By using this website you agree to our Cookie policy

Search

38 articles
Article
Liotard and Boucher: a question of precedence
06/2023 | 1443 | 165
Pages: 612-619
related names
Author:
Stein, Perrin (Stein, Perrin)
Subjects
dates:
Illustrations
Attributed works:
1. A woman in Turkish dress, reading, by Jean-Étienne Liotard. c.1738–41. Red and black chalk with graphite on paper, 17.2 by 23 cm. (Musée des Beaux-Arts, Carcassonne).
Attributed works:
10. The Chénier family, by Pierre-Michel Cazes. c.1773. Oil on canvas, 97 by 131 cm. (Musée des Beaux-Arts, Carcassonne).
Attributed works:
11. Sultana reading in the harem, by François Boucher. c.1746. Graphite on vellum, 6 by 12.5 cm. (Location unknown; photograph Sotheby’s).
Attributed works:
2. A woman in Turkish dress, reading, by François Boucher. c.1741–42. Black and red crayon with opaque white and touches of blue on paper, 25.4 by 33.2 cm. (Morgan Library and Museum, New York).
Attributed works:
3. A woman in Turkish dress, reading, by Jean-Étienne Liotard. c.1748–52. Oil on canvas, 50 by 60 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
4. A woman in Turkish dress, reading, by Jean-Étienne Liotard. c.1738–41. Black and red chalk on paper, 17.6 by 22.8 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
5. Sultana reading in the harem, by Claude Augustin Duflos le Jeune, after François Boucher. c.1746. Etching and engraving, 6.6 by 13.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. The Chinese gallant, by François Boucher. 1742. Oil on canvas, 104 by 145 cm. (Davids Samling, Copenhagen).
Attributed works:
7. Detail of Fig.6, showing the reclining woman.
Attributed works:
8. Detail of Fig.2, showing the reclining woman.
Attributed works:
9. Monsieur Levett and Mademoiselle Hélène Glavani in Turkish costume, by Jean-Étienne Liotard. c.1740. Oil on board, 35.5 by 36 cm. (Musée du Louvre, Paris).
Article
Pastels in the pandemic
08/2022 | 1433 | 164
Pages: 780-787
related names
Author:
Jeffares, Neil (Jeffares, Neil)
Subjects
Reviewed Items
subjects:
The Life and Work of Rosalba Carriera (1673–1757): The Queen of Pastel. By Angela Oberer. 324 pp. incl. 8 col. + 32 b. & w. ills. (Amsterdam University Press, Amsterdam, 2020), £108. ISBN 978–94–6298–899–6. | :
subjects:
Color into Line: Pastels from the Renaissance to the Present at the Fine Arts Museums of San Francisco (9th October 2021–13th February 2022) | :
subjects:
Color into Line: Pastels from the Renaissance to the Present at the Fine Arts Museums of San Francisco (9th October 2021–13th February 2022) | :
Illustrations
Attributed works:
1. Diana the huntress, by Rosalba Carriera. c.1720–25. Pastel on blue paper, laid down on canvas, 61.5 by 48.5 cm. (Collection of Phoebe Cowles; photograph Gary Sexton).
Attributed works:
2. Portrait of a man and his dog, attributed to Jean-Étienne Liotard. c.1746–50. Pastel over graphite on five joined sheets of parchment, laid down on canvas, 114 by 86 cm. (Fine Arts Museums of San Francisco; photograph Gary Sexton).
Attributed works:
3. Details of eyes in pastels by Vivien, Carriera, Liotard and La Tour from the Bayerischen Staatsgemäldesammlungen in raking light (left column) and in normal light (right column). (Photograph Ulrike Fischer).
Attributed works:
4. Self-portrait with fur hat, by Joseph Vivien. 1730. Pastel on two sheets of blue laid down on red-brown primed canvas, 80.1 by 64.2 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
5. Mademoiselle Ferrand meditates on Newton, by Maurice-Quentin de La Tour. 1752. Pastel on blue paper, laid down on canvas, 74.2 by 60.7 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
6. Self-portrait, by Rosalba Carriera. c.1739. Pastel on paper, 31 by 25 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. The breakfast, by Jean-Étienne Liotard. c.1752. Pastel on parchment, 67.3 by 54 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
8. Nymph from Apollo’s retinue, by Rosalba Carriera. 1721. Pastel on blue paper laid down on canvas, 62.9 by 56.3 cm. (Musée du Louvre, Paris).
