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22 articles
Exhibition Review
Andy Warhol Exhibits: A Glittering Alternative
03/2021 | 1416 | 163
Pages: 270-272
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Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Warhol, Andy / Poons, Larry / Oldenburg, Claes
dates:
2020-2030
museums and institutions:
Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, Austria
styles:
Pop art / Conceptual art / Minimalism
subjects:
American art / Capitalism / Gender / Homosexuality
Reviewed Items
subjects:
Andy Warhol Exhibits: A Glittering Alternative Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 25th September 2020–30th May 2021 Defrosting the Icebox. Guesting at mumok: The Hidden Treasures of the Collection of Greek and Roman Antiquities of the Kunsthistorisches Museum and Weltmuseum Vienna Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 25th September 2020–30th May 2021 Misfitting Together: Serial Formations of Pop Art, Minimal Art, and Conceptual Art Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 1st July 2020–25th April 2021 | :
Illustrations
Attributed works:
1. Installation view of Defrosting the Icebox. Guesting at mumok: The Hidden Treasures of the Collection of Greek and Roman Antiquities of the Kunsthistorisches Museum and Weltmuseum at Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, 2020–21.
Attributed works:
2. Installation view of Andy Warhol Exhibits: A Glittering Alternative at Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, 2020–21, showing the Marbled Paper drawings, by Andy Warhol. c.1954. Refabricated by mumok under the supervision of Marianne Dobner. (Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna).
Attributed works:
3. Nixe’s mate, by Larry Poons. 1961. Acrylic on canvas, 178 by 285 by 4 cm. (Ludwig Foundation, Vienna; exh. Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna)
Attributed works:
4. Ladies and gentlemen, by Andy Warhol. 1975. Acrylic, silkscreen on canvas, 120 by 80 cm. (Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna; © The Andy Warhol Foundation for the Visual Arts, New York / Licensed by Bildrecht Vienna).
Book Review
Drawing Degree Zero: The Line from Minimalism to Conceptual Art
12/2020 | 1413 | 162
Pages: 1114-1115
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related names
Reviewer:
Krčma, Ed (Krčma, Ed)
Subjects
artists:
Bochner, Mel / LeWitt, Sol / Castoro, Rosemarie / Rockburne, Dorothea / Tuttle, Richard
subjects:
American art / Minimalism / Conceptual art / Drawings
Reviewed Items
subjects:
Drawing Degree Zero: The Line from Minimalism to Conceptual Art By Anna Lovatt. 240 pp. incl. 39 col. + 58 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2019), $89.95. ISBN 978–0–271–08243–1. | :
Illustrations
Attributed works:
6. Guiness Martin, by Rosemarie Castoro. 1972. Masonite, wood, gesso, graphite and modelling paste, 91.44 by 457.2 cm. (© Estate of Rosemarie Castoro; photograph Roberto Ruiz / MACBA).
Exhibition Review
Andy Warhol—From A to B and Back Again. Whitney Museum of American Art, New York
02/2019 | 1391 | 161
Pages: 158-161
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Reviewer:
Kachur, Lewis (Kachur, Lewis)
Subjects
artists:
Warhol, Andy
dates:
2010-2019
media:
Installations (visual works) / Paintings / Photographs / Screen prints / Prints / Drawings / Sketches / Wallpaper / Videos / Magazine covers / Sculpture
museums and institutions:
Whitney Museum of American Art, New York, United States
places:
United States / New York
subjects:
American painting (United States of America) / Pop art / Design / Graphic design / Television / Illustrations / Politics / LGBT / Portraits / Minimalism / Conceptual art
Illustrations
Attributed works:
25. Installation view of Andy Warhol—From A to B and Back Again at the Whitney Museum of American Art, New York (Photograph by Ron Amstutz; © 2018 The Andy Warhol Foundation for the Visual Arts).
Attributed works:
26. Mao, by Andy Warhol. 1972. Acrylic, silkscreen ink and graphite on linen, 448 by 347 cm. (Art Institute of Chicago;  © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Attributed works:
27. Christine Jorgenson, by Andy Warhol. 1956. Collaged metal leaf and embossed foil with ink on paper, 32.9 by 40.7 cm. (Sammlung Froehlich, LeinfeldenEchterdingen; © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Book Review
Live Form: Women, Ceramics and Community. By Jenni Sorkin
02/2019 | 1391 | 161
Pages: 174-175
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Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
artists:
Wildenhain, Marguerite / Richards, M.C. / Peterson, Susan / Karnes, Karen / Mason, John / Price, Kenneth / Voulkos, Peter
dates:
1900-1999 / 1950-1999
media:
Ceramics
places:
United States
subjects:
American sculpture (United States of America) / Women / Women artists / Clay / Decorative arts / Feminism / Politics / Holocaust (1939-1945) / Jews / Study and teaching / Techniques / Conceptual art / Minimalism / Television
Exhibition Review
Space Shifters. Hayward Gallery, London
12/2018 | 1389 | 160
Pages: 1060-1063
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related names
Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
artists:
Irwin, Robert / Kapoor, Anish / Hein, Jeppe / McElheny, Josiah / Steegmann Mangrané, Daniel / Kwade, Alicja / Eversley, Fred / Pashgian, Helen / Yayoi Kusama, b. 1929 / Sosnowska, Monika / Janssens, Ann Veronica / Horn, Roni / Antunes, Leonor / Valentine, DeWain / Gonzáles-Torres, Felix / Wilson, Richard, b.1953 / Posenenske, Charlotte
dates:
2010-2019
media:
Sculpture / Installations (visual works)
museums and institutions:
Hayward Gallery, London, Great Britain
places:
Great Britain / London
subjects:
American sculpture (United States of America) / Light / Space (form and composition concept) / Perception / Nature / Minimalism / Mirrors / Dancers / Science / Engineering
Illustrations
Attributed works:
27. Installation view of Shape Shifters at the Hayward Gallery, London. (Photograph Mark Blower).
Attributed works:
28. Installation view of WeltenLinie (2017), by Alicja Kwade, at the Hayward Gallery, London. (Photograph Mark Blower; copyright the artist).
