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30 articles
Exhibition Review
Cult of the Machine: Precisionism and American Art. Dallas Museum of Art
11/2018 | 1388 | 160
Pages: 963-965
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
dates:
Illustrations
Attributed works:
16. Watch, by Gerald Murphy. 1925. Canvas, 199.4 by 200.4 cm. (Dallas Museum of Art).
Attributed works:
17. American landscape, by Charles Sheeler. 1930. Canvas, 61 by 78.8 cm. (Museum of Modern Art, New York; exh. Dallas Museum of Art).
Attributed works:
18. ‘Skyscraper’ bookcase, by Paul T. Frankl. c.1926. Lacquered wood and brass, 242.6 by 109.2 by 33 cm. (Minneapolis Institute of Art; exh. Dallas Museum of Art).
Article
The Russian section of the ‘Machine-Age Exposition’ (1927)
10/2012 | 1315 | 154
Pages: 694-700
related names
Author:
Blood, Anne (Blood, Anne)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
22. Cover of The Little Review, Supplement: Machine-Age Exposition, by Fernand Léger. 1927. (Archives of the Museum of Modern Art, New York).
Attributed works:
23. Front and back cover of The Little Review, Special Theatre Number: International Theatre Exposition, by Frederick Kiesler. 1926. 20.3 by 25.4 cm. (National Art Library, Victoria and Albert Museum, London).
Attributed works:
28. Electro-Physical Laboratory, Lefortovo, Moscow, by Ivan Sergeevich Nicolaev and Anatoly Stepanovich Fisenko. 1927. Photograph from H.R. Hitchcock and P. Johnson: The International Style, New York 1932, p. 237.
Attributed works:
29. First version of a Garage for 1,000 automobiles, by Konstantin Melnikov. 1925. Drawings. (Private collection).
Attributed works:
30. Machine-Age Exposition catalogue, 1927, pp. 34-35, showing Constructed torso, by Naum Gabo (top right), and a costume design by Alexandra Exter (bottom left).
Attributed works:
32b. S.O. Khan-Magomedov: Pioneers of Soviet Architecture: The Search for New Solutions in the 1920s and 1930s, London, 1987, p. 229.
Western art unattributed:
24. Installation view of the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
25. Installation view of the Internationale Ausstellung neuer Theatertechnik, Vienna. 1924. (Courtesy of Frederick and Lilian Kiesler Foundation, Vienna).
Western art unattributed:
26. Installation view of the Russian section at the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
27. Installation view of the Russian section at the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
31. Installation view of the 'Constructivist Room' from the First Exhibition of Modern Architecture, Moscow, 1927.
Western art unattributed:
32a. Machine-Age Exposition catalogue, 1927, pp. 32-33.
Article
Cotman’s aqueduct
05/2012 | 1310 | 154
Pages: 316-321
related names
Author:
Stacey, David (Stacey, David)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
10. A river with industrial apparatus on its bank; an aqueduct in course of construction, by J.M.W. Turner. 1798. Pencil on paper, 17 by 26.7 cm. North Wales sketchbook, DO 1391; Finberg number: XXXIX 36. (Tate, London).
Attributed works:
11. No 3, Aqueduct (when building) between Oswestry and Chirk, by Richard Colt Hoare. 1799. Pen and ink with grey and sepia wash on paper, 35.6 by 45.7 cm. (National Library of Wales, Cardiff).
Attributed works:
15. Detail of Fig.8 showing pencil marks on the left pier.
Attributed works:
7. Chirk aqueduct on the Ellesmere Canal over the River Ceriog which separates the counties of Salop and Denbigh. Engraved by E. Turrell after G. Turnbull, 43.5 by 68 cm. From J. Rickman, ed.: Atlas to the Life of Thomas Telford, Civil Engineer . . ., London 1838, pl.XIII. (Institution of Civil Engineers, London).
Attributed works:
8. Crambe Beck Bridge (formerly known as Chirk aqueduct), by John Sell Cotman. c.1805. Watercolour over pencil on laid paper, 31.5 by 23.1 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Aqueduct, called Telford’s aqueduct at Chirk, by John Sell Cotman. c.1805. Pencil and grey wash on wove paper, 20 by 16.1 cm. (Ashmolean Museum, Oxford).
Western art unattributed:
12. Photograph of Chirk aqueduct, August 2010, showing the two southernmost arches of the aqueduct.
Western art unattributed:
13. Plan and Elevation of Crambe Beck Bridge in the Weapontake of Bulmer built 1785. Pen, ink and coloured wash on paper, 53 by 74 cm. From J. Carr: Plans and Elevations of the North Riding Bridges, p.27. (Collection of the North Yorkshire County Record Office, Northallerton).
Western art unattributed:
14. Sketch of assumed as-built details at the north abutment of Chirk aqueduct. (Michael Thomas, 2010).
Western art unattributed:
16. Photograph of Crambe Beck Bridge, Yorkshire, September 2011, showing the central arches of the bridge from the north-west.
