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Book Review
De Chirico and the United Kingdom (c.1916–1978). By Victoria Noel-Johnson
08/2018 | 1385 | 160
Pages: 707-708
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
10. Seated nude with pink and yellow drape, by Giorgio de Chirico. 1947. Canvas, 109 by 84 cm. (Musée d’Art moderne de la Ville de Paris).
Advertisements
Advertisements January 2001 (front)
01/2001 | 1174 | 143
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
Lot and His Daughters, by Orazio Gentileschi. c.1622. 151.8 by 189.2 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Henry Fuseli (1741-1825). Allegory of Love, Marriage, Life and Death. Pen and Grey Ink with Grey and Purple-Brown Wash, 1763. 200 × 275 mm
Attributed works:
[Berry-Hill Galleries, Inc., 11 East 70th Street, New York, New York] Annibale Carracci, Bologna 1560 - 1609 Rome. Landscape with Washerwomen. Pen and Brown Ink, 3 13/16 × 10½ Inches (97 × 267 mm)
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Rembrandt Harmensz. van Rijn (1606-1669). Portrait of a Bearded man, Bust-Length, in a Red Doublet. Signed and Dated 'Rembrandt fec/1633.' Oil on Panel, Oval, 25 × 20 in. (63.5 × 50.8 cm.). Estimate: $6,000,000-8,000,000, £4,000,000-5,500,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Hubert Robert, (1733 - Paris - 1808). A Peasant Interior with Figures. Oil on Canvas: 24.5 × 32.5 cm
Attributed works:
[Didier Aaron, Inc., New York, New York] View of Lago di Averne, the Castello di Baia, and the Bay of Naples, by Jean Charles Joseph Remond. One of Several Dozen Paintings and Drawings in a Rotating Exhibition of Recent Acquisitions.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Paul Bril, (Breda c. 1554 - Rome 1626), Landscape with Nymphs and Satyrs, Oil on Canvas, 27½ × 36¼ in, 70 × 92 cm
Attributed works:
[Emmanuel Moatti, Inc., Paris, France] The Aquaduct, by Giovanni Battista Camuccini. 1840's. Inaugural Exhibition, Ends January 26th.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] A Village Street with a Watering Place, by Jan Brueghel the Elder. Oil on Copper (Stamped with the Mark of the Maker Pieter Stas), 26.1 × 35.7 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Armoire à deux corps, Lyon, c.1570-80. 245 × 148 × 57 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Cabinet, Attributed to Johan Puchwieser, Munich 1705-20. Palisander Wood with Brass Inlay on Tortoiseshell, 188 × 160 × 65 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Don Juan between Charlotte and Mathurine, by Alexandre Evariste-Fragonard. Oil on Canvas, 65 × 54 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Pedestal Table, by Molitor, c.1795. Mahogany, Inlaid with Black Wood and Brass, with Gilt-Bronze Mounts, Diameter 73 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Piano, by A. Beurdeley et Fils, Paris, Mechanism by Erard, Paris, 1881. Mahogany with Marquetry Inlay.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Portable Triptych with the Crucifixion, Madonna Enthroned with Angels and the Stigmatisation of St Francis with Sts Peter and Bartholomew, by Bernardo Daddi. Tempera on Panel, 67 × 38.5 cm (Central Panel); 65.5 × 20 cm. (Side Panels).
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] View of the Grand Canal, with S. Giorgio Maggiore, the Salute and S. Marco by Bernardo Bellotto. Oil on Canvas, 63.8 × 36.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Edward Burra (1905 - 1976) Rye Landscape with Figure (Detail) Watercolour 1947 Cecil Higgins Art Gallery © Estate of the Artist
Attributed works:
[Felder Fine Art, London, UK] Thomas Gainsborough R. A. (1727-1788). Self-Portrait, c 1739. Oil on Paper Laid on Canvas: 22.4 × 19.5cm / 8 3/4 x 7 3/4 in. This Painting is Gainsborough's Earliest Known Self-Portrait
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] A Female Virtue - Innocence, by Lorenzo De Ferrari, Circa 1738. Master Drawings at Adelson Galleries, Inc. 22nd January until 9th February.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Daniel in the Lions' Den by Conrad Meyer, 1618-1689. Pen and Ink, Wash and Chalk.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Rembrandt van Rijn 1606 - 1669. The Flight into Egypt: Altered from the Plate by Hercules Segers. Etching, Drypoint and Burin; Circa 1653. Hollstein 56, the Sixth State of Seven. A Very Fine Impression.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Hendrick Goltzius (1558-1617). Madonna with Child and Angels. Signed with Monogram and Dated 'HG1607' and Inscribed on the Reverse 'D H Gultius' Oil on Unlined Canvas 52 3/4 x 39 3/8 Inches (134 by 100 cm.)
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Landscape with a Woman on a Dapple-Grey Horse, by Nicolaes Berchem. Oil on Panel, 254 × 324 mm. Dutch & Flemish Old Master Paintings. January 22nd - February 17th, 2001.
Attributed works:
[James Graham & Sons, 1014 Madison Avenue, New York, New York] Antoine-Louis Barye (1796-1875). French Animalier School. Fine Bronzes from the 19th and Early 20th Century. Barye, Bonheur, Mene and Others
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Lord Frederic Leighton. Scarborough 1830 - 1896 London. Studies of Classically Dressed Women Seated in Klismos Chairs. Black and White Chalk over Graphite on Brown Wove Paper. Size: 14½ × 10½ Inches (371 × 276 mm).
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Study of an Oak Tree, by Remigio Cantagallina. 1624. Pen and Brown Ink on Buff Paper, 394 × 508 mm. European Master Drawings 1500-1900. 24th January - 24th March 2001.
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Domenico Riccio Called Domenico Brusasorci. Verona, Circa 1515-1567. Allegorical Scene. Oil on Canvas, Diameter 77 3/16 in. (196 cm).
