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19 articles
Book Review
I Gaddi da pittori a uomini di governo: Ascesa di una famiglia nella Firenze dei Medici (Biblioteca storica Toscana, ser. I, vol.79)
12/2021 | 1425 | 163
Pages: 1205-1206
related names
Reviewer:
Cadogan, Jean K. (Cadogan, Jean K.)
Subjects
Reviewed Items
subjects:
I Gaddi da pittori a uomini di governo: Ascesa di una famiglia nella Firenze dei Medici (Biblioteca storica Toscana, ser. I, vol.79) By Daniele Giusti. 260 pp. (Olschki, Florence, 2020), €32. ISBN 978–88–222–6662–0. | :
Article
Mapping gold leaf in Gentile da Fabriano’s paintings: a case study
12/2019 | 1401 | 161
Pages: 988-995
related names
Author:
Llewellyn, Laura (Llewellyn, Laura)
Author:
MacLennan, Douglas (MacLennan, Douglas)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Coronation of the Virgin, by Gentile da Fabriano, c. 1420. Tempera and gold leaf on panel, 93 x 64.1 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
2. Madonna and Child enthroned, by Gentile da Fabriano. c.1420. Tempera on poplar panel, 95.7 by 56.5 cm. (Samuel H. Kress Collection, National Gallery of Art, Washington). The blue outline represents the scanned region.
Attributed works:
3. Corrected gold (AuL [9.712keV]) MA-XRF element distribution map of the scanned region of Fig.1. Scanning parameters: 37kV, 1000 μA, spotsize Ø1mm, 25mm/sec scan rate, 40ms/pixel dwell time. MA-XRF image collected and processed by John K. Delaney and Kathryn Dooley, National Gallery of Art, Washington.
Attributed works:
4. Detail of Fig.5.
Attributed works:
5. Nativity, by Gentile da Fabriano. c.1420–22. Tempera and gold leaf on panel, 72.1 by 42.6cm. (J. Paul Getty Museum, Los Angeles). The blue outline represents the scanned region.
Attributed works:
6. Corrected gold (AuL [9.712keV]) MA-XRF element distribution map of the scanned region of Fig.5. Scanning parameters: 50kV, 600A, spotsize Ø450m, 33mm/sec scan rate, 15ms/pixel dwell time.
Attributed works:
7. The painting illustrated in Fig.1. The blue outline represents the scanned region.
Attributed works:
8. Corrected gold (Au Lα [9.712 keV]) MA-XRF element distribution map of the scanned region of Fig.7. Scanning parameters: 50 kV, 600 μA, spot size Ø 530 μm, 66.3 mm/sec scan rate, 8 ms/pixel dwell time.
Article
The Art of Conservation: IX, The history of painting conservation at the Yale University Gallery
02/2017 | 1367 | 159
Pages: 122-131
related names
Author:
Aronson, Mark (Aronson, Mark)
Author:
McClure, Ian (McClure, Ian)
Author:
Passeri, Irma (Passeri, Irma)
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
45. The lamentation over the dead Christ, by Taddeo Gaddi. c.1335-40 (Yale University Art Gallery, New Haven)
Attributed works:
46. Fig.45 after cleaning in 1954
Attributed works:
47. Hypothetical reconstruction of Fig.45 after the 1954 cleaning
Attributed works:
48. Detail of Fig.45 showing the cross-hatched visible inpainting technique used by Andrew Petryn in 1954
Attributed works:
49. The Virgin and Child enthroned with four saints, by Ugolino di Nerio. c.1305-10. Photographed in 1912 after Icilio Federico Ioni's restoration (Yale University Art Gallery, New Haven)
Attributed works:
50. Fig.49, c.1953
Attributed works:
51. Fig.49 after Andrew Petryn's restoration in 1954-55 where he used a neutral colour for the large losses and a cross-hatched technique in areas of loss that were reconstructed
