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25 articles
Book Review
Poisoned Abstraction: Kurt Schwitters between Revolution and Exile
08/2022 | 1433 | 164
Pages: 826-827
related names
Reviewer:
Williamson, Beth (Williamson, Beth)
Subjects
artists:
Reviewed Items
subjects:
Poisoned Abstraction: Kurt Schwitters between Revolution and Exile By Graham Bader. 240 pp. incl. 90 col. + 40 b. & w. ills. (Yale University Press, New Haven and London, 2021), £45. ISBN 978–0–300– 25708–3. | :
Illustrations
Attributed works:
7. Untitled (Merzcolumn), by Kurt Schwitters. c.1923–25. Paper, board, metal, plaster, wood, knit fabric, cow horn, laurel branch, torchier light and other materials on wood, dimensions unknown. Destroyed. (Sprengel Museum, Hanover; © Michael Herling and Aline Gwose).
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
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dates:
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Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
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artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Book Review
Kurt Schwitters: Space, Image, Exile, by M.R. Luke
06/2016 | 1359 | 158
Pages: 465-466
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
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artists:
Illustrations
Attributed works:
47. Hannover Merzbau, by Kurt Schwitters. East wall, detail of the Grosse Gruppe (Great Group) and movable column. 1933 (Kurt Schitters Archives at the Sprengel Museum, Hannover; photograph by Wilhelm Redemann)
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Advertisements May 2013 (front)
05/2013 | 1322 | 155
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Bukowskis. Stockholm. Sweden. Bruno Liljefors. "Wild ducks". Grez-sur-Loing. 1887 (detail)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jan Steen (Leiden 1626-1679). 'Easy come, easy go', the artist eating oysters in an interior (detail). Signed and dated 'Jan Steen / 1660' (lower left). Oil on canvas, 41 1/2 x 52 3/4 in (102.8 x 133.9 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Furini. Florence, 1603-1646. Allegory of Peace. Oil on canvas, 84 x 70 cm (33 x 27 1/2 in)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Jean-Honoré Fragonard. Landscape with a Youth by a Pond (detail)]
Attributed works:
[TATE Britain. London. Kurt Schwitters, En Morn, 1947]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A pair of small South German wheellock Puffers for a boy. Saxon, dated 1586. Overall length 31 cm. Barrel length 16 cm]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Florentine, circa 1500. Marsyas. 30.5 cm high.]
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Advertisements April 2013 (front)
04/2013 | 1321 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Browse & Darby. 19 Cork Street. London. Walter Richard Sickert (1860-1942). Le Rue de la Boucherie avec le chevet de l'Eglise, Dieppe, circa 1900-03.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Wright of Derby, A.R.A. (Derby 1734-1797). A view in Dovedale, Derbyshire; and A view of the Convent of San Cosimato and part of the Claudian Aquaduct near Vicovaro in the Roman Campagna. The first signed with initials and dated 'I.W.P. 1786' (lower left), oil on canvas, unlined 18 x 25 cm (45.7 x 63.5 cm)]
Attributed works:
[Christopher Mendez, London. Studies of the head of Saskia and others, by Rembrandt van Rijn (1606-69). 1936. Bartsch 365. 14.5 by 12.4 cm]
Attributed works:
[Emanuel von Bayer, London. Blonde girl, by Lucian Freud (1922-2011). 1985. Edition: 2/15. Signed. Etching on paper, 69.5 by 54.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jusepe de Ribera. Jativa, 1591 - Naples, 1652. Portrait of Don Manuel de Zuniga y Fonseca, Count of Monterrey, robed as a Knight of Santiago. Oil on canvas, 121 x 86 cm (47 3/8 x 33 7/8 in)]
Attributed works:
[Glasgow Print Studio, New York. Irises, by Elizabeth Balckadder. 2012. Edition of 50. Etching, 69 by 48 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London Joseph Mallord William Turner, R.A. (1775-1851). A Limekiln at Britton Ferry, South Wales - Moonlight. Signed lower right, watercolour over traces of pencil. 19.5 by 27.3 cm (7 1/2 by 10 3/4 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Walter Sickert. 1860-1942. Lady seated by a stove, circa 1921. Oil on canvas. 17 x 13 inches; 43.2 x 33 cm. Signed]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Alfons Walde, Nude, ca. 1925, Gouache on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anna Mahler, Gustav Mahler, after 1946, plaster model, unique piece.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anselm Kiefer, The raft of the Medusa, 2003, gouache on photographic paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele, Female nude lying on her side and leaning on one elbow, 1918, black charcoal on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Léon-François Comerre, Odalisque, oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka, Nuda, 1913, charcoil and watercolour on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka. Flower still life, 1959, Oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Richard Gerstl, Self-Portrait, 1906/07. Oil on canvas]
Attributed works:
[James Kinmont Fine Art, London. Blue Mandala, by Victor Pasmore, 1978. Edition of 90. Signed, numbered and dated. Etching and aquatint, 70 by 100 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Adriaen Thomasz Key (c. 1545 Antwerp - c.1589 Antwerp). Adoration oft the Magi. Oil on panel, 66 x 89 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Thomas Lawrence PRA. Arthur Atherley. Oil on canvas. 24 1/2 x 20 inches. 610 x 510 mm. Painted 1792]
Attributed works:
[Marlborough Graphic, London. Women with bird II, by Quentin Blake. 2012. Edition of 30. Etching and aquatint, 35 by 31 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. John Constable. View of East Bergholt House (detail)]
Attributed works:
[TATE Britain. London. Kurt Schwitters. En Morn 1947]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1932. Osborne Samuel Ltd.]