Attributed works:
[Otto Naumann, New York, New York] Still Life of Roses, Tulips, Narcissi, Peonies and Other Flowers, with a Sprig of Cherries in a Roemer on a Stone Pedestal, by Jan Van Kessel, the Elder (1626 - 1679). Oil on Copper, 775 × 590 mm.
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Vincenzo Gemito (Naples 1852 - 1929 Naples), A Head of a Moor Boy, Graphite and Black Chalk on Ivory Coloured Paper, 454×344 mm. The Drawing is Preparatory for a Terracotta Now in the Museo Nazionale di San Martino, Naples.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Christ Crowned with Thorns (Circa 1582/1585), by Paolo Caliari Called il Veronese. Oil on Canvas, 755 × 570 mm.
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Bartolomé Esteban Murillo 1617-1682. The Madonna and Child. Signed: Bartolome Murillo f. Pen and Brown Ink and Wash. 168 by 141mm. Estimate: $35,000-50,000
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Edgar Degas 1808-1879. Sketchbook Sheet with Studies of a Female Head & Dancer. Signed with Stamp, Black, White, Violet and Green Chalk. 478 by 313mm. Estimate: $120,0005-180,000
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Jan Gossaert Called il Mabuse 1478-1536. The Holy Family, Pen and Brown Ink on Vellum. 155 by 127mm. Estimate: $100,000-150,000
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Alexander von Humboldt, 1769 - 1859. Self-Portrait of the Artist, 1814. Signed and Dated at the Lower Right: Alex.H. von mir selbst im spiegel, Paris 1814. 350 × 265 mm.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Eugène Delacroix. Charenton-Saint-Maurice 1798-1863 Paris. Vue des falaises en Normandie. Stamped with the Artist's Initials, Lower Left, E. D. (Lugt 838a); Also, Inscribed in a Later Hand on the Old Backing Board, Eugène Delacroix. La Falaise de Fécamp-Watercolor Heightened with White over Traces of Black Chalk, 6 × 8 Inches (152 × 203 mm)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Le Bougeoir, 1879, by François Bonvin. Black Chalk on Buff-Coloured Paper, 151 × 205 mm. Master Drawings, 1770 - 1900. January 16th - February 26th.
Attributed works:
[Wildenstein & Co., London, UK] La Musicienne by Marc Chagall, 1978. Exhibition of Marc Chagall, Ends January 31st.
Advertisements
Advertisements November 1996 (front)
11/1996 | 1124 | 138
Pages: i-xxiv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red 21.2 × 33.8 cm
Attributed works:
[ Bassenge, Erdener Str. 5A, Berlin ] Albrecht Dürer (1471 - 1528, Nuremberg). Saint Eustace. Engraving. C. 1501, Bartsch 57, Meder 60 (b of k). Watermark High Crown (M. 20)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Giuliano da Rimini (documented 1307-1323). An Altarpiece in three Sections with an extensive inscription on the reverse of the left panel: "Giott/...sono a lavorare/ed in quella chiesa di S./(che?) fu sopressa d..../1807/del/...Diotallevi". Tempera on gold ground panel, shaped tops. Picture surfaces: centre: 75 × $28frac{1}{8}$ in. (190.5 × 71.5 cm.). Left: $60frac{5}{8}times 26frac{3}{8}$ in. (154 × 67 cm.). Right: $61frac{1}{4}times 26frac{3}{8}$ (155.5 × 67 cm.)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Angelica Kauffman, R. A. Coire 1741 - Rome 1807, William Henry Lampton. Oil on Canvas: 86 × 55½ ins (218.5 × 141 cms). Signed and Dated at Lower Right: Angelica Kauffman/PinX: Romae, 1797
Attributed works:
[ Cover ] Portrait of the Actor Willem Bartolsz. Ruyters, by Rembrandt Hermansz. van Rijn. c. 1639. Pen and Brown Iron-Gall Ink, Heightened with White on Paper, Prepared with Yellowish-Brown Wash, 13.9 by 17.4 cm. (Rijksmuseum, Amsterdam)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Ubaldo Gandolfi (San Matteo 1728 - 1781 Ravenna). The Resurrection of Christ. Oil on Canvas, 77 × 52 cms. Modello for the Fresco of the Same Subject in the Church of San Luca, Bologna
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg, St. Honoré, Paris ] Gilles Lambert Godecharle (Bruxelles 1750 - 1835). Cupidon. Pierre de France. Height: 160 cm. Signed and Dated 1804
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Simon de Vlieger (1601 - 1653). A Dutch Flagship Exchaning Salutes and a Galjoot in a Heavy Sea, Signed on Floating Plank Lower, Oil on Panel 44,5 × 60 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Lorenzo Lotto, Sacra Conversazione - Virgin and Child, SS. Jerome, Peter, Care (?) and Francis Panel 81.5 by 108 cm (32 by 42½ in.), Signed on the Scroll: L. Lotus Fecit
Attributed works:
[ Hill-Stone, New York ] Hendrick Goltzius. Haarlem 1558 - 1617. The Circumcision (The Life of the Virgin). Engraving, in the Style of Dürer; 1594. Strauss 322, Hollstein 12: iii/v. A Berlin Duplicate (Before 1920), Lugt 1606 and Lugt 234.
Attributed works:
[ Neumeister, Barer Str. 37, Munich ] Artus Quellinus the Younger (Saint Trond 1625 - 1700 Antwerpen) Virgin and Child. Late 17th Century. Wood. H. 112 cm.
Attributed works:
[ Noortman, 40-41 Old Bond Street, London ] Jan van Goyen. Leiden 1596 - 1656 The Hague. 'A View of the Haarlemmermeer'. Panel 30.5 × 38.5 cm. Signed with Monogram and Dated 1647
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger, (1564-1637/8) "Le Retour de la Kermesse", Signed, Oil on Panel, 58cm × 84.5cm. Estimate: £700,000-£1,000,000 ($1,092,000-$1,560,000)
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Circle of Andrea Mantegna (1431-1506): Bacchanal with a Wine Vat, Pen and black ink with brown wash, laid down on a contemporary sheet, 290 × 354 mm. An exceptional drawing which appears to be one of several preparatory studies for the engraving of the same title or related to such preparatory drawing. Originating from the Circle of Andrea Mantegna and apparently executed before the final form of the engraving, this drawing is particularly interesting as evidence of a hitherto unrecorded stage in the design process of the engraving Bacchanal with a Wine Vat.
