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3 articles
Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
11/2018 | 1388 | 160
Pages: 963-965
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Friedman, Martin
artists:
Sheeler, Charles / O'Keeffe, Georgia / Demuth, Charles / Murphy, Gerald / Duchamp, Marcel / Schamberg, Morton Livingston / Picabia, Francis / Ault, George / Frankl, Paul / Carter, Clarence Holbrook / Gursky, Andreas / Struth, Thomas / Bourke-White, Margaret
artists:
Driggs, Elsie / Storrs, John Bradley
dates:
2010-2019
media:
Paintings / Drawings / Prints / Photographs / Videos / Industrial design / Furniture / Art objects
museums and institutions:
Dallas Museum of Art, Dallas, United States / Walker Art Center, Minneapolis, United States
places:
United States / Dallas / Minneapolis
subjects:
American painting (United States of America) / Precisionism / Machine aesthetic / Digital technology / Cities / Popular culture / Abstract art / Modernism / Surrealism / Landscapes (visual works) / Geometry / Automobiles / Design / Workers
Illustrations
Attributed works:
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).
Book Review
A Class of Their Own: The Düsseldorf School of Photography. By Maren Polte & Photography and Germany. By Andrés Mario Zervigón
05/2018 | 1382 | 160
Pages: 435-436
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related names
Reviewer:
Schaffer, Jule (Schaffer, Jule)
Subjects
artists:
Sander, August / Becher, Bernd and Hilla / Struth, Thomas / Ruff, Thomas / Gursky, Andreas
dates:
1850-1899 / 1900-1999 / 2000-2009 / 2010-2019
media:
Photographs
museums and institutions:
Kunstakademie, Düsseldorf, Germany
places:
Germany / Düsseldorf
subjects:
Photography / Cultural history / Surveys
Illustrations
Attributed works:
7. The drummer, by Loretta Lux. 2004. Ilfochrome print, 35 by 30 cm. (Courtesy Yosi Milo Gallery, New York; © Loretta Lux/DACS, London, 2018).
Exhibition Review
Andreas Gursky
04/2018 | 1381 | 160
Pages: 343-344
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related names
Reviewer:
Hodgson, Francis (Hodgson, Francis)
Subjects
artists:
Gursky, Andreas / Becher, Bernd and Hilla
dates:
2010-2019
media:
Photographs
museums and institutions:
Hayward Gallery, London, Great Britain
places:
Great Britain / London
subjects:
Digital technology / Allegory / Capitalism
Illustrations
Attributed works:
24. Installation view of Andreas Gursky at the Hayward Gallery, London, showing Hamm, Bergwerk Ost, by Andreas Gursky. 2008. Chromogenic print, 250 by 183 by 6.2cm. (© Andreas Gursky / DACS, London, 2017. Courtesy: Sprüth Magers).
Attributed works:
25. Bahrain I, by Andreas Gursky. 2005. Chromogenic print, 302.2 by 219.6 by 6.2 cm. (© Andreas Gursky / DACS, London, 2017. Courtesy: Sprüth Magers; exh. Hayward Gallery, London).
Attributed works:
26. Krefeld, by Andreas Gursky. 1989. Inkjet print, 107.8 by 91.9 by 4.2 cm. (© Andreas Gursky / DACS, London, 2017. Courtesy: Sprüth Magers; exh. Hayward Gallery, London).