Attributed works:
52. Fig.49 after restoration in 1968
Attributed works:
53. Fig.49 after restoration in 2006-07
Attributed works:
54. The Virgin and Child with Sts Vincent Ferrer and Jerome, by Piero di Cosimo. c.1510-15. Conservation state of the altarpiece in 1928 (Yale University Art Gallery, New Haven)
Attributed works:
55. Fig.54 after restoration in 1957-59
Attributed works:
56. Detail of Fig.54, showing the original paint layer in remarkably good condition on the stone base of the throne after removal of multiple layers of oil-based overpaint. The foreground was cleaned by Petryn in 1957-59
Attributed works:
57. Fig.54 during current restoration with the nineteenth-century top additions removed
Attributed works:
58. Fig.59 after filling, before restoration. Photographed in 2014
Attributed works:
59. Education of the Virgin, attributed to Diego Velázquez. c.1617. After cleaning, varnishing, filling and inpainting of losses in 2014 (Yale University Art Gallery, New Haven)
Book Review
Images-within-Images in Italian Painting (1250–1350). Reality and Reflexivity, P. Bokody
03/2016 | 1356 | 158
Pages: 206-207
related names
Reviewer:
Schmidt, Victor M. (Schmidt, Victor M.)
Subjects
artists:
dates:
Illustrations
Attributed works:
55. Presentation in the Temple, by Ambrogio Lorenzetti. 1342 (Galleria degli Uffizi, Florence)
Publication Received
Il polittico di Taddeo Gaddi in Santa Felicita a Firenze: Restauro, Studi e Ricerche
09/2010 | 1290 | 152
Pages: 622
related names
Reviewer:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Il polittico di Taddeo Gaddi in Santa Felicita a Firenze: Restauro, Studi e Ricerche | editor: Branca, Mirella
Advertisements
Advertisements February 2008 (Front)
02/2008 | 1259 | 150
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Berko Fine Paintings, Knokke-Heist, Belgium, at TEFAF Maastricht 08] Eugène Verboeckhoven. Ram protecting his little family. Oil on board, 79 by 107 cm. Signed and dated lower right: '1847'.
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[David Koetser Gallery, Zürich, at TEFAF Maastricht 08] Jan Miense Molenaer (c.1610-1688). Children drinking and mischief-making. c.1630. Oil on canvas, 51.2 by 67.9 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Bernardo Strozzi (Genoa, 1581-Venice, 1644). St James the Less. Oil on canvas, 85 x 62 cm (33½ x 24 in.).
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris. Exhibiting at: TEFAF, Maastricht, 7-16 March 2008] Domenico Mariolì (Messine, c.1612-1676). Euclid of Megara Dressing as a Woman to go Hear Socrates Teach in Athens. Oil on canvas, 139.5 x 223.5 cm (54 9/10 x 88 in.).
Attributed works:
[Galerie Canesso, Paris, at TEFAF Maastricht 08] Giacomo Francesco Cipper, called Il Todeschini (1664-1736). Peasants dining with a young flute player. Oil on canvas, 144 by 114 cm.
Attributed works:
[Galerie Neuse Kunsthandel GmbH, Contrescape 14, Bremen, Germany] Johann Heinrich Tischbein the Elder (Haina 1722-1789 Kassel). Gamblers at the 'Ridotto' (Palazzo Dandolo, Venice) with a self portrait of Tischbein. Oil on canvas, dim.: 108.6 x 194.9 cm. Literature: Anna-Charlotte Flohr, Johann Heinrich Tischbein d.Ä. (1722-1789) also Porträtmaler, Munich 1977.
Attributed works:
[Johnny van Haeften Ltd., London, at TEFAF Maastricht 08] Jan Brueghel the Elder (1568-1625). Aeneas and the Sybil in the underworld. Signed and dated lower right: '1593'. Oil on copper, 26.4 by 35.3 cm.