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Thomas Wyck (Circa 1616-1677). A Maid Peeling Vegetables at a Kitchen Door. Signed. Panel: $14frac{3}{8}times 13$ in / 36.5 × 33 cm
Attributed works:
[ Richard L. Feigen, 49 East 68th Street, New York ] Frans Floris. Arithmetic, Oil on Canvas, 151.4 by 224.16 cm. Signed with Monogram and Dated, Lower Centre: "FF. IV. ET. FA / 1557.".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola Active Florence End 14th Century. Saint Catherine, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Tate Gallery, Millbank, London ( sponsor BP) ] Edgar Degas, Little Dancer Aged Fourteen, 1880-81
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Jusepe (Or Gioseppe) de Ribera, The Martyrdom of St. Laurence. Oil on Canvas, 204 × 154 cm ($80times 60frac{3}{4}$ Inches).
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm ($14times 17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Six Post Canopy Bed, Huanghuali Wood, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ H. W. Keil Ltd, Tudor House, Broadway, Worcestershire ] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Late Elizabethan carved oak cupboard on separate stand with two drawers above the central cupboard and one drawer below. The supports consist of two pairs of carved melon bulbs and the potboard is supported by a lower frieze with bi-cuspidal decoration and original toes beneath. West Country, circa 1600.
Advertisements
Advertisements December 1995 (front)
12/1995 | 1113 | 137
Pages: i-xx
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] A Neapolitan Ebony and Painted Glass Cabinet-On-Stand, late 17th century, 81 in. (206 cm.) High, 68½in. (174 cm.)Wide, 181 in. (46 cm.) Deep. Estimate: $50,000-70,000. A Bronze Oil Lamp in the form of a Sphinx, Workshop of Andrea Riccio, Paduan, early 16th century, $4frac{7}{8}$in. (12.5 cm.) High. Estimate: $30,000-40,000
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Marcantonio Franceschini (1648-1729). The Last Communion of Saint Mary of Egypt. Oil on Copper $16frac{3}{4}times 21frac{3}{8}$ in. (42.6 × 54.3 cm.) Estimate: $100,000-150,000. Domenico Beccafumi, Il Mecarino (1486-1551). View of Pisa: Design for the Stage. 7¼ × 15¼ in. (183 × 385 mm.). Estimate: $100,000-150,000
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] François Quesnel (1543-1619). Portrait of a Lady. Oil on Canvas, $33frac{5}{8}$ × $23frac{5}{8}$ Inches (88.5 × 60.5 cm). Born in Edinburgh, Quesnel Moved to France Where He Prospered as a Portrait Painter at the Valois Court. This Rare Full-Scale Portrait May be Compared to a Signed Portrait of Mary Ann Waltham in the Spencer Collection, Althrop, Dated 1572.
Attributed works:
[ Cover ] Alexander Pope, by L. F. Roubiliac. Marble, 63 cm. High (Yale Center for British Art, New Haven; Gift of Paul Mellon in Memory of Basil Taylor)
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] A Marble Bust of Medusa. By Harriet Hosmer (Watertown Massachusetts 1830-1908 Rome). Signed Harriet Hosmer me fecit Romae. American c.1853. Height: 72cm
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Gillis Claesz. de Hondecoeter. Antwerp c. 1578-1638 Amsterdam. A Wooded Landscape with Christ on the Road to Emmaus. Oil on Panel, 13 × 24 Inches (33 × 61 cm)
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Hendrick Goltzlus. Mühlbracht 1558-1617 Haarlem. Adoration of the Shepherds. Black, Red and Yellow Chalk, Heightened with White. 8 × 8½ Inches (202 × 215 mm) Signed with Monogram: HGf
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Francesco Monti. Bologna 1685 $sim $ 1768 Bergamo. Study of a Man Holding a Pole. Black Chalk and Grey Wash. 417 × 292 mm
Attributed works:
[ Galerie Coatalem, 93 Faubourg Saint Honoré, Paris ] Carl VAN Loo (Nice 1705 - Paris 1765). The Blindness of the Sodomites. Oil on Canvas, 96 × 129 cm
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] School of Donatello di Betto Bardi (1386 - 1466). The Castelvecchio Madonna. Terracotta, 57 × 38 cm, ca. 1450
Attributed works:
[ Hill-Stone, New York ] Gabriel Salmon Active c. 1525-1550. Hercules Opening the Channel between Mt. Abyla and Mt. Calpe and Hercules and Cerberus. Pair of Woodcuts Printed on a Single Sheet; c. 1528. From the Labours of Hercules. Inventaire du fonds français 16e siècle, tome 2, p. 94, no. 9.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Jean-Jacques Rousseau (1712-1778) by Jean-Antoine Houdon. (Versailles 1741 - Paris 1828). Plaster H. 68cm. Signed and Dated: Houdon 1778
Attributed works:
[ Maria-Luise Hopp-Gantner, Würmstrasse 7, Starnberg, Germany ] Hubert Gerhard (s'Hertogenbosch 1540/50 - 1621 Munich). Two Angels 1580/90, in Former Times Perhaps Sitting on Top of an Organ and Playing Stringed Instruments. H. 115 cm and 118 cm.
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Samuel Linley by Thomas Gainsborough (Detail). Circa 1777, by Permission of the Governors of the Dulwich Picture Gallery.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] One of Two Florentine Painted Terracotta Bozzetti of the Angel of the Annunciation and God the Father by Benedetto da Maiano. Circa 1489. Height 32 in. (81.3 cm). Estimate: $120,000-180,000 (£75,000-120,000).
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Johann Heinrich Fuseli; R. A. 1741 Zurich - London 1825. Portrait of the Artist's Wife, Sophia Rawlins. Oil on Paper. 220 × 185 mm.