Attributed works:
29. Installation view of 20:50 (1987), by Richard Wilson, at the Hayward Gallery, London. (Photograph Mark Blower; copyright the artist).
Exhibition Review
Shape of Light: 100 Years of Photography and Abstract Art. Tate Modern, London
10/2018 | 1387 | 160
Pages: 865-867
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Reviewer:
Cork, Richard (Cork, Richard)
Subjects
art literature:
Pound, Ezra
artists:
Stieglitz, Alfred / Strand, Paul / Coburn, Alvin Langdon / Lewis, Wyndham / Braque, Georges / Kandinsky, Wassily / Mondrian, Piet / Steichen, Edward / Brancusi, Constantin / Moholy-Nagy, László / Man Ray / Picasso, Pablo / Weston, Edward / Riley, Bridget, London , Great Britain / Andre, Carl / Ruff, Thomas
artists:
Dubreuil, Pierre / Hoepffner, Marta / Lorca, German / Siskind, Aaron / Jacobi, Lotte / Kolářová, Běla / Rochat, Maya
dates:
2010-2019
media:
Photographs / Paintings / Sculpture
museums and institutions:
Tate Modern, London, Great Britain
places:
Great Britain / London
subjects:
Photography / Abstract art / Modernism / Surrealism / Minimalism / Vorticism / Law / Magazines (periodicals) / Artists' magazines
Illustrations
Attributed works:
23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).
Exhibition Review
Rachel Whiteread. London
02/2018 | 1379 | 160
Pages: 155-158
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related names
Reviewer:
Archer, Michael (Archer, Michael)
Subjects
artists:
Whiteread, Rachel
dates:
2010-2019
media:
Sculpture
museums and institutions:
Tate Britain, London, Great Britain / National Gallery of Art, Washington, United States
places:
Great Britain / London / United States / Washington DC
subjects:
British sculpture / Casts (sculpture) / Public sculpture / Minimalism / Post-minimalism
Illustrations
Attributed works:
23. Chicken shed, by Rachel Whiteread. 2017. Concrete, 216 by 229 by 278 cm. (Courtesy of the artist; © Rachel Whiteread; exh. Tate Britain, London).
Attributed works:
24. Untitled (One hundred spaces), by Rachel Whiteread. 1995. Resin, various dimensions (Pinault Collection, Venice; © Rachel Whiteread; exh. Tate Britain, London).
Attributed works:
25. Due Porte, by Rachel Whiteread. 2016. Resin, 247 by 124 by 8 cm. (Galleria Lorcan O’Neill, Rome; © Rachel Whiteread).
Book Review
Donald Judd Writings. Edited by Flavin Judd and Caitlin Murray
11/2017 | 1376 | 159
Pages: 922
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related names
Reviewer:
Rider, Alistair (Rider, Alistair)
Subjects
art literature:
Artists' writings
artists:
Judd, Donald
dates:
1900-1999
styles:
Minimalism / American art
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
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related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
artists:
Beuys, Joseph / Moore, Henry Spencer, 1898-1986 / Auerbach, Frank / Hesse, Eva / Krasner, Lee / Kossoff, Leon / Lassnig, Maria / Schneemann, Carolee / Vedova, Emilio / Rauschenberg, Robert / Pollock, Jackson / Mitchell, Joan
artists:
Ono, Yoko / Uecker, Günther / Johns, Jasper / Neel, Alice / Rivers, Larry / Warhol, Andy / Andre, Carl / Kelly, Ellsworth / Reinhardt, Ad / Albers, Josef / Pasmore, Victor / Martin, Kenneth / Martin, Mary / Twombly, Cy
dates:
2010-2019
museums and institutions:
Haus der Kunst, Munich, Germany
places:
Munich / Germany
subjects:
Reviews / Exhibitions
subjects:
Politics / Philosophy / Modernism
subjects:
Abstract art / Minimalism / Colonial
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Exhibition Review
Inventing Downtown. New York
04/2017 | 1369 | 159
Pages: 346-347
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related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
2010-2019
dates:
1950-1959 / 1960-1969
places:
United States / New York
private galleries:
Grey Art Gallery, New York, United States
subjects:
Reviews / Exhibitions / Galleries (display spaces) / Artists / Artists' groups and associations / American (United States of America) / History
subjects:
Abstract Expressionism / Minimalism / Pop art
Illustrations
Attributed works:
91. Ada Ada, by Alex Katz. 1959 (Grey Art Gallery, New York)
Attributed works:
92. Untitled, by Norman Lewis. 1965 (Courtesy Seth Taffae Gallery, New York; exh. Grey Art Gallery, New York)
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