Advertisements
Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subjects
advertisements:
Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Article
Jean Etienne Liotard and seventeenth-century Dutch Painting
02/2017 | 1367 | 159
Pages: 117-120
related names
Author:
Godycki, Albert (Godycki, Albert)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
39. Interior of the Nieuwe Kerk at Delft seen from the southern aisle to the northeast (after Hendrick van Vliet), by Noach van der Meer II. 1792-96. From J.-B.P. Lebrun: Galerie des peintres flamands, hollandais et allemands (British Museum, London)
Attributed works:
40. Interior of the Nieuwe Kerk at Delft seen from the southern aisle to the northeast, possibly by Jean Etienne Liotard after Hendrick van Vliet. Here identified as painted glass (Formerly in the Wagner-de Wit Collection, Museum aan het Vrijthof, Maastricht; present whereabouts unknown)
Attributed works:
41. A Dutch girl at breakfast, by Jean Etienne Liotard. 1756-57 (Rijksmuseum, Amsterdam)
Attributed works:
42. The Apostle Bartholomew, after Rembrandt Harmensz van Rijn, by Richard Houston. 1757 (Fine Arts Museums of San Francisco)
Attributed works:
43. Self-portrait holding his chin, by Jean Etienne Liotard. c.1778-81 (British Museum, London)
Exhibition Review
Jean-Etienne Liotard
02/2016 | 1355 | 158
Pages: 148-149
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
dates:
subjects:
Illustrations
Attributed works:
82. A Dutch girl at breakfast, by Jean-Etienne Liotard. 1756-57 (Private collection; exh. Royal Academy of Arts, London)
Attributed works:
83. David Garrick, by Jean-Etienne Liotard. 1751 (The Trustees of the Chatsworth Settlement, Chatsworth House; exh. Royal Academy of Arts, London)
Attributed works:
84. Eva Maria Garrick, by Jean-Etienne Liotard. c.1754 (The Trustees of the Chatsworth Settlement, Chatsworth House; exh. Royal Academy of Arts, London)
Book Review
Liotard
05/2009 | 1274 | 151
Pages: 322-323
related names
Reviewer:
Jeffares, Neil (Jeffares, Neil)
Subjects
Reviewed Items
subjects:
Liotard | author: Loche, Renée , author: Roethlisberger, Marcel
Article
Princess, countess, lover or wife? Liotard’s ‘lady on a sofa’
09/2008 | 1266 | 150
Pages: 592-602
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
museums and institutions:
subjects:
subjects:
Illustrations
Attributed works:
12. Woman in a Turkish interior (here identified as a portrait of the artist’s wife, Marie Fargues), by Jean-Etienne Liotard. 1756–58. Pastel on vellum, 104.2 by 79.8 cm. (Rijksmuseum Amsterdam).
Attributed works:
13. ‘The Right Hon.ble Maria Countess of Coventry’, by Richard Houston. Mezzotint, 42.2 by 31.2 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
15. Woman in a Turkish interior (entitled ‘Mimica’ by the artist), by Jean-Etienne Liotard. 1749. Pastel on vellum, 23.5 by 19 cm. (Musée d’Art et d’Histoire, Geneva).
Attributed works:
16. Woman in a Turkish interior, by Jean-Etienne Liotard. Counterproof taken by the artist of a red- and black-chalk drawing of c.1738–42, 21.2 by 15.2 cm. (Musée du Louvre, Paris).
Attributed works:
17. Frankish woman seated on a sofa, by Jean-Etienne Liotard. 1738–42. Red and black chalk, 20.6 by 17 cm. (Musée du Louvre, Paris).
Attributed works:
18. Inscription, in Liotard’s hand, on the backing-board of the frame of the pastel here illustrated as Fig.15.
Attributed works:
19. Karoline Luise of Hesse-Darmstadt, later Markgräfin of Baden-Dürlach, by Jean-Etienne Liotard. 1745–46. Pastel on vellum, 62 by 48.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
20. Woman in a Turkish interior (possibly a portrait of Maria Gunning, Countess of Coventry, but more probably of Lolotte Gaucher, later comtesse d’Hérouville), by Jean-Etienne Liotard. c.1749–55. Pastel over red-chalk underdrawing, on vellum, 58.5 by 47.2 cm. (Wrightsman Collection, New York).
