Henri Vever: Champion de l’Art nouveau
By Willa Z. Silverman. 392 pp. incl. numerous
col. + b. & w. ills. (Armand Colin, Paris, 2018),
37.50. ISBN 978–2–200–61941–1. |
:
Illustrations
Attributed works:
4. Sorcerer’s necklace (‘Les Sorcières’),
designed by Eugène-Samuel Grasset and
produced by Maison Vever. 1900. Gold, enamel,
carnelian and chrysoprase, 14.6 by 4.76 cm.
(Virginia Museum of Fine Arts, Richmond).
Book Review
Une théorie universelle au milieu du XIXe siècle: La ‘Grammar of Ornament’ d’Owen Jones. By Ariane Varela Braga
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
62. Poster design for Champagne Codorníu, by Ramon Casas. 1898. Pen and ink, conté crayon, watercolour and pastel on paper, 129 by 197 cm. (Casa Codorníu, Sant Sadurní d’Anoia (Alt Penedès); exh. Van Gogh Museum, Amsterdam)
Attributed works:
63. Dressing table from the Palau Güell, designed by Antoni Gaudí. c.1889. Mahogany, brass and mirror glass, 120 by 130 by 65 cm. (Güell family, Barcelona; exh. Van Gogh Museum, Amsterdam)