• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
15 articles
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
08/2018 | 1385 | 160
Pages: 681-684
Subscribe to read
related names
Reviewer:
Donnelly, Max (Donnelly, Max)
Subjects
artists:
Mackintosh, Charles Rennie / Thomson, Alexander / McNair, James Herbert / Macdonald, Frances / Macdonald, Margaret, 1865-1933 / Lutyens, Edwin Landseer / King, Jessie Marion / Logan, George / Walton, George
artists:
Newbery, Francis H. / Davidson, Peter Wylie / Morton, William Gibson / Wyse, Henry Taylor / Morris, Talwin / Salmon, James II / Gillespie, John Gaff
buildings:
Glasgow School of Art, Glasgow, Great Britain
dates:
2010-2019
media:
Architecture / Interiors / Furniture / Stained glass / Mosaics / Drawings / Posters / Watercolours / Textiles / Ceramics / Bookbindings / Videos / Photographs
museums and institutions:
Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Walker Art Gallery, Liverpool, Great Britain
places:
Great Britain / Glasgow / Liverpool
subjects:
Scottish architecture / British architecture / Art Nouveau / Natural disasters / Destruction / Damage to works of art / Symbolist movement / Tables (support furniture) / Screens (furniture) / Cabinets (furniture) / Metalworking / Metalworkers / Celtic / Chairs
Illustrations
Attributed works:
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Exhibition Review
Glasgow International. Various locations
07/2018 | 1384 | 160
Pages: 599-601
Subscribe to read
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
art literature:
Obrist, Hans-Ulrich
artists:
Himid, Lubaina / Jane, E. / Pandhal, Hardeep / Eatough, Graham / Sutcliffe, Stephen / Peter, Mick / Leckey, Mark / Kiwanga, Kapwani / Shani, Tai / Nicoll, Janie / Rutherford, Ailie / Ottinger, Ulrike / Ferrer, Esther / Linder / Fields, Duggie / Fields, Duggie
dates:
2010-2019
media:
Paintings / Sculpture / Videos / Mixed media / Installations (visual works) / Performance art / Ceramics / Art objects
museums and institutions:
Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Kelvin Hall, Glasgow, Great Britain / Tramway, Glasgow, Great Britain / Centre for Contemporary Arts, Glasgow, Great Britain / Trongate 103, Glasgow, Great Britain / Platform, Glasgow, Great Britain / Glasgow Project Room, Glasgow, Great Britain / Many Studios, Glasgow, Great Britain / Hunterian Museum and Art Gallery, Glasgow, Great Britain
places:
Great Britain / Glasgow
subjects:
Glasgow International / Conceptual art / Gender / Race / Class / Politics / Feminism / Theatre design / Literature in art
subjects:
Science fiction / Cultural tourism / Colonialism / Postcolonialism
Illustrations
Attributed works:
31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).
Attributed works:
32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).
Attributed works:
33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).
Exhibition Review
Glasgow International. Glasgow
07/2016 | 1360 | 158
Pages: 574-576
Subscribe to read
related names
Reviewer:
Vasey, George (Vasey, George)
Subjects
artists:
Henderson, Tamara / Boyce, Martin, b. 1967 / Hicks, Sheila / Bircken, Alexandra, b. 1967 / Rottenberg, Mika, b. 1976 / Barclay, Claire, b. 1968 / Johnson, Helen, b. 1979 / Bonin, Cosima von / Takala, Pilvi, b. 1981
dates:
2010-2019
museums and institutions:
Tramway, Glasgow, Great Britain / Kelvin Hall, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / The Albus, Glasgow, Great Britain
museums and institutions:
Mitchell Library, Glasgow, Great Britain / Centre for Contemporary Arts, Glasgow, Great Britain
places:
Scotland / Glasgow
subjects:
Reviews / Exhibitions
subjects:
Glasgow International
Illustrations
Attributed works:
58. Installation view of Seasons End, by Tamara Henderson. 2016 (Courtesy of the artist and Rodeo; exh. Mitchell Library, Glasgow)
Attributed works:
59. The Mighty Mathilde and Her Consort, by Sheila Hicks. 2016 (Courtesy of the artist and Alison Jacques Gallery; exh. Tramway, Glasgow)
Attributed works:
60. Installation view of Bright Bodies, by Claire Barclay. 2016 (Courtesy of the artist and Stephen Friedman Gallery; exh. Mitchell Library, Glasgow)
Book Review
Glasgow Museums: The Italian Paintings
05/2013 | 1322 | 155
Pages: 331-332
Subscribe to read
related names
Reviewer:
Scrase, David (Scrase, David)
Subjects
museums and institutions:
Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Burrell Collection, Glasgow, Great Britain
museums and institutions:
Pollock House, Glasgow, Great Britain
subjects:
Italian painting / Collections, Public / Catalogues
Article
Rediscovering an altarpiece by Bartolomeo Montagna for the parish church of Sandrigo, Vicenza
06/2011 | 1299 | 153
Pages: 379-382
Subscribe to read
related names
Author:
Consavari, Elizabeth Carroll (Consavari, Elizabeth Carroll)
Subjects
artists:
Montagna, Bartolomeo
dates:
1490-1499
museums and institutions:
Kelvingrove Art Gallery and Museum, Glasgow, Great Britain
places:
Venice / Veneto / Vicenza
print:
Montagna, Bartolomeo
subjects:
Altarpieces / Italian painting / Archives / Provenance / Collections, Public / Dating
Illustrations
Attributed works:
22. The drunkenness of Noah, by Bartolomeo Montagna. c.1482. Pen and brown ink, blue and purple wash over traces of black chalk on vellum, 22.8 by 35.7 cm. (Morgan Library, New York).