Attributed works:
21. Nancy Parsons, later Viscountess Maynard, by George Willison. c.1767–71. Oil on copper, 57 by 47.5 cm. (Yale Center for British Art, Paul Mellon Collection, New Haven).
Attributed works:
22. Maria Gunning, later Countess of Coventry, by Francis Cotes. 1751. Pastel on paper, 59.8 by 44.5 cm. (H.G. The Duke of Argyll, Inverary Castle).
Attributed works:
23. Maria Gunning, Countess of Coventry, by Gavin Hamilton. 1752. Canvas, 66 by 54.5 cm. (H.G. The Duke of Argyll, Inverary Castle).
Attributed works:
24. Detail of Fig.13, in reverse.
Attributed works:
25. ‘La Liseuse’ (Mlle Lavergne in Lyonnaise costume), by Jean-Etienne Liotard. 1746. Pastel on vellum, 54.5 by 43 cm. (Rijksmuseum, Amsterdam).
Attributed works:
26. The artist’s wife, Marie Fargues, by Jean-Etienne Liotard. 1757. Pastel, 43 by 40.5 cm. (Musée des Beaux-Arts, La Chaux-de-Fonds).
Attributed works:
27. Marie Fargues and her son, Jean-Etienne Liotard Jr, by Jean-Etienne Liotard. Dated 1760, but presumably c.1761–64. Red and black chalk, with watercolour, 24.5 by 19.6 cm. (Musée d’Art et d’Histoire, Geneva).
Western art unattributed:
14. Woman in Levantine costume, anonymous copy after Fig.13. Canvas, dimensions unknown. (Private collection, Great Britain).
Advertisements
Advertisements February 2008 (Front)
02/2008 | 1259 | 150
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Berko Fine Paintings, Knokke-Heist, Belgium, at TEFAF Maastricht 08] Eugène Verboeckhoven. Ram protecting his little family. Oil on board, 79 by 107 cm. Signed and dated lower right: '1847'.
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[David Koetser Gallery, Zürich, at TEFAF Maastricht 08] Jan Miense Molenaer (c.1610-1688). Children drinking and mischief-making. c.1630. Oil on canvas, 51.2 by 67.9 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Bernardo Strozzi (Genoa, 1581-Venice, 1644). St James the Less. Oil on canvas, 85 x 62 cm (33½ x 24 in.).
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris. Exhibiting at: TEFAF, Maastricht, 7-16 March 2008] Domenico Mariolì (Messine, c.1612-1676). Euclid of Megara Dressing as a Woman to go Hear Socrates Teach in Athens. Oil on canvas, 139.5 x 223.5 cm (54 9/10 x 88 in.).
Attributed works:
[Galerie Canesso, Paris, at TEFAF Maastricht 08] Giacomo Francesco Cipper, called Il Todeschini (1664-1736). Peasants dining with a young flute player. Oil on canvas, 144 by 114 cm.
Attributed works:
[Galerie Neuse Kunsthandel GmbH, Contrescape 14, Bremen, Germany] Johann Heinrich Tischbein the Elder (Haina 1722-1789 Kassel). Gamblers at the 'Ridotto' (Palazzo Dandolo, Venice) with a self portrait of Tischbein. Oil on canvas, dim.: 108.6 x 194.9 cm. Literature: Anna-Charlotte Flohr, Johann Heinrich Tischbein d.Ä. (1722-1789) also Porträtmaler, Munich 1977.
Attributed works:
[Johnny van Haeften Ltd., London, at TEFAF Maastricht 08] Jan Brueghel the Elder (1568-1625). Aeneas and the Sybil in the underworld. Signed and dated lower right: '1593'. Oil on copper, 26.4 by 35.3 cm.
Attributed works:
[Kenneth Hurley Fine Art, Suite 1, Hall House, Llanover, Monmouthshire] Lambert de Hondt (before 1620-Malines before 1665)] A Cavalry Train passing through a wooded Landscape. Oil on canvas, 16" x 22" (40.7 x 56 cms). Signed lower left corner.
