Timeless Wonder: Painting
on Stone in Rome in the
Cinquecento and Seicento
Galleria Borghese, Rome
25th October 2022–
29th January 2023 |
:
Illustrations
Attributed works:
21. Roberto di
Filippo Strozzi,
by Francesco
de’Rossi known
as Francesco
Salviati. c.1550.
Oil on red and
black African
marble, diameter
16 cm. (Private
collection;
exh. Galleria
Borghese, Rome).
Attributed works:
22. Installation
view of Timeless
Wonder: Painting
on Stone in
Rome in the
Cinquecento and
Seicento showing
on the right
the Borghese-
Windsor Cabinet.
Roman, c.1620.
Fir, poplar,
ebony and
chestnut, ivory,
semiprecious
hardstones, gilt
bronze, silver
and gilt silver,
178 by 126 by
54 cm. (J. Paul
Getty Museum,
Los Angeles;
exh. Galleria
Borghese, Rome;
photograph A.
Novelli).
Attributed works:
23. Latona
turning the
Lycian peasants
into frogs, by
Cornelis van
Poelenburgh.
c.1620. Oil on
lapis lazuli, 23 by
33 cm. (Museo
dell’Opificio
delle Pietre
Dure, Florence;
exh. Galleria
Borghese, Rome).
Article
The Lapis Lazuli Egg in the Cleveland Museum of Art
11. The Lapis Lazuli Egg, attributed to Peter
Carl Fabergé. c.1885–90. Gold, enamel, lapis
lazuli, pearls, diamonds and rubies, 5.9 by 4.5
cm. (Cleveland Museum of Art).
Attributed works:
12. View of Fig.11, showing the egg fully closed.
Attributed works:
13. Detail of Fig.11, showing the hinge.
(Object file, Cleveland Museum of Art).
Attributed works:
14. View of Fig.11 showing the egg fully open.
(Object file, Cleveland Museum of Art).
Attributed works:
15. The Rosebud Egg and its surprises,
photographed at Wartski, London. c.1927.
(Photograph courtesy Wartski).
Attributed works:
16. Detail of a vitrine in an exhibition in
the Von Dervis mansion, St Petersburg,
showing objects loaned by Empress
Alexandra Feodorovna. 1902. The crown is
just visible behind the train, to the right of
the supporting strut. (Courtesy Kremlin
Armoury Museum, Moscow).
Attributed works:
17. Detail of a photograph of Henry
Bainbridge and Agathon Fabergé at the
Exhibition of Russian Art at 1 Belgrave
Square, London, 1935. The Rosebud Egg
is visible in its case (now lost) on the third
shelf from the bottom, with the crown just
in front of its case. (Topical Press Agency/
Hulton Archive/Getty Images).
Attributed works:
18. The Rosebud Egg, by Peter Carl Fabergé,
1895. Gold, diamonds and enamel, 6.8 by 3 cm.
(The Link of Times Foundation; Getty Images).
Attributed works:
19. The crown in the Lapis Lazuli Egg shown
from the side. (Cleveland Museum of Art).
Attributed works:
20. The side view of the pendant to the Lapis
Lazuli Egg. (Cleveland Museum of Art).
Book Review
Van Dyck’s Hosts in Genoa: Lucas and Cornelis de Wael’s Lives, Business Activities and Works. By Alison Stoesser
74. Table with a view of the port of Livorno, by the Florentine grand-ducal workshops (Cristofano Gaffuri) after a model by Jacopo Ligozzi. 1601-04 (Galleria degli Uffizi, Florence; exh. Palazzo Pitti, Museo degli Argenti, Florence)
Attributed works:
76. Christ blessing, by Lorenzo Monaco. 1407-09 (Galleria dell'Accademia, Florence; exh. Palazzo Pitti, Museo degli Argenti, Florence)
Attributed works:
77. Flask, by the Florentine grand-ducal workshops (Caroni?) and Jacques Bylivelt after a design by Bernardo Buontalenti. 1583-84 (Palazzo Pitti, Museo degli Argenti, Florence)
Western art unattributed:
75. Gaming board for chess or backgammon. Venetian, 1575-1600 (Victoria and Albert Museum, London; exh. Palazzo Pitti, Museo degli Argenti, Florence)
Article
A cast of Camillo Rusconi’s ‘Dead Christ’: a gift for the Buoncompagni Ludovisi–Rezzonico wedding