Exhibition Review
Kurt Schwitters in Britain. London and Hannover
04/2013 | 1321 | 155
Pages: 277-279
related names
Reviewer:
Cardinal, Roger (Cardinal, Roger)
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Illustrations
Attributed works:
73. British made, by Kurt Schwitters. 1940-45. Collage. Paper, fabric, cellophane, cardboard and oil on paper, 23.2 by 18 cm. (Galerie Rosengart, Lucerne; exh. Tate Britain, London).
Attributed works:
74. 47 12 very complicated, by Kurt Schwitters. 1947. Collage. Oil, canvas and paper on paper, 24.4 by 21 cm. (Kurt und Ernst Schwitters Stiftung on loan to the Sprengel Museum Hannover; exh. Tate Britain, London).
Attributed works:
75. Dancer, by Kurt Schwitters. 1943. Sculpture. Painted bone(?) and plaster, 78 by 20 by 15 cm. (Courtesy of Galerie Gmurzynska, Zürich; exh. Tate Britain, London).
Exhibition Review
Kurt Schwitters. Houston, Princeton and Berkeley
03/2011 | 1296 | 153
Pages: 209-210
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
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Reviewed Items
subjects:
Kurt Schwitters: Color and Collage | institution: Menil Collection , institution: Princeton University Art Museum , institution: University of California, Berkeley Art Museum
Illustrations
Attributed works:
114. Merzbild Einunddreissig (Merz picture thirty-one), by Kurt Schwitters. 1920. Assemblage of oil, paper, wood, metal, fabric and cotton balls on paper mounted on wood frame, 98 by 66 cm. (Sprengel Museum, Hannover; exh. Menil Collection, Houston).
Attributed works:
115. Untitled (Mz. 9 NDARD), by Kurt Schwitters. 1947. Collage of paper on paper mounted on marbleised cardboard, 15.4 by 11.1 cm. (Menil Collection, Houston).
Attributed works:
116. Full-scale reconstruction of Kurt Schwitters’s Hannover Merzbau, by Peter Bissegger. 1981–83. Built from photographs taken in 1933 of the original construction (c.1923–36; destroyed 1943), 393 by 580 by 460 cm. (Sprengel Museum, Hannover; exh. Menil Collection, Houston).
Exhibition Review
Schwitters and Arp. Basel
07/2004 | 1216 | 146
Pages: 488-489
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
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Reviewed Items
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Kurt Schwitters: Merz - A Total Vision of the World | institution: Museum Tinguely
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Schwitters Arp | institution: Kunstmuseum
Illustrations
Attributed works:
62. Merzbild K 6 Das Huthbild, by Kurt Schwitters. 1919. Collage and oil on pasteboard on wood, 87 by 74 cm. (Private collection; exh. Museum Tinguely, Basel).
Attributed works:
63. Reconstruction of Kurt Schwitters's destroyed Merzbau, by Peter Bissegger at the request of Harald Szeemann, assisted by Ernst Schwitters. 1981-83. Painted wood, plaster and plastic, 393 by 580 by 460 cm. (Sprengel Museum, Hanover; exh. Museum Tinguely, Basel).
Attributed works:
64. Tricycle, by Jean Tinguely. 1960. Welded bicycle pedals on a stone pedestal, 150 by 35 cm. (Private collection; exh. Museum Tinguely, Basel).
Attributed works:
65. Tanzerin, by Hans Arp. 1925. Painted wood, 146.5 by 109 cm. (Centre Georges Pompidou, Paris; exh. Kunstmuseum Basel).
Exhibition Review
Kurt Schwitters. Grenoble
12/1995 | 1113 | 137
Pages: 866-868
related names
Reviewer:
Rhodes, Colin (Rhodes, Colin)
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Illustrations
Attributed works:
108. De Stijl, by Kurt Schwitters. 1947. Collage, 27.5 by 22 cm. (Musée de Grenoble).
Attributed works:
109. Miroir-Collage, by Kurt Schwitters. 1920. Mixed Media, 28.5 by 11 cm. (Musée d'Art Moderne de la Ville de Paris; Exh. Musée de Grenoble).
Attributed works:
110. As You Like It, by Kurt Schwitters. 1943-44. Collage on Panel, 70 by 58 cm. (Private Collection, Paris; Exh. Musée de Grenoble).
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