Attributed works:
[ Waddington Galleries, 11 Cork Street, London ] Edgar Degas, Dancer at Rest, Hands behind Her Back, Right Leg Forward, 1882-95. 18 × 9¼ × 5¼ ins/46.8 × 23.5 × 13.3 cms, Bronze, Edition of 22
Advertisements
Advertisements November 1994 (front)
11/1994 | 1100 | 136
Pages: i-xxviii
Subjects
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Adolph von Menzel (Breslau 1815-1905 Berlin) "View from a Window" (Schöneberger Ufer Berlin) Charcoal Drawing. Signed with Monogram. "AM". Dated: Aug. (18)89. 11.3 × 18 cm
Attributed works:
[ Bassenge Art and Book Auctions, Erdener Strasse 5A, Berlin - Grünewald ] Martin Schongauer (um 1450 Colmar - 1491 Breisach). The Virgin of the Annunciation. Engraving. Circa 1490-91. Bartsch 2, Lehrs V, 3.
Attributed works:
[ Brame & Lorenceau, 68 boulevard Malesherbes, Paris ] Jacques-Emile Blanche "L'heure du thé" Pastels - H. 0m50 - W. 0m65
Attributed works:
[ Bukowskis, Arsenalsgatan 4, Stockholm ] Max Alexandre Koester. Ducks in a Pond. Signed A Koester. Oil on Canvas 49 × 79. Estimate: 250.000 - 300.000:-
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf/ 61 East 77th Street, New York ] Adrian Ludwig Richter (1803 - Dresden - 1884). Pencil, Pen and Brown Ink and Watercolour. 1856. 175 × 240 mm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jean-Antoine Houdon (1741-1828) Plaster Statuette of Voltaire Signed: 'houdon' - Height: 42cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg, St. Honoré, Paris / 21 East 67th Street, New York ] Cornelis de vos. Hulst c. 1585 - Antwerp 1651. Portrait of a Young Woman. Oil on Panel: 121 × 96.5 cms ($47frac{5}{8}$ × 38 ins)
Attributed works:
[ cover ] Pool of London, by André Derain. 1906. 65.7 by 99.1 cm. (Tate Gallery, London).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / 118 Faubourg St. Honoré, Paris / 21 Ryder Street, London ] Adélaïde Labille-Guiard 1749 Paris 1803. Portrait of Joachim Le Breton. Oil on Canvas: 28¼ × 23½ Inches. Signed and Dated, Lower Left: Labille dlle Guiard/l'an 3eme. de la R: Exhibited in the Salon of 1795
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jan Miense Molenaer, Oil on Canvas. 1610 - 1668 Haarlem 91,5 × 106,5 cms
Attributed works:
[ Grosvenor Gallery, 18 Albemarle Street, London ] Alberto Giacometti. Bust Head, Bronze, Height 27 cm
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James, London ] On Panel. Osias Beert, the Elder (Active 1596 - Antwerp - Before 1624) 21 × 29 in.
Attributed works:
[ Le Enluminures, Le louvre des Antiquaires, 2 Place du Palais Royal, Paris / 2970 North Lake Shore Drive, Chicago ] Sir Peter Paul Rubens (1577-1640) The Garden of Love. Oil on Canvas, 198 × 283 cm. Madrid, Museo del Prado, no. 1690 (Copyright© Museo del Prado Madrid)
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris / 2970 North Lake Shore Drive, Chicago ] Black, Red, and White Chalk on Buff Paper 225 × 204 mm. ca, 1631-33
Attributed works:
[ M. Roy Fisher, 170 Mercer Street, New York City ] Louis-Jean-François Lagrenée (1725-1805). A Pair of Paintings: The Virgin and Child with SS. Anne and the Infant John the Baptist. Signed and Dated Lower Left on the Base of the Cradle: L. Lagrené 1771. The Virgin Mary with the Christ Child Riding a Lamb. Signed and Dated Lower Right: L. Lagrenée 1772. Oil on Copper, Each 16¼ × 13 Inches, 42 × 33 cm.
Attributed works:
[ Mellors & Kirk, 147 Derby Road, Nottingham ] J. M. W. Turner, Nantes. 11.75 ins × 17.25 ins. c.1830
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Henri Lerambert or His Workshop (French. c. 1550-1609). Modello for Scene 5 of the Tapestry Series of Corialanus: Corialanus Vows Eternal Hatred to Rome. Pen and Brown Ink, Brush and Brown Wash, Heightened with White, over Black Chalk Indications: 370 × 428 mm. 14½ × 17 in.
Attributed works:
[ National Gallery Technical Bulletin ] Hans Holbein: A Lady with a Squirrel and a Starling
Attributed works:
[ Otto Naumann, Ltd, 22 East 80th Street, New York ] Jacob Cornelisz van Oostsanen (Circa 1470 - 1533) The Crucifixion: The Central Panel of a Triptych
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Danicle Crespi. Busto Arsizio c. 1598/1600 Milano 1630 Study for a Ceiling Decoration. Pen and Brown Ink, Heightened with White Gouache on Paper Prepared with a Red-Chalk Wash, 136 × 194.
Attributed works:
[ Richard L. Feigen & Co, 6 Ryder Street, St James, London ] Sir David Wilike (1785-1841), The Village Politicians, Oil on Canvas, 22½ × 29½ Inches By Courtesy of the Earl of Mansfield
Attributed works:
[ Senger Bamberg, Karolinenstr. 8 and 10, Bamberg ] Venus A. Kaindl (1849 - Munich - 1924). Signed and Dated 1887. Height: 255cms. Bronze Cast by Christian Lenz, Nuremburg
Attributed works:
[ Société Labatut & Cie, 199 bis, Boulevard Saint Germain Paris ] Vicente Macip (Valencia 1490 - 1550). The Lamentation of Christ. Oil on Panel 78.5 × 65 cm. Giulio Romano (Rome 1499 - Mantua 154?) Hercules and Atlas? Oil on Paper 41.5 × 56 cm. Baron Gerard (Rome 1770 Paris 1837). Portrait of a Woman
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Silver and Bronze Bust of Charles II as Prince of Wales, by Francesco Fanelli, Circa 1642, 22.5cm High $(8frac{5}{8}^{prime prime})$, on an Original Ebony Base.
