Bonnard’s Worlds
Phillips Collection, Washington DC
2nd March–2nd June |
:
Illustrations
Attributed works:
1. Landscape
at Le Cannet,
by Pierre
Bonnard. 1928.
Oil on canvas,
128 by 278.2
cm. (Kimbell
Art Museum,
Fort Worth;
exh. Phillips
Collection,
New York).
Attributed works:
2. Breakfast
room (dining
room overlooking
the garden), by
Pierre Bonnard.
1930–31. Oil on
canvas, 159.6
by 113.8 cm.
(Museum of
Modern Art, New
York; exh. Phillips
Collection, New
York).
Attributed works:
3. Nude in
bathtub, by
Pierre Bonnard.
1941–46. Oil on
canvas, 122 by
151 cm. (Carnegie
Musuem of Art,
Pittsburgh; exh.
Kimbell Art
Museum).
Book Review
An Italian Impressionist in Paris:
Giuseppe De Nittis
An Italian Impressionist in Paris:
Giuseppe De Nittis
By Renato Miracco, with essays by
Marina Ferretti Bocquillon and Robert
Jensen. 250 pp. incl. 135 colour ills.
(Phillips Collection, Washington, 2022).
ISBN 979–8–9862725–1–1. |
:
Illustrations
Attributed works:
16. The train
passes, by
Giuseppe De
Nittis. 1869.
Oil on canvas,
76.5 by 130.5
cm. (Pinacoteca
Giuseppe De
Nittis, Barletta).
Attributed works:
17. From the top
of the coach,
by Giuseppe De
Nittis. c.1872–75.
Oil on panel,
26.5 by 36.5
cm. (Private
collection).
Attributed works:
18. The Place
des Pyramides,
by Giuseppe De
Nittis. 1875. Oil
on canvas, 92.3
by 75 cm. (Musée
d’Orsay, Paris).
83. Farnesina Garden Rome, by Philip Guston. 1971. Oil on paper, 73.7 by 102.9 cm. (Collection of Lyman Allyn Art Museum, New London CT; exh. Museo Carlo Bilotti–Aranciera di Villa Borghese, Rome).
Attributed works:
84. Rome, by Philip Guston. 1971. Oil on paper, 45.1 by 54.6 cm. (Estate of Philip Guston, courtesy of McKee Gallery, New York; exh. Museo Carlo Bilotti–Aranciera di Villa Borghese, Rome).
Attributed works:
85. Untitled, by Philip Guston. 1971. Oil on paper mounted on canvas, 76.2 by 99.7 cm. (Private collection, Woodstock NY; exh. Museo Carlo Bilotti–Aranciera di Villa Borghese, Rome).
Exhibition Review
Georgia O’Keeffe. New York, Washington and Santa Fe
82. Evening star no.IV, by Georgia O’Keeffe. 1917. Watercolour on paper, 22.5 by 30.5 cm. (Georgia O’Keeffe Museum, Santa Fe; exh. Whitney Museum of American Art, New York).
Attributed works:
83. Early abstraction, by Georgia O’Keeffe. 1915. Charcoal on paper, 61 by 47.3 cm. (Milwaukee Art Museum; exh. Whitney Museum of American Art, New York).
Attributed works:
84. Red canna, by Georgia O’Keeffe. 1925/26. Canvas mounted on masonite, 91.4 by 76 cm. (University of Arizona, Tucson; exh. Whitney Museum of American Art, New York).
73. The twittering machine, by Paul Klee. 1922. Oil transfer and watercolour on paper, 41.3 by 30.5 cm. (Museum of Modern Art, New York; exh. Menil Collection, Houston).
Attributed works:
74. Monument under construction. 1929. Watercolour and ink on paper, 56.3 by 38.6 cm. (Collection of Michael and Judy Steinhardt, New York; exh. Menil Collection, Houston).
94. Carnival of autumn, by Marsden Hartley. 1908. 76.2 by 76.5 cm. (Museum of Fine Arts, Boston; exh. Phillips Collection, Washington).
Attributed works:
95. The warriors, by Marsden Hartley. 1913. 119.4 by 119.4 cm. (Private collection; exh. Phillips Collection, Washington).
Attributed works:
96. Waxenstein at Hamarsbach, Garmisch, Bavaria, by Marsden Hartley, 1933-34. Cardboard, 73.7 by 50.8 cm. (Private collection; exh. Phillips Collection, Washington).
Attributed works:
97. One portrait of one woman, by Marsden Hartley. c. 1916. 76.2 by 63.5 cm. (Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis; exh. Phillips Collection, Washington).
Attributed works:
98. Madawaska - Acadian light-heavy, by Marsden Hartley. 1940. 101.6 by 76.2 cm. (Art Institute of Chicago; exh. Phillips Collection, Washington).