Attributed works:
[Kenneth Hurley Fine Art, Suite 1, Hall House, Llanover, Monmouthshire] Lambert de Hondt (before 1620-Malines before 1665)] A Cavalry Train passing through a wooded Landscape. Oil on canvas, 16" x 22" (40.7 x 56 cms). Signed lower left corner.
Attributed works:
[Kunsthandel A.H. Bies B.V., Eindhoven, at TEFAF Maastricht 08] Andreas Schelfhout (1787-1870) On the beach of Scheveningen. Signed and dated lower left: 'A. Schelfhout 46'. Oil on panel, 50.5 by 67.5 cm.
Attributed works:
[Kunsthandel Schlichte Bergen, P.C. Hooftstraat 53, Amsterdam, exhibiting at the European Fine Art Fair, Maastricht, 7-16 March 2008] Carl Maria Nikolaus Hummel (Weimar 1821-1907). A view of the Marmolada in the Dolomites. Oil on canvas, 24 x 51 cm.
Attributed works:
[Moretti Gallery, Piazza degli Ottaviani, 17/r, Firenze, exhibiting at TEFAF Maastricht, March 7-16 2008] Luca Cambiaso (Moneglia, 1527-Madrid, 1585). Fighting Putti. Oil on panel, 53 x 95.5 cm.
Attributed works:
[Moretti, Florence, London and New York, at TEFAF Maastricht 08] Taddeo Gaddi (c.1300-1366). St Anthony Abbot. Panel, 98 by 43 cm.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Claesz. Still life. 1637.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Lastman. Jepta and his Daughter.
Attributed works:
[Noortman, Maastricht, at TEFAF Maastricht 08] Willem van Mieris (1662-1747). A mother attending her children. Signed and dated 1728. Oil on panel, 44.5 by 38.3 cm.
Attributed works:
[Noortman, Vrijthof 49, Maastricht, at TEFAF Maastricht, 7-16 March 2008] Jan Van Huysum (1682-Amsterdam-1749). Flowers in a Terracotta Vase (detail). Oil on panel, 80 x 61 cm. Signed.
Attributed works:
[Otto Naumann, New York, at TEFAF Maastricht 08] Paulus Moreelse (1571-1638). A portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a table. Signed and dated: '1621' and inscribed: 'Aeta Sua[e] 29'. Oil on unlined canvas, 24.5 by 97 cm.
Attributed works:
[Rafael Valls Ltd., London, at TEFAF Maastricht 08] Jan Davidsz. de Heem (1606-1684). A still life with a tazza, a pewter plate and a peeled lemon, a silver-gilt cup and cover and grapes on a table. Signed: 'JDHeem'. Oil on panel, 78.3 by 62.9 cm.
Attributed works:
[Richard L. Feigen & Co., New York, at TEFAF Maastricht 08] Frans Floris (1519/20-1570). Arithmetica (Arithmetic). Signed with monogram and dated, lower center: 'FF.IV.ET.FA./1557'. Oil on canvas, 151.5 by 224.2 cm.
Attributed works:
[Richard L. Feigen & Company, 34 East 69th Street, New York] Vincent van Gogh. Town View of the Hague with the Nieuwe Kerk. Circa 1882. Watercolor, pen and ink on paper.
Attributed works:
[Rijksmuseum, Amsterdam] Frans Hals. Portrait of a couple in a landscape, probably Isaac Abrahamsz. Massa (1586-1643) and Beatrix van der Laen (1592-1639). c.1622. Oil on canvas, 140 x 166.5 cm.
Attributed works:
[Rob Smeets, Milan, at TEFAF Maastricht 08] Johann-Georg De Hamilton (1672-1737). An Arab horse with a groom. Signed and dated: 'J.G. De Ham 1698'. Oil on canvas, 48.5 by 60.5 cm.