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Herm. Scherer. "Liebespaar" 1924. Pinewood
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Max Liebermann. "Tiergartenallee". 1917. Oil on Canvas. 72 × 92.5 cm. Signed and Dated. Estimate DM 600,000 - 800,000
Attributed works:
[ Wiener Kunst Auktionen GMBH, Kärtner Ring 5-7, Vienna ] Julius von Blaas: Austrian Emperor Franz Joseph I., 1898; Uniform of Emperor Franz Joseph I. as a Hungarian field Marshal; Moritz Michael Daffinger: Archduke Franz Joseph as a Boy with the Medal of the "Golden Vlies", Watercolour on Ivory; Emperor Franz Josephs Cap, Slippers, Tie and Gloves; Empress Elisabeth's ("Sissi") Riding Gloves; Altogether More Than 300 Collector's Items.
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Carle Vernet (1758 - 1836), Pencil Drawings from the Wildenstein Album.
Western art unattributed:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Head of an Ivory Crosier. Sicilian (Siculo-Arabic Style), Late 12th Century. Ex Collection Trivulzio (Milan) and D. David-Weill (Paris)
Western art unattributed:
[ Cinq Antiquaires a Paris : Aveline-Jean-Marie Rossi, 20 rue du Cirque, Paris / Didier Aaron & Cie / Maurice Segoura, 20 St. Honoré, Paris / Michel Meyer, 24 av. Matignon, Paris / Jacques Perrin, 3 quai Voltaire, Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] "Humpen" Painted with Coats-of-Arms of Soner and Gruber Hall in Tirol, dated "1592" Slightly greyish-tinged glass painted in enamels and gold. Flat base with pontil-mark. Applied hollow foot with folded rim formed from a gather of glass. The conical bowl decorated with the coats-of-arms of the noble family Soner and the patrician family Gruber. The coats-of-arms are interspersed with the date "1592" divided into two halves. Below the rim gilt border with etched scales and blue dots framed by white dot lines. Height 21.3 cm.
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06/1994 | 1095 | 136
Pages: i-xl
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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07/1991 | 1060 | 133
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[9th International Biennale, Monte - Carlo] A Louis XVI bois de violette and rosewood bonheur-du-jour, with gilt-bronze mounts. Estampille of P. Pioniez. 86 by 65 by 44cms. (P. Pioniez was received into the guild in August 1765.) A Louis XV clock with blanc de chine porcelain Ho-ho figurine and gilt-bronze surrounds; the dial, signed 'Autray à Paris' shows two sets of numerals, roman and arabic. 24 by 13 by 13cms. A Louis XVI pair of highly decorative sconces, gilt-bronze worked in the manner of Gouthière, 'gilder to the king.' 38.5 by 21.5 by 11cms.
Attributed works:
[9th International Biennale, Monte - Carlo] Allegory of Abundance. Oil on Copper. 40 by 30cms. Attributed to Ludovico Carracci.
Attributed works:
[9th International Biennale, Monte - Carlo] Self-Portrait by André Masson (1896-1987). Ink and Charcoal on Paper. Atelier Stamp Lower Right, 1947. 48.5 by 40.8cms.
Attributed works:
[9th International Biennale, Monte - Carlo]The Mask of Apollo by Antoine Bourdelle (1861-1929). Patinated Bronze, Parcel-Gilt. Height: 52cms. Signed 'A. Bourdelle'; From the A. Rudier Foundry.
Attributed works:
[9th International Biennale, Monte - Carlo]The Molo Seen from the S. Marco Basin by Antonio Canal, Called Canaletto (Venice, 1697-1768). Oil on Canvas. 66 by 113cms.
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Madonna and Child, by Bonino da Campione (Lombard, Active 1345-97). Marble 71 cm. High.
Attributed works:
[Caylus Anticuario, Lagasca 28, Madrid] Juan de Borgoña the Younger. The Resurrection. Oil on Panel 65.5 × 56.5 cms
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Applied Figure Repoussé and Gilded Copper Limoges, Mid-13th Century Height: 20 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Angelica Kauffmann, RA Coire 1741-Rome 1807. Imitation. Oil on Canvas: 131 × 100cms. Signed at Lower Right
Attributed works:
[Drs Loek Brons, Apollolaan 141, Amsterdam ] Le Sens des Realités. René Magritte. Oil on Canvas 175 × 115 cm 1963 Provenance Alexander iolas. Private English Collection Private Dutch Collection, Drs Loek Brons bv. Amsterdam Lit.: René Magritte, Il Torckzyner. New York 1977. Page 155.
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c.1785.
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Abraham de Pape. 1620 Leiden 166. The Kitchen-Maid and the Mischief-Maker. Oil on Panel: 49 × 41cm. Signed 'Pape 1648'.
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Florence] Sigismond Coccapani, Firenze 1583-1643. St Sebastian Succoured by Irene. Oil on Canvas, 120 × 87 cms.
Attributed works:
[Katrin Bellinger, Bauchstrasse 2, Munich] Francesco Barbieri, il Guercino (Cento 1591-1666 Bologna). 'Madonna and Child' Red Chalk; 192 × 130 mm
Attributed works:
[Marlborough, 6 Albemarle Street, London] Auguste Rodin (1840-1917). La Fatigue, Marble, Length: $19frac{5}{8}$ in./49.7 cm. Width: $9frac{3}{4}$ in./24.8 cm.
Attributed works:
[Paul Proute S.A., 74 rue de Seine, Paris] Adrien van Ostade. Peasants Smoking in an Inn. Pen and Brown Ink, with Brown Wash over Black Chalk 17 × 24 cms.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans Van Lint, Called Studio (Antwerp 1684-1763 Rome). Each Signed and Dated Roma, 1746, Oil on Canvas, 31.5cm × 49cm. Estimate: £60,000-£80,000 (The Pair).
