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22 articles
Book Review
David Jones: Engraver, Soldier, Painter, Poet. By Thomas Dilworth
01/2019 | 1390 | 161
Pages: 95-96
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related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
Jones, David, 1895-1974
dates:
1900-1999
media:
Paintings
patrons:
Sutherland, Helen / Clark, Kenneth
places:
Great Britain
subjects:
British painting / Poetry / Artists' writings / Psychology / World War (1914-1918) / Catholicism / Patronage / Competitions / Biographies / Writings / Interviews
Editorial
Civilisation(s)
04/2018 | 1381 | 160
Pages: 274
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Subjects
art literature:
Beard, Mary
art literature:
Olusoga, David
art literature:
Ruskin, John
art literature:
Clark, Kenneth
art literature:
Nicolson, Benedict (B. N)
art literature:
Schama, Simon
dates:
2010-2019 / 1960-1969
subjects:
Editorials / Television / Documentaries / Civilisation / Cultural history / Natural disasters
works:
Apollo Belvedere
Book Review
My Dear BB . . . : The Letters of Bernard Berenson and Kenneth Clarke, 1925–1959. Edited and annotated by Robert Cumming
08/2017 | 1373 | 159
Pages: 647-648
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related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
art literature:
Berenson, Bernard / Clark, Kenneth
dates:
1920-1929 / 1930-1939 / 1940-1959
subjects:
Art historians / Correspondence
Article
Kenneth Clark at Tate Britain
08/2014 | 1337 | 156
Pages: 503-506
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related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
art literature:
Clark, Kenneth
dates:
2010-2019
museums and institutions:
Tate Britain, London, Great Britain
places:
London / England
subjects:
Biographies / Exhibitions / Collecting / Art critics / Art historians / Museum directors
subjects:
Reviews
Illustrations
Attributed works:
1. Bec du Hoq, by Georges Seurat (Tate, on loan to the National Gallery, London; exh. Tate Britain, London)
Attributed works:
2. Madonna and Child, by Giovanni Bellini (Ashmolean Museum, Oxford; exh. Tate Britain, London)
Attributed works:
3. On the map, by William Coldstream (Tate Britain, London)
Attributed works:
4. Devastation 1941: City, twisted girders, by Graham Sutherland (Ferens Art Gallery, Hull; exh. Tate Britain, London)
Editorial
Kenneth Clark
05/2014 | 1334 | 156
Pages: 291-292
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Subjects
art literature:
Clark, Kenneth
dates:
2010-2019
museums and institutions:
Tate Britain, London, Great Britain
subjects:
Editorials / Exhibitions / Art historians / Gallery directors / Collectors
Illustrations
Attributed works:
I. Kenneth Clark in the late 1930s. Photograph by Gerty Simon. Behind him is Renoir's Baigneuse blonde, which he owned
Article
The visual arts in the BBC’s ‘The Listener’, 1929–39
09/2013 | 1326 | 155
Pages: 606-611
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related names
Author:
Rose, Sam (Rose, Sam)
Subjects
art literature:
Fry, Roger (R. F.; R. E. F.) / Barton, J. E. / Bertram, Anthony / Constable, W. G. / Clark, Kenneth / Read, Herbert (H. R.) / Blunt, Anthony (A. B.; A. F. B) / Holmes, Charles John / Saxl, Fritz / Gombrich, E. H. / Casson, Stanley / Newton, Eric / Nash, Paul / Wilenski, R. H. / Hinks, Roger
art literature:
Lambert, R.S.
dates:
1920-1929 / 1930-1939
museums and institutions:
British Broadcasting Corporation, Great Britain
subjects:
Magazine covers / Articles / Lectures / Art theory / Art criticism / Artists' writings / Art history / Art education / Taste (aesthetics) / Aesthetics
subjects:
Modern Art
subjects:
Periodicals
Illustrations
Attributed works:
18. 'Round the Art Exhibitions', with illustrations of works by René Magritte, Desmond Harmsworth and Tristram Hillier. The Listener 19 (13th April 1938), p. 801
Attributed works:
19. 'Christopher Wood', article by John Piper. The Listener 7 (20th April 1932), p.571
Attributed works:
20. 'Rehousing in Big Cities - Outwards or Upwards?', article by Walter Gropius. The Listener 11 (16th May 1934), p.814
Attributed works:
21. Front cover illustration for 'Signs', article by Paul Nash. The Listener 16 (11th November 1936)
Attributed works:
22. 'The Meaning of Art: An Introduction for the Plain Man', article by Herbert Read. Supplement No.1, The Listener 2 (25th September 1929), pp.ii-vii
Attributed works:
23. Advertisement for 'Modern Art', by J.E. Barton, a BBC booklet accompanying six broadcast talks by the author. The Listener 7 (16th March 1932), p.vii
Attributed works:
24. 'Artist and his Public: Medium and Craftsmanship', article by Eric Newton, with illustrations of sculpture by Jacob Epstein and Henry Moore. The Listener 13 (6th February 1935), p.241
Western art unattributed:
25. Front cover illustration for Anthony Bertram's 'Design' series of broadcast talks. The Listener 18 (6th October 1937)
Article
Kenneth Clark and Gertrud Bing: letters on ‘The Nude’
08/2011 | 1301 | 153
Pages: 530-531
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related names
Author:
Sears, Elizabeth (Sears, Elizabeth)
Subjects
art literature:
Clark, Kenneth / Bing, Gertrud
dates:
1950-1959
museums and institutions:
Warburg Institute, London, Great Britain
print:
Clark, Kenneth
print:
Bing, Gertrud
subjects:
Correspondence / Art historians / Archives
Article
The pointillist and the past: three English views of Seurat
12/2010 | 1293 | 152
Pages: 799-803
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related names
Author:
Ireson, Nancy (Ireson, Nancy)
Subjects
art literature:
Fry, Roger (R. F.; R. E. F.) / Clark, Kenneth / Blunt, Anthony (A. B.; A. F. B)
artists:
Seurat, Georges
print:
Seurat, Georges
subjects:
French painting / Pointillism / Exhibitions / Critical Reception
subjects:
Writings / Art criticism / Art critics / Art historians / English / British
subjects:
Post-Impressionism
Illustrations
Attributed works:
25. The lighthouse at Honfleur, by Georges Seurat. 1886. Canvas, 65 by 81 cm. (National­ Gallery of Art, Washington).
Attributed works:
26. Lucerne at St Denis, by Georges Seurat. 1885. Canvas, 65 by 81 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
27. The models, by Georges Seurat. c.1887–88. Canvas, 200 by 250 cm. (Barnes Foundation, Merion).
Attributed works:
28. Young woman powdering herself, by Georges Seurat. c.1889–90. Canvas, 94.2 by 79.5 cm. (Courtauld Gallery, London).
Attributed works:
29. The forest at Pontaubert, by Georges Seurat. 1881. Canvas, 78 by 63 cm. (Metropolitan Museum of Art, New York).
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