Attributed works:
[Kunsthandel A.H. Bies B.V., Eindhoven, at TEFAF Maastricht 08] Andreas Schelfhout (1787-1870) On the beach of Scheveningen. Signed and dated lower left: 'A. Schelfhout 46'. Oil on panel, 50.5 by 67.5 cm.
Attributed works:
[Kunsthandel Schlichte Bergen, P.C. Hooftstraat 53, Amsterdam, exhibiting at the European Fine Art Fair, Maastricht, 7-16 March 2008] Carl Maria Nikolaus Hummel (Weimar 1821-1907). A view of the Marmolada in the Dolomites. Oil on canvas, 24 x 51 cm.
Attributed works:
[Moretti Gallery, Piazza degli Ottaviani, 17/r, Firenze, exhibiting at TEFAF Maastricht, March 7-16 2008] Luca Cambiaso (Moneglia, 1527-Madrid, 1585). Fighting Putti. Oil on panel, 53 x 95.5 cm.
Attributed works:
[Moretti, Florence, London and New York, at TEFAF Maastricht 08] Taddeo Gaddi (c.1300-1366). St Anthony Abbot. Panel, 98 by 43 cm.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Claesz. Still life. 1637.
Attributed works:
[Museum Briner und Kern, Winterthur, Switzerland] Pieter Lastman. Jepta and his Daughter.
Attributed works:
[Noortman, Maastricht, at TEFAF Maastricht 08] Willem van Mieris (1662-1747). A mother attending her children. Signed and dated 1728. Oil on panel, 44.5 by 38.3 cm.
Attributed works:
[Noortman, Vrijthof 49, Maastricht, at TEFAF Maastricht, 7-16 March 2008] Jan Van Huysum (1682-Amsterdam-1749). Flowers in a Terracotta Vase (detail). Oil on panel, 80 x 61 cm. Signed.
Attributed works:
[Otto Naumann, New York, at TEFAF Maastricht 08] Paulus Moreelse (1571-1638). A portrait of a gentleman, possibly a member of the Vis Blockhuysen family, wearing a black hat and a white ruff, his arm resting on a table. Signed and dated: '1621' and inscribed: 'Aeta Sua[e] 29'. Oil on unlined canvas, 24.5 by 97 cm.
Attributed works:
[Rafael Valls Ltd., London, at TEFAF Maastricht 08] Jan Davidsz. de Heem (1606-1684). A still life with a tazza, a pewter plate and a peeled lemon, a silver-gilt cup and cover and grapes on a table. Signed: 'JDHeem'. Oil on panel, 78.3 by 62.9 cm.
Attributed works:
[Richard L. Feigen & Co., New York, at TEFAF Maastricht 08] Frans Floris (1519/20-1570). Arithmetica (Arithmetic). Signed with monogram and dated, lower center: 'FF.IV.ET.FA./1557'. Oil on canvas, 151.5 by 224.2 cm.
Attributed works:
[Richard L. Feigen & Company, 34 East 69th Street, New York] Vincent van Gogh. Town View of the Hague with the Nieuwe Kerk. Circa 1882. Watercolor, pen and ink on paper.
Attributed works:
[Rijksmuseum, Amsterdam] Frans Hals. Portrait of a couple in a landscape, probably Isaac Abrahamsz. Massa (1586-1643) and Beatrix van der Laen (1592-1639). c.1622. Oil on canvas, 140 x 166.5 cm.
Attributed works:
[Rob Smeets, Milan, at TEFAF Maastricht 08] Johann-Georg De Hamilton (1672-1737). An Arab horse with a groom. Signed and dated: 'J.G. De Ham 1698'. Oil on canvas, 48.5 by 60.5 cm.
Attributed works:
[Salomon Lilian B.V., Spiegelgracht 5, Amsterdam, The Netherlands. Exhibiting at: TEFAF Maastricht, 7-16th March 2008] Edwaert Collier (Breda before 1640-Leiden or Haarlem 1707). A Vanitas Still Life with two Globes, Books, and Inkwell, a Roemer, an Hourglass, Pearls, a Lute and a Pamphlet on a draped Table. Signed and dated 1663, middle left. Oil on canvas, 43 x 51 cm.
Attributed works:
[Salomon Lilian, Amsterdam, at TEFAF Maastricht 08] Balthasar van der Ast (1593/94-1657). A still life of a pewter platter filled with grapes and pears, a Wanli porcelain dish of grapes, peaches, cherries and apricots, a Wanli porcelain vase of flowers, and scattered fruit, flowers and shells on a wooden table. Signed, lower centre. Oil on canvas, 64.1 by 114.3 cm.
