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38 articles
Exhibition Review
Louis Janmot: Le Poème de l’âme
12/2023 | 1449 | 165
Pages: 1354–1356
related names
Reviewer:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Catalogue: Louis Janmot: Le Poème de l’âme. By Servane Dargniesde Vitry, Elena Marchetti, Stéphane Paccoud, Clément Paradis and Isabelle Saint-Martin. 192 pp. incl. 187 col. + b. & w. ills. (Musée d’Orsay and In Fine éditions d’art, Paris). €35. ISBN 978–2– 38203–138–4. | :
subjects:
Louis Janmot: Le Poème de l’âme Musée d’Orsay, Paris 12th September 2023– 7th January 2024 | :
Illustrations
Attributed works:
22. Flight of the soul, from Poem of the soul, by Louis Janmot. c.1852. Oil on canvas, 112 by 143.9 cm. (Musée des Beaux-Arts, Lyon; exh. Musée d’Orsay, Paris).
Attributed works:
23. Loneliness, from Poem of the soul, by Louis Janmot. 1861. Charcoal with highlights in white chalk on paper laid down on canvas, 114 by 147 cm. (Musée des Beaux-Arts, Lyon; exh. Musée d’Orsay, Paris).
Attributed works:
24. Valleys and prairies in Bugey, by Louis Janmot. c.1850–54. Oil on paper laid down on panel, 25.8 by 35.5 cm. (Private collection; exh. Musée d’Orsay, Paris).
Article
Counter-Reformation ambers: Friedrich Schmidt’s workshop in Kretinga, Lithuania
09/2022 | 1434 | 164
Pages: 839-853
related names
Author:
kulka, Rahul (kulka, Rahul)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
1. Altar, by Friedrich Schmidt. 1678. Amber, ivory, wood, glass, silver and parchment, 29 by 20.7 by 16.5 cm. (Altonaer Museum, Hamburg; © SHMH-Altonaer Museum, permanent loan from the Federal Republic of Germany).
Attributed works:
10. Detail of the altar in Fig.1, showing an ivory panel carved with a kneeling saint.
Attributed works:
11. Detail of the casket in Figs.13 and 14, showing an ivory panel carved with the Annunciation.
Attributed works:
12. Detail of the altar in Fig.1, showing an ivory panel carved with the Annunciation.
Attributed works:
13 and 14. Casket of St Casimir (Cassetta di San Casimiro), by Friedrich Schmidt and workshop. 1678. Amber, ivory, glass, wood and silver, 35.5 by 58 by 20 cm. (Museo degli Argenti, Florence; © su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
15 and 16. Small altar with Crucifixion group, by the workshop of Friedrich Schmidt. 1677–78. Amber, ivory, glass and wood, height 59 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
17 and 18. Large altar with Crucifixion group, by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass and wood, height 136 cm. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
19. Detail of the altar in Figs.17–18.
Attributed works:
2. The rear of the altar illustrated in Fig.1 .
Attributed works:
20. Candlestick, one of a small-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
21. Candlestick, one of a medium-sized pair, by Friedrich Schmidt and workshop. c.1678. Amber, ivory and wood. (Museo degli Argenti, Florence; © Su concessione del Ministero della Cultura – Gallerie degli Uffizi, Tesoro dei Granduchi).
Attributed works:
22. Altar with Crucifixion group, by the workshop of Friedrich Schmidt, c.1678. Amber, ivory and wood, height 78 cm. (Schloss Weißenstein, Pommersfelden; from A. Rohde: Bernstein: Ein deutscher Werkstoff, Berlin 1937, fig.214).
Attributed works:
23 and 24. Reliquary by Friedrich Schmidt and workshop. c.1678. Amber, ivory, glass, wood and silver, 32 by 49.5 by 24.2 cm. (Convento di Santa Chiara, Naples; photograph © Marco Pedicini, courtesy the Central Directorate for Religious Affairs and for the Administration of the Fondo Edifici di Culto of the Ministry of the Interior).
Attributed works:
25. Candlestick, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory and wood, height 28 cm. (Museo di Capodimonte, Naples; © Su concessione del Ministero della Cultura – Museo e Real Bosco di Capodimonte).
