• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
6 articles
Article
Duchamp’s ‘Fountain’: the Baroness theory debunked
10/2019 | 1399 | 161
Pages: 804-810
Buy / subscribe
related names
Author:
Bailey, Bradley (Bailey, Bradley)
Subjects
art literature:
Gammel, Irene / Spalding, Julian / Thompson, Glyn
artists:
Duchamp, Marcel / Freytag-Loringhoven, Elsa von, Elsa / Varèse (nee Norton), Louise / Wood, Beatrice / Roché, Henri-Pierre / Stella, Joseph / Stieglitz, Alfred / Demuth, Charles
collectors and dealers:
Arensberg, Walter C.
dates:
1910-1919
places:
New York
styles:
Dada
subjects:
Society of Independent Artists / Exhibitions / Attributions
works:
Fountain by Marcel Duchamp
Illustrations
Attributed works:
1. Fountain, by Marcel Duchamp. 1917. Photograph Alfred Stieglitz, vintage silver print, 23.5 by 17.8 cm. (© Succession Marcel Duchamp/ DACS London 2019; private collection; courtesy Francis M. Naumann Fine Art, New York).
Attributed works:
2. Louise Varèse, by Brassaï. 1931. Gelatin silver print, 12.2 by 14.9 cm. (Louise Varèse Papers, Sophia Smith Collection, Smith College Libraries, Northampton MA; © RMN-Grand Palais; DACS London 2019).
Attributed works:
3. Letter from Marcel Duchamp to Suzanne Duchamp. 11th April 1917. 23 by 15 cm. (Jean Crotti papers, Archives of American Art, Smithsonian Institution, Washington DC).
Attributed works:
6. Detail of Fig.1, showing the information tag.
Attributed works:
7. Detail of ‘Marcel Duchamp at Play’ an essay by Louise Varèse. Late 1972. (Louise Varèse Papers, Sophia Smith Collection, Smith College Libraries, Northampton MA).
Western art unattributed:
4. Baroness Elsa von Freytag-Loringhoven. 1922. Photograph. (George Grantham Bain Collection, Library of Congress, Washington DC).
Western art unattributed:
5. Louise Varèse, Edgard Varèse, Suzanne Duchamp, Jean Crotti and Mary Reynolds photographed in Paris. 1924. (Jean Crotti papers, Archives of American Art, Smithsonian Institution).
Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
11/2018 | 1388 | 160
Pages: 963-965
Subscribe to read
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Friedman, Martin
artists:
Sheeler, Charles / O'Keeffe, Georgia / Demuth, Charles / Murphy, Gerald / Duchamp, Marcel / Schamberg, Morton Livingston / Picabia, Francis / Ault, George / Frankl, Paul / Carter, Clarence Holbrook / Gursky, Andreas / Struth, Thomas / Bourke-White, Margaret
artists:
Driggs, Elsie / Storrs, John Bradley
dates:
2010-2019
media:
Paintings / Drawings / Prints / Photographs / Videos / Industrial design / Furniture / Art objects
museums and institutions:
Dallas Museum of Art, Dallas, United States / Walker Art Center, Minneapolis, United States
places:
United States / Dallas / Minneapolis
subjects:
American painting (United States of America) / Precisionism / Machine aesthetic / Digital technology / Cities / Popular culture / Abstract art / Modernism / Surrealism / Landscapes (visual works) / Geometry / Automobiles / Design / Workers
Illustrations
Attributed works:
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).
Exhibition Review
America’s Cool Modernism:O’Keeffe to Hopper. Ashmolean Museum, Oxford
07/2018 | 1384 | 160
Pages: 593-595
Subscribe to read
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
O'Keeffe, Georgia / Hopper, Edward / Demuth, Charles / Davis, Stuart, 1894-1964 / Hartley, Marsden / Steichen, Edward / Abbott, Berenice / Ault, George / cummings, e e / Schamberg, Morton Livingston / Lawrence, Jacob / Bluemner, Oscar / Dove, Arthur Garfield / Lewis, Martin, 1881-1962
artists:
Lozowick, Louis
dates:
2010-2019
media:
Paintings
museums and institutions:
Ashmolean Museum, Oxford, Great Britain
places:
Great Britain / Oxford
subjects:
American painting (United States of America) / Abstract art / Precisionism / Machine aesthetic / Style / Capitalism / Film (cinema) / Literature
Illustrations
Attributed works:
23. New York night, no.2, by George Ault. 1921. Canvas, 51.4 by 35.6 cm. (The Jan T. and Marica Vilcek Collection; exh. Ashmolean Museum, Oxford).
Attributed works:
24. Dawn in Pennsylvania, by Edward Hopper. 1942. Canvas, 61.9 by 112.4 cm. (Terra Collection, Chicago; exh. Ashmolean Museum, Oxford).
Attributed works:
25. Red circle, by Louis Lozowick. 1924. Canvas. 45.7 by 38.1 (The Jan T. and Marica Vilcek Collection; exh. Ashmolean Museum, Oxford).
Advertisements
Advertisements July 2009 (back)
07/2009 | 1276 | 151
Pages: s.p.
