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5 articles
Exhibition Review
Claes Oldenburg. Vienna, Cologne, Bilbao, New York and Minneapolis
05/2012 | 1310 | 154
Pages: 369-370
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Claes Oldenburg. The 1960s | institution: Guggenheim Museum Bilbao , institution: Museum Ludwig , institution: Museum Moderner Kunst Stiftung Ludwig Wien , institution: Museum of Modern Art , institution: Walker Art Center
Illustrations
Attributed works:
84. Giant soft fan, by Claes Oldenburg. 1966–67. Vinyl filled with polyurethane foam, canvas, wood, metal and plastic, 304.8 by 149.5 by 157.2 cm. (fan); 736.6 cm. (cord and plug). (Museum of Modern Art, New York; exh. Museum moderner Kunst, Vienna).
Attributed works:
85. Late submission to the Chicago Tribune architectural competition of 1922 – clothespin, version two, by Claes Oldenburg. 1967. Crayon, pencil and watercolour on paper, 55.8 by 68.5 cm. (Des Moines Art Center; exh. Mus­eum moderner Kunst, Vienna).
Attributed works:
86. Still from Snapshots from the city, film by Stan VanDerBeek of a performance by Claes Oldenburg and Pat Muschinski. 1960. 16 mm. black-and-white film transferred to video, with sound, duration 4 min. (Exh. Museum moderner Kunst, Vienna).
Exhibition Review
David Hockney. London, Bilbao and Cologne
04/2012 | 1309 | 154
Pages: 286-287
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
David Hockney: A Bigger Picture | institution: Guggenheim Museum Bilbao , institution: Museum Ludwig , institution: Royal Academy of Arts
Illustrations
Attributed works:
53. The arrival of spring in Woldgate, East Yorkshire in 2011 (twenty-eleven), 25th March, by David Hockney. 2011. iPad drawing printed on paper, 144.1 by 108 cm. (Collection of the artist; exh. Royal Academy of Arts, London).
Attributed works:
54. Hawthorn blossom near Rudstone, by David Hockney. 2008. Two canvases, each 152.4 by 121.9 cm. (Private collection; exh. Royal Academy of Arts, London).
Exhibition Review
Balthus. Cologne
11/2007 | 1256 | 149
Pages: 801-803
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
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museums and institutions:
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print:
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Reviewed Items
subjects:
Balthus: Time Suspended | institution: Museum Ludwig
Illustrations
Attributed works:
70. The victim, by Balthus. 1939–46. Canvas, 133 by 220 cm. (Private collection; exh. Ludwig Museum, Cologne).
Attributed works:
71. Nude with cat, by Balthus. 1949. Canvas, 65 by 79 cm. (National Gallery of Victoria, Melbourne; exh. Ludwig Museum, Cologne).
Attributed works:
72. Cathy dressing, by Balthus. 1933. Canvas, 165 by 150 cm. (Centre Georges Pompidou, Paris; exh. Ludwig Museum, Cologne).
Exhibition Review
‘Paris Calling’. London, Oxford and Margate
01/2007 | 1246 | 149
Pages: 61-63
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
artists:
dates:
museums and institutions:
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print:
print:
print:
print:
Reviewed Items
subjects:
Ange Leccia | institution: Gallery at Sketch
subjects:
Antigone under Hypnosis | institution: Victoria and Albert Museum
subjects:
Bertrand Lavier | institution: Bloomberg Space
subjects:
Cyprien Gaillard | institution: Laura Bartlett
subjects:
Daniel Buren | institution: Modern Art Oxford
subjects:
Eric Dietman | institution: Anthony Reynolds Gallery
subjects:
Hans Bellmer | institution: Centre Georges Pompidou , institution: Staatliche Kunstsammlungen , institution: Whitechapel Art Gallery
subjects:
Jean-Marc Bustamente | institution: Timothy Taylor Gallery
subjects:
Pierre Klossowski | institution: Museum Ludwig , institution: Whitechapel Art Gallery
subjects:
Tatiana Trouvé | institution: Bischoff/Weiss
Illustrations
Attributed works:
74. Installation view of Photo-souvenir, From three windows, 5 colours for 252 places, by Daniel Buren. 2006. (Modern Art Oxford).
Attributed works:
75. Prefiguration d’un pipe-line lingotique, by Eric Dietman. 1990. 44 bronze blocks, wooden pipes. Dimensions variable. (Exh. Anthony Reynolds Gallery, London).
Exhibition Review
Twentieth-century German art. Düsseldorf, Berlin, Leipzig and Cologne
10/2005 | 1231 | 147
Pages: 699-702
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
dates:
print:
Reviewed Items
subjects:
Bernard Heisig. Die Wut der Bilder | institution: Kunstsammlung Nordrhein-Westfalen , institution: Martin-Gropius-Bau , institution: Museum der bildenden Künste
subjects:
Brücke und Berlin. 100 Jahre Expressionismus | institution: Neue Nationalgalerie
subjects:
Max Beckmann, Ferdnand Léger, Unerwartete Begegnungen | institution: Museum Ludwig
Illustrations
Attributed works:
59. Mechanisms of amnesia, by Bernhard Heisig. 1981. 151.5 by 242 cm. (Landesmuseum für Kunst und Kulturgeschicte Oldenburg; exh. Martin-Groupis Bau, Berlin).
Attributed works:
60. The impure, by Neo Rauch. 2004. 270 by 210 cm. (Sammlung Queenie, Munich; exh. Museum der Bildenden Künste, Leipzig).
Attributed works:
61. Acrobat, by Matthias Weischer. 2005. 40 vby 30 cm. (Galerie Eigen+Art, Leipzig/Berlin; exh. Museum der Bildenden Künste, Leipzig.
Attributed works:
62. Lido, by Max Beckmann. 1924. 72.5 by 90.5 cm. (Saint Louis Art Museum; exh. Ludwig Museum, Cologne).
Attributed works:
63. Decorations by Ludwig Kirchner in his studio at Körnerstraße 45, Berlin-Friedenau. Photograph 1914. (Kirchner Museum Davos; exh. Neue Nationalgalerie, berlin).