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Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
11/2018 | 1388 | 160
Pages: 963-965
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Friedman, Martin
artists:
Sheeler, Charles / O'Keeffe, Georgia / Demuth, Charles / Murphy, Gerald / Duchamp, Marcel / Schamberg, Morton Livingston / Picabia, Francis / Ault, George / Frankl, Paul / Carter, Clarence Holbrook / Gursky, Andreas / Struth, Thomas / Bourke-White, Margaret
artists:
Driggs, Elsie / Storrs, John Bradley
dates:
2010-2019
media:
Paintings / Drawings / Prints / Photographs / Videos / Industrial design / Furniture / Art objects
museums and institutions:
Dallas Museum of Art, Dallas, United States / Walker Art Center, Minneapolis, United States
places:
United States / Dallas / Minneapolis
subjects:
American painting (United States of America) / Precisionism / Machine aesthetic / Digital technology / Cities / Popular culture / Abstract art / Modernism / Surrealism / Landscapes (visual works) / Geometry / Automobiles / Design / Workers
Illustrations
Attributed works:
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).