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4 articles
Article
Pollonera and Raffele in the Alps with Sargent, 1903–10
09/2021 | 1422 | 163
Pages: 812-821
related names
Author:
Amedei, Michele (Amedei, Michele)
Subjects
dates:
Illustrations
Attributed works:
1. April, by Antonio Fontanesi. 1872–73. Oil on canvas, 171 by 254.8 cm. (Galleria Civica d’Arte Moderna, Turin).
Attributed works:
10. Pinewood, Purtud, by Carlo Pollonera. 1903. Oil on card, 35.5 by 45 cm. (From A. Picco: Carlo Pollonera, Turin 1998, fig.90).
Attributed works:
11. Torrente Azzurro, Purtud, by Carlo Pollonera. 1903. Oil on card, 34.3 by 48 cm. (From A. Picco: Carlo Pollonera, Turin, 1998, fig.91).
Attributed works:
12. A waterfall, by John Singer Sargent. 1910. Oil on canvas, 113 by 72.4 cm. (Philadelphia Museum of Art).
Attributed works:
13. A waterfall at Simplon, by Carlo Pollonera. 1910. Oil on card, 71 by 51 cm. (From exh. cat: Carlo Pollonera Turin (Teatro Regio), 1974, fig.21).
Attributed works:
14. Glacier streams, by Carlo Pollonera. c.1910.
Attributed works:
15. At the peaks, by Carlo Pollonera. c.1910–11. Oil on card. (From A. Picco: Carlo Pollonera, Turin 1998, fig.157).
Attributed works:
16. Simplon Pass, the foreground, by John Singer Sargent. c.1910. Watercolour on paper, 35.6 by 50.8 cm. (Museum of Fine Arts, Boston).
Attributed works:
17. Glacier streams, by John Singer Sargent. 1909. Oil on canvas, 88 by 113.7 cm. (The Michele and Donald d’Amour Museum of Fine Arts, Springfield MA).
Attributed works:
18. Carrara: wet quarries, by John Singer Sargent. 1911. Watercolour on paper, 40 by 52.9 cm. (Museum of Fine Arts, Boston).
Attributed works:
19. Carrara: wet quarries, by Carlo Pollonera. 1911. Oil on card, 39.3 by 52 cm. (From A. Picco: Carlo Pollonera, Turin 1998, fig.163).
Attributed works:
2. Ambrogio Raffele (left) and Carlo Pollonera (right) in a hayloft, by John Singer Sargent. 1904. Watercolour on paper, 40.6 by 30.5 cm. (Brooklyn Museum, New York).
Attributed works:
3. Source of the River Dora, Purtud, by Carlo Pollonera. 1903–04. Oil on card, 38 by 46 cm. (Private collection).
Attributed works:
4. Painter (Raffele?) working on a bank of the River Dora at Purtud, by Carlo Pollonera. 1903–04. Oil on card, 35 by 48 cm. (From A. Picco: Carlo Pollonera, Turin 1998, fig.95).
Attributed works:
5. John Singer Sargent, Carlo Pollonera and Ambrogio Raffele at Purtud, Val D’Aosta, Italy. Photograph, August 1907. (Private collection).
Attributed works:
6. Alpine pool, by John Singer Sargent. 1907 or c.1903–04(?). Oil on canvas, 69.9 by 96.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Val d’Aosta, stepping stones, by John Singer Sargent. 1907 or 1903–04(?). Oil on canvas, 56.5 by 71.8 cm. (Private collection).
Attributed works:
8. Bed of the Dora, Purtud, by John Singer Sargent. 1907 or 1903–04(?). Watercolour on paper, 36.8 by 53 cm. (Private collection).
Attributed works:
9. Pinewoods, Purtud, by John Singer Sargent. 1907 or 1903–04(?). Watercolour on paper, 31.8 by 47 cm. (Private collection).
Exhibition Review
Im Herzen wild: Die Romantik in der Schweiz
04/2021 | 1417 | 163
Pages: 361-364
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
art literature:
museums and institutions:
places:
styles:
subjects:
Reviewed Items
subjects:
Im Herzen wild: Die Romantik in der Schweiz Edited by Jonas Beyer and Esther Braun-Kalberer. 288 pp. incl. 200 col. ills. (Zürcher Kunstgesellschaft / Kunsthaus Zürich and Prestel, Munich, London and New York, 2020), €49. ISBN 978–3– 7913–5988–5. | :
Illustrations
Attributed works:
12. Passage of Mount St Gotthard from the centre of Teufels Broch (Devil’s Bridge), by J.M.W. Turner. 1804. Watercolour on paper, 101 by 68 cm. (Abbot Hall Art Gallery, Lakeland Arts; The Morse Bequest, 1972; exh. Kunsthaus Zürich).
