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28 articles
Book Review
Berliner Schlachtenkupfer: 34 Druckplatten der Kaiser von China / Berlin Battle Engravings: 34 Copperplates for the Emperors of China
06/2024 | 1455 | 166
Pages: 654–655
related names
Reviewer:
Wang, Lianming (Wang, Lianming)
Subjects
subjects:
Reviewed Items
subjects:
Berliner Schlachtenkupfer: 34 Druckplatten der Kaiser von China / Berlin Battle Engravings: 34 Copperplates for the Emperors of China By Henriette Lavaulx-Vrécourt and Niklas Leverenz. 248 pp. incl. 175 col. ills. (Deutscher Kunstverlag, Berlin and Munich, 2021), €42. ISBN 978–3–422–98768–5. | :
Illustrations
Attributed works:
5. Battle of Oroi-jalatu, by Jacques Philippe Le Bas. 1770. Copperplate, 57.7 by 94.1 cm. (Ethnological Museum, Berlin).
Article
Innovation and empiricism: Delacroix’s ‘Taking of Constantinople by the Crusaders’
12/2022 | 1437 | 164
Pages: 1196-1209
related names
Author:
Lee, Simon (Lee, Simon)
Subjects
dates:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
1. Taking of Constantinople by the Crusaders, by Eugène Delacroix. 1840. Oil on canvas, 410 by 498 cm (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
10. Sketch for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Oil on canvas, 33 by 41 cm. (Musée Condé, Chantilly).
Attributed works:
11. Sketch for the Taking of Constantinople, here attributed to Eugène Delacroix. 1840. Oil on canvas, 65 by 81 cm. (Private collection; photograph courtesy of Collins Fine Art Ltd, New York).
Attributed works:
12. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Graphite on paper, 20.7 by 33.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 42753).
Attributed works:
2. Louis-Philippe and the royal family visit the Salles des croisades at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm (Musés des châteaux de Versailles et de Trianon).
Attributed works:
3. Detail of Fig.1, showing the group of the old man, woman and child.
Attributed works:
4. Detail of Fig.1, showing the group of Baudouin and the mounted crusaders.
Attributed works:
5. Detail of Fig.1, showing the group of women.
Attributed works:
6. Detail of Fig.1, showing a soldier assaulting an old man.
Attributed works:
7. Ptolemais delivered to Philippe-Auguste and Richard the Lionheart of England, 11th or 12th July 1191, by Merry-Joseph Blondel. 1840. Oil on canvas, 406 by 494 cm. (Grande Salle, Salles des croisades, Château de Versailles; Bridgeman Images).
Attributed works:
8. Detail of Fig.1, showing the reflection in the lid of the gold casket.
Attributed works:
9. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839-40. Graphite on paper, 18.1 by 27.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 9368).
Exhibition Review
Louis-Philippe at Versailles
05/2019 | 1394 | 161
Pages: 402-409
related names
Reviewer:
Lee, Simon (Lee, Simon)
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Illustrations
Attributed works:
1. Louis-Philippe with the plan of the Gallery of Battles, Versailles, by F.X. Winterhalter. 1841. Canvas, 284 by 184 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
2. The duc d’Orléans leaving the Palais Royale to go to the Hôtel de Ville, 31st July 1830, by Horace Vernet. 1832. Canvas, 215 by 261.5 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
3. Louis-Philippe and his five sons leaving the Palace of Versailles through the Gate of Honour after having reviewed the troops in the courtyards, 10th June 1837, by Horace Vernet. Canvas, 367 by 394 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
4. Taking of the city of Constantine, 13th October 1837, by Horace Vernet. 1839. Canvas, 512 by 518 cm. (Musée des chateaux de Versailles et de Trianon).
Attributed works:
5. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th May 1843, showing the duc d’Aumale accepting the surrender, by Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
6. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th May 1843, showing the harem women, by Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
7. Louis-Philippe and the royal family visit the Crusades rooms at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm. (Musée des châteaux de Versailles et de Trianon).
Book Review
Van Dyck’s Hosts in Genoa: Lucas and Cornelis de Wael’s Lives, Business Activities and Works. By Alison Stoesser
