69. Aggregation: one thousand boats show, by Yayoi Kusama. 1963. Row boat, oars, plaster, shoes and paper, dimensions variable. (Stedelijk Museum, Amsterdam; exh. Tate Modern, London).
Attributed works:
70. Infinity mirrored room – filled with the brilliance of life, by Yayoi Kusama. 2011. Wood, mirror, plastic, acrylic, LED lights and aluminium, 300 by 617.5 by 645.5 cm. (Collection of the artist; exh. Tate Modern, London).
65. Installation view of FILM, by Tacita Dean. 2011. Analogue film projected onto a wooden screen,
13 m. high., 11 mins. (Courtesy of the artist, Frith Street Gallery, London, and Marian Goodman Gallery, New York and Paris; exh. Tate Modern, London).
21. The farm, by Joan Miró. 1921–22. Canvas, 132 by 147 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
22. Head of a Catalan peasant, by Joan Miró. 1925. Canvas, 147 by 115 cm. (Moderna Museet, Stockholm; exh. Tate Modern, London).
Attributed works:
23. Sketch for Head of a Catalan peasant, by Joan Miró. On the front page of Le Matin, 23rd March 1925. Pen on newspaper. (Fundació Joan Miró, Barcelona).
Exhibition Review
Contemporary exhibitions. London (Sunflower seeds)
31. Self-portrait with Manao tupapau, by Paul Gauguin. 1893–94. Canvas, 46 by 38 cm. (Musée d’Orsay, Paris; exh. Tate Modern, London).
Attributed works:
32. Haystacks in Brittany, by Paul Gauguin. 1890. Canvas, 74.3 by 93.6 cm. (National Gallery of Art, Washington; exh. Tate Modern, London).
Attributed works:
33. Mararu Noa Noa (Offerings of thanks), by Paul Gauguin. 1893–94. Woodcut, 20.5 by 35.5 cm. (Library of Congress, Washington; exh. Tate Modern, London).
Attributed works:
34. Lewdness (La Luxure), by Paul Gauguin. 1890. Gilded and polychromed oak and pine, and metal,
70.5 by 14.7 by 11.7 cm. (J.F. Willumsens Museum, Frederikssund; exh. Tate Modern, London).
Attributed works:
35. Aha oe feii? (What, are you jealous?), by Paul Gauguin. 1892. Canvas, 66 by 89 cm. (State Pushkin Museum of Fine Art, Moscow; exh. Tate Modern, London).
Attributed works:
36. Merahi Metua no Tehamana (Tehamana has many parents), by Paul Gauguin. 1893. Canvas, 76.3 by 54.3 cm. (Art Institute of Chicago; exh. Tate Modern, London).
68. Stranger no.1, by Shizuka Yokomizo. 1998. Chromogenic print, 79.4 by 79.4 cm. (San Francisco Museum of Modern Art; exh. Tate Modern, London).
Attributed works:
69. Detail from The ballad of sexual dependency, by Nan Goldin. 1979–96. Nine-carousel slide projection with soundtrack and titles; dimensions variable. (Whitney Museum of American Art, New York; exh. Tate Modern,London).
Francis Alÿs: A Story of Deception |
institution: Tate Modern
Illustrations
Attributed works:
70. Re-enactments, by Francis Alÿs, in collaboration with Rafael Ortega. 2000. Two-channel video documentation of an action, 5 mins., 20 secs. (Courtesy of the artist; exh. Tate Modern, London).
Attributed works:
71. The green line, by Francis Alÿs. 2007. Video and related ephemera, 17 mins., 45 secs. (Los Angeles County Museum of Art; exh. Tate Modern, London).
50. Stained glass composition: female head, designed by Theo van Doesburg. 1917. Stained glass, 33 by 22 cm. (Kröller-Müller Museum, Otterlo; exh. Tate Modern, London).
Attributed works:
51. Composition with female figure, by Vilmos Huszár. c.1930s to 1950s. Canvas, 80 by 60.4 cm. (Museum of Modern Art, New York; exh. Tate Modern, London).
Attributed works:
52. Composition in grey (Composition no.10), by Vilmos Huszár. 1918. Canvas and wooden frame, 60.3 by 44.9 cm. (Gemeentemuseum, The Hague).