Attributed works:
[Salomon Lilian B.V., Spiegelgracht 5, Amsterdam, The Netherlands. Exhibiting at: TEFAF Maastricht, 7-16th March 2008] Edwaert Collier (Breda before 1640-Leiden or Haarlem 1707). A Vanitas Still Life with two Globes, Books, and Inkwell, a Roemer, an Hourglass, Pearls, a Lute and a Pamphlet on a draped Table. Signed and dated 1663, middle left. Oil on canvas, 43 x 51 cm.
Attributed works:
[Salomon Lilian, Amsterdam, at TEFAF Maastricht 08] Balthasar van der Ast (1593/94-1657). A still life of a pewter platter filled with grapes and pears, a Wanli porcelain dish of grapes, peaches, cherries and apricots, a Wanli porcelain vase of flowers, and scattered fruit, flowers and shells on a wooden table. Signed, lower centre. Oil on canvas, 64.1 by 114.3 cm.
Attributed works:
[Venator & Hanstein, Cäcilienstrasse 48, Cologne, Germany] Ovid. L'art d'aimer. 1935. Illustrated by A. Maillol. Binding by Semet & Plumelle.
Advertisements
Advertisements April 1991 (back)
04/1991 | 1057 | 133
Pages: 289-290
Subjects
subjects:
Illustrations
Attributed works:
[Christie's 8 King Street, St James, London] Taddeo Gaddi (c. 1300-1366): The Man of Sorrows, Tempera on Gold Ground Panel, Overall $42frac{3}{8}$ × 23 in. (107.8 × 58.5 cm.). The Centre Panel of the Bromley Davenport Altarpiece, to be Offered with the Flanking Panels of Saints Peter, Francis, Paul and Andrew.
Attributed works:
[Richard Green, 4 New Bond Street, London] Nue allongée sur un canapé - Sonia Speranza. Pastel, Signed in Pencil: 27 × 34½ in/68.5 × 87.5 cm
Book Review
Taddeo Gaddi
09/1984 | 978 | 126
Pages: 571-573
related names
Reviewer:
Gardner, Julian (Gardner, Julian)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Taddeo Gaddi | author: Ladis, Andrew
Short Notice
Italian Primitives at Messrs Wildenstein
05/1965 | 746 | 107
Pages: 230+252+254-258
related names
Author:
Zeri, Federico (Zeri, Federico; Zeri, Professor)
Subjects
artists:
artists:
artists:
artists:
dates:
dates:
places:
Illustrations
Attributed works:
1. Man of Sorrows; St Francis; St Peter; St Paul; St Philip, from the Workshop of Giotto (?Taddeo Gaddi). Panels; the Christ, 66 by 44.4 cm.; Saints, Each 62.2 by 35 cm. Five Panels of a Polyptych. (Private Collection.)
Attributed works:
52. Baptism of Two Saints, by the Master of the San Lucchese Altarpiece. Panel, 19 by 31.8 cm. (National Gallery of Scotland.)
Attributed works:
53. Episode from the Life of an Unidentified Saint, by the Master of the San Lucchese Altar-Piece. Panel, 18.4 by 33 cm. (Formerly Collection Capt. R. Langton Douglas.)
Attributed works:
53. Martyrdom of Two Saints, by the Master of the San Lucchese Altarpiece. Panel, 19 by 29.8 cm. (National Gallery of Scotland.)
Attributed works:
55. Fragment Showing the Head of Herod from the Dance of Salome, by Spinello Aretino. Fresco. (New York Art Market, 1963.)
Attributed works:
56. Man of Sorrows, by the Master of the Straus Madonna. Dated 1405. Panel, 36.8 by 21.6 cm. (National Museum, Warsaw.)
Attributed works:
57. Madonna of Humility with Four Saints (Triptych), by Don Silvestro dei Gherarducci. Panels, 54 by 56.5 cm. (Overall Measurements). (Collection Mr and Mrs A. W. S. Herrington, Indianapolis.)