Subscribe to read
Subjects
advertisements:
Chanel, firm
advertisements:
Babcock Galleries, New York, United States
artists:
Burchfield, Charles Ephraim / Demuth, Charles / Dickinson, Edwin Walter
artists:
Dove, Arthur Garfield / Grosz, George / Hartley, Jonathan Scott
artists:
Kuhn, Walt / Manigault, Edward Middleton / Marin, John
artists:
Sheeler, Charles / Stella, Frank / Nicholson, Ben
artists:
Hodgkin, Howard / Chadwick, Lynn
artists:
Davis, Stuart, 1894-1964
subjects:
Advertisements
Illustrations
Attributed works:
[Babcock Galleries. 724 Fifth Avenue. New York. Stuart Davis (1892-1964), Pad #5, c.1947-49, Oil on canvas, 10 x 15 inches.]
Publication Received
Speaking for Vice. Homosexuality in the Art of Charles Demuth, Marsden Hartley, and the First American Avant-Garde
11/1997 | 1136 | 139
Pages: 807
Subscribe to read
Subjects
artists:
Demuth, Charles / Hartley, Marsden
Reviewed Items
artists:
Speaking for Vice. Homosexuality in the Art of Charles Demuth, Marsden Hartley, and the First American Avant-Garde | author: Weinberg, Jonathan
Supplement
Acquisitions of Modern Art by Museums: Supplement
02/1971 | 815 | 113
Pages: 115-120
Subscribe to read
Subjects
artists:
Demuth, Charles
artists:
Kupka, František
artists:
Wild, David
artists:
Araeen, Rasheed
artists:
Martin, Mary
artists:
Tanguy, Yves
artists:
Poons, Larry
artists:
Innes, James Dickson
artists:
Sickert, Walter
artists:
Prendergast, Charles
artists:
Nesch, Rolf
artists:
Snelson, Kenneth
artists:
Nevelson, Louise
artists:
King, Phillip
artists:
Hartung, Hans
dates:
1970-1979
museums and institutions:
Whitworth Art Gallery, Manchester, Great Britain
museums and institutions:
Kröller-Müller Museum, Otterlo, Netherlands
museums and institutions:
Birmingham Museum and Art Gallery, Birmingham, Great Britain
museums and institutions:
Von der Heydt-Museum Wuppertal, Wuppertal, Germany
museums and institutions:
Cleveland Museum of Art, Cleveland, United States
museums and institutions:
National Museum of Wales, Cardiff, Great Britain
museums and institutions:
Museum of Fine Arts, Boston, United States
museums and institutions:
Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo, Norway
places:
England / Germany / United States
places:
Netherlands / Norway
subjects:
British painting / French painting / Norwegian / Sculpture
subjects:
Art museums / Acquisitions / Modern Art
Illustrations
Attributed works:
53. Karl Muck and His Orchestra: The Cello Players, by Rolf Nesch. 1931. Etching, 50 by 33 cm. (Nasjonalgalleriet, Oslo.)
Attributed works:
54 Dancing, by Charles Demuth. Signed and Dated 1912. Water-Colour, 22.9 by 14.6 cm. (Boston Museum of Fine Arts.)
Attributed works:
55. Dancers, by Charles Prendergast. c.1915. Water-Colour and Gold Leaf on an Incised, Gessoed Panel, 58.4 by 78.8 cm. (Boston Museum of Fine Arts.)
Attributed works:
56. L'Eglise de Saint Jacques, Dieppe, by Walter Sickert. Signed. c.1900. Canvas, 56 by 48.4 cm. (Whitworth Art Gallery, Manchester.)
Attributed works:
57. Pembroke Coast, by J. D. Innes. Signed. Oil on Plywood, 31.8 by 38.1 cm. (National Museum of Wales, Cardiff.)
Attributed works:
58. Untitled, by Yves Tanguy. Signed and Dated 1952. Tempera on Paper, 74 by 62.5 cm. (Von der Heydt Museum, Wuppertal.)
Attributed works:
59. BOO/69, by Rasheed Araeen. Constructed relief. (Walker Art Gallery, Liverpool.)
Attributed works:
60. Landscape, by David Wild. Canvas. (Walker Art Gallery, Liverpool.)
Attributed works:
61. Amorpha, Figure for Two Colours II, by Frantisek Kupka. Signed. 1909-12. Canvas, 112 by 68.6 cm. (Cleveland Museum of Art.)
Attributed works:
62. Untitled, by Larry Poons. Completed 1969. Canvas, 342 by 229 cm. (Cleveland Museum of Art.)
Attributed works:
63. Needle Tower, by Kenneth Snelson. 1968. Aluminium and Steel; Height, 28 m. across the Base, 5.40 m. (Rijksmuseum Kröller-Müller, Otterlo.)
Attributed works:
64. Another View of the Needle Tower Illustrated in Fig.63.
Attributed works:
65. The Brake, by Phillip King. 1966. Fibreglass; Height, 213.5 cm. (Rijksmuseum Kröller-Müller, Otterlo.)
Attributed works:
66. Transparent Sculpture V, by Louise Nevelson. 1967. Plexiglass, 234 by 122 by 48 cm. (Rijksmuseum Kröller-Müller, Otterlo.)
Attributed works:
67. T.1966 - H.28, by Hans Hartung. 1966. Acrylic on Canvas, 50 by 130 cm. (Birmingham Museum and Art Gallery.)