Attributed works:
26. Altar, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and wood, height 31 cm. (Museum of Fine Arts, Boston; photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
27. Detail of the altar in Fig.28, showing a verre églomisé panel from the right side.
Attributed works:
28. St Casimir, by the Władysław Łazarski printing house. Early 20th-century reprint of an 18th-century woodblock print, 34 by 24 cm. (Częstochowa Museum; © Muzeum Częstochowskiego).
Attributed works:
29. Detail of the top of the altar in Fig.26.
Attributed works:
3. The interior of the altar illustrated in Fig.1.
Attributed works:
4. Detail of the altar illustrated in Fig.1, showing a verre églomisé panel.
Attributed works:
5. Detail of the altar illustrated in Fig.1, showing the inscription on the book.
Attributed works:
6 and 7. Details of an altar with Crucifixion group, by the workshop of Friedrich Schmidt. c.1678. Amber, ivory, glass and silver, height 45 cm. (© Muzeum Bursztynu, Malbork; on permanent loan from Muzeum Okręgowe, Tarnów).
Attributed works:
8. Altar, attributed to the workshop of Friedrich Schmidt. After 1678. Amber, ivory and wood, 53 by 36 by 23 cm. (Ostpreussisches Landesmuseum, Lüneburg; © Ostpreußisches Landesmuseum Lüneburg, Deutschbaltische Abteilung).
Attributed works:
9. Detail of the left side of the casket in Figs.13 and 14.
Book Review
Iconophilia: Politics, Religion, Preaching, and the Use of Images in Rome, c.680–880
01/2022 | 1426 | 164
Pages: 84-85
related names
Reviewer:
Hamburger, Jeffrey (Hamburger, Jeffrey)
Subjects
places:
Reviewed Items
subjects:
Iconophilia: Politics, Religion, Preaching, and the Use of Images in Rome, c.680–880 By Francesca Dell’Acqua. 444 pp. incl. 32 col. + 103 b. & w. ills. (Routledge, London and New York, 2020), £130. ISBN 978–0–415–79372–8. | :
Illustrations
Western art unattributed:
2. Theotokos and Pope Paschal I, detail from the apse, S. Maria in Domnica, Rome. 818–19. Mosaic. (Photograph Francesca Dell’Acqua).
Article
The Victorian high-altar reredos in St Paul’s Cathedral, London
08/2020 | 1409 | 162
Pages: 646-657
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The high-altar reredos in St Paul’s Cathedral, London, designed by Thomas Garner and made by Farmer and Brindley. 1888. Photograph by A.F. Kersting, c.1939. (© The Courtauld Institute of Art, London).
Attributed works:
10–12. Angels, by Attilio and Furio Piccirilli for Farmer and Brindley. c.1887. Marble with gilding and imitation rosso antico marble, each 73 by 40 cm. (Private collections; courtesy Bonhams).
Attributed works:
13. The Jesus Chapel, St Paul’s Cathedral, London. Photograph, c.1900. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
14. The high altar, St Paul’s Cathedral, London, following bomb damage. Photograph by Arthur Cross and Fred Tibbs, 1940. (London Metropolitan Archives).
Attributed works:
15. Cherubs, by Farmer and Brindley. c.1887. Marble with gilding. Each 107 by 61 cm. (Private collection; photograph Christie’s).
Attributed works:
2. The nave of St Paul’s Cathedral, looking east. 1870s. Photograph by London Stereoscopic Company. (Mary Evans Picture Library).
Attributed works:
3. The altar in the chapel, Temple Newsam, Yorkshire, by Bodley and Garner. 1877. Photograph, 1948. (Leeds Libraries, www.leodis.net).
Attributed works:
4. Model of a proposed reredos for St Paul’s Cathedral, London, by Charles Hopson after a design by Christopher Wren. c.1696. Oak, 119.3 by 91.4 by 62.5 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
5. Sir Christopher Wren’s altar piece, a study for the completion of the apse of St Paul’s, by F.C. Penrose. c.1860. Watercolour, 96 by 56 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
6. Design for the high-altar reredos, St Paul’s Cathedral, London, by Thomas Garner. c.1885. Pencil, pen and ink on paper, 56 by 35.3 cm. (St Paul’s Cathedral Library; © The Chapter of St Paul’s Cathedral).
