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30 articles
Book Review
I Fiorentini e il vetro Veneziano (c.1450–1550): Fonti
09/2024 | 1458 | 166
Pages: 977-8
related names
Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
places:
subjects:
Reviewed Items
subjects:
I Fiorentini e il vetro Veneziano (c.1450–1550): Fonti By Marco Spallanzani. 137 pp. incl. no ills. (Leo S. Olschki Editore, Florence, 2023), €22. ISBN 978–88–222–6864–8. | :
Article
Six horses for the king of Poland: making and staging a diplomatic gift at the court of Louis XIV
08/2024 | 1457 | 166
Pages: 810–825
related names
Author:
Rinaldi, Stefano (Rinaldi, Stefano)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Parade saddle with holster covers and caparison from Louis XIV’s state gift, here with a pair of flintlock pistols (also shown in Fig.6). French. 1715. Crimson silk velvet with relief embroidery and fringes of gilt thread and cannetilles, gilt mounts, substructure of wood, linen, padding and leather (pistol holsters lined in crimson velvet were added between 1785 and 1821 as replacements for Russian leather originals), 60 by 68 by 55 cm. (saddle), 98 by 133 cm. (caparison, fringes of 10–11 cm. not included), length 45 cm. each
Attributed works:
12. Designs for firearms ornaments, by De Lacollombe after François Laurent (called Languedoc). c.1705. Engraving, 18 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Designs for firearms ornaments, by De Lacollombe after François Laurent (called Languedoc). c.1705. Engraving, 17 by 25 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Flintlock gun, by François Laurent (called Languedoc). c.1695. Barrel: partially gilt and gold-damascened steel; lock and mounts: steel; stock: walnut inlaid with silver thread, 158.7 cm. (total length), 3079 g. (weight). (Rüstkammer, Dresden, inv. no.G 735; photograph Jürgen Karpinski).
Attributed works:
15. Pair of flintlock pistols, by Jean-François Laurent (called Languedoc). 1717. Barrels: blued and gold-damascened steel; locks: steel; mounts: partially gilt iron; stocks: walnut, 53.4 cm. (total length), 1143/1134 g. (weight). (Rüstkammer, Dresden, inv. nos.J 598 and J 663; photograph Jürgen Lösel).
Attributed works:
16. Detail of Fig.15, showing the barrel of one of the pistols.
Attributed works:
2. Parade saddle with holster covers from Louis XIV’s state gift. French. 1715. Yellow silk velvet with relief embroidery and fringes of silver thread and cannetilles, silver mounts, substructure of wood, linen, padding and leather (pistol holsters are modern replacements for Russian leather originals), 58 by 61.5 by 47 cm. (saddle), length 45 cm. each (holster covers). (Rüstkammer, Dresden; photograph Jürgen Lösel).
Attributed works:
3. Detail of Fig.1, showing the embroidery on the caparison by Nicolas Vincent du Trou. (Photograph Jürgen Lösel).
Attributed works:
4. Detail of Fig.2, showing the embroidery on the saddle by Nicolas Vincent du Trou. (Photograph Jürgen Lösel).
Attributed works:
5. Detail of Fig.1, showing the ribbon on the caparison. (Photograph Jürgen Lösel).
Attributed works:
6. Pair of flintlock pistols, by Bertrand Piraube. c.1690. Barrels, locks and mounts: partially gilt and gold-damascened steel; stocks: walnut inlaid with silver thread and engraved silver sheet, 52.7 / 52.6 cm. (total length), 1213 / 1204 g. (weight). (Rüstkammer, Dresden, inv. nos.J 1419 and J 1420; photograph Jürgen Lösel).
Attributed works:
7. Pair of flintlock pistols, by François Laurent (called Languedoc). c.1695– 1700. Barrels, locks and mounts: partially gilt and gold-damascened steel; thumbplates: partially gilt silver; stocks: walnut inlaid with silver thread, 50.7 cm. (total length), 1080 / 1075 g. (weight) (Rüstkammer, Dresden, inv. nos.J 644 and J 645; photograph Jürgen Karpinski).
Attributed works:
8–11. Details of Fig.7. (Photographs of Figs.8 and 10 Jürgen Karpinski; photographs of Figs.9 and 11 Jürgen Lösel).
Book Review
Disegni, argenti e argentieri dall’Archivio Barberini (Studi e Testi, 542–543)
07/2023 | 1444 | 165
Pages: 806–807
related names
Reviewer:
Montagu, Jennifer (Montagu, Jennifer)
Subjects
patrons:
Reviewed Items
subjects:
Disegni, argenti e argentieri dall’Archivio Barberini (Studi e Testi, 542–543) By Francesca Barberini and Micaela Dickmann. 2 vols, 960 pp. incl. 167 col. ills. (Biblioteca Apostolica Vaticana, 2021), €150. ISBN 978–88–210–1058–3. | :
Short Notice
A panel painting of Our Lady with the Child by Leonardo
04/2023 | 1441 | 165
Pages: 412-413
related names
Author:
Spallanzani, Marco (Spallanzani, Marco)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Virgin and Child enthroned with Sts Dionysius the Aeropagite, Domenic, Clement and Thomas Aquinas, by Domenico Ghirlandaio. 1481–83. Oil on panel, 168 by 197 cm. (Gallerie degli Uffizi, Florence; photograph Nicolò Orsi Battaglini; Bridgeman Images).
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
02/2022 | 1427 | 164
Pages: 120-129
related names
Author:
De Meester, Toon ( De Meester, Toon)
Author:
Dumolyn, Jan (Dumolyn, Jan)
Author:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Author:
Leloup, Ward (Leloup, Ward)
Author:
Speecke, Mathijs (Speecke, Mathijs)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos, by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite, transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
Attributed works:
2. St Jerome in his study, by the workshop of Jan van Eyck. c.1442. Oil on linen paper on panel, unframed 20.6 by 13.3 cm. (Detroit Institute of Arts; © KIK-IRPA, Brussels).