Attributed works:
13. Summit in the clouds, by Alexandre Calame. 1861. Charcoal and graphite, heightened with white chalk and gouache on blue paper, 15.9 by 23.7 cm. (Musées d’art et d’histoire, Geneva; exh. Kunsthaus Zürich).
Attributed works:
14. The three witches, by Henry Fuseli. 1783. Oil on canvas, 65 by 91.5 cm. (Kunsthaus Zürich).
Article
Picturing Mount Yandang: the travel paintings and landscape aesthetics of Yu Jianhua
10/2020 | 1411 | 162
Pages: 840-849
related names
Author:
Chan, Pedith (Chan, Pedith)
Subjects
artists:
media:
patrons:
Illustrations
Attributed works:
1. View of the Lingyan Temple, by Yu Jianhua. 1931. Ink and colour on paper, 30.6 by 22.5 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
10. Illustration of the Spirit Peak, Yan shan zhi, 15th−16th century. Blockprint. (Repr. in Gazetteer of Mount Yan, 1601).
Attributed works:
11. A view of the Spirit Peak, by Jiang Shunan. Photograph. (Repr. in Scenic China series X: Yen T’ang Shan, Shanghai 1917).
Attributed works:
12. Spirit Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
13. Jinzhu Brooks, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
14. View of Furong Village, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
15. Tandang Rock, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
2. Yangtianwo Studio, by Yu Jianhua, a section from the handscroll Yantianwo. 1931. Ink and colour on paper, 26 by 91.8 cm. Collection of Kyoto National Museum
Attributed works:
3. View of the Geese Lake and Baigang Summit, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 61.2 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
4. Magnificent view of the Spirit Peak, by Yu Jianhua. 1931. Ink on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
5. Duxiu Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
6. Duxiu Peak. Blockprint. (Repr. in Extended Gazetteer of Mount Yan-dang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Attributed works:
7. Dragon Waterfall, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
8. Peaks in strange shapes, by Yu Jianhua. 1931, Ink on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
9. Peaks in strange shapes. China, late 18th century. Blockprint. (Repr. in Extended Gazetteer of Mount Yandang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Article
‘Val d’Aosta’: John Brett and John Ruskin in the Alps, 1858
03/2007 | 1248 | 149
Pages: 165-172
related names
Author:
Newall, Christopher (Newall, Christopher)
Subjects
art literature:
artists:
dates:
places:
print:
print:
Illustrations
Attributed works:
20. The Glacier of Rosenlaui, by John Brett. 1856. Canvas, 44.5 by 41.9 cm. (Tate, London).
Attributed works:
21. Val d’Aosta, by John Brett. 1858. Canvas, 87.6 by 68 cm. (Collection Lord Lloyd-Webber).
Attributed works:
22. The stonebreaker, by John Brett. 1857. Canvas, 51.3 by 68.5 cm. (National Museums Liverpool, Walker Art Gallery).
Attributed works:
23. Castle of Ivrea, by John Brett. 1858. Watercolour and bodycolour, 12.7 by 18.1 cm. (Maas Gallery, London).
Attributed works:
24. Photograph of the westward view from Mont-Torretta, as seen in Brett’s Val d’Aosta, taken by the author in September 2006.
Attributed works:
25. Landscape study in the Aosta Valley, by John Brett. 1858. Watercolour, 24.5 by 19.4 (Collection Lord Lloyd-Webber).
Attributed works:
26. Photograph of metamorphic gneiss bedrock in the immediate vicinity of Brett’s vantage point on Mont-Torretta when painting Val d’Aosta, taken by the author in September 2006.
Attributed works:
27. The Mountain Gloom, photogravure plate after John Ruskin’s drawing, from Modern Painters IV, Works VI, repr. opposite p.416.
Attributed works:
28. Albumen photograph by W. Jeffrey of Val d’Aosta in its unfinished state. 1858. 18.1 by 13.7 cm. (Maas Gallery, London).