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Giovanni Francesco Barbieri, il Guercino, Reuben Showing Jacob Joseph's Bloodied Tunic Circa 1655, Oil on Canvas, 115 × 165 cm.
Attributed works:
[Spencer A. Samuels & Co., 52 East 78th Street, New York] Jan Baptist Weenix, Amsterdam 1621-1663. Hound with a Joint of Meat, a Cat, Looking On, Signed upper Right: Gio Batta Weenix. Oil on Canvas 45 by 51 Inches (114.5 by 129.5 cm.)
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] André Derain (1880-1954), Rue à Collioure, 1905. Pen and Ink, 19 × $14frac{5}{8}$ Inches. Signed and Dated Lower Right 'a Derain 1905'
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Andrea Boscoli (Florence ca. 1560-1607 Florence). Standing Academy, a Study for David Holding the Head of Goliath Inscribed, Lower Left, And.a Boscoli. Black and Red Chalks. $16frac{7}{16}$ × $8frac{7}{8}$ Inches (417 × 225 mm)
Attributed works:
[Wildenstein, 147 New Bond Street, London] Charles Lebrun, 'L'Escalier des Ambassadeurs, Versailles', c. 1670, (Detail) Red Chalk and Grey Wash, 36.8 × 52.3 cms.
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Advertisements February 1991(front)
02/1991 | 1055 | 133
Pages: i-xvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Antonello Gaggini (Palermo, 1478/79 1536). Virgin and Child and God the Father. Marble. 66 × 41 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Otto Greiner, 1869 Leipzig - München 1916. Study for 'Ganymed' (Engraving 1898. Vogel 69). Black and Red Chalk on Simili-Japan Paper. 311 × 500 mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Salvator Rosa. Naples 1615 - Rome 1673. Tobias and the Angel. Oil on Canvas: 65 × 50 cms
Attributed works:
[Edmund Peel & Asociados Spanish representatives for Sotheby's, Plaza de la Independencia, Madrid/ Pasaje Domingo 2, Barcelona] Juan de Arellano (1614-1676), Vase of Flowers with Fruit, Signed Juan de Arellano, Oil on Canvas, 98.5 × 63 cm. Estimate: 70.000.000-90.000.000 ptas. (£380,000-490,000)
Attributed works:
[Front cover] Portrait of Richard Gallo, by Gustave Caillebotte. 1881. 97.2 by 116.6 cm. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
[Paul Mitchell, 99 New Bond Street, London] The Battle of Constantine and Licinius, by Peter Paul Rubens. 1622. Panel, 37.2 × 57.5cm. (The Nelson-Atkins Museum of Art, Kansas City [55-40]).
Attributed works:
[Phillips, 101 New Bond Street, London] John E. Ferneley Senior (1782-1860), "Morning, Hyde Park", Signed and Dated 1833, Oil on Canvas, 91cm × 83.5cm. Estimate: £40,000-£60,000.
Attributed works:
[Piero Corsini, 162 East 63rd Street, New York] Jusepe de Ribera. Játiva 1591 - Naples 1652. St. Matthew and the Angel. Oil on Canvas. 86.3 × 69.8 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Pierre-Narcisse Guerin, The Return of Marcus Sextus, c.1799, Oil on Paper Mounted on Canvas, 14½ by $16frac{3}{4}$ Inches (36.83 by 42.55 cm)
Attributed works:
[Sabrina Forster, Poststrasse 3, Dusseldorf]The Anonymous Liechtenstein Master Working about 1550. The Circumcision. Pen and Brown Ink, Brown Wash, Heightened with White. On Ochre Tinted Paper. 138 × 203 mm.
Attributed works:
[The European Fine Art Fair] Le Sens des Realités René Magritte. Oil on Canvas. 175 × 115 cm. 1963. Provenance: Alexander Iolas. Private English. Collection. Private Dutch Collection. Collectie Drs Loek Brons B. V. Amsterdam Lit.: René Magritte. H. Torckzyner. New York 1977. Page 155
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Leaf from a Choirbook. Bologna. Early 13th Century.
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Advertisements June 1990 (Front)
06/1990 | 1047 | 132
Pages: i-lxxii
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
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Advertisements November 1989 (front)
11/1989 | 1040 | 131
Pages: i - lxiv
Subjects
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Illustrations
Attributed works:
[ Agnews, 43 Old Bond Street, London] Eugene Delacroix (1798-1863) Etude de Femme, Vue de Dos Etching. Delteil 21, ii/iv.
Attributed works:
[Artemis Group, 15 Duke Street St James, London] Plan einer Maschinenanlage, 1920 Pen and Ink and Watercolour 242 × 319 mm.
Attributed works:
[Austin/ Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London] Seaweed Hoist, Finistere, 1951. 19.15 × 15.50 ins.
Attributed works:
[Berggruen, 70 rue de l'Universite, Paris] Matisse, Ma Table de nuit. Encre de Chine, 1900. 23 × 30 cm.
Attributed works:
[Bob P. Habolt & Co, 42 East 76th Street, New York] Hans Hoffmann. Nuremberg ca. 1530 - 1591 Prague. Right Wing of a Blue Roller. Watercolor and Bodycolor on Vellum. 195 × 262 mm
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, 61 East 77th Street, New York/ Kasernenstrasse 13, Dusseldorf] Ferdinand Bol. Tobias in the House of Raguel (Tobias 7). Pen and Brown Ink and Brown and Grey Washes. 180 × 207 mm. Sumowski 184x. From the Collections of E. Galichon, B. Suermondt, Freiherr A. v. Lanna, G. v. Mallmann.
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 qui Voltaire, Paris] Marble Portrait of "Mlle Emilie Jubin" by P. J. David, dit David d'Angers Signed and Dated 1829 Height: 60 cm incl. Base
Attributed works:
[Christie's, 8 King Street St James, London] Sir Peter Paul Rubens (1577-1640): A Forest at Dawn with a Deer Hunt, Oil on Panel, 24¼ × 35½ in. (61.8 × 90 cm.)
