).
Attributed works:
67. Self-portrait with trilby, by Isaac Rosenberg. c.1914. Canvas, 76.5 by 51 cm. (Private collection; exh. Stanley and Audrey Burton Gallery, University of Leeds).
Exhibition Review
Foto. Washington, New York, Milwaukee and Edinburgh
03/2008 | 1260 | 150
Pages: 213-214
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
dates:
print:
subjects:
Reviewed Items
subjects:
Foto: Modernity in Central Europe 1918–1945 | institution: Milwaukee Art Museum , institution: National Gallery of Art , institution: Scottish National Gallery of Modern Art , institution: Solomon R. Guggenheim Museum
Illustrations
Attributed works:
68. Self-portrait, by Václav Zykmund. 1936. Gelatin silver print, 18 by 13 cm. (Moravská galerie, Brno; exh. Milwaukee Art Museum)
Attributed works:
69. Untitled, by Marianne Brandt. c.1930. Photomontage, 65 by 50.1 cm. (National Gallery of Art, Washington; exh. Milwaukee Art Museum)
Exhibition Review
Richard Long. Edinburgh
10/2007 | 1255 | 149
Pages: 723-724
related names
Reviewer:
Haldane, John (Haldane, John)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Richard Long. Walking and Marking | institution: Scottish National Gallery of Modern Art
Illustrations
Attributed works:
69. Cairngorm line, by Richard Long. 2007. China clay, 1,200 by 400 cm. (Exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
70. Cornish slate cross, by Richard Long. 2007. Delabole slate, 1,300 by 1,300 cm. (Exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Boyle Family
10/2003 | 1207 | 145
Pages: 736-738
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Boyle Family | institution: Scottish National Gallery of Modern Art
Illustrations
Attributed works:
Mine eyes have seen the glory . . ., by the Boyle Family. 1963. Mixed media on wood, 150 by 297.5 cm. (Collection Sean Hignett; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
Photograph from the performance Requiem for an unknown citizen, by Mark Boyle and Joan Hills. 1971. Masked actors and back projection. De Lantaren Theatre, Rotterdam. (Exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
Study of broken-up concrete and earth, from the World series, by the Boyle Family. 2002-03. Mixed media, resin and fibreglass, 198 by 198 cm. (Boyle Family collection; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Nigel Henderson: Sudbury, Sheffield and Edinburgh
02/2002 | 1187 | 144
Pages: 116-117
related names
Reviewer:
Garlake, Margaret (Garlake, Margaret)
Subjects
artists:
dates:
subjects:
subjects:
Reviewed Items
subjects:
Nigel Henderson: Parallel of Life and Art | institution: Architectural Association , institution: Gainsborough's House , institution: Graves Art Gallery , institution: Scottish National Gallery of Modern Art , author: Walsh, Victoria
Illustrations
Attributed works:
127. Installation View of 'Parallel of Life and Art' at the Institute of Contemporary Arts, London, 1953. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
128. Teenagers, Stepney, by Nigel Henderson. 1949-53. Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
129. Male Bathers, by Nigel Henderson. c.1950. Stressed Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
130. Study for 'Parallel of Life and Art', by Nigel Henderson. 1952. Collage with Pen and Pencil, 21.6 by 30.5 cm. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Exhibition Review
Scottish Colourists: London and Edinburgh
09/2000 | 1170 | 142
Pages: 580-582
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
The Scottish Colourists, 1900-1930 | essay by: Cumming, Elizabeth , institution: Dean Gallery , institution: Duncan R. Miller Fine Arts , institution: Fine Art Society , essay by: Long, Philip , institution: Royal Academy of Arts , institution: Scottish National Gallery of Modern Art
Illustrations
Attributed works:
42. Tulips and Fruit, by Samuel John Peploe. c.1919. 58 by 48 cm. (Private Collection; Exh. Royal Academy of Arts, London).
Attributed works:
43. La Terrasse, Café d'Harcourt, by John Duncan Fergusson. c.1908-09. 108.6 by 122 cm. (Private Collection; Exh. Royal Academy of Arts, London).
Attributed works:
44. Negro (Pensive), by Francis Campbell Boileau Cadell. c.1922. 76.6 by 63.9 cm. (Private Collection; Exh. Royal Academy of Arts, London).