1. Metal ornaments on joinery (now painted) in the first-floor drawing
room at 36 Westland Row, Dublin. (Photograph Louis Haugh).
Attributed works:
10. Ornament no.353 (‘Vase & Honeysuckle’) from List of Ornaments
Manufactured by Jee, Eginton, and Co. in Whitall’s Street,
Birmingham. c.1790. (Courtesy Winterthur Library: Printed
Book and Periodical Collection).
3. Ornament no.628 from No.1, Containing Twelve Plates in Aqua-Tinta:
After the Composition Ornaments, Manufactured by Jee and Eginton,
Birmingham, Birmingham 1784. (Courtesy Winterthur Library, Printed
Book and Periodical Collection).
Attributed works:
4. Ornament no.369 (‘Griffins with Foliage Tail’) from List of
Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street,
Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and
Periodical Collection).
Attributed works:
5. Ornament no.322 (‘Vase’) from List of Ornaments Manufactured
by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790.
(Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
6. Metal ornaments in the door architrave of the entrance hall at
19 North Great George’s Street, Dublin. (Photograph Louis Haugh).
Attributed works:
7. Unpainted metal ornaments on the chair-rail and door architrave
in the first-floor drawing room at 17 St Stephen’s Green, Dublin.
(Courtesy Irish Architectural Archive, Dublin).
Attributed works:
8. Ornament no.157 (‘Surbase’) from List of Ornaments Manufactured
by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790.
(Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
9. Metal ornaments on the window architrave in the first-floor room at
36 Westland Row, Dublin. (Courtesy Irish Architectural Archive, Dublin).
Publication Received
Dark Beauty: Hidden Detail in Harry Clarke’s Stained Glass. By Lucy Costigan and Michael Cullen
Dark Beauty: Hidden Detail in Harry
Clarke’s Stained Glass
By Lucy Costigan and Michael Cullen. 270 pp.
incl. over 300 col. + b. & w. ills. (Irish Academic
Press, Newbridge, 2019), 29.99.
ISBN 978–1–7853–233–9. |
:
Book Review
Life Above Everything: Lucian Freud and Jack B. Yeats. Edited by Christina Kennedy and Nathan O'Donnell
Life Above Everything: Lucian Freud
and Jack B. Yeats
Edited by Christina Kennedy and Nathan
O’Donnell. 160 pages incl. 76 col. + 16 b. & w. ills.
(Irish Museum of Modern Art, Dublin, 2019),
€20. ISBN 978–1–909792–24–1. |
:
Hugh Lane: The Art Market and the
Art Museum, 1893–1915
By Morna O’Neill. 284 pp. incl. 95 col. + 10 b. & w.
ills. (Yale University Press, New Haven and
London, 2018), £40. |
:
Illustrations
Attributed works:
5. The front room at Lindsey House, London,
with Frans Hals’s Portrait of a woman
and, above the fireplace, Pieter de Putter’s
Portrait of a young woman. 1913. (London
County Council).
Book Review
Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated Edited by David Fleming, Ruth Kenny and William Laffan
6. Installation view of Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated, City Assembly Room, Dublin (16th June–29th July 2018). (Courtesy Irish Georgian Society).
Book Review
Making Majesty: The Throne Room at Dublin Castle, A Cultural History. Edited by Myles Campbell and William Derham
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Publication Received
The Dublin Civic Portrait Collection: Patronage, Politics and Patriotism 1603–2013. By Mary Clark
100. The head of St John the Baptist, attributed to Bartolomeo Manfredi. c.1618 (Robilant & Voena, London)
Attributed works:
101. The card players, attributed to Antiveduto Gramatica. 1615-18 (The Wellington Museum, Apsley House, London; exh. National Gallery of Ireland, Dublin)
Attributed works:
102. The calling of St Matthew, by Hendrick ter Brugghen. c.1617-19 (Musée d'art moderne André Malraux, Le Havre; exh. Thyssen-Bornemisza Museum, Madrid)
Attributed works:
98. The chicken vendor, by the Pensionante del Saraceni. c.1615-22 (Museo Nacional del Prado, Madrid; exh. Thyssen-Bornemisza Museum, Madrid)
Attributed works:
99. The taking of Christ, by Caravaggio. 1602-03 (On permanent loan to the National Gallery of Ireland, Dublin)