Attributed works:
[Christie's, 8 King Street St James, London]Thomas Gainsborough R. A. (1727-1788): A Herdsman and Cattle by a Pool in a Wooded Landscape with Distant Hills, Black Chalk, Watercolour and Bodycolour on Reddish-Brown Paper, Varnished, $8frac{3}{8}$ × 12 in. (20.8 × 30.5 cm.)
Attributed works:
[Christie's, 8 King Street, St James, London] Giovanni Antonio Canal, il Canaletto (1697-1768): The Piazza del Campidoglio and the Cordonata, Rome, with Thomas Hollis and Thomas Brand in the Foreground, Oil on Canvas, 20½ × 24¼ in. (52 × 61.5 cm.), Painted in 1755 for Thomas 'Republican' Hollis (1720-1774), the Benefactor of Harvard College. Estimate on Request.
Attributed works:
[Christie's, 8 King Street, St James,London] Albrecht Dürer: The Engraved Passion (Bartsch 3-18), Engravings, 1508-13, the Set of Sixteen Plates in Fine, Uniform Impressions.
Attributed works:
[Christies, 8 King Street St James, London] Mattia Preti, il Cavaliere Calabrese (1613-1699), 'The Liberation of St. Peter,' Oil on Canvas, 57¼ × $77frac{3}{4}$ in. (145.5 × 197.5cm.).
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Adriaen van Ostade (1610-1685) Etching The Dance under the Trellis Godefroy 47, iii/vii
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] BENJAMIN WEST. Springfield (Pennsylvania) 1738 - London 1820. Triptych Study for the Painted Window in St. Paul's Church, Birmingham, showing the Conversion of St. Paul (centre), St. Paul persecuting the Christians (left) and Ananias restoring St. Paul's Sight (right) Oil on canvas: 125.7 × 58.9cm (shaped centre) and 89.5 × 23.5cm (laterals, each)
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Manuel Orazi. Colour Lithograph
Attributed works:
[Entwistle, 37 Old Bond Street, London] William Roberts. Died of Wounds, 1919 Watercolour and Pencil. 45.6 × 53 cm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Johann Heinrich Fuseli, R. A. (1741-1825) Agave, Queen of Thebes, Is Told by Cadmus of the Death of Her Son, King Pentheus (Euripides, The Bacchae) Pen with Grey Ink and Grey Washes over Pencil on Laid Paper 10¼ × $8frac{5}{8}$ Inches (26 × 22 cm.) Dated by Fuseli in Rome. May 1774
Attributed works:
[Front cover] Event on the Downs, by Paul Nash. 1934. 50.8 by 61 cm. (British Government Art Collection).
Attributed works:
[G.A.L.L.E.R.Y, 28 Bruton Street, London] Benjamin Scott of Carlisle, Sir Edward Burne-Jones and the Earl and Countess of Carlisle at Naworth Castle, 1874, Albumen Print $10frac{5}{8}$ × 9 Inches from the Howard Family Photograph Album.
Attributed works:
[Galerie Charles & Andre Bailly, 25 Quai Voltaire, Paris], Andre Maire, Échec et Mat
Attributed works:
[Galerie Nathan, Arosastrasse 7, Zurich] Maurice Estève, Drawing.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] C F Dening & E G Rodway Architects fl.1912-1918 Design for an Entrance Lodge, c.1905 Watercolour over Pencil Signed in Monogram A. C. F. del 10¼ × $13frac{3}{4}$ Inches
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, Hamburg] Abraham von Calraet, (1642 - 1722) Still Life, Oil on Panel, 56 × 82 cm. Signed with Monogram and Dated.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] "Mes Ohnet ét Krantz Notaires, membres du G. I. E. des notaires de l'hôtel des ventes du Bas. Rhin". Jacques-Louis DAVID Paris 1748. Bruxelles 1825. Portrait du conventionnel Joseph Nicolas Barbeau Duberran Plume encre de Chine sur traits de crayon noir. Signé en bas à gauche. Montage ancien Diametre: 18.7 cm.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] Jean Valade (1709-1787) Portrait du marquis et de la marquise de Faventines jouant de la musique (107 × 88cm). Antoine Watteau (1684-1721) Deux études d'homme Sanguine (16,3 × 22,3cm) Etude pour le tableau "le rêve de l'artiste" de l'ancienne collection David Weil
Attributed works:
[H. Blairman & Sons Ltd, 119 Mount Street, London] Inkstand by George Bullock. English. Circa 1815
Attributed works:
[Harari & Johns Lts, 12 Duke Street St James, London] Claude Gellee Called Claude le Lorrain - Circa 1662 The Dance of the Seasons Oil on Copper 28×35 cms
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Simon Bening, Scenes from the Life of Christ, c. 1525
Attributed works:
[I. J. Mazure and Co. Ltd. , 90 Jermyn Street, London] "Soldiers at Leisure" Signed and Dated 1901 by Salomon Kishinevskii (1863-1941) 28cms × 20.6cms
Attributed works:
[Jean Francois et Philippe Heim, 7 rue Louvois, Paris] Terrasse des Elephants Cour Intérieure d'Angkor Thom Lavis de sépia Dim: H. 0,72 × L. 0.56 m.