Attributed works:
23. The Virgin and Child with Sts James and Philip, by Bartolomeo Montagna. c.1492. Panel, 183 by 151 cm. (Glasgow Museums).
Attributed works:
24. The Virgin and Child with Sts Anthony of Padua and John the Evangelist, by Bartolomeo Montagna. c.1480. Tempera on panel transferred to canvas, 200 by 170 cm. (Church of Castello di S. Giovanni Ilarione, Verona).
Attributed works:
25. The Virgin and Child with Sts Andrew, Monica, Ursula, Sigismund and three musical angels, by Bartolomeo Montagna. 1499. Canvas, 410 by 260 cm. (Pinacoteca di Brera, Milan).
Attributed works:
26. The Virgin and Child with Sts Francis and Bernardino of Siena, by Bartolomeo Montagna. Before 1490. Panel, 215 by 166 cm. (Pinacoteca di Brera, Milan).
Letter
A visit to Kelvingrove
07/2008 | 1264 | 150
Pages: 477-478
Subscribe to read
related names
Author:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
museums and institutions:
Kelvingrove Art Gallery and Museum, Glasgow, Great Britain
print:
Collections, Public / Glasgow / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain
print:
Museum policy
subjects:
Collections, Public / Displays / Galleries (display spaces)
subjects:
Museum policy
Illustrations
Western art unattributed:
51. Flip-chart labels on either side of Charles Camoin’s Place de Clichy, Paris, Kelvingrove Museum and Art Gallery, Glasgow, 2008.
Western art unattributed:
52. Italian Renaissance gallery, Kelvingrove Museum and Art Gallery, Glasgow, 2008.
Western art unattributed:
53. A Zadkine bronze in a hands-on environment, Kelvingrove Museum and Art Gallery, Glasgow, 2008.
Western art unattributed:
54. Art Discovery Centre, Kelvingrove Museum and Art Gallery, Glasgow, 2008.
Article
The fate of Mary Shelley’s ‘Titian’
03/2008 | 1260 | 150
Pages: 173-181
Subscribe to read
related names
Author:
Brown, Beverly Louise (Brown, Beverly Louise)
Subjects
artists:
Titian / Bonifacio de'Pitati
artists:
Anderloni, Pietro
collectors and dealers:
Shelley, Mary
museums and institutions:
National Gallery, London, Great Britain / Pinacoteca di Brera, Milan, Italy / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Musée du Louvre, Paris, France
print:
Titian
print:
Shelley, Mary
subjects:
Jesus Christ: and the woman taken in adultery / Acquisitions / Collections, Public / Identification / Correspondence / Museum policy
subjects:
Provenance
Illustrations
Attributed works:
21. Woman taken in adultery, by Titian. c.1508–10. Canvas, 139.2 by 181.7 cm. (Kelvingrove Art Gallery and Museum, Glasgow)
Attributed works:
22. Woman taken in adultery, by Pietro Anderloni after a painting attributed to Titian. 1821. Engraving, 51.2 by 69.1 cm. (British Museum, London)
Attributed works:
23. Moses and the daughters of Jethro, by Pietro Anderloni after a painting attributed to Nicolas Poussin. 1819. Engraving, 51.4 by 68.5 cm. (British Museum, London)
Attributed works:
24. Moses and the daughters of Jethro, by Nicolas Colombel?. c.1680. Canvas, 248 by 356 cm. (Raccolte Civiche Milanesi, Milan). From an old photograph
Attributed works:
25. Woman taken in adultery, by Bonifacio de’ Pitati. c.1538–40. Canvas, 175 by 340 cm. (Pinacoteca di Brera, Milan)
Attributed works:
26. Woman taken in adultery, by Luigi Bridi after a painting attributed to Palma Vecchio. 1812. Engraving, 14.3 by 25.4 cm. From R. Gironi: Pinacoteca del Palazzo Reale delle Scienze e delle Arti di Milano. (British Library, London)
Attributed works:
27. Woman taken in adultery, by Polidoro da Lanciano. c.1545–50. Canvas, 163 by 202 cm. (Szépmûvészeti Múzeum, Budapest)
Attributed works:
28. Woman taken in adultery, by Antonio Palma. c.1550–60. Canvas, 102 by 198 cm. (Location unknown, sold Christie’s, London, 11th February 1966)
Attributed works:
29. Woman taken in adultery, here attributed to Antonio Palma. c.1550–60. Canvas, 181 by 335 cm. (Musée du Louvre, Paris)
next
load more