79. Desire for zero gravity, by Cai Guo-Qiang. 2012. Gunpowder on canvas, 340.4 by 1066.8 cm. (Exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
80. Crop circles, by Cai Guo-Qiang. 2012. Reeds and plywood boards, approx. 800 by 3,600 cm. (Exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
81. Ignition of Desire for zero gravity at the Museum of Contemporary Art, Los Angeles, 7th March 2012. (Photograph by Joshua White; courtesy of the Museum of Contemporary Art, Los Angeles).
77. No.276 (Honeycomb), by Glenn Ligon. 1990. Oil, synthetic polymer, oil-stick and graphite on paper, 76.2 by 56.5 cm. (Whitney Museum of American Art, New York).
Attributed works:
78. Therapy #1, by Glenn Ligon. 2002. Canvas, 81.3 by 81.3 cm. (Courtesy of the artist and collection of Shaun Regen; exh. Whitney Museum of American Art, New York).
Attributed works:
79. Untitled, by Glenn Ligon. 2008. Neon and paint, 61 by 368.3 cm. (Rubell Family Collection; exh. Whitney Museum of American Art, New York).
75. Spectral Analysis, by William Leavitt. 1977/2010. Mixed media set for performance piece, dimensions variable. (Courtesy of the artist; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
76. Hillside lights (Incandescent), by William Leavitt. 2004. Canvas, 61 by 152 cm. (Courtesy of Margo Leavin Gallery, Los Angeles; exh. Museum of Contemporary Art, Los Angeles)
69. Lumière en mouvement – installation, by Julio Le Parc. 1962; refabricated 2010. Painted drywall, mirrors, stainless steel, nylon thread and two spotlights, 487.7 by 1292.9 by 513.1 cm. (Collection of the artist, Paris; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
70. Pénétrable BBL bleu, by Jesús Rafael Soto. 1969; refabricated 1999. Nylon and painted steel, 365.3 by 400 by 1400 cm. (Collection of Hélène Soto, Paris; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
71. Cosmococa – programa in progress, CC4 nocagions, by Hélio Oiticica and Neville D’Almeida. 1973; refabricated 2010. Water, pool, electric lights, projected images, sound and paint, floor area 749.9 by 1374.5 cm. (Projeto Hélio Oiticica, Rio de Janeiro; exh. Museum of Contemporary Art, Los Angeles).
74. Installation view of The happy end of Franz Kafka’s ‘Amerika’, by Martin Kippenberger. 1994. Mixed media, furniture, slide projectors, television monitors, green flooring with white lines and tiered stands. (Galerie Gisela Capitain, Cologne; exh. Museum of Modern Art, New York).
Attributed works:
75. The modern house of believing or not, by Martin Kippenberger. 1985. Canvas, 180 by 225 cm. (Deutsches Architekturmuseum, Frankfurt am Main; exh. Museum of Modern Art, New York).
Attributed works:
76. Die mutter von Joseph Beuys (‘The mother of Joseph Beuys’), by Martin Kippenberger. 1984. Canvas, 160 by 133 cm. (Gaby and Wilhelm Schürmann, Herzogenrath; exh. Museum of Modern Art, New York).
66. Splitting: four corners, by Gordon Matta-Clark. 1974. Four building fragments, painted wood, metal and tar, 139.1 by 106.7 by 106.7; 144.8 by 110.5 by 108.6 cm.; 108.6 by 102.9 by 111.8 cm.; 137.2 by 111.1 by 108 cm. (San Francisco Museum of Modern Art; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
67. Splitting 10 & 11, by Gordon Matta-Clark. 1975. Four gelatin silver prints, cut and collaged, 61 by 91.4 by 5.1 cm. (framed). (Estate of Gordon Matta-Clark; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
68. Gordon Matta-Clark and friends performing ‘Tree dance’, Vassar College, Poughkeepsie. 1971. Silent b. & w. 16 mm. film. (Estate of Gordon Matta-Clark and David Zwirner, New York; exh. Museum of Contemporary Art, Los Angeles).
63. Abakan red, by Magdalena Abakanowicz. 1969. Sisal and mixed media, 398.9 by 398.9 by 348 cm. (National Museum, Wroclaw; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
64. Installation view of WACK! Art and the Feminist Revolution at the Los Angeles Museum of Contemporary Art showing paintings by Maria Lassnig.
Attributed works:
65. Still from Untitled (Blood sign #2/body tracks), by Ana Mendieta. 1974. 8 mm. colour film transferred to DVD, 1 min. 20 sec. (Estate of Ana Mendieta, courtesy of Galerie Lelong, New York; exh. Museum of Contemporary Art, Los Angeles).
88. Untitled, by Robert Rauschenberg. c.1954. Oil, pencil, crayon, paper, canvas, fabric, newspaper, photographs, wood, glass, mirror, tin, cork, and found painting, with pair of painted leather shoes, dried grass, and Dominique hen, on wood structure mounted on five casters, 219.7 by 94 by 66.7 cm. (Museum of Contemporary Art, Los Angeles).
Attributed works:
89. Studio painting, by Robert Rauschenberg. 1960–61. Oil, charcoal, fabric, printed paper, and printed reproduction on two canvases, with rope, metal pulley, eye bolts, clasps, woven strap, and stuffed canvas bag, 182.9 by 182.9 by 5.7 cm. (Michael Crichton collection, Los Angeles; exh. Museum of Contemporary Art, Los Angeles).
Exhibition Review
Columbus, Baltimore and Los Angeles: James Welling
63. 'Brussels' ('Light sources' series), by James Welling. 1996. Vegetable dye on rag paper, 68.6 by 85.1 cm. (Hallmark Photographic Collection, Kansas City; exh. Baltimore Museum of Art).
Attributed works:
64. 'Movable bridge, New York', by James Welling. 1990. Toned gelatin silver print, 55.9 by 45.7 cm. (Boijmans Van Beuningen Museum, Rotterdam; exh. Baltimore Museum of Art).