Publication Received
Designing Tomorrow: America’s World’s Fairs of the 1930s
11/2011 | 1304 | 153
Pages: 754
related names
Reviewer:
Bailey, Julia Tatiana (Bailey, Julia Tatiana)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
Designing Tomorrow: America’s World’s Fairs of the 1930s | editor: Rydell, Robert W. , editor: Schiavo, Laura Burd
Article
Industrial design in the museum: the case of the FN milking machine, c.1947
09/2010 | 1290 | 152
Pages: 603-608
related names
Author:
Gimeno-Martínez, Javier (Gimeno-Martínez, Javier)
Subjects
dates:
places:
Illustrations
Attributed works:
38. Milking machine, by Fabrique Nationale d’Armes de Guerre (FN). c.1947. Stainless steel, 36 by 40 by 40 cm. (Design Museum, Ghent).
Attributed works:
45. The newborn II, by Constantin Brancusi. 1927. Stainless steel, 18 by 24.8 by 17 cm. (Musée National d’Art Moderne-Centre Georges Pompidou, Paris; copyright ADAGP; photograph RNM/Adam Rzepka).
Western art unattributed:
39. The different parts of the milk pail include: 1. bucket, 2. handle, 3. lid, 4. pulsator, 5. milk tube, 6. teat cups and 7. pulsation tube. From R. Kets: ‘Connaisez-vous la machine à traire FN Licence Declaye?’, Revue FN 4 (November 1953), n.p.
Western art unattributed:
40. Photograph of a farmer with the FN milking machine. From X.Y.Z.: ‘Notre Grande maison. IX Fabrications diverses’, Revue FN 13 (September 1954), p.5.
Western art unattributed:
41. Cover from: ‘A Simplified Type of Milking Machine’, New York State Agricultural Experiment Station. Popular Edition 524 (February 1925).
Western art unattributed:
42. Photograph of the FN milking machine in production. From M.H.: ‘A travers le Pré madame. La tolerie à main’, Revue FN 40 (March 1957), p.2.
Western art unattributed:
43. Photograph of the FN milking machine on display (mid-right) in the Agricultural section of the 1958 Brussels World Fair. From ‘A l’Expo de Bruxelles’, Revue FN 54 (June 1958), p.4.
Western art unattributed:
44. Photograph of the FN milking machine on display in the Industrial Design section of the 1958 Brussels World Fair. From ‘A l’Expo de Bruxelles’, Revue FN 54 (June 1958), p.5.
Book Review
The Arts of Industry in the Age of Enlightenment
08/2010 | 1289 | 152
Pages: 554-555
related names
Reviewer:
Brewer, John (Brewer, John)
Subjects
dates:
print:
Reviewed Items
subjects:
The Arts of Industry in the Age of Enlightenment | author: Fox, Celina
Illustrations
Attributed works:
50. Cross section of Collycroft worsted mill, Bedworth, Warwickshire, by L. Lesquesne. 1791. Watercolour and ink on paper. (Warwickshire County Record Office; CR136/v64–6).
Book Review
Victorian Glassworlds: Glass Culture and the Imagination, 1830–1880
01/2010 | 1282 | 152
Pages: 47
related names
Reviewer:
Solicari, Sonia (Solicari, Sonia)
Subjects
dates:
print:
Reviewed Items
subjects:
Victorian Glassworlds: Glass Culture and the Imagination, 1830–1880 | author: Armstrong, Isobel
Publication Received
Design in the USA
06/2006 | 1239 | 148
Pages: 430
Subjects
places:
Reviewed Items
subjects:
Design in the USA | author: Meikle, Jeffrey L.
Exhibition Review
Modernism. London
06/2006 | 1239 | 148
Pages: 431-433
related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
places:
print:
subjects:
Reviewed Items
subjects:
Modernism 1914–1939: designing a new world | institution: Victoria and Albert Museum
Illustrations
Attributed works:
62. Still life with ball bearing, by Fernand Léger. 1926. Board, 146 by 114 cm. (Kunstmuseum, Basel; exh. Victoria and Albert Museum, London).
Attributed works:
63. Model of Maison Citrohan II, by Le Corbusier. 1922. Mixed media, 135 by 81 by 82 cm. (Fondation Le Corbusier, Paris; exh. Victoria and Albert Museum, London).
Attributed works:
64. Set design for ‘The Magnanimous Cuckold’, by Lyubov Popova. 1922. Ink, pen, watercolour and collage on paper, 50 by 69 cm. (State Tretyakov Gallery, Moscow; exh. Victoria and Albert Museum, London).
Attributed works:
65. Paimio armchair, by Alvar Aalto. 1930. Birch plywood and solid birch, painted seat, 63.5 by 61 by 89 cm. (Victoria and Albert Museum, London).
Attributed works:
66. Moscow Spartakiada (postcard design), by Gustavs Klucis. 1928. Collage and gouache on paper on card, 57.8 by 36.1 cm. (State Museum of Arts, Riga; exh. Victoria and Albert Museum, London).
Book Review
20th Century Factory Glass
02/2001 | 1175 | 143
Pages: 101
related names
Reviewer:
Rudoe, Judy (Rudoe, Judy; R., J.)
Subjects
dates:
Reviewed Items
subjects:
20th Century Factory Glass | author: Jackson, Lesley
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