02/2019 | 1391 | 161
Pages: 170-171
related names
Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
5. Lady talking to her gardners, by Cornelis de Wael. Canvas, 26 by 38 cm. (Private collection).
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
Article
Amsterdam broadsheets as sources for a painted screen in Mexico City, c.1700
06/2014 | 1335 | 156
Pages: 356-365
related names
Author:
Hale , Meredith M. (Hale , Meredith M. )
Subjects
dates:
subjects:
Illustrations
Attributed works:
10. Siege of Belgrade, by Romeyn de Hooghe (Koninklijke Bibliotheek, The Hague)
Attributed works:
5. Siege of Vienna, by Romeyn de Hooghe. Etching and typeset text (Atlas van Stolk, Rotterdam)
Attributed works:
6. Siege of Vienna, by Romeyn de Hooghe (Koninklijke Bibliotheek, The Hague)
Attributed works:
8. Taking the Turkish standard, by Romeyn de Hooghe. From IOVI PROPITIO MARTI BIS ULTORI MDCLXXXIII..., Amsterdam 1683 (Koninklijke Bibliotheek, The Hague)
Attributed works:
9. Title page of IOVI PROPITIO MARTI BIS ULTORI MDCLXXXIII..., Amsterdam 1683, by Romeyn de Hooghe (Koninklijke Bibliotheek, The Hague)
Non-western art unattributed:
1. Folding screen with the Siege of Vienna (front). Mexico (Museo Nacional del Virreinato, INAH, Tepotzotlán, Mexico)
Non-western art unattributed:
2. Folding screen with a Hunting scene. Back of Fig. 1
Non-western art unattributed:
3. Folding screen with the Siege of Belgrade (front). Mexico (Brooklyn Museum, gift of Lilla Brown in memory of her husband, John W. Brown, by exchange)
Non-western art unattributed:
4. Folding screen with a Hunting scene. Back of Fig. 3
Western art unattributed:
11. Typeset text accompanying Fig. 10
Western art unattributed:
7. Typeset text accompanying Fig. 6
Article
Benjamin West, Raphael West and the floating batteries
04/2013 | 1321 | 155
Pages: 243-246
related names
Author:
Staley, Allen (Staley, Allen)
Subjects
dates:
Illustrations
Attributed works:
33. Naval battle (destruction of the floating batteries before Gibraltar), by Benjamin West. c.1782-83. Black chalk, 7.7 by 14.7 cm. (Morgan Library & Museum, New York).
Attributed works:
34. Destruction of the floating batteries before Gibraltar, by Raphael Lamar West. Exhibited RA 1783. Canvas, 160.9 by 234.7 cm. (Agnes Etherington Art Centre, Queen's University, Kingston, Ontario).
Attributed works:
35. A view of Gibraltar with the Spanish battering ships on fire, by John Keyse Sherwin. Published 14th September 1784. Engraving. 46.2 by 60.6 cm. (British Museum, London).
Attributed works:
36. Battle of La Hogue, by Benjamin West, Raphael West and John Trumbull. Signed 'B. West. 1778. Retouched 1806'. Canvas, 164 by 244 cm. (Yale Center for British Art, New Haven).
Short Notice
Donatello’s ‘S. Rossore’, the Battle of San Romano and the church of Ognissanti
10/2006 | 1243 | 148
Pages: 685-688
related names
Author:
Miller, Julia (Miller, Julia)
Author:
Taylor-Mitchell, Laurie (Taylor-Mitchell, Laurie)
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Illustrations
Attributed works:
26. Reliquary bust of S. Rossore, by Donatello. 1422–25. Gilt bronze, 56 by 60.5 cm. (Museo Nazionale di San Matteo, Pisa).
Attributed works:
27. Niccolò da Tolentino at the Battle of San Romano, by Paolo Uccello. c.1438–40. Tempera on panel, 182 by 320 cm. (National Gallery, London).
Western art unattributed:
28. Schemati plan of the Ognissanti Church in the fifteenth century with the approximate locations of the Annunciation fresco (‘a’), and the S. Rossore altar (‘b’). (drawn by Maria Mina).
Western art unattributed:
29. The Annunciation, by an anonymous Tuscan artist. 1369. Detached fresco. (Refectory, Ognissanti, Florence; photograph Michele Bacci).
Book Review
British Artists and War: The Face of Battle in Paintings and Prints, 1700-1914
07/1994 | 1096 | 136
Pages: 463-464
related names
Reviewer:
Freeman, Julian (Freeman, Julian)
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Reviewed Items
subjects:
British Artists and War: The Face of Battle in Paintings and Prints, 1700-1914 | author: Harrington, Peter
Short Notice
Vive La France!
12/1981 | 945 | 123
Pages: 735-739
related names
Author:
Bellaigue, Geoffrey de (Bellaigue, Geoffrey de)
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Illustrations
Attributed works:
34. The Engagement between the 'Belle Poule' and the 'Arethusa', on 17th June, 1778, Published by Y-M. Le Gouaz. Engraving. (National Maritime Museum, Greenwich).
Attributed works:
35. Le Nouveau Jeu du Costume et des Coeffures des Dames, Published by Louis Crepy. (The National Trust, Waddesdon Manor).
Attributed works:
36. Sugar Bowl, One of a Pair. Sèvres Porcelain. Painted by Charles Buteux. 1779. With Attached Tray, Dark Blue Ground Painted in Reserves with Marine Trophies, Height 15.3 cm, Width of Tray 27 cm. (The Marquess of Tavistock and the Trustees of the Bedford Estates: Woburn Abbey).
Attributed works:
37. Sugar Bowl and Tray. Sèvres Porcelain. Painted by an Unidentified Artist (Mark, a G). 1757. White Ground Painted in Blue with Flowers, Height of Bowl 14 cm; Width 17.3 cm; Width of Tray 24 cm. (Musée des Arts Décoratifs, Paris).
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