68. Abraham before Melchizedek, by Konrad Witz. c.1435. Panel, 84.8 by 68.7 cm. (Kunstmuseum, Basel).
Attributed works:
69. Playing card with nine herons in a landscape, by the workshop of Konrad Witz. c.1440–45. Watercolour, gouache and shell gold over drawings in pen on paper mounted on layers of glued paper, 15.6 by 9.5 cm. (Kunsthistorisches Museum, Vienna; exh. Kunstmuseum, Basel).
Attributed works:
70. Synagogue, by Konrad Witz. c.1435. Panel, 86.1 by 80.7 cm. (Kunstmuseum, Basel).
Attributed works:
71. Sts Catherine and Mary Magdalene in the nave of a church, by Konrad Witz. c.1440–45. Panel, 162 by 130.4 cm. (Musée de l’Œuvre Notre-Dame, Strasbourg; exh. Kunstmuseum, Basel).
81. Kytes tree, by Gabriel Orozco. 2005. Synthetic polymer on canvas, 200 by 200 cm. (Museum of Modern Art, New York).
Attributed works:
82. My hands are my heart, by Gabriel Orozco. 1991. Two chromogenic colour prints, each 23.2 by 31.8 cm. (Courtesy of the artist and Marian Goodman Gallery; exh. Museum of Modern Art, New York).
61. Target with plaster casts, by Jasper Johns. 1955. Encaustic and collage on canvas with painted plaster casts, 129.5 by 111.8 by 8.8 cm. (Collection David Geffen, Los Angeles; exh. National Gallery of Art, Washington).
Attributed works:
62. False Start, by Jasper Johns. 1959. Canvas, 170.8 by 137.2 cm. (Kenneth and Anne Griffin; exh. National Gallery of Art, Washington).
Attributed works:
63. Watchman, by Jasper Johns. 1964. Oil on canvas with objects (two panels), 215.9 by 153 cm. (Eli and Edythe L. Broad Collection, Los Angeles; exh. National Gallery of Art, Washington).
70. Portrait of the artist’s family, by Hans Holbein the Younger. c.1528–29. Paper, cut out around the contours of the figures and glued to a panel, 77 by 64 cm. (Exh. Kunstmuseum, Basel).
Attributed works:
71. The dead Christ in the tomb, by Hans Holbein the Younger. 1521. Panel, 30.5 by 200 cm. (Exh. Kunstmuseum, Basel).
Attributed works:
72. Study for the More family group, by Hans Holbein the Younger. c.1526–27. Pen and brush with black ink over chalk preparatory drawing, 38.9 by 52.4 cm. (Kupferstichkabinett, Kunstmuseum, Basel; exh. Tate Britain, London).
Attributed works:
73. Portrait of Cyriacus Kale, by Hans Holbein the Younger. 1533. Panel, 60 by 44 cm. (Herzog Anton Ulrich-Museum, Braunschweig; exh. Tate Britain, London).
Kandinsky. The Path to Abstraction |
institution: Kunstmuseum
, institution: Tate Modern
Illustrations
Attributed works:
62. Circles on black, by Wassily Kandinsky. 1921. Canvas, 136.5 by 120 cm. (Solomon R. Guggenheim Museum, New York; exh. Tate Modern, London).
Attributed works:
63. Improvisation 35, by Wassily Kandinsky. 1914. Canvas, 110.5 by 120 cm. (Kunstmuseum Basel; exh. Tate Modern, London).
Attributed works:
64. Landscape with factory chimney, by Wassily Kandinsky. 1910. Canvas, 66.2 by 82 cm. (Solomon R. Guggenheim Museum, New York; exh. Tate Modern, London).
62. Merzbild K 6 Das Huthbild, by Kurt Schwitters. 1919. Collage and oil on pasteboard on wood, 87 by 74 cm. (Private collection; exh. Museum Tinguely, Basel).
Attributed works:
63. Reconstruction of Kurt Schwitters's destroyed Merzbau, by Peter Bissegger at the request of Harald Szeemann, assisted by Ernst Schwitters. 1981-83. Painted wood, plaster and plastic, 393 by 580 by 460 cm. (Sprengel Museum, Hanover; exh. Museum Tinguely, Basel).
Attributed works:
64. Tricycle, by Jean Tinguely. 1960. Welded bicycle pedals on a stone pedestal, 150 by 35 cm. (Private collection; exh. Museum Tinguely, Basel).
Attributed works:
65. Tanzerin, by Hans Arp. 1925. Painted wood, 146.5 by 109 cm. (Centre Georges Pompidou, Paris; exh. Kunstmuseum Basel).