Attributed works:
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers. North is towards the lower left. 1562. Modern coloured offset of a copper engraving assembled from ten sheets, 177 by 100 cm. (www. kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint Gillisnieuwstraat, now called the Gouden-Handstraat.
Attributed works:
7. Margaret van Eyck, by Jan van Eyck. 1439. Oil on oak panel, including the frame 41.3 by 34.5 cm. (Groeningemuseum, Bruges; © KIK-IRPA, Brussels).
Attributed works:
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks the Wijngaard.
Article
Picasso and the foundry of Emile Robecchi during the Second World War
05/2020 | 1406 | 162
Pages: 420-431
related names
Author:
Finn, Clare (Finn, Clare)
Subjects
artists:
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subjects:
Illustrations
Attributed works:
1. Picasso with La femme en robe longue (Woman in a long dress) and Tête casquée (Head of a warrior), by Robert Capa. 1944. Photograph. (  Robert Capa and International Center of Photography / Magnum Photos).
Attributed works:
2. Tête de taureau (Head of a bull), by Picasso. Photographed by Brassa  in 1931. Repr. in D.-H. Kahnweiler: Les Sculptures de Picasso, Paris 1948.
Attributed works:
3. Tête de mort (Death’s head), by Picasso. 1941. Bronze and copper, 25 by 21 by 31 cm. (Musée national Picasso-Paris;   Photo Josse / Bridgeman Images; DACS, London 2020).
Attributed works:
4. Picasso with L’orateur (The orator), photographed in his studio on rue des Grands-Augustines, Paris, in 1939, by Brassaï. (Repr. in Brassa : Conversations avec Picasso, London 1967, pp.70–71, ill. 16).
Attributed works:
5. Musicians for a Nativity/manger, by Appel.les Fenosa. 1941. Bronze, 17 by 12.3 by 11 cm. (Fundacio Fenosa, El Vendrell, Tarragona).
Attributed works:
6. Le chat accroupi (Crouching cat), by Picasso. 1943. Plaster, length 51.4 cm. (Repr. in D.-H. Kahnweiler: Les Sculptures de Picasso, Paris 1948, no.212).
Attributed works:
7. Picasso’s studio on rue des Grands-Augustines, Paris, photographed in 1944 shortly after the Liberation, with Man with sheep in plaster on the left, Cat in bronze in the centre and Crouching cat in plaster on the right, by Henri Cartier-Bresson. 1944. (  Henri Cartier-Bresson / Magnum Photos).
Attributed works:
8. Cover for Les Sculptures de Picasso (1948), showing Le Main Droit de Picasso, by Brassaï.
Article
Sassoferrato’s ‘Mater Salvatoris’ in SS. Trinità dei Pellegrini e Convalescenti, Rome
11/2018 | 1388 | 160
Pages: 946-949
related names
Author:
Gebhardt, Johannes (Gebhardt, Johannes)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Mater Salvatoris, by Sassoferrato. 1654. Panel, c.109 by 69 cm. (SS. Trinità dei Pellegrini e Convalescenti, Rome).
Attributed works:
2. The Chapel of the Virgin, SS. Trinità dei Pellegrini e Convalescenti, Rome, showing the place where Fig.1 is inserted, in front of a fresco of the Virgin. (Photograph the author, 2015).
Attributed works:
3. Virgin in prayer (Mater dolorosa), by Sassoferrato. Canvas, 70 by 60 cm. (Pinacoteca Comunale, Cesena).
Attributed works:
4. Virgin in prayer with lowered gaze, by Sassoferrato. Canvas, 44 by 33 cm. (Pinacoteca Comunale, Cesena).
Article
Giovanni Francesco Arrighi: a newly discovered account book
10/2018 | 1387 | 160
Pages: 824-832
related names
Author:
Montagu, Jennifer (Montagu, Jennifer)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Reliquary, by Giovanni Francesco Arrighi. 1722. Silver, height 120 cm. (S. Maria di Monserrato, Rome).
Attributed works:
2. Reliquary, by Giovanni Francesco Arrighi. 1727/28. Silver, height 77 cm. (Museo Diocesano, Jesi).
Attributed works:
3. Above Detail of Fig.4.
Attributed works:
4. Right Crucifix, by Giovanni Giardini. c.1706. Bronze, ebony and ivory, height 230 cm. (Notre-Dame, Paris).
Attributed works:
5. Detail of Pietà, by Giovanni Giardini. 1688–1702. Gilt bronze on velvet, 54.5 by 33.5 cm. (Private collection; photograph Sotheby’s, London).
Attributed works:
6. The Agony in the garden, after Angelo de Rossi, attributed to Giovanni Francesco Arrighi. c.1700. Copper, 53 by 46.5 cm. (National Gallery of Art, Washington).
Article
The provenance of Raphael’s ‘Madonna of the pinks’ – II
10/2018 | 1387 | 160
Pages: 836-839
related names
Author:
Puddu, Pier Ludovico (Puddu, Pier Ludovico)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Scenes from the lives of the Virgin and other saints, by Giovanni da Rimini. c.1300–05. Panel, 54.4 by 36.5 cm. (National Gallery, London).
Attributed works:
2. The Garden of Eden, by Jan Brueghel the Elder. 1613. Oil on copper, 23.7 by 36.8 cm. (Private collection, on loan to the National Gallery, London).
Book Review
Silversmiths in Elizabethan and Stuart London: Their Lives and Their Marks. By David M. Mitchell
09/2018 | 1386 | 160
Pages: 800-801
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