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43 articles
Book Review
Inside the Spiral: The Passions of Robert Smithson
10/2023 | 1447 | 165
Pages: 1162–1163
related names
Reviewer:
Williams, Richard J. (Williams, Richard J.)
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Reviewed Items
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Inside the Spiral: The Passions of Robert Smithson By Suzaan Boettger. 440 pp. incl. 30 col. + 90 b. & w. ills. (University of Minnesota Press, Minneapolis, 2023), $140. ISBN 978–1–5179–1353–3. | :
Illustrations
Attributed works:
7. Man of sorrow (the passionate), by Robert Smithson. 1960. Oil on canvas, 197.3 by 120.6 cm. (Holt/Smithson Foundation and Artists Rights Society, New York; private collection).
Article
Van Gogh as mentally ill: his contested Oslo self-portrait
02/2020 | 1403 | 162
Pages: 88-101
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Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Pilz, Kathrin (Pilz, Kathrin)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
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Illustrations
Attributed works:
1. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 51.5 by 45.2 cm. (National Gallery, Oslo).
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10. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 40 by 31 cm. (Private collection).
Attributed works:
11. Madame Roulin and her baby, by Vincent van Gogh. 1888. Canvas, 63.5 by 51 cm. (Robert Lehman Collection, the Metropolitan Museum of Art, New York).
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12. Undergrowth, by Vincent van Gogh. 1889. Oil on canvas, 49 by 64.3 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
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13. Image of Fig.1, superimposed with the X-radiograph, illustrating the initial outlines of the head, neck, shoulder, ear and lapel (with thanks to Heleen van Driel).
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14. Detail of the upper right edge of Fig.1, showing the paint to be less discoloured around the edges than in the picture plane.
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15. Micrograph of Fig.1 in raking light, showing the brushed texture of the paint in the lapel, partly flattened with a palette knife.
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16. Self-portrait as a ‘bonze’, by Vincent van Gogh. 1889. Oil on canvas, 61.5 by 50.3 cm. (Harvard Art Museums/Fogg Museum, Cambridge MA; bequest from the collection of Maurice Wertheim).
Attributed works:
17. Portrait of Peter Altenberg, by Max Oppenheimer. 1910. Whereabouts unknown. (From W. Michel: Max Oppenheimer, Munich 1911, p.3).
Attributed works:
18. The Arlésienne (Portrait of Marie-Julien Ginoux), by Vincent van Gogh. 1890. Oil on canvas, 60 by 50 cm. (Galleria Nazionale d’Arte Moderna, Rome).
Attributed works:
19. Entrance to a quarry, by Vincent van Gogh. 1889. Oil on canvas, 60 by 74.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
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2. Self-portrait with bandaged ear and pipe, by Vincent van Gogh. 1889. Oil on canvas, 51 by 45 cm. (Private collection).
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20. Peter Altenberg, by Oskar Kokoschka. 1909. Oil on canvas, 76 by 71.5 cm. (Private collection, courtesy of Neue Gallery, New York).
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3. Armand Roulin, by Vincent van Gogh. 1888. Oil on canvas, 65 by 54 cm. (Museum Boijmans Van Beuningen, Rotterdam).
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4. Self-portrait, by Edvard Munch. 1886. Oil on canvas, 33 by 24.5 cm. (National Museum, Oslo).
Attributed works:
5. and 6. Photograph of Fig.1 and its reverse, with an annotation by Eugène Blot: ‘Portrait de Van Gogh / oreille mutilée’. c.1909. (Cassirer-Archive, Zurich).
Attributed works:
7. Portrait of Vincent van Gogh, formerly attributed to Van Gogh. 1925– 28. Oil on canvas, 59.1 by 47.5 cm. (National Gallery of Art, Washington).
Attributed works:
8. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 57.8 by 44.5 cm. (National Gallery of Art, Washington).
Attributed works:
Opposite 9. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 65 by 54 cm. (Musée d’Orsay, Paris).
Exhibition Review
Bruce Nauman: Disappearing Acts. Museum of Modern Art and MoMA PS1, New York
02/2019 | 1391 | 161
Pages: 140-143
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
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Illustrations
Attributed works:
1. Contrapposto studies, i through vii, by Bruce Nauman. 2015–16. Seven-channel video (© 2018 Bruce Nauman; Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
2. Still from Green horses, by Bruce Nauman. 1988. Video installation (© 2018 Bruce Nauman; Albright-Knox Art Gallery, Buffalo NY, and the Whitney Museum of American Art, New York; exh. MoMA PS1, New York).
Attributed works:
3. Sheet lead, by Bruce Nauman. 1966. Pencil, 27.9 by 21.6 cm. (© 2018 Bruce Nauman; Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; exh. MoMA PS1, New York).
Attributed works:
4. Wax impressions of the knees of five famous artists, by Bruce Nauman. 1966. Fibreglass and polyester resin, 39.7 by 216.5 by 7 cm. (© 2018 Bruce Nauman; San Francisco Museum of Modern Art; exh. Museum of Modern Art, New York).
Book Review
Jasper Johns: Pictures within Pictures,1980–2015. By Fiona Donovan
02/2019 | 1391 | 161
Pages: 175-176
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Reviewer:
Costello, Eileen (Costello, Eileen)
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Illustrations
Attributed works:
7. Untitled, by Jasper Johns. 1983–84. Black and coloured ink on plastic, 72.5 by 92.4 cm. (Collection of the artist).
Book Review
Nature’s Experiments and the Search for Symbolist Form. By Allison Morehead
01/2019 | 1390 | 161
Pages: 94-95
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Reviewer:
Thomson, Belinda (Thomson, Belinda)
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Illustrations
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6. Study for Décor, by Maurice Denis. c.1890–91. Charcoal and pastel on paper, 31.2 by 24.7 cm. (Private collection).
Book Review
David Jones: Engraver, Soldier, Painter, Poet. By Thomas Dilworth
01/2019 | 1390 | 161
Pages: 95-96
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Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
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Book Review
The End Again: Degeneration and Visual Culture in Modern Spain. By Oscar E. Vázquez
09/2018 | 1386 | 160
Pages: 804-805
Book Review
Material, Technik, Ästhetik und ­Wissenschaft der Farbe 1750–1850, A. Pietsch
09/2015 | 1350 | 157
Pages: 634
related names
Reviewer:
Kern, Ulrike (Kern, Ulrike)
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Article
A Darwinian source for Odilon Redon’s Plate XVIII from ‘The Temptation of St Anthony’
04/2015 | 1345 | 157
Pages: 263-265
related names
Author:
Einecke, Claudia (Einecke, Claudia)
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Illustrations
Attributed works:
40. Antoine / Quel est le but de tout cela? / Le Diable / Il n'y a pas de but!, by Odilon Redon. Plate XVIII from The Temptation of St Anthony (Fitzwilliam Museum, Cambridge)
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