Attributed works:
[Johnny Van Haeften, 13 Duke Street St James, London] On Panel. Moses van Uyttenbroeck 1590 The Hague 1648. A Wooded Landscape with Pan and Syrinx Signed in Monogram. 20½ × 26½ Inches (51.4 × 67.3 cm)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Little Girl II 1987 Bronze, Height 68 in./172.7 cm. Edition of 9
Attributed works:
[Martyn Gregory, 34 Bury Street St James, London] Daniel Harris c.1789. Original Entrance to the Cloisters at Magdalen College
Attributed works:
[New Art Centre, 41 Sloane Street, London] Paul Nash The Tower 1928 Oil on Canvas 28¼ × 19 Inches
Attributed works:
[Paul McCarron, Graham Gallery building, 1014 Madison Avenue, New York] Charles Random Baron de Berenger The Noble Stock Jobber or Facts Unveiled Irrefutably to Disapprove Lord Cochrane's Affidavits by C. R. Baron de Berenger Pen, Ink and Watercolor, 240 × 330 mm. after November 19, 1816
Attributed works:
[Pawsey & Payne 90 Jermyn Street, St James, London] William Marlow 1740-1813. View of Florence with the River Arno in Foreground. Oil on Canvas 27 × 33 Inches
Attributed works:
[Phillips, 101 New Bond Street, London] C. R. W. Nevinson, 'Troups Marching', Etching, Signed in Pencil and Dated 1916, 13.5 cm × 20 cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Charles Parrocel (1688-1752); Study of a Soldier with a Musket over His Shoulder, Together with the Study of a Sword Hilt. Signed, Red Chalk with Black Chalk, 285mm × 187mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Liubov Sergeevna Popova (1889-1924) 'Composition with Guitar'. Oil on Canvas, Executed in 1918, 67.5cm × 50cm
Attributed works:
[Phillips, 101 New Bond Street, London] Robert Griffier (1688-c.1760), a View of the Rhine, Signed, Oil on Copper, 21cm × 27cm, and a Companion.
Attributed works:
[Phillips, 101New Bond Street London/ rue de Penthievre (Faubourg Saint Honore), Paris/ Ramistrasse 27, Zurich/ Lange Vijverberg 4-5, The Hague] Bernard Buffet, 'Nature Morte avec Verre sur Table' Oil and Pencil on Paper, Laid down on Canvas, Signed and Dated 1950, 49.5cm. × 65cm.
Attributed works:
[Pierre- Yves Gabus Gallery, 19 course de Rive, Geneva] Gabus Giorgio Morandi "Still Life" (1954) Signed, Oil on Camras, 24.5 × 39.5 cm.
Attributed works:
[Richard Green, 44 Dover Street, 39 Dover Street, 4 new Bond Street, London] Balthasar van der Ast (1593/4-1657). Still Life with Fruit, Exotic Shells, a Vase of Flowers and a Macaw Perched on an Overturned Basket. Signed. Panel: $21frac{5}{8}$ × $39frac{3}{8}$ in./55 × 100 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street, New York] John Singleton Copley, R. A., Portrait of Colonel Baker, 1781 Oil on Canvas, in an Oval, 30 by 25 Inches (76.2 by 63.5 cm) Signed and Dated, lower Left: "J. S. Copley/Pinx 1781"
Attributed works:
[Robert Douwma, 4 Henrietta Street, Covent Garden, London] Stanley William Hayter Hex Engraving 1981
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Simon Vouet, Paris, 1590-1649, The Young Flutist, Oil on Canvas, 90 by 66cm (36 by 26¼in).
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Bronze Statuette of David with the Head of Goliath, by Gianfrancesco Susini, c. 1630-1640, Signed on Sword G. S. Fl. F., 38cm (15in) High.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Paul Gauguin, Petit Breton à l'Oie, Signed and Dated '89, Oil on Canvas, 92 by 73 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London]Théodore Géricault (1791-1824), A Horse Frightened by Lightning, 31 by 39cm (12¼ by 15¼in.) Oil on Canvas.
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] Andrea Solario Milan 1473 - 1524 The Head of St. Matthew, after Leonardo da Vinci. Black, Brown and Red Chalk. Watercolor on Light Grey Preparation 25½×18½ Inches (65×47 cm)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] Francisco-Jose-Pablo Lacoma (Barcelone 1794 - Paris 1849) Portrait of a Man Oil on Canvas: 17½ × $12frac{5}{8}$ Inches (44.5 × 32 cms) Signed Lacoma, Madrid and Dated 1821
Attributed works:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Agapanthus,, 1983. Oil on Gessoed Panel. 14 × 10 Inches 35.5 × 25.5cm
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Alexej von Jawlensky, "Head," Circa 1920. Oil on Paper, 36 × 27 cm. Monogrammed on lower Left. Estimate: DM 380,000-440,000
Attributed works:
[W.M.Brady & Co, 3 East 76th Street, New York] Anton Raphael Mengs (1728-1779) A Male Academy Seated in a Landscape, 1775 Signed, lower Left A. R. Mengs; Also Inscribed in Ink on an Old Label, Ant Raphael Mings (Sic) 1775/Raparte par Mr Vien Graphite Heightened with White Chalk on Prepared Green Paper $15frac{3}{4}$ × 15½ Inches (400 × 394 mm)
Attributed works:
{Perrin, 98 Faubourg Saint - Honore, Paris] Eustache Le Sueur (1616-1655). French School. Head of a Bearded Man Black Chalk with Touches of White Chalk on Grey Paper H. 18,5 cm; L. 17,3 cm.
Non-western art unattributed:
[Michael B. Weisbrod Inc, 987 Madison Avenue, New York] Li Ding Late Shang/Early Western Zhou Dynasty 12th-11th Century BC Height: 8½ in. (21.5 cm.)
Western art unattributed:
[Arnold Wiggins & Sons Ltd, 4 Bury Street St James, London] English, 2nd Half 17th Century, Carved and Silvered 'Lely', Panel Frame. Sight Size: $28frac{7}{8}$ $23frac{7}{8}$ ins. Section: 4½ ins
Western art unattributed:
[Joanna Booth, 247 Kings Road, Chelsea, London] Flemish School, 17th Century A Study of a Rabbit Red Chalk. 24cm by 32cms.
Western art unattributed:
[Karsten Schubert Ltd, 85 Charlotte Street, Lonodn] Head of a Man Blackened Sandstone 20 × 8 × 8 ins
Western art unattributed:
[Maggs Bros Ltd, 50 Berkeley Square, London] Illuminated Miniature from Li Fait des Romains, Northern France, c. 1480.
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