Attributed works:
58. Adoration of the Shepherds, from the Workshop of Bartolo di Fredi. Panel, 49 by 33 cm. (Vatican Gallery.)
Attributed works:
59. Adoration of the Magi, from the Workshop of Bartolo di Fredi. Panel, 49 by 33 cm. (National Trust, Polesden Lacey.)
Attributed works:
60. St Galganus Being Persuaded in Vain by His Relatives to Return Home, by Andrea di Bartolo. Panel, 39 by 38 cm. (National Gallery of Ireland.)
Attributed works:
61. Scene from the Legend of St Galganus, by Andrea di Bartolo. Panel, 44 by 44 cm. (National Museum, Pisa.)
Attributed works:
63. Baptism of St Augustine, Here Attributed to the Pseudo Pellegrino di Mariano. Vellum, 18.7 by 16.2 cm. (Collection Sir Kenneth Clark.)
Article
A Newly Discovered Trecento Orphrey from Florence
12/1960 | 693 | 102
Pages: 505-512+515
related names
Author:
Cavallo, Adolph S. (Cavallo, Adolph S.; Cavallo, Adolpho Salvatore)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
10. Scenes from the Life of the Virgin, by Taddeo Gaddi. Frescoes. (Baroncelli Chapel, Santa Croce, Florence.)
Attributed works:
11. Birth of the Virgin, by Agnolo Gaddi. Fresco. (Chapel of the Holy Girdle, Cathedral, Prato.)
Attributed works:
12. Detail from Presentation of the Virgin in the Temple, by Taddeo Gaddi, Fresco. (Baroncelli Chapel, Santa Croce, Florence.)
Attributed works:
15. Detail from Presentation of the Virgin in the Temple, by a Follower of Giovanni da Milano, Fresco. (Rinuccini Chapel, Santa Croce, Florence.)
Attributed works:
16. Detail from Left Half of Embroidered Altar Frontal, by Jacopo Cambi (Superfrontal Only Shown). Signed and Dated 1336. (Museo degli Argenti, Florence.)
Attributed works:
18. The Marriage of the Virgin, by Taddeo Gaddi, Fresco, (Baroncelli Chapel, Santa Croce, Florence.)
Attributed works:
19. Detail from Marriage of the Virgin, by Agnolo Gaddi. Fresco. (Chapel of the Holy Girdle, Cathedral, Prato.)
Attributed works:
20. The Dormition, Attributed to Jacopo del Casentino. Panel. (Formerly Loeser Collection, Florence.)
Attributed works:
9. Detail from Meeting of Joachim and Anna at the Golden Gate, by Giovanni da Milano. Fresco. (Rinuccini Chapel, Santa Croce, Florence.)
Western art unattributed:
13. Birth of the Virgin. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
14. Presentation of the Virgin in the Temple. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
17. The Dormition. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
2. Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)
Western art unattributed:
3. Orphrey from a Cope, Re-Assembled and Mounted on a Chasuble. Florence, Middle of the Fifteenth Century. (Victoria and Albert Museum, London.)
Western art unattributed:
4. Detail from Cope with Complete Orphrey and Hood. Florence, First Half of the Fifteenth Century. (Santa Margherita a Montici, near Florence.)
Western art unattributed:
5. Orphrey from a Cope. Re-Assembled and Mounted on a Chasuble. Florence, Fourteenth Century. (Musée de Douai.)
Western art unattributed:
6. Back of Chasuble Reproduced in Fig.5. Showing Other Sections of Fourteenth-Century Orphrey.
Western art unattributed:
7. The Annunciation to Joachim. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
Western art unattributed:
8. Meeting of Joachim and Anna at the Golden Gate. Detail of the Boston Orphrey Reproduced in Fig.2. [Two Pieces of an Orphrey. Florence, Second Half of the Fourteenth Century. (Museum of Fine Arts, Boston.)]
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