Attributed works:
7. Virgin and Child, by Jean Guillemin for Farmer and Brindley. c.1887. Marble, 142 by 58 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
8. Christ, by Jean Guillemin for Farmer and Brindley. c.1887. The cross was added after 1950. Marble, height 196 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
9. St Paul, by Farmer and Brindley. c.1887. Marble, height 138 cm. (Private collection; photograph Sotheby’s, London).
Book Review
Early Rubens. Edited by Sasha Suda and Kirk Nickel
09/2019 | 1398 | 161
Pages: 786-787
related names
Reviewer:
Weller, Dennis P. (Weller, Dennis P.)
Subjects
dates:
places:
Illustrations
Attributed works:
4. Massacre of the innocents, by Peter Paul Rubens. c.1610. Oil on panel, 142 by 183 cm. (Art Gallery of Ontario, Toronto).
Article
Philip and Peter Paul Rubens in Rome: newly discovered documents concerning their early careers
02/2019 | 1391 | 161
Pages: 120-127
related names
Author:
Paolini, Cecilia (Paolini, Cecilia)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Philip Rubens, by Peter Paul Rubens. c.1610–11. Panel, 68.6 by 52.7 cm. (Detroit Institute of Arts).
Attributed works:
2. Laocoön and his sons, by Peter Paul Rubens. Black chalk and bistre on paper, 47.5 by 47.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
3. Bust of Seneca, by Cornelis Galle after Peter Paul Rubens. Engraving, 30.9 by 19 cm. From L. Annaei Senecae philosophi opera by Justus Lipsius, 2nd ed., Antwerp 1615. (The British Museum, London).
Attributed works:
4. The crowning with thorns, by Peter Paul Rubens. 1602. Panel, 224 by 180 cm. (Cathedral of Notre-Dame-du-Puy, Grasse, Bridgeman Images).
Attributed works:
5. Archduke Albert VII of Austria, by Peter Paul Rubens. c.1618. Canvas, 105 by 74 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
6. Opposite Peter Paul Rubens, Philip Rubens, Justus Lipsius and Joannes Woverius (‘The Four Philosophers’), by Peter Paul Rubens. c.1611–12. Panel, 164 by 139 cm. (Palazzo Pitti, Florence).
Book Review
David Jones: Engraver, Soldier, Painter, Poet. By Thomas Dilworth
01/2019 | 1390 | 161
Pages: 95-96
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
dates:
media:
places:
Exhibition Review
Resplendent Illuminations: Books of Hours from the 13th to the 16th Century in Quebec Collections. Montreal Museum of Fine Arts
12/2018 | 1389 | 160
Pages: 1045-1047
related names
Reviewer:
Herman, Nicholas (Herman, Nicholas)
Subjects
art literature:
dates:
places:
Illustrations
Western art unattributed:
10. St Helena and the invention of the True Cross, Southern Germany. c.1520. Parchment, 11 by 8 cm. (McGill University Library, Montreal, MS 162; exh. Montreal Museum of Fine Arts; photograph Gregory Houston).
Western art unattributed:
11. Woman reading in a studiolo, leaf from a book of hours, Venice or Padua (?). c.1375. Parchment, tempera, gold leaf and ink on six pieces of parchment mounted on paper, 14 by 9.5 cm. (Montreal Museum of Fine Arts, inv. no.1957.1368; photograph MMFA, Christine Guest).
Western art unattributed:
9. Arrest of Christ and the kiss of Judas, Augsburg. c.1235–50. Parchment, 13.5 by 9 cm. (McGill University Library, Montreal, MS 161; exh. Montreal Museum of Fine Arts).
Book Review
On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court. By Erin Griffey
12/2018 | 1389 | 160
Pages: 1070-1071
related names
Reviewer:
Serres, Karen (Serres, Karen)
Subjects
places:
Illustrations
Attributed works:
3. Queen Henrietta Maria with Sir Jeffrey Hudson, by Anthony van Dyck. 1633. Canvas, 219.1 by 134.8 cm. (National Gallery of Art, Washington).
Book Review
Gothic Revival Worldwide: A. W. N. Pugin’s Global Influence. Edited by Timothy Brittain-Catlin, Jan De Maeyer and Martin Bressani
12/2018 | 1389 | 160
Pages: 1078
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