Attributed works:
[Venator & Hanstein, Cäcilienstrasse 48, Cologne, Germany] Ovid. L'art d'aimer. 1935. Illustrated by A. Maillol. Binding by Semet & Plumelle.
Advertisements
Advertisements June 2007 (front)
06/2007 | 1251 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Architectural capriccio, by Giovanni Migliara (1785-1837). Signed 'Gio. Migliara' and with inscription 'ingresso d'un Palazzo Comunale, Novembre 1829 (par Migliara peinture Milanais)' on the mount. Pencil, watercolour.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Dante Gabriel Rossetti (1828-1882) The Annunciation. Pencil, watercolour and gum arabic heightened with bodycolour and scratching out, 14 1/2 x 9 1/2 in]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Rural dance (recto), study of a man's legs (verso), by Claude Gallée, called Claude Lorrain (600-1682). Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Théo van Rysselberghe. 1862 Gent (Belgium) - Saint-Claire (France) 1926. Vue de La Roche sur Guyon 1898. Watercolour over pencil on wove paper; 175 x 250 mm. Annotated, dated, dedicated and signed with monogram in red pencil at lower left: en souvenir de La Roche-Guyon - juin 1898 | à mon amie M. Closset.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Attributed to Caius Gabriel Cibber (1630-1700): An important late 17th century English sculptured stone figural group of Dementia, modelled as a distraught mother and child, circa 1680, 104cm high (41in high).]
Attributed works:
[C.G. Boerner, at Trinity Fine Art. 26 Bruton Street, W.1. Two elegant ladies in the studio or The cigarette, by Jacques Villon (1875-1963). Signed and dated. Watercolour, 42 by 38 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jacques Gamelin (1738 - Carcassonne - 1803). Mort d'un heros antique (Death of an ancient hero). Oil on paper, laid on cardboard (tondo), 20.5 x 22.5 cm. Diameter of central tondo: 16cm. Inscription on verso: 'Gamelin, Jacques born 3rd october 1738, died 1803 / study for the death of Abradate / Musée Montpellier'.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A carved oval marble portrait profile relief of Louis XV. By Louis-Claude Vassé (1717-1772), circa 1761.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino (Bologna 1581 - 1461 Naples). The Pietà. Dated 'M.DCIII' (lower left), the reverse with inscription 'NANN[?]'. Oil on copper. 20 5/8 x 15 3/8 in. (52.4 x 39.1 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jean-Honoré Fragonard (Grasse 1732-1806 Paris). L'Ile d'amour [La Fete à Rambuillet] Black chalk, pastel, watercolour and bodycolour. 10 1/2 x 14 in. (267 x 356 mm)]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Julius Schnorr von Carolsfeld. Leipzig 1794 - 1872 Dresden. Portrait of a Woman. Pen and brown ink, brown wash, 227 x 198 mm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Luis de Paret y Alcazar (1746-1799). Smugglers on shore in an imaginary coastal view. Graphite, ink and coloured wash on paper, 302x400 mm. Signed, dated and inscribed: A Dn Jseph Pais por su amigo Paret - ano de 1785 and N P O, in the artist's original mount.]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Sur le coq, by Marc Chagall (1887-1985). Signed. Watercolour, ink and gouache on paper, 24.6 by 19 cm]
Attributed works:
[Day & Faber. 173 New Bond Street. London. Sweet chestnut (Castanea Sativa), by Jean-Victor Bertin (1767-1842). Executed c.1820. Signed and inscribed in brown in 'Etude de Chataigne / Bertin fecit'. Black chalk, 55.8 by 48.3 cm]
Attributed works:
[E & R Cyzer. London. Les acrobates, by Marc Chagall. Circa 1981. Signed lower right, 'Chagall'; signed on the reverse, 'Marc Chagall'. Oil on canvas, 116 by 81 cm]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Augustus John. Tenby 1878 - Fordingbridge, Hampshire 1961. Lady Ottoline Morrell. c. 1908-10. Pencil and watercolour. 20x14 inches.]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Set for the Ballet Giselle, by Alexandre Benois (1870-1960) Watercolour, ink and ink wash, 49 by 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Mattia Preti. Taverna, 1613 - La Valette, 1699. David and Goliath. Oil on canvas, 75 x 48.5 cm (29 1/2 x 19 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jules (1788-1874), Gustave (1790-1867) and Alphonse (1791-1870) du Buisseret, by Heinrich Christoph Kolbe (1771-1836). Oil on canvas, 108 by 130.5 cm. Signed and dated: 'Kolbe f./1820']
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Matthaus Merian d.J. (Basel 1621-1687 Frankfurt). Selfportrait of the artist. Oil on canvas, 111x94.7 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ben Nicholson. 1894-1982. 1945 (still life). Oil and pencil on canvas. 14 x 23 1/2 inches; 35.6 x 61 cm. Signed and dated verso.]
Attributed works:
[Hotspur. London. A George I walnut chair back settee in the manner of Giles Grendey. c.1725]
Attributed works:
[Johnny van Haeften. London. A still life of a Wanli Kraak porcelain bowl of citrus fruit and pomegranates on a wooden table, surrounded by more of the same fruit, and a knife with a chequered handle next to it, by Jacob van Hulsdonck (1582-1647). Oil on panel, 41.5 by 56 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Four Commedia dell'Arte figures: three gentlemen and Pierrot, by Claude Gillot (1673-1772). Pen and black ink, grey and red wash, 11.7 by 19 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. The Nativity, by François Boucher (1703-1770). Red chalk, pen and brown ink, brown wash, 33.2 by 25 cm]
Attributed works:
[Keshishian, London and New York. America, a tapestry from the series The four continents, designed by Lodewijk van Schoor. Flemish, late 17th century. 235 by 424cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Miss Elliot as 'Circe', by Daniel Gardner (1750-1805). Pastel and bodycolour, 35 by 25.4 cm]
Attributed works:
[MacConnal-Mason. London. The football match, by L.S. Lowry (1887-1976). Signed and dated 1934. Oil on canvas, 40.6 by 66 cm]
Attributed works:
[Mallett, 141 New Bond St., London. Common red poppy from a collection of botanical watercolours by Emily Stackhouse (1811-1870). Watercolour on paper, 27 by 21 cm]
Attributed works:
[Mallett. London and New York. A gentleman in red riding a dappled grey horse, ond its companion piece, a lady in green habit riding side-saddle on a bay cob, by J.B. Colmart. The former signed: J B Colmart, and dated 1775]
Attributed works:
[Marks. London. A Fabergé silver-gilt mounted cut glass claret jug. Signed 'Carl Fabergé'. Moscow, c. 1895. 84 zolotniks. Height: 21.5cm]
Attributed works:
[Moretti, Florence, London, New York. Santo Vescovo, by Paolo Veneziano, Venezia (documented from 1333 to 1358). Tempera on panel, 18.4 by 13.4 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. Giovanni di Paolo. Siena, c. 1400-1482. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints. Panel, 37.5 x 26.7 cm]
Attributed works:
[Osborne Samuel. London. Phemius and Telemachus, by Henry Moore (1898-1986). 1944. Pencil, wax crayon, watercolour and pen and ink, 20.3 by 15.3 cm]
Attributed works:
[Rob Smeets. Via Camperio 9. Milano. Domenico di Bartolomeo Ubaldini, called Puligo. 1492-Florence-1527. The Virgin and Child with the infant ST. John. Oil on panel - 73x51 cm]
Attributed works:
[Rossi & Rossi. London. Crowned Vairocana. Brass, with silver and copper inlay. North-western India, Swat Valley. 7th-8th century. Height: 19.2 cm]
Attributed works:
[Sam Fogg Ltd. London. Thierry of Alsace, Count of Flanders, receiving the Relic of the Holy Blood from the Patriarch of Jerusalem (detail). A standard or processional staff. Bruges, c.1480-1500. Polychromed wood, height: 62.5 cm]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. Hans Thoman (fl. 1510 - 1525). God the Father. South Germany. Memmingen. 1520-1525.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Amleto Cataldi (Italian, 1882-1930). Medusa. White marble, on octagonal varnished wood plinth with carved inset rosettes. Marble: 195 cm. 77 in. Base: 70 by 70 by 70 cm. 27 1/2 by 27 1/2 by 27 1/2 in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-Etienne Liotard (Geneva 1702-1789). Portrait of the philosopher and naturalist Charles Bonnet. Black and red chalk over white chalk in the section of the wig. 246 by 195mm]
Attributed works:
[Stephen Ongpin Fine Art. At 22 Bury Street, St. James’s, S.W.1. Design for a monument or frontispiece, with a male and female figure flanking a cartouche, three putti holding a garland above, by Ubaldo Gandolfi (1728-1781). Pen and brown ink and brown wash, over and extensive underdrawing in red chalk, 23.6 by 20.5 cm]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Bords de Seine au Pont du Carrousel, by Henri-Joseph Harpignies (1819-1916). Signed and dated lower left 'H Harpignies 88'. Inscribed lower right 'Paris'. Watercolour, 54 by 37 cm]
Attributed works:
[Theobald Jennings. 37 Albermarle Street. W.1. Der Strand von Fehmam, by Ernst Ludwig Kirchner. 1912. Signed lower right in pencil. Pencil and watercolour.]
Attributed works:
[Thomas Katz Fine Art. London. Relief sculpture for Appicella, by Edoardo Paolozzi (1924-05). 1981. Wood and resin. 125-7 by 156.2 cm]
Attributed works:
[Thomas Williams Fine Art. 22 Old Bond Street, W.1. Head of a boy (recto), a male caricature in profile to the right, and part of a head (verso). Florentine school. c. 1520. Black and white chalk (recto), black and red chalk (verso), 11.5 by 8.6 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger Antwerp 1546 - Prague 1611. Satyrs Family. Dimensions 87 x 69 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Rest on the flight to Egypt, by Michelle Corneille (1642-1708). Black chalk, pen and brown ink, blue-grey was heightened with white on brown paper, 37.8 by 27.5 cm]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. On the road to Tunbridge, by Paul Sandby R.A. (1730-1890). Inscribed by the artist 'on the Road to Tunbridge'. Watercolour over pencil with pen and ink, 21.7 by 27.4 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Daniel Nikolaus Chodowiecki. Angel with two putti. Red and colour chalk, laid paper, 1788. Signed, dated. about 38 x 25,5 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Edward Jakob von Steinle. Maria Magdalena anoiting the feet of Jesus. Pencil, white hightening, wove paper, 1832. Dated ,,Rom 8tbr. 1832''. 33 x 31,7 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Friedrich Nerly. Venice, Torre dell'Orologio. Watercolour, wove paper, 1838. Signed, dated. 69.3 x 47.5 cm]
Non-western art unattributed:
[Harris Lindsay. London. A Chinese tripod table in the English manner. Hua-li wood inlaid with engraved brass and mother-of-pearl. Canton, c.1745. Height: 71cm. Diameter: 58.5cm]
Non-western art unattributed:
[Robert Kleiner & Co Ltd. London. A group of glass snuff bottles made for the Chinese court. c. 1720-1800. Height: 3.5 - 5.8 cm]
Western art unattributed:
[Daniel Katz. London. Male nude (Adam). Florentine, circle of Michelangelo. Mid-16th century. Bronze statuette, on integral naturalistic base set on a Venetian bronze inkwell; secured by a later bronze fitment marked in red underneath inkwell with 20th-century inventory number: 217. 18.5 cm. Overall height: 25 cm]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Northern Italy, probably Mantua, circa 1540-1560. Portrait of a man known as Marius. Bronze bust, after the Antique. Height: 47cm.]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Catalonian, Sedes Sapientiae, c.1200, polychromed wood, height: 87 cm (detail)]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Head of a man with laurel wreath. 15th century. Stone. Height: 20.3 cm]
Western art unattributed:
[Rupert Wace. London. Marble figure of Asclepius. Roman. Circa 2nd century AD. Height: 68.6cm]
Publication Received
Rijksmuseum Dossiers: Jean-Etienne Liotard (1702-1789).
04/2004 | 1213 | 146
Pages: 270
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
Reviewed Items
print:
Jean-Etienne Liotard (1702-1789) dans les collections du Musée d'art et d'histoire de Genève. | editor: Stoullig, Claire
print:
Rijksmuseum Dossiers: Jean-Etienne Liotard (1702-1789). | author: Bull, Duncan , assisted by: